Independent Filmmaking in South East Asia

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Publisher : Routledge
ISBN 13 : 1000350363
Total Pages : 165 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Independent Filmmaking in South East Asia by : Nico Meissner

Download or read book Independent Filmmaking in South East Asia written by Nico Meissner and published by Routledge. This book was released on 2021-03-03 with total page 165 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring interviews with 27 award-winning and emerging filmmakers, this book is the first comprehensive look at independent filmmaking careers in South East Asia with never-before published insights into the lives and careers of some of the most influential filmmakers in one of the world’s most exciting screen production regions. Celebrating filmmaking in South East Asia, the interviews offer unique perspectives that highlight the various paths filmmakers have taken to establish and develop their independent filmmaking careers. Presenting filmmakers whose films span narrative, documentary and experimental genres, and from all ten South East Asian nations, the filmmakers in this collection include: Camera d’Or winner Anthony Chen Sundance Grand Jury Prize nominee Mouly Surya NETPAC Award Winner Sheron Dayoc Brunei’s first female director, Siti Kamaluddin Directors of the Wathann Festival, Thaiddhi and Thu Thu Shein Lao’s only female and first horror film director, Mattie Do Aimed at aspiring filmmakers with a focus on career building outside of global production hubs, Meißner has curated a collection of interviews that reflects the diversity and ambition of filmmaking in South East Asia. The book is accompanied by a companion website (www.southeastasianfilmcareers.com) that includes 27 micro-documentaries on the included filmmakers.

Southeast Asian Independent Cinema

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Publisher : Hong Kong University Press
ISBN 13 : 9888083600
Total Pages : 297 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis Southeast Asian Independent Cinema by : Tilman Baumgärtel

Download or read book Southeast Asian Independent Cinema written by Tilman Baumgärtel and published by Hong Kong University Press. This book was released on 2012-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film production. Contributions from respected scholars, interviews with filmmakers, personal accounts and primary sources by important directors and screenwriters collectively provide readers with a lively account of dynamic film developments in Southeast Asia. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Nia Dinata and others. Tilman Baumgärtel taught film and media studies in Germany, Austria and the Philippines before joining Royal University of Phnom Penh in 2009. He has curated international film series and art exhibitions, and has also published books on independent cinema, Internet art, computer games and the German director Harun Farocki. His blog can be found at http://southeastasiancinema.wordpress.com

Independent Filmmaking Across Borders in Contemporary Asia

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Publisher :
ISBN 13 : 9789462986640
Total Pages : 0 pages
Book Rating : 4.9/5 (866 download)

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Book Synopsis Independent Filmmaking Across Borders in Contemporary Asia by : Ran Ma

Download or read book Independent Filmmaking Across Borders in Contemporary Asia written by Ran Ma and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia's vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived -- thereby opening up possibilities to reimagine Asia and its connections to globalization.

Glimpses of Freedom

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Publisher : Southeast Asia Program Publications
ISBN 13 : 9780877277859
Total Pages : 0 pages
Book Rating : 4.2/5 (778 download)

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Book Synopsis Glimpses of Freedom by : May Adadol Ingawanij

Download or read book Glimpses of Freedom written by May Adadol Ingawanij and published by Southeast Asia Program Publications. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festival circulation, piracy, technology, state and institutional power, and spectatorship apply to practices of independent cinema throughout the diverse region? The authors who speak in this volume--contemporary filmmakers, critics, curators, festival organizers--answer these questions. They describe and analyze the emerging field of Southeast Asian cinema, which they know firsthand and have helped create and foster. Glimpses of Freedom is the outcome of a project collaboratively conceived by a new generation of scholars of cinema in Southeast Asia, inspired by the growing domestic and international visibility of notable films and videos from the region. Contributors include internationally esteemed independent filmmakers, critics, and curators based in Southeast Asia, such as Hassan Abd Muthalib, Alexis A. Tioseco, Chris Chong Chan Fui, and John Torres. International scholars such as Benedict Anderson, Benjamin McKay, May Adadol Ingawanij, and Gaik Cheng Khoo contextualize and theorize Southeast Asia's "independent film cultures." The interaction between practitioners and critics in this volume illuminates a contemporary artistic field, clarifying its particular character and its vital contributions to cinema worldwide. Contributors Benedict Anderson, Cornell University; Tilman Baumgärtel, Royal University of Phnom Penh; Angie Bexley, College of Asia and the Pacific (Australian National University); Chris Chong, independent film director, Malaysia; Hassan Abd Muthalib (artist, writer, and film director), Universiti Teknologi MARA Malaysia; Eloisa May P. Hernandez, University of the Philippines, Diliman; May Adadol Ingawanij, Centre for Research and Education in Arts and Media, University of Westminster; Gaik Cheng Khoo, Australian National University; Mariam Lam, University of California-Riverside; Benjamin McKay (1964-2010), writer, critic, and academic, Kuala Lumpur; Vinita Ramani Mohan, Access to Justice Asia LLP; Alexis A. Tioseco (1981-2009), film critic, curator, and lecturer, Philippines; John Torres, musician and experimental filmmaker, Philippines; Chalida Uabumrungjit, Thai Film Foundation and Thai Short Film and Video Festival; Jan Uhde, University of Waterloo, Ontario, Canada; and Yvonne Ng Uhde, editorial board, KINEMA journal, University of Waterloo

Film in Contemporary Southeast Asia

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Author :
Publisher : Routledge
ISBN 13 : 1136592466
Total Pages : 289 pages
Book Rating : 4.1/5 (365 download)

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Book Synopsis Film in Contemporary Southeast Asia by : David C. L. Lim

Download or read book Film in Contemporary Southeast Asia written by David C. L. Lim and published by Routledge. This book was released on 2012-03-12 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital. The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films.

Southeast Asia on Screen

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Author :
Publisher :
ISBN 13 : 9789462989344
Total Pages : 0 pages
Book Rating : 4.9/5 (893 download)

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Book Synopsis Southeast Asia on Screen by : Gaik Cheng Khoo

Download or read book Southeast Asia on Screen written by Gaik Cheng Khoo and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.

Cinema and the Cultural Cold War

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Publisher : Cornell University Press
ISBN 13 : 1501752324
Total Pages : 310 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Cinema and the Cultural Cold War by : Sangjoon Lee

Download or read book Cinema and the Cultural Cold War written by Sangjoon Lee and published by Cornell University Press. This book was released on 2020-12-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.

South Asian Filmscapes

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Author :
Publisher :
ISBN 13 : 9780295747859
Total Pages : 0 pages
Book Rating : 4.7/5 (478 download)

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Book Synopsis South Asian Filmscapes by : Elora Halim Chowdhury

Download or read book South Asian Filmscapes written by Elora Halim Chowdhury and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "According Esha De and Elora Chowdhury, the legacies of industrial and independent cinemas in the subcontinent of South Asia reveal an intertwining of South Asian histories that show geopolitical and social boundaries to be both porous and hybrid. On the one hand, cinematic portrayals encode the effects of the massive geopolitical rifts born in postcolonial south Asia of religious, linguistic, and ethnic conflicts--the primary being the India-Pakistan Partition (1947) and the Bangladesh Liberation War (1971). Practices and policies of cinema in the nation-states (India, Pakistan, Bangladesh) likewise reinforce prevailing hierarches of identity and belonging. On the other hand, the combined histories of cinema and sociality in the South Asian region are replete with cross fertilization the effects of which lingered on well past the Partition of India and Pakistan and the birth of Bangladesh. The essays in this volume reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners across South Asia and interrogate how filmic politics intersect with discourses around nationalism, sexuality and gender, religion, and language"--

Film in Contemporary Southeast Asia

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Author :
Publisher : Taylor & Francis
ISBN 13 : 1136592474
Total Pages : 241 pages
Book Rating : 4.1/5 (365 download)

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Book Synopsis Film in Contemporary Southeast Asia by : David C. L. Lim

Download or read book Film in Contemporary Southeast Asia written by David C. L. Lim and published by Taylor & Francis. This book was released on 2012-03-12 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses contemporary film in all the main countries of Southeast Asia, and the social practices and ideologies which films either represent or oppose. It shows how film acquires signification through cultural interpretation, and how film also serves as a site of contestations between social and political agents seeking to promote, challenge, or erase certain meanings, messages or ideas from public circulation. A unique feature of the book is that it focuses as much on films as it does on the societies from which these films emerge: it considers the reasons for film-makers taking the positions they take; the positions and counter-positions taken; the response of different communities; and the extent to which these interventions are connected to global flows of culture and capital. The wide range of subjects covered include documentaries as political interventions in Singapore; political film-makers’ collectives in the Philippines, and films about prostitution in Cambodia and patriotism in Malaysia, and the Chinese in Indonesia. The book analyses films from Burma, Laos, Cambodia, Vietnam, Thailand, Malaysia, Singapore, Indonesia and the Philippines, across a broad range of productions – such as mainstream and independent features across genres (for example comedy, patriotic, political, historical genres) alongside documentary, classic and diasporic films.

City of Screens

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Author :
Publisher : Duke University Press
ISBN 13 : 147802125X
Total Pages : 204 pages
Book Rating : 4.4/5 (78 download)

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Book Synopsis City of Screens by : Jasmine Nadua Trice

Download or read book City of Screens written by Jasmine Nadua Trice and published by Duke University Press. This book was released on 2021-02-08 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.

Indonesian Cinema after the New Order

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Publisher : Hong Kong University Press
ISBN 13 : 9888528076
Total Pages : 243 pages
Book Rating : 4.8/5 (885 download)

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Book Synopsis Indonesian Cinema after the New Order by : Thomas Barker

Download or read book Indonesian Cinema after the New Order written by Thomas Barker and published by Hong Kong University Press. This book was released on 2019-09-16 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University

Singapore Cinema

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Publisher : Routledge
ISBN 13 : 1317407474
Total Pages : 194 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis Singapore Cinema by : Kai Khiun Liew

Download or read book Singapore Cinema written by Kai Khiun Liew and published by Routledge. This book was released on 2016-11-25 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book outlines and discusses the very wide range of cinema which is to be found in Singapore. Although Singapore cinema is a relatively small industry, and relatively new, it has nevertheless made an impact, and continues to develop in interesting ways. The book shows that although Singapore cinema is often seen as part of diasporic Chinese cinema, it is in fact much more than this, with strong connections to Malay cinema and the cinemas of other Southeast Asian nations. Moreover, the themes and subjects covered by Singapore cinema are very wide, ranging from conformity to the regime and Singapore’s national outlook, with undesirable subjects overlooked or erased, to the sympathetic depiction of minorities and an outlook which is at odds with the official outlook. The book will be useful to readers coming new to the subject and wanting a concise overview, while at the same time the book puts forward many new research findings and much new thinking.

Heritage Tourism in Southeast Asia

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Author :
Publisher :
ISBN 13 : 9788776940591
Total Pages : 0 pages
Book Rating : 4.9/5 (45 download)

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Book Synopsis Heritage Tourism in Southeast Asia by : Michael Hitchcock

Download or read book Heritage Tourism in Southeast Asia written by Michael Hitchcock and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines heritage tourism across the Southeast Asian region from different disciplinary perspectives. With material that is new and topical, it makes an important contribution to the fields of tourism studies, cultural studies, development and planning studies, and beyond. Set against a backdrop of the demands, motivations and impacts of heritage tourism, the volume focuses on disputes and conflicts over what heritage is, what it means, and how it has been presented, re-presented, developed and protected. It examines the actors involved in encounters and contestation, drawing in issues of identity construction and negotiation, and requiring the contextualization of heritage in national and global processes of identity formation and transformation. Among the questions touched upon are the ownership of heritage, its appropriate use, access to it versus conservation needs, heritage as a commodity, as entertainment and as an educational medium.

Film Festivals

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Publisher : Rutgers University Press
ISBN 13 : 0813551218
Total Pages : 333 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Film Festivals by : Cindy H. Wong

Download or read book Film Festivals written by Cindy H. Wong and published by Rutgers University Press. This book was released on 2011 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Movies, stars, auteurs, and critics come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we understand the forces and meanings that these events embody? This work offers an overview of the history, people, films, and functions of the festival world.

Film Theory

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Publisher : Routledge
ISBN 13 : 1317581148
Total Pages : 290 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis Film Theory by : Thomas Elsaesser

Download or read book Film Theory written by Thomas Elsaesser and published by Routledge. This book was released on 2015-03-12 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.

Indonesian Cinema

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Author :
Publisher : University of Hawaii Press
ISBN 13 : 9780824813673
Total Pages : 172 pages
Book Rating : 4.8/5 (136 download)

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Book Synopsis Indonesian Cinema by : Karl G. Heider

Download or read book Indonesian Cinema written by Karl G. Heider and published by University of Hawaii Press. This book was released on 1991-04-01 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: A film-goer accustomed to the typical Hollywood movie plot would feel uneasy watching an Indonesian movie. Contrary to expectations, good guys do not win, bad guys are not punished, and individuals do not reach a new self-awareness. Instead, by the end of the movie order is restored, bad guys are converted, and families are reunited. Like American movies, Indonesian films reflect the understandings and concerns of the culture and era in which they are made. Thus Indonesian preoccupations with order and harmony, national unity, and modernization motivate the plots of many films. Cinema has not traditionally been within the purview of anthropologists, but Karl Heider demonstrates how Indonesian movies are profoundly Indonesian. Produced in the national language by Indonesians from various regions, the films are intended for audiences across the diverse archipelago. Heider examines these films to identify pan-Indonesian cultural patterns and to show how these cultural principles shape the movies and, sometimes, how the movies influence the culture. This anthropological approach to Indonesian film opens up the medium of Asian cinema to a new group of scholars. "Indonesian Cinema" should be of interest to social scientists, Asianists, film scholars, and anyone concerned with the role of popular culture in developing countries.

The Asian Cinema Experience

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Author :
Publisher : Routledge
ISBN 13 : 0415571464
Total Pages : 290 pages
Book Rating : 4.4/5 (155 download)

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Book Synopsis The Asian Cinema Experience by : Stephen Teo

Download or read book The Asian Cinema Experience written by Stephen Teo and published by Routledge. This book was released on 2013 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the range and dynamism of contemporary Asian cinemas, covering East Asia (China, Japan, South Korea, Hong Kong, Taiwan), Southeast Asia (Thailand, Singapore, Malaysia), South Asia (Bollywood), and West Asia (Iran), in order to discover what is common about them and to engender a theory or concept of "Asian Cinema". It goes beyond existing work which provides a field survey of Asian cinema, probing more deeply into the field of Asian Cinema, arguing that Asian Cinema constitutes a separate pedagogical subject, and putting forward an alternative cinematic paradigm. The book covers "styles", including the works of classical Asian Cinema masters, and specific genres such as horror films, and Bollywood and Anime, two very popular modes of Asian Cinema; "spaces", including artistic use of space and perspective in Chinese cinema, geographic and personal space in Iranian cinema, the private "erotic space" of films from South Korea and Thailand, and the persistence of the family unit in the urban spaces of Asian big cities in many Asian films; and "concepts" such as Pan-Asianism, Orientalism, Nationalism and Third Cinema. The rise of Asian nations on the world stage has been coupled with a growing interest, both inside and outside Asia, of Asian culture, of which film is increasingly an indispensable component - this book provides a rich, insightful overview of what exactly constitutes Asian Cinema.