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Le Theatre A Paris Au Xviiie Siecle Classic Reprint
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Book Synopsis Le Theatre A Paris au Xviiie Siècle (Classic Reprint) by : Max Aghion
Download or read book Le Theatre A Paris au Xviiie Siècle (Classic Reprint) written by Max Aghion and published by Forgotten Books. This book was released on 2017-01-18 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Le Theatre A Paris au Xviiie Siecle Pendant toute cette periode, les usages, les modes, les revolutions meme, ont eus leur repercussion sur la scene, et le theatre a' son tour a opere sur la societe et sur les institutions des transformations sensibles. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis French Theatre in the Neo-classical Era, 1550-1789 by : William Driver Howarth
Download or read book French Theatre in the Neo-classical Era, 1550-1789 written by William Driver Howarth and published by Cambridge University Press. This book was released on 1997-06-05 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.
Book Synopsis Le Théâtre a Paris Au XVIIIe Siècle by : Max Aghion
Download or read book Le Théâtre a Paris Au XVIIIe Siècle written by Max Aghion and published by . This book was released on 1926 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Le Theatre a Paris Au 18e Siecle - Primary Source Edition by : Max Aghion
Download or read book Le Theatre a Paris Au 18e Siecle - Primary Source Edition written by Max Aghion and published by Nabu Press. This book was released on 2013-10 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Book Synopsis Le Théâtre en France Au XVIIIe Siècle by : Pierre Henri Larthomas
Download or read book Le Théâtre en France Au XVIIIe Siècle written by Pierre Henri Larthomas and published by . This book was released on 1980 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Reading Drama in Eighteenth-Century France by : Thomas Wynn
Download or read book Reading Drama in Eighteenth-Century France written by Thomas Wynn and published by Oxford University Press. This book was released on 2024-02-06 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Wynn explores how plays were read in eighteenth-century France and, relatedly, the mode of closet drama: plays that were never performed within the playhouse. Drawing on queer theory, Wynn argues that eighteenth-century closet reading fostered disruptive pleasures that imparted another side to the period's 'théâtromanie'.
Book Synopsis Historical Dictionary of French Theater by : Edward Forman
Download or read book Historical Dictionary of French Theater written by Edward Forman and published by Scarecrow Press. This book was released on 2010-04-27 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.
Book Synopsis Carnivalizing Difference by : Peter I. Barta
Download or read book Carnivalizing Difference written by Peter I. Barta and published by Psychology Press. This book was released on 2001 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carnivalizing Difference explores the actual and possible relationships between Bakhtinian theory and cultural practice.
Book Synopsis Dictionary of the Theatre by : Patrice Pavis
Download or read book Dictionary of the Theatre written by Patrice Pavis and published by University of Toronto Press. This book was released on 1998-01-01 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Book Synopsis The Surprising Effects of Sympathy by : David Marshall
Download or read book The Surprising Effects of Sympathy written by David Marshall and published by University of Chicago Press. This book was released on 1988 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through readings of works by Marivaux, Diderot, Rousseau, and Mary Shelley, David Marshall provides a new interpretation of the eighteenth-century preoccupation with theatricality and sympathy. Sympathy is seen not as an instance of sensibility or natural benevolence but rather as an aesthetic and epistemological problem that must be understood in relation to the problem of theatricality. Placing novels in the context of eighteenth-century writing about theater, fiction, and painting, Marshall argues that an unusual variety of authors and texts were concerned with the possibility of entering into someone else's thoughts and feelings. He shows how key eighteenth-century works reflect on the problem of how to move, touch, and secure the sympathy of readers and beholders in the realm of both "art" and "life." Marshall discusses the demands placed upon novels to achieve certain effects, the ambivalence of writers and readers about those effects, and the ways in which these texts can be read as philosophical meditations on the differences and analogies between the experiences of reading a novel, watching a play, beholding a painting, and witnessing the spectacle of someone suffering. The Surprising Effects of Sympathy traces the interaction of sympathy and theater and the artistic and philosophical problems that these terms represent in dialogues about aesthetics, moral philosophy, epistemology, psychology, autobiography, the novel, and society.
Book Synopsis Orientalism in French Classical Drama by : Michèle Longino
Download or read book Orientalism in French Classical Drama written by Michèle Longino and published by Cambridge University Press. This book was released on 2006-03-16 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Book Synopsis Widows, Pariahs, and Bayadères by : Binita Mehta
Download or read book Widows, Pariahs, and Bayadères written by Binita Mehta and published by Bucknell University Press. This book was released on 2002 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyzes how French dramatists reproduced certain images of India such as the burning widow, the lowly pariah or untouchable, and the exotic 'bayadere' or dancing girl in four plays and one ballet written from the eighteenth century through the twentieth centuries. Addressing questions of Orientalism, the book also argues that it was because the French lost their Indian colonies to the Briish in the eighteenth centuries that India became a part of the French literary imagination.
Book Synopsis French "classical" Theatre Today by : Philip Tomlinson
Download or read book French "classical" Theatre Today written by Philip Tomlinson and published by Rodopi. This book was released on 2001 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing - in terms of both theatre architecture and the significance of playtext illustration -, approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future. blurb van Faux 205 - Tomlinson
Download or read book Stagestruck written by Lauren R. Clay and published by Cornell University Press. This book was released on 2013-01-11 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater's spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire's most important Atlantic colony, Saint-Domingue. Clay argues that outside Paris the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors-including women and people of color-who seized the opportunities offered by commercial theater to become important agents of cultural change. Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, Stagestruck overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This deeply researched book will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state.
Book Synopsis French Musical Thought, 1600-1800 by : Georgia Cowart
Download or read book French Musical Thought, 1600-1800 written by Georgia Cowart and published by University Rochester Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.
Book Synopsis French Sacred Drama from Bèze to Corneille by : J. S. Street
Download or read book French Sacred Drama from Bèze to Corneille written by J. S. Street and published by Cambridge University Press. This book was released on 1983-08-25 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1983 book is a comprehensive study of the French sacred theatre at the crucial transition from medieval to modern conception of theatre.
Book Synopsis From Plantation to Paradise? by : David M. Powers
Download or read book From Plantation to Paradise? written by David M. Powers and published by MSU Press. This book was released on 2014-05-01 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1764 the first printing press was established in the French Caribbean colonies, launching the official documentation of operas and plays performed there, and marking the inauguration of the first theatre in the colonies. A rigorous study of pre–French Revolution performance practices in Guadeloupe, Martinique, and Saint-Domingue (now Haiti), Powers’s book examines the elaborate system of social casting in these colonies; the environments in which nonwhite artists emerged; and both negative and positive contributions of the Catholic Church and the military to operas and concerts produced in the colonies. The author also explores the level of participation of nonwhites in these productions, as well as theatre architecture, décor, repertoire, seating arrangements, and types of audiences. The status of nonwhite artists in colonial society; the range of operas in which they performed; their accomplishments, praise, criticism; and the use of créole texts and white actors/singers à visage noirs (with blackened faces) present a clear picture of French operatic culture in these colonies. Approaching the French Revolution, the study concludes with an examination of the ways in which colonial opera was affected by slave uprisings, the French Revolution, the emergence of “patriotic theatres,” and their role in fostering support for the king, as well as the impact on subsequent operas produced in the colonies and in the United States.
