Kant, Art, and Art History

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Publisher : Cambridge : Cambridge University Press
ISBN 13 : 9780521800181
Total Pages : 222 pages
Book Rating : 4.8/5 (1 download)

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Book Synopsis Kant, Art, and Art History by : Mark Arthur Cheetham

Download or read book Kant, Art, and Art History written by Mark Arthur Cheetham and published by Cambridge : Cambridge University Press. This book was released on 2001 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first systematic study of Kant's reception of and influence on visual art and art history.

Kant, Art, and Art History

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Publisher : Cambridge University Press
ISBN 13 : 9780521107563
Total Pages : 236 pages
Book Rating : 4.1/5 (75 download)

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Book Synopsis Kant, Art, and Art History by : Mark A. Cheetham

Download or read book Kant, Art, and Art History written by Mark A. Cheetham and published by Cambridge University Press. This book was released on 2009-04-02 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kant, Art, and Art History: Moments of Discipline is the first systematic study of Kant's reception and influence on the visual arts and art history. Arguing against Kant's transcendental approach to aesthetic judgment, Cheetham examines five "moments" of his influence. The final chapter focuses on Kant's "image," both in contemporary and posthumous portraits, with respect to his status as the image of philosophy within a disciplinary hierarchy. In Cheetham's reading, Kant emerges as a figure who has constantly erected and crossed the borders among art, its history, and philosophy.

Kant After Duchamp

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Publisher : Mit Press
ISBN 13 : 9780262540940
Total Pages : 484 pages
Book Rating : 4.5/5 (49 download)

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Book Synopsis Kant After Duchamp by : Thierry De Duve

Download or read book Kant After Duchamp written by Thierry De Duve and published by Mit Press. This book was released on 1998 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kant after Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Although Duchamp's readymades broke with all previously known styles, de Duve observes that he made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgment that replaced the classical "this is beautiful" with "this is art." De Duve employs this shift (replacing the word "beauty" by the word "art") in a rereading of Kant's Critique of Judgment that reveals the hidden links between the radical experiments of Duchamp and the Dadaists and mainstream pictorial modernism.Part I of the book revolves around Duchamp's famous/infamous Fountain. Part II explores his passage from painting to the readymades, from art in particular to art in general. Part III looks at the aesthetic and ethical consequences of the replacement of "beauty" with "art" in Kant's Third Critique. Finally, part IV attempts to reconstruct an "archaeology" of modernism that paves the way for a renewed understanding of our postmodern condition.The essays : Art Was a Proper Name. Given the Richard Mutt Case. The Readymade and the Tube of Paint. The Monochrome and the Blank Canvas. Kant after Duchamp. Do Whatever. Archaeology of Pure Modernism. Archaeology of Practical Modernism.

The Transfiguration of the Commonplace

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Publisher : Harvard University Press
ISBN 13 : 9780674903463
Total Pages : 228 pages
Book Rating : 4.9/5 (34 download)

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Book Synopsis The Transfiguration of the Commonplace by : Arthur C. Danto

Download or read book The Transfiguration of the Commonplace written by Arthur C. Danto and published by Harvard University Press. This book was released on 1981 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Danto argues that recent developments in art--in particular the production of works that cannot be told from ordinary things--make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.

Philosophers on Art from Kant to the Postmodernists

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Publisher : Columbia University Press
ISBN 13 : 0231526253
Total Pages : 377 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Philosophers on Art from Kant to the Postmodernists by : Christopher Kul-Want

Download or read book Philosophers on Art from Kant to the Postmodernists written by Christopher Kul-Want and published by Columbia University Press. This book was released on 2010-06-01 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dalí's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancière, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.

Introduction to Art: Design, Context, and Meaning

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Author :
Publisher : Good Press
ISBN 13 :
Total Pages : 614 pages
Book Rating : 4.8/5 (596 download)

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Book Synopsis Introduction to Art: Design, Context, and Meaning by : Pamela Sachant

Download or read book Introduction to Art: Design, Context, and Meaning written by Pamela Sachant and published by Good Press. This book was released on 2023-11-27 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

The Art of Art History

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Publisher : Oxford History of Art (Paperba
ISBN 13 : 0199229848
Total Pages : 600 pages
Book Rating : 4.1/5 (992 download)

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Book Synopsis The Art of Art History by : Donald Preziosi

Download or read book The Art of Art History written by Donald Preziosi and published by Oxford History of Art (Paperba. This book was released on 2009 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology is a guide to understanding art history through critical reading of the field's most innovative and influential texts, focusing on the past two centuries.

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

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Publisher : Good Press
ISBN 13 :
Total Pages : 318 pages
Book Rating : 4.8/5 (596 download)

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Book Synopsis The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment) by : Immanuel Kant

Download or read book The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment) written by Immanuel Kant and published by Good Press. This book was released on 2024-01-09 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.

Images of History

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Publisher : Oxford University Press
ISBN 13 : 0190847360
Total Pages : 257 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Images of History by : Richard Eldridge

Download or read book Images of History written by Richard Eldridge and published by Oxford University Press. This book was released on 2017-12 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Developing work in the theories of action and explanation, Eldridge argues that moral and political philosophers require accounts of what is historically possible, while historians require rough philosophical understandings of ideals that merit reasonable endorsement. Both Immanuel Kant and Walter Benjamin recognize this fact. Each sees a special place for religious consciousness and critical practice in the articulation and revision of ideals that are to have cultural effect, but they differ sharply in the forms of religious-philosophical understanding, cultural criticism, and political practice that they favor. Kant defends a liberal, reformist, Protestant stance, emphasizing the importance of liberty, individual rights, and democratic institutions. His fullest picture of movement toward a moral culture appears in Religion within the Bounds of Mere Reason, where he describes conjecturally the emergence of an ethical commonwealth. Benjamin defends a politics of improvisatory alertness and consciousness-raising that is suspicious of progress and liberal reform. He practices a form of modernist, materialist criticism that is strongly rooted in his encounters with Kant, Hölderlin, and Goethe. His fullest, finished picture of this critical practice appears in One-Way Street, where he traces the continuing force of unsatisfied desires. By drawing on both Kant and Benjamin, Eldridge hopes to avoid both moralism (standing on sharply specified normative commitments at all costs) and waywardness (rejecting all settled commitments). And in doing so, he seeks to make better sense of the commitment-forming, commitment-revising, anxious, reflective and sometimes grownup acculturated human subjects we are.

Art of the Modern Age

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Publisher : Princeton University Press
ISBN 13 : 0691259534
Total Pages : 371 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis Art of the Modern Age by : Jean-Marie Schaeffer

Download or read book Art of the Modern Age written by Jean-Marie Schaeffer and published by Princeton University Press. This book was released on 2023-09-26 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work.... [Schaeffer's] writing is governed by ... the ideals of clarity and consequence, the ideas of logic, truth, and evidence.... Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto

The Problem of Free Harmony in Kant's Aesthetics

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Publisher : SUNY Press
ISBN 13 : 9780791476260
Total Pages : 152 pages
Book Rating : 4.4/5 (762 download)

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Book Synopsis The Problem of Free Harmony in Kant's Aesthetics by : Kenneth F. Rogerson

Download or read book The Problem of Free Harmony in Kant's Aesthetics written by Kenneth F. Rogerson and published by SUNY Press. This book was released on 2008-01-01 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Kenneth F. Rogerson explores the first half of Kant's Critique of Judgment, entitled the "Critique of Aesthetic Judgment." Rogerson provides an interpretation of arguably the most important issue in Kant's aesthetic theory, namely, a free harmony of the imagination and understanding. He uses this interpretation to explore several other important issues in Kant's aesthetic theory, including his distinction between art and natural beauty, the doctrine of aesthetic ideas, and the connection between beauty and morality.

Aesthetics, Theory and Interpretation of the Literary Work

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Publisher : BRILL
ISBN 13 : 9004409238
Total Pages : 251 pages
Book Rating : 4.0/5 (44 download)

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Book Synopsis Aesthetics, Theory and Interpretation of the Literary Work by : Paolo Euron

Download or read book Aesthetics, Theory and Interpretation of the Literary Work written by Paolo Euron and published by BRILL. This book was released on 2019-08-12 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces the reader to the literary work and to an understanding of its cultural background and its specific features, presenting basic topics and ideas in their historical context and development in Western culture.

The Supersensible in Kant's Critique of Judgment

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Publisher :
ISBN 13 : 9781453916766
Total Pages : 0 pages
Book Rating : 4.9/5 (167 download)

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Book Synopsis The Supersensible in Kant's Critique of Judgment by : Julie N. Books

Download or read book The Supersensible in Kant's Critique of Judgment written by Julie N. Books and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Judgments about beauty, the sublime, and the agreeable -- Kant's four moments of judgments about beauty and how aesthetic judgments are synthetic a priori judgments -- Hume's views and how standards of taste and beauty vary -- The supersensible, the nature of aesthetic judgments, and the faculty of common sense -- The failure of the supersensible -- Motives for the supersensible.

After the End of Art

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Publisher : Princeton University Press
ISBN 13 : 0691209308
Total Pages : 350 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis After the End of Art by : Arthur C. Danto

Download or read book After the End of Art written by Arthur C. Danto and published by Princeton University Press. This book was released on 2021-06-08 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.

Red Kant: Aesthetics, Marxism and the Third Critique

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474279295
Total Pages : 237 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Red Kant: Aesthetics, Marxism and the Third Critique by : Michael Wayne

Download or read book Red Kant: Aesthetics, Marxism and the Third Critique written by Michael Wayne and published by Bloomsbury Publishing. This book was released on 2016-03-24 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is Kant really the 'bourgeois' philosopher that his advocates and opponents take him to be? In this bold and original re-thinking of Kant, Michael Wayne argues that with his aesthetic turn in the Third Critique, Kant broke significantly from the problematic philosophical structure of the Critique of Pure Reason. Through his philosophy of the aesthetic Kant begins to circumnavigate the dualities in his thought. In so doing he shows us today how the aesthetic is a powerful means for imagining our way past the apparent universality of contemporary capitalism. Here is an unfamiliar Kant: his concepts of beauty and the sublime are reinterpreted as attempts to socialise the aesthetic while Wayne reconstructs the usually hidden genealogy between Kant and important Marxist concepts such as totality, dialectics, mediation and even production. In materialising Kant's philosophy, this book simultaneously offers a Marxist defence of creativity and imagination grounded in our power to think metaphorically and in Kant's concept of reflective judgment. Wayne also critiques aspects of Marxist cultural theory that have not accorded the aesthetic the relative autonomy and specificity which it is due. Discussing such thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukács, Ranciére and others, Red Kant: Aesthetics, Marxism and the Third Critique presents a new reading of Kant's Third Critique that challenges Marxist and mainstream assessments of Kant alike.

An Introduction to Kant's Aesthetics

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Publisher : John Wiley & Sons
ISBN 13 : 1405150157
Total Pages : 208 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis An Introduction to Kant's Aesthetics by : Christian Helmut Wenzel

Download or read book An Introduction to Kant's Aesthetics written by Christian Helmut Wenzel and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.

Kant and the Experience of Freedom

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Publisher : Cambridge University Press
ISBN 13 : 9780521568333
Total Pages : 476 pages
Book Rating : 4.5/5 (683 download)

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Book Synopsis Kant and the Experience of Freedom by : Paul Guyer

Download or read book Kant and the Experience of Freedom written by Paul Guyer and published by Cambridge University Press. This book was released on 1993 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by one of the preeminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself. At the same time he reveals how Kant's moral theory includes a distinctive place for the cultivation of both general moral sentiments and particular attachments on the basis of the most rigorous principle of duty. Kant's thought is placed in a rich historical context including such figures as Shaftesbury, Hutcheson, Hume, Burke, Kames, as well as Baumgarten, Mendelssohn, Schiller, and Hegel. Other topics treated are the sublime, natural versus artistic beauty, genius and art history, and duty and inclination. These essays extend and enrich the account of Kant's aesthetics in the author's earlier book, Kant and the Claims of Taste (1979).