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Marxist Film Theory And Fight Club
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Book Synopsis Marxist Film Theory and Fight Club by : Anna Kornbluh
Download or read book Marxist Film Theory and Fight Club written by Anna Kornbluh and published by Bloomsbury Publishing USA. This book was released on 2019-05-02 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.
Book Synopsis Marxist Film Theory and Fight Club by : Anna Kornbluh
Download or read book Marxist Film Theory and Fight Club written by Anna Kornbluh and published by Bloomsbury Publishing USA. This book was released on 2019-05-02 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.
Book Synopsis Marxist Film Theory and Fight Club by : Anna Kornbluh
Download or read book Marxist Film Theory and Fight Club written by Anna Kornbluh and published by Bloomsbury Publishing USA. This book was released on 2019-05-02 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anna Kornbluh provides an overview of Marxist approaches to film, with particular attention to three central concepts in Marxist theory in general that have special bearing on film: “the mode of production,” “ideology,” and “mediation.” In explaining how these concepts operate and how they have been used and misused in film studies, the volume employs a case study to exemplify the practice of Marxist film theory. Fight Club is an exceptionally useful text with which to explore these three concepts because it so vividly and pedagogically engages with economic relations, ideological distortion, and opportunities for transformation. At the same time, it is a very typical film in terms of the conditions of its production, its marketing, and its popularity. Adapted from a novel by Chuck Palahniuk, the film is a contemporary classic that has lent itself to significant re-interpretation with every shift in the political economic landscape since its debut. Marxist Film Theory and Fight Club models a detailed cinematic interpretation that students can practice with other films, and furnishes a set of ideas about cinema and society that can be carried into other kinds of study, giving students tools for analyzing culture broadly defined.
Download or read book Ayoade on Top written by Richard Ayoade and published by Faber & Faber. This book was released on 2019-09-03 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Ayoade - in this foren, perhaps one of the most 'insubstantial' people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don't care about. It's a journey deep within, in a way that's respectful and non-invasive; a journey for which we will all pay a heavy price, even if you've waited for the smaller paperback edition. Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet's gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."
Book Synopsis The Order of Forms by : Anna Kornbluh
Download or read book The Order of Forms written by Anna Kornbluh and published by University of Chicago Press. This book was released on 2019-11-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: In literary studies today, debates about the purpose of literary criticism and about the place of formalism within it continue to simmer across periods and approaches. Anna Kornbluh contributes to—and substantially shifts—that conversation in The Order of Forms by offering an exciting new category, political formalism, which she articulates through the co-emergence of aesthetic and mathematical formalisms in the nineteenth century. Within this framework, criticism can be understood as more affirmative and constructive, articulating commitments to aesthetic expression and social collectivity. Kornbluh offers a powerful argument that political formalism, by valuing forms of sociability like the city and the state in and of themselves, provides a better understanding of literary form and its political possibilities than approaches that view form as a constraint. To make this argument, she takes up the case of literary realism, showing how novels by Dickens, Brontë, Hardy, and Carroll engage mathematical formalism as part of their political imagining. Realism, she shows, is best understood as an exercise in social modeling—more like formalist mathematics than social documentation. By modeling society, the realist novel focuses on what it considers the most elementary features of social relations and generates unique political insights. Proposing both this new theory of realism and the idea of political formalism, this inspired, eye-opening book will have far-reaching implications in literary studies.
Book Synopsis Fredric Jameson and The Wolf of Wall Street by : Clint Burnham
Download or read book Fredric Jameson and The Wolf of Wall Street written by Clint Burnham and published by Bloomsbury Publishing USA. This book was released on 2016-10-20 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. Fredric Jameson and The Wolf of Wall Street offers a concise introduction to Jameson in jargon-free language and shows how his Marxist theories can be deployed to interpret Martin Scorsese's critically acclaimed 2013 film The Wolf of Wall Street. Beginning with a detailed account of Jameson's extensive writings on Marxist theory and how they have been deployed in the analysis of film writings, Clint Burnham then illustrates how Jameson's theory can help to make sense of The Wolf of Wall Street, a film that shows in all its glory the excesses, lunacies, and inner workings of 1990s finance capitalism. As Jameson has influentially argued, films like The Wolf of Wall Street are both complicit in and critical of their historical subject: Scorsese's film is not about the richest stockbrokers, but the Long Island penny traders who made it big. As a narrative of American success, it is also a film about failure. Clint Burnham's reading of Jameson and The Wolf of Wall Street is a book about a contemporary film, and contemporary events, and contemporary theory.
Book Synopsis Political Theory and Film by : Ian Fraser
Download or read book Political Theory and Film written by Ian Fraser and published by Rowman & Littlefield. This book was released on 2018-01-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Book Synopsis Documentary Film: A Very Short Introduction by : Patricia Aufderheide
Download or read book Documentary Film: A Very Short Introduction written by Patricia Aufderheide and published by Oxford University Press. This book was released on 2007-11-28 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.
Download or read book Film as Philosophy written by R. Read and published by Springer. This book was released on 2005-09-27 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood comedies, war films, Eastern European art films, science fiction, showing how film and watching it can not only illuminate philosophy but, in an important sense, be doing philosophy. The book is crowned with an interview with Wittgensteinian philosopher Stanley Cavell, discussing his interests in philosophy and in film and how they can come together.
Book Synopsis The Interplay Between Political Theory and Movies by : Ulrich Hamenstädt
Download or read book The Interplay Between Political Theory and Movies written by Ulrich Hamenstädt and published by Springer. This book was released on 2018-10-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents essays and scientific contributions examining the link between popular media and politics. The essays focus on the question of how political and social change, concepts of power, and utopian elements are reflected in selected films and television series. The book applies a political science perspective, covering theories from political philosophy, political sociology and international relations, and examines a wide range of movies and TV series, such as The Godfather, Fight Club, The Walking Dead and Game of Thrones. It will appeal to anyone interested in studying how political ideas, concepts and messages can be illustrated and visualized using the complex media of movies and TV series.
Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Book Synopsis American Eccentric Cinema by : Kim Wilkins
Download or read book American Eccentric Cinema written by Kim Wilkins and published by Bloomsbury Publishing USA. This book was released on 2019-02-21 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
Book Synopsis The Revolutionary Philosophy of Marxism by : Karl Marx
Download or read book The Revolutionary Philosophy of Marxism written by Karl Marx and published by Marxist Books. This book was released on 2018-11-22 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Selection of Writings on Dialectical Materialism by Marx, Engels, Lenin, Trotsky, Plekhanov, and Luxemburg, and Alan Woods. Edited by John Peterson with an Introduction by Alan Woods. On the bicentennial of his birth, Karl Marx’s ideas are more relevant than ever. While he is perhaps best known for his writings on economics and history, anyone who wishes to have a fully rounded understanding of his method must strive to master dialectical materialism, which itself resulted from an assiduous study and critique of Hegel. Dialectical materialism is the logic of motion, development, and change. By embracing contradiction instead of trying to write it out of reality, dialectics allows Marxists to approach processes as they really are, not as we would like them to be. In this way we can understand and explain the essential class interests at stake in our fight against capitalist exploitation and oppression. At every decisive turning point in history, scientific socialists must go back to basics. Marxist theory represents the synthesized experience, historical memory, and guide to action of the working class. The Revolutionary Philosophy of Marxism aims to arm the new generation of revolutionary socialists with these essential ideas.
Book Synopsis The Revolt of The Public and the Crisis of Authority in the New Millennium by : Martin Gurri
Download or read book The Revolt of The Public and the Crisis of Authority in the New Millennium written by Martin Gurri and published by Stripe Press. This book was released on 2018-12-04 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
Book Synopsis The End of Cinema as We Know it by : Jon Lewis
Download or read book The End of Cinema as We Know it written by Jon Lewis and published by Pluto Press. This book was released on 2002 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Book Synopsis Bakhtin and the Movies by : M. Flanagan
Download or read book Bakhtin and the Movies written by M. Flanagan and published by Springer. This book was released on 2009-05-29 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
Book Synopsis Marxist Literary Criticism Today by : Barbara C. Foley
Download or read book Marxist Literary Criticism Today written by Barbara C. Foley and published by Pluto Press (UK). This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first introduction to Marxist literary criticism in decades, Barbara Foley argues that Marxism continues to offer the best framework for exploring the relationship between literature and society. She lays out in clear terms the principal aspects of Marxist methodology--historical materialism, political economy, and ideology critique--as well as key debates about the nature of literature and the goals of literary criticism and pedagogy. Examining a wide range of texts through the empowering lens of Marxism--from Jane Austen's Pride and Prejudice to E. L. James's Fifty Shades of Grey, from Frederick Douglass's 'What to the Slave Is the Fourth of July?' to Annie Proulx's 'Brokeback Mountain'--Foley provides a clear and compelling textbook of Marxist literary criticism.
