Linguistics And Semiotics In Music

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Linguistics and Semiotics in Music

Author : Raymond Monelle
Publisher : Routledge
ISBN 13 : 1134346662
Total Pages : 366 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Linguistics and Semiotics in Music by : Raymond Monelle

Download or read book Linguistics and Semiotics in Music written by Raymond Monelle and published by Routledge. This book was released on 2014-04-08 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology.

Linguistics and Semiotics in Music

Author : Raymond Monelle
Publisher : Routledge
ISBN 13 : 1134346735
Total Pages : 384 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Linguistics and Semiotics in Music by : Raymond Monelle

Download or read book Linguistics and Semiotics in Music written by Raymond Monelle and published by Routledge. This book was released on 2014-04-08 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook for advanced students explains the various applications to music of methods derived from linguistics and semiotics. The book is aimed at musicians familiar with the ordinary range of aesthetic and theoretical ideas in music; no specialized knowledge of linguistic or semiotic terminology is necessary. In the two introductory chapters, semiotics is related to the tradition of music aesthetics and to well-known works like Deryck Cooke's The Language of Music, and the methods of linguistics are explained in language intelligible to musicians. There is no limitation to one school or tradition; linguistic applications not avowedly semiotic, and semiotic theories not connected with linguistics, are all included. The book gives clear and simple descriptions with ample diagrams and music examples of the 'neutral level', 'semiotic analysis', transformation and generation, structural semantics and narrative grammar, intonation theory, the ideas of C.S. Peirce, and applications in ethnomusicology.

Linguistics and Semiotics in Music

Author : Raymond Monelle
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (643 download)

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Book Synopsis Linguistics and Semiotics in Music by : Raymond Monelle

Download or read book Linguistics and Semiotics in Music written by Raymond Monelle and published by . This book was released on 1992 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Semiotics of Musical Time

Author : Thomas Reiner
Publisher : Peter Lang Incorporated, International Academic Publishers
ISBN 13 :
Total Pages : 272 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Semiotics of Musical Time by : Thomas Reiner

Download or read book Semiotics of Musical Time written by Thomas Reiner and published by Peter Lang Incorporated, International Academic Publishers. This book was released on 2000 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Semiotics of Musical Time investigates the link between musical time and the world of signs and symbols. It examines the extent to which musical time is a product of signs, sign systems, and sign-oriented behavior. Sound is discussed as a potential sign of time and of musical time. Inherent and recognizable temporal features are identified in a number of musical works. Time as a compositional concern is examined in the case of Igor Stravinsky and Karlheinz Stockhausen. A principal distinction between hearing associated with perception and listening associated with cognition provides the basis for the proposition that musical time is both unheard and imperceptible. The role of concepts, and their designations, is investigated to demonstrate that consciousness of musical time involves semiotic processes.

Signs of Music

Author : Eero Tarasti
Publisher : Walter de Gruyter
ISBN 13 : 3110899876
Total Pages : 232 pages
Book Rating : 4.1/5 (18 download)

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Book Synopsis Signs of Music by : Eero Tarasti

Download or read book Signs of Music written by Eero Tarasti and published by Walter de Gruyter. This book was released on 2012-05-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.

Semiotics of Classical Music

Author : Eero Tarasti
Publisher : Walter de Gruyter
ISBN 13 : 1614511411
Total Pages : 508 pages
Book Rating : 4.6/5 (145 download)

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Book Synopsis Semiotics of Classical Music by : Eero Tarasti

Download or read book Semiotics of Classical Music written by Eero Tarasti and published by Walter de Gruyter. This book was released on 2012-10-01 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical semiotics is a new discipline and paradigm of both semiotics and musicology. In its tradition, the current volume constitutes a radically new solution to the theoretical problem of how musical meanings emerge and how they are transmitted by musical signs even in most "absolute" and abstract musical works of Western classical heritage. Works from symphonies, lied, chamber music to opera are approached and studied here with methods of semiotic inspiration. Its analyses stem from systematic methods in the author's previous work, yet totally new analytic concepts are also launched in order to elucidate profound musical significations verbally. The book reflects the new phase in the author's semiotic approach, the one characterized by the so-called "existential semiotics" elaborated on the basis of philosophers from Kant , Hegel and Kierkegaard to Jaspers, Heidegger, Sartre and Marcel. The key notions like musical subject, Schein, becoming, temporality, modalities, Dasein, transcendence put musical facts in a completely new light and perspectives of interpretation. The volume attempts to make explicit what is implicit in every musical interpretation, intuition and understanding: to explain how compositions and composers "talk" to us. Its analyses are accessible due to the book's universal approach. Music is experienced as a language, communicating from one subject to another.

The Music of Meaning

Author : Per Aage Brandt
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527539261
Total Pages : 334 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis The Music of Meaning by : Per Aage Brandt

Download or read book The Music of Meaning written by Per Aage Brandt and published by Cambridge Scholars Publishing. This book was released on 2019-08-30 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is about meaning in music, poetry, and language; it is about signs: symbols, icons, diagrams, and more. It concerns art and how we communicate, how we make sense to each other—including the concept of nonsense. It is about metaphor and irony. It embraces a vast human universe of signification and some of its cognitive machines of meaning-making: a complex and diverse unfolding of the expressive human mind. These 24 essays study different aspects of the way we signify, present recent research and models of such processes, and discuss the—often intricate—problems of understanding the relations between expression and thought. In evolution, music may have preceded the language of words, and music remains indirectly present in every temporal unfolding of bodily, affective, playful, meaningful activity. We are immersed in meaning and have to ‘listen’ to it since it constitutes the semiotic reality structuring the world as we experience it.

The Sense of Music

Author : Raymond Monelle
Publisher : Princeton University Press
ISBN 13 : 1400824036
Total Pages : 265 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis The Sense of Music by : Raymond Monelle

Download or read book The Sense of Music written by Raymond Monelle and published by Princeton University Press. This book was released on 2010-09-17 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fictional Dr. Strabismus sets out to write a new comprehensive theory of music. But music's tendency to deconstruct itself combined with the complexities of postmodernism doom him to failure. This is the parable that frames The Sense of Music, a novel treatment of music theory that reinterprets the modern history of Western music in the terms of semiotics. Based on the assumption that music cannot be described without reference to its meaning, Raymond Monelle proposes that works of the Western classical tradition be analyzed in terms of temporality, subjectivity, and topic theory. Critical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense--what a piece of music says and signifies--can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporalities and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality." This theoretical innovation allows Monelle to describe how the Classical style of the eighteenth century--which he reads as a balance of lyric and progressive time--gave way to the Romantic need for emotional realism. He argues that irony and ambiguity subsequently eroded the domination of personal emotion in Western music as well as literature, killing the composer's subjectivity with that of the author. This leaves Dr. Strabismus suffering from the postmodern condition, and Raymond Monelle with an exciting, controversial new approach to understanding music and its history.

Musical Signification

Author : Eero Tarasti
Publisher : Walter de Gruyter
ISBN 13 : 3110885182
Total Pages : 613 pages
Book Rating : 4.1/5 (18 download)

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Book Synopsis Musical Signification by : Eero Tarasti

Download or read book Musical Signification written by Eero Tarasti and published by Walter de Gruyter. This book was released on 2011-09-06 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music, Analysis, Experience

Author : Costantino Maeder
Publisher : Leuven University Press
ISBN 13 : 9462700443
Total Pages : 357 pages
Book Rating : 4.4/5 (627 download)

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Book Synopsis Music, Analysis, Experience by : Costantino Maeder

Download or read book Music, Analysis, Experience written by Costantino Maeder and published by Leuven University Press. This book was released on 2015-12-07 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transdisciplinary and intermedial analysis of the experience of music Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy. ContributorsPaulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Małgorzata Pawłowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczysław Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)

Semiotics and the Philosophy of Language

Author : Umberto Eco
Publisher : Indiana University Press
ISBN 13 : 9780253203984
Total Pages : 260 pages
Book Rating : 4.2/5 (39 download)

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Book Synopsis Semiotics and the Philosophy of Language by : Umberto Eco

Download or read book Semiotics and the Philosophy of Language written by Umberto Eco and published by Indiana University Press. This book was released on 1986-07-22 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Eco wittily and enchantingly develops themes often touched on in his previous works, but he delves deeper into their complex nature . . . this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement

Is Language a Music?

Author : David Lidov
Publisher : Indiana University Press
ISBN 13 : 9780253343833
Total Pages : 288 pages
Book Rating : 4.3/5 (438 download)

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Book Synopsis Is Language a Music? by : David Lidov

Download or read book Is Language a Music? written by David Lidov and published by Indiana University Press. This book was released on 2005 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: If music is a universal language, is language a universal music?

The Semiotic Elements in Music and Language in "Song of the Lark: March" by Tchaikovsky

Download The Semiotic Elements in Music and Language in

Author : Andrea Fung
Publisher : GRIN Verlag
ISBN 13 : 3668525579
Total Pages : 17 pages
Book Rating : 4.6/5 (685 download)

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Book Synopsis The Semiotic Elements in Music and Language in "Song of the Lark: March" by Tchaikovsky by : Andrea Fung

Download or read book The Semiotic Elements in Music and Language in "Song of the Lark: March" by Tchaikovsky written by Andrea Fung and published by GRIN Verlag. This book was released on 2017-09-15 with total page 17 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2017 in the subject Musicology - Miscellaneous, , language: English, abstract: Semiotics has proven to be an effective way to describe and analyse music. It can also be used as a basis for comparing the language and music of a certain culture. From a cultural or cognitive point of view, the purpose of music and language research is to find out some form of their external structure. Using the method of semiotics allows us to understand the structure of music and language on the basis of the structure, as well as how they relate to their cultural environment and their cognitive and neural basis.

Music as Multimodal Discourse

Author : Lyndon C. S. Way
Publisher : Bloomsbury Publishing
ISBN 13 : 1474264433
Total Pages : 256 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Music as Multimodal Discourse by : Lyndon C. S. Way

Download or read book Music as Multimodal Discourse written by Lyndon C. S. Way and published by Bloomsbury Publishing. This book was released on 2017-01-26 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. Music as Multimodal Discourse: Semiotics, Power and Protest considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging.

Myth and Music

Author : Eero Tarasti
Publisher : Walter de Gruyter
ISBN 13 : 3110808757
Total Pages : 369 pages
Book Rating : 4.1/5 (18 download)

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Book Synopsis Myth and Music by : Eero Tarasti

Download or read book Myth and Music written by Eero Tarasti and published by Walter de Gruyter. This book was released on 2012-01-02 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Elements of Semiology

Author : Roland Barthes
Publisher : Macmillan
ISBN 13 : 9780374521462
Total Pages : 116 pages
Book Rating : 4.5/5 (214 download)

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Book Synopsis Elements of Semiology by : Roland Barthes

Download or read book Elements of Semiology written by Roland Barthes and published by Macmillan. This book was released on 1968 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In his Course in General Linguistics, first published in 1916, Saussure postulated the existence of a general science of signs, or Semiology, of which linguistics would form only one part. Semiology, therefore aims to take in any system of signs, whatever their substance and limits; images, gestures, musical sounds, objects, and the complex associations of all these, which form the content of ritual, convention or public entertainment: these constitute, if not languages, at least systems of signification . . . The Elements here presented have as their sole aim the extraction from linguistics of analytical concepts which we think a priori to be sufficiently general to start semiological research on its way. In assembling them, it is not presupposed that they will remain intact during the course of research; nor that semiology will always be forced to follow the linguistic model closely. We are merely suggesting and elucidating a terminology in the hope that it may enable an initial (albeit provisional) order to be introduced into the heterogeneous mass of significant facts. In fact what we purport to do is furnish a principle of classification of the questions. These elements of semiology will therefore be grouped under four main headings borrowed from structural linguistics: I. Language and Speech; II. Signified and Signifier; III. Syntagm and System; IV. Denotation and Connotation."--Roland Barthes, from his Introduction

Music as Discourse

Author : Kofi Agawu
Publisher : Oxford University Press
ISBN 13 : 9780199708314
Total Pages : 352 pages
Book Rating : 4.7/5 (83 download)

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Book Synopsis Music as Discourse by : Kofi Agawu

Download or read book Music as Discourse written by Kofi Agawu and published by Oxford University Press. This book was released on 2008-12-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. Is music a language? Does it communicate specific ideas and emotions? What does music mean, and how does this meaning occur? Kofi Agawu's Music as Discourse has become a standard and definitive work in musical semiotics. Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, Agawu presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself--composed not only of sequences of gestures, phrases, or progressions, but rather also of the very philosophical and linguistic props that enable the analytical formulations made about music as an object of study. The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language. Music as Discourse is an essential read for all who are interested in the theory, analysis and semiotics of music of the romantic period.