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Lettre De Gilbert Duprez
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Book Synopsis Lettre de Gilbert Duprez à Monsieur le Comte, 29 décembre 1866 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur le Comte, 29 décembre 1866 written by Gilbert Duprez and published by . This book was released on 1866 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur le Directeur, 30 janvier 1883 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur le Directeur, 30 janvier 1883 written by Gilbert Duprez and published by . This book was released on 1883 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Zünner, 3 novembre 1846 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Zünner, 3 novembre 1846 written by Gilbert Duprez and published by . This book was released on 1846 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Wekerlin, 9 avril 1897 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Wekerlin, 9 avril 1897 written by Gilbert Duprez and published by . This book was released on 1897 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Wekerlin, 22 avril 1875 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Wekerlin, 22 avril 1875 written by Gilbert Duprez and published by . This book was released on 1875 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Ambroise Thomas, 17 avril 1891 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Ambroise Thomas, 17 avril 1891 written by Gilbert Duprez and published by . This book was released on 1891 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Wekerlin, 13 Mars 1873 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Wekerlin, 13 Mars 1873 written by Gilbert Duprez and published by . This book was released on 1873 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Lettre de Gilbert Duprez à Monsieur Wekerlin, 9 octobre 1875 by : Gilbert Duprez
Download or read book Lettre de Gilbert Duprez à Monsieur Wekerlin, 9 octobre 1875 written by Gilbert Duprez and published by . This book was released on 1875 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Billet signée de Gilbert Duprez, 11 avril 1856 by : Gilbert Duprez
Download or read book Billet signée de Gilbert Duprez, 11 avril 1856 written by Gilbert Duprez and published by . This book was released on 1856 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music Drama at the Paris Odéon, 1824–1828 by : Mark Everist
Download or read book Music Drama at the Paris Odéon, 1824–1828 written by Mark Everist and published by Univ of California Press. This book was released on 2002-12-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: By illuminating the working of one of the most prominent opera houses of the period, Everist reveals how the opera scene in Paris shaped the history of opera.
Book Synopsis Music, Theater, and Cultural Transfer by : Annegret Fauser
Download or read book Music, Theater, and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
Download or read book Opera Plots written by Waldemar Rieck and published by . This book was released on 1927 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Bulletin of the New York Public Library by : New York Public Library
Download or read book Bulletin of the New York Public Library written by New York Public Library and published by . This book was released on 1926 with total page 1044 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes its Report, 1896-19 .
Download or read book D'une scène à l'autre, vol.2 written by and published by Editions Mardaga. This book was released on with total page 535 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Chopin and His Work in the Context of Culture by : International Musicological Congress
Download or read book Chopin and His Work in the Context of Culture written by International Musicological Congress and published by . This book was released on 2003 with total page 566 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Opéra-Comique by : Robert Ignatius Letellier
Download or read book Opéra-Comique written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 780 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opéra-comique, like grand opéra, a specifically French genre of opera, emerged from the political changes and intellectual discussion that played a recurrent role in determining the nature of artistic expression and production in Paris from the late 17th until the mid-18th centuries. Opéra-comique is distinguished by its use of spoken dialogue to link the arias and sung parts, and its more restrained use of recitatives. It emerged out of the popular entertainments, called opéras-comiques en vaudevilles, that were a feature of the theatres held at the seasonal Parisian fairs of St Germain and St Laurent, and of the Comédie-Italienne. The similarity of the entertainments provided by the Comédie-Italienne and the fairs resulted in their amalgamation on 3 February 1756, when they established a theatre for their joint productions, the Hôtel Bourgogne. Their type of entertainment, combining existing popular tunes with spoken sections, lent its generic name to this house, which, regardless of its changing venue, would become known as the Opéra-Comique. The genre of opéra-comique exercised a powerful popular appeal because of its unique fusion of fixed musical form with fluid improvised dialogue. The well-known airs of the day, invariably strophic, came to be the genre’s staple medium of artistic expression—the couplets. But opéra-comique was not necessarily comic or light in nature. Indeed, the most famous example, Bizet’s Carmen (1875), is a tragedy. The genre, with its unique mixture of comedy and drama, its captivating musical fluency, its handling of serious and Romantic themes—expertly crafted by its most famous librettist Augustin-Eugène Scribe (1791-1861)—became universally popular in the masterpieces of its heyday between 1820 and 1870: Adrien Boieldieu’s La Dame blanche (1825), Daniel-François-Esprit Auber’s Fra Diavolo (1830) and Le Domino noir (1837), Ferdinand Hérold’s Zampa (1831) and Le Pré aux clercs (1832), Fromental Halévy’s L’Éclair (1835) and Ambroise Thomas’s Mignon (1866). The history of the opéra-comique between 1762 and 1915 reflects the political and cultural life of France—from the last days of the ancien régime, through the tumult of the Revolution and Napoleonic era, the July Monarchy and Second Empire, to the shattering defeat of France by Prussia in 1870. After this, apart from isolated works (by Bizet, Delibes, Offenbach, Massenet), new works by the younger generation of musicians now tended to be French adaptations of the Wagnerian aesthetic and the record of success is very thin. Hardly any native French works in this imitative mode premiered at the Opéra-Comique between 1870 and 1915 have survived—apart from Debussy’s unique Pelléas et Mélisande (1902). This study serves as a sourcebook for this very French genre, with details of forgotten composers, their operas—performance dates, plot summaries, the singers who created them, the names of important numbers in the works (from libretti and scores that are either now to be found only in the Paris libraries, or are lost completely), often with contemporary observations about the reception of particular works, the effectiveness of their dramaturgy and music. It provides a resource for operatic culture and convention, from the late 18th to the early 20th centuries. The record of the fortunes of the Opéra-Comique provides a way into the changing culture and aesthetic values of an age.
Book Synopsis Reading Critics Reading by : Roger Parker
Download or read book Reading Critics Reading written by Roger Parker and published by Oxford : Oxford University Press. This book was released on 2001 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.