Lettre de Florent Schmitt à M.-D. Calvocoressi, (S. l. n. d.)

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ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (494 download)

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Book Synopsis Lettre de Florent Schmitt à M.-D. Calvocoressi, (S. l. n. d.) by : Florent Schmitt

Download or read book Lettre de Florent Schmitt à M.-D. Calvocoressi, (S. l. n. d.) written by Florent Schmitt and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Lettre de Florent Schmitt à M.-D. Calvocoressi, Artiguemy (Htes Pyr., sans date)

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ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (494 download)

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Book Synopsis Lettre de Florent Schmitt à M.-D. Calvocoressi, Artiguemy (Htes Pyr., sans date) by : Florent Schmitt

Download or read book Lettre de Florent Schmitt à M.-D. Calvocoressi, Artiguemy (Htes Pyr., sans date) written by Florent Schmitt and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Lettre de Florent Schmitt à M.-D. Calvocoressi, Gerde s/Bigorre (Htes Pyr., sans date)

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ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (494 download)

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Book Synopsis Lettre de Florent Schmitt à M.-D. Calvocoressi, Gerde s/Bigorre (Htes Pyr., sans date) by : Florent Schmitt

Download or read book Lettre de Florent Schmitt à M.-D. Calvocoressi, Gerde s/Bigorre (Htes Pyr., sans date) written by Florent Schmitt and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Lettre de Michael D. Calvocoressi à Florent Schmitt, Paris, 5 mars 1912

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ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (494 download)

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Book Synopsis Lettre de Michael D. Calvocoressi à Florent Schmitt, Paris, 5 mars 1912 by : Michel Dimitri Calvocoressi

Download or read book Lettre de Michael D. Calvocoressi à Florent Schmitt, Paris, 5 mars 1912 written by Michel Dimitri Calvocoressi and published by . This book was released on 1912 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Erik Satie: Music, Art and Literature

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Publisher : Routledge
ISBN 13 : 1317141792
Total Pages : 368 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Erik Satie: Music, Art and Literature by : Caroline Potter

Download or read book Erik Satie: Music, Art and Literature written by Caroline Potter and published by Routledge. This book was released on 2016-05-13 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

Musicians Gallery

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Publisher : London : Faber and Faber
ISBN 13 :
Total Pages : 358 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Musicians Gallery by : Michel D. Calvocoressi

Download or read book Musicians Gallery written by Michel D. Calvocoressi and published by London : Faber and Faber. This book was released on 1933 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Stravinsky in Pictures and Documents

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Publisher : Simon & Schuster
ISBN 13 :
Total Pages : 728 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Stravinsky in Pictures and Documents by : Vera Stravinsky

Download or read book Stravinsky in Pictures and Documents written by Vera Stravinsky and published by Simon & Schuster. This book was released on 1978 with total page 728 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through letters to and from Stravinsky--in all periods of his life--the book reveals the complexity, brilliance, and sharp edge of his mind, as well as the idiosyncrasies of his character. Like Stravinsky's life, the volume is divided into three sections: the Russian and Swiss years, the two decades in France between the World Wars, and the final thirty-two years in America. A fourth part, the Appendixes, contains supplementary essays concerning various aspects of Le Sacre Printemps as well as of the composer's life and work that were too detailed to be included in the main text, and finally a critical bibliography of studies of Stravinsky published since his death. Part One includes a large number of Stravinsky's letters (previously unpublished) to his parents; his teacher, Rimsky-Korsakov; his composer colleagues in Russia and France; and the Ballets Russes impresario, Serge Diaghilev.

Ravel According to Ravel

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Publisher :
ISBN 13 : 9781871082784
Total Pages : 0 pages
Book Rating : 4.0/5 (827 download)

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Book Synopsis Ravel According to Ravel by : Vlado Perlemuter

Download or read book Ravel According to Ravel written by Vlado Perlemuter and published by . This book was released on 2005 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vlado Perlemuter had the privilege of studying all Ravel's solo piano music with the reclusive composer himself. The origins of this book lie in a series of programmes broadcast in 1950 by Radio Francaise in which Perlemuter played all Ravel's compositions for solo piano and discussed them with Helene Joudan-Morange - a distinguished violinist who had been one of Ravel's closest friends. This is a transcript of their conversations, with numerous musical examples. This edition also deals with the two piano concertos.

A Mammal's Notebook

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Publisher : Atlas Press (GB)
ISBN 13 : 9781900565660
Total Pages : 223 pages
Book Rating : 4.5/5 (656 download)

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Book Synopsis A Mammal's Notebook by : Erik Satie

Download or read book A Mammal's Notebook written by Erik Satie and published by Atlas Press (GB). This book was released on 2014 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the largest selection, in any language, of the writings of Erik Satie. Although he was dismissed as an eccentric by many, Satie has come to be seen as a key influence on modern music. The appeal of his writings, however, go far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated).

Satie the Bohemian

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Publisher : Clarendon Press
ISBN 13 : 0191584525
Total Pages : 610 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Satie the Bohemian by : Steven Moore Whiting

Download or read book Satie the Bohemian written by Steven Moore Whiting and published by Clarendon Press. This book was released on 1999-02-18 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.

European Symbolism

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Publisher : Peter Lang
ISBN 13 : 9783039115310
Total Pages : 322 pages
Book Rating : 4.1/5 (153 download)

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Book Synopsis European Symbolism by : Natasha Grigorian

Download or read book European Symbolism written by Natasha Grigorian and published by Peter Lang. This book was released on 2009 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first comparative study of the Symbolist use of myth in France, Germany, and Russia closely examines a selected range of poetic and pictorial works created between c. 1860 and 1910. The focus of the discussion is on a constellation of five artists, linked by a complex network of influences: Gustave Moreau, José-Maria de Heredia, and Jean Moréas (France); Stefan George (Germany); and Valerii Bryusov (Russia). By analysing myth in painting and poetry, the book gives a new insight into the significance of heroic and aesthetic ideals in late nineteenth- and early twentieth-century European culture. International and interdisciplinary in its comparative approach, the study reassesses the distinction between Symbolism and Decadence by shedding new light on the role of myth within the paradoxical interaction of classical and modernist values in Symbolist art. In the course of the argument, Symbolist mythological art emerges as a significant link between the cultural heritage of classical Greece and the creative agonies of twentieth-century European society. The book will appeal not only to scholars of literature and art, but also to a wider academic public concerned with cross-cultural transaction in Europe.

Satie the Composer

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Publisher : Cambridge University Press
ISBN 13 : 9780521350372
Total Pages : 456 pages
Book Rating : 4.3/5 (53 download)

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Book Synopsis Satie the Composer by : Robert Orledge

Download or read book Satie the Composer written by Robert Orledge and published by Cambridge University Press. This book was released on 1990-10-26 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.

Disciplining Music

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Publisher : University of Chicago Press
ISBN 13 : 9780226043685
Total Pages : 248 pages
Book Rating : 4.0/5 (436 download)

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Book Synopsis Disciplining Music by : Katherine Bergeron

Download or read book Disciplining Music written by Katherine Bergeron and published by University of Chicago Press. This book was released on 1992-06-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provocative and timely, Disciplining Music confronts a topic that has sparked considerable debate in recent years: how do musicians and music scholars "discipline" music in their efforts to confer order and meaning on it? This collection of essays addresses this issue by formulating questions about music's canons—rules that measure and order, negotiate cultural constraints, reconstruct the past, and shape the future. Written by scholars representing the fields of historical musicology, ethnomusicology, and music theory, many of the essays tug and push at the very boundaries of these traditional division within the study of music. "Fortunately, in a blaze of good-humored . . . scholarship, [this] book helps brains unaccustomed to thinking about the future without jeopardizing the past imagine the wonder classical-music life might become if it embraced all people and all musics."—Laurence Vittes, Los Angeles Reader "These essays will force us to rethink our position on many issues. . . [and] advance musicology into the twenty-first century."—Giulio Ongaro, American Music Teacher With essays by Katherine Bergeron, Philip V. Bohlman, Richard Cohn and Douglas Dempster, Philip Gossett, Robert P. Morgan, Bruno Nettl, Don Michael Randel, Ruth A. Solie, and Gary Tomlinson.

Reading Opera

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Publisher : Princeton University Press
ISBN 13 : 140085959X
Total Pages : 363 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis Reading Opera by : Arthur Groos

Download or read book Reading Opera written by Arthur Groos and published by Princeton University Press. This book was released on 2014-07-14 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradition that has, until recently, reiterated it, Groos and Roger Parker have commissioned thirteen stimulating essays by musicologists, literary critics, and historians. Taken as a whole, the volume demonstrates that libretti are now very much within the purview of contemporary humanistic scholarship. Libretti pose questions of intertextuality, transposition of genre, and reception history. They invite a broad spectrum of contemporary reading strategies ranging from the formalistic to the feminist. And as texts for music they raise issues in the relation between the two mediums and their respective traditions. Reading Opera will be of value to anyone with a serious interest in opera and contemporary opera criticism. The essays cover the period from the early nineteenth to the early twentieth centuries, with a particular focus on works of the later nineteenth century. The contributors are Carolyn Abbate, William Ashbrook, Katherine Bergeron, Caryl Emerson, Nelly Furman, Sander L. Gilman, Arthur Groos, James A. Hepokoski, Jurgen Maehder, Roger Parker, Paul Robinson, Christopher Wintle, and Susan Youens. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Debussy in Performance

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Publisher : Yale University Press
ISBN 13 : 0300076266
Total Pages : 316 pages
Book Rating : 4.3/5 ( download)

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Book Synopsis Debussy in Performance by : James R. Briscoe

Download or read book Debussy in Performance written by James R. Briscoe and published by Yale University Press. This book was released on 1999-01-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claude Debussy, who composed works of major significance in a wide range of musical and theatrical genres, has exerted a fundamental influence on musicians of the twentieth century. This book explores how Debussy's compositions are brought to life in performance, investigating the composer's own expectations, the traditions surrounding the performance of his music, and the internal and contextual evidence that can give insight to performers of his works. Leading international scholars and interpreters of Debussy's music draw on his letters and music criticism as well as on the memoirs of performers close to him to discuss issues of performance forces, tempo and its flexibility, performer license, and the interpretation of expressive indications in the scores. They urge performers to recognize the symbolism and the value of silence in Debussy's work. And they show that it is particularly important to focus on aspects of timbre, voice-leading, and the musical arabesque, together with meter and phrase ambiguities, when playing his music. The book also includes the translation of an article on the opera Pelleas et Melisande In performance by one of Debussy's original conductors, Desire-Emile Inghelbrecht, and an interview with the composer-conductor Pierre Boulez on approaches to Pelleas and the orchestral works.

Rethinking Debussy

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Publisher : Oxford University Press
ISBN 13 : 0199837872
Total Pages : 308 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Rethinking Debussy by : Elliott Antokoletz

Download or read book Rethinking Debussy written by Elliott Antokoletz and published by Oxford University Press. This book was released on 2011-04-15 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composer, pianist, and critic Claude Debussy's musical aesthetic represents the single most powerful influence on international musical developments during the long fin de siècle period. The development of Debussy's musical language and style was affected by the international political pressures of his time, beginning with the Franco-Prussian War of 1871 and the rise of the new Republic in France, and was also related to the contemporary philosophical conceptualization of what constituted art. The Debussy idiom exemplifies the ways in which various disciplines - musical, literary, artistic, philosophical, and psychological - can be incorporated into a single, highly-integrated artistic conception. Rethinking Debussy draws together separate areas of Debussy research into a lucid perspective that reveals the full significance of the composer's music and thought in relation to the broader cultural, intellectual, and artistic issues of the twentieth century. Ranging from new biographical information to detailed interpretations of Debussy's music, the volume offers significant multidisciplinary insight into Debussy's music and musical life, as well as the composer's influence on the artistic developments that followed. Chapters include: "Russian Imprints in Debussy's Piano Music"; "Music as Encoder of the Unconscious in Pelléas et Mélisande"; "An Artist High and Low, or Debussy and Money"; "Debussy's Ideal Pelléas and the Limits of Authorial Intent"; "Debussy in Daleville: Toward Early Modernist Hearing in the United States"; and more. Rethinking Debussy will appeal to students and scholars of French music, opera, and modernism, and literary and French studies scholars, particularly concerned with Symbolism and theatre. General readers will be drawn to the book as well, particularly to chapters focusing on Debussy's finances, dramatic works, and reception.

Writing through Music

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Publisher : Oxford University Press
ISBN 13 : 0190295929
Total Pages : 528 pages
Book Rating : 4.1/5 (92 download)

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Book Synopsis Writing through Music by : Jann Pasler

Download or read book Writing through Music written by Jann Pasler and published by Oxford University Press. This book was released on 2007-12-12 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holm?s, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.