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Improvisation Erforschen Improvisierend Forschen Researching Improvisation Researching By Improvisation
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Book Synopsis Improvisation erforschen - improvisierend forschen / Researching Improvisation - Researching by Improvisation by : Reinhard Gagel
Download or read book Improvisation erforschen - improvisierend forschen / Researching Improvisation - Researching by Improvisation written by Reinhard Gagel and published by transcript Verlag. This book was released on 2016-05-31 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dieser durchgehend zweisprachige Band versammelt Beiträge zu ästhetischen, künstlerischen und pädagogischen Fragestellungen der musikalischen Improvisation. Er beinhaltet Reflexionen und Modelle, die sich mit der Kunst der Improvisation und den in ihr handelnden Menschen befassen und darüber hinaus faszinierende Perspektiven auch für Kultur und Wissenschaft bieten. This book, bilingual throughout, brings together essays providing aesthetic, artistic and pedagogical interrogations of the art of musical improvisation. It contains reflections and models which deal both with the art of improvisation and with the people who carry it out and offers fascinating perspectives for culture and for scholarship more generally. Contributions by Alan Bern, Rogério Costa, Nina Polaschegg, Edwin Prévost, and others.
Book Synopsis Kompositionen für hörbaren Raum / Compositions for Audible Space by : Martha Brech
Download or read book Kompositionen für hörbaren Raum / Compositions for Audible Space written by Martha Brech and published by transcript Verlag. This book was released on 2015-09-30 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre - including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono - used special devices and methods for their compositions and refined the possibilities of integrating the sound of space into music. In this anthology, analytical portraits of compositions and groups of compositions show the wide spectrum of spatial practices in early electroacoustic music. Additionally, retrospective views on the use of spatial composition in earlier epochs and in instrumental music of the 20th century portray the practice of spatial composition in different eras and genres, as well as the universality of spatial music as a topic. In this way the book contributes to a more differentiated understanding of the term »spatial music«. Die Integration des hörbaren Raums ist ein zentraler Aspekt der elektroakustischen Musik. Schon auf Basis der Analogtechnik entstanden spezielle Geräte und Verfahren, die Pioniere des Genres wie Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen oder Luigi Nono für ihre Vorstellungen von Raummusik heranzogen und weiter entwickelten. In diesem Band, der englisch- und deutschsprachige Beiträge gleichermaßen versammelt, zeigen analytische Portraits einzelner Kompositionen oder Kompositionsgruppen das breite Spektrum spatialer Praktiken in der frühen elektroakustischen Musik. Geschichtliche Rückblicke auf spatiale Kompositionsweisen früherer Epochen bis hin zur instrumentalen Musik des 20. Jahrhunderts stellen den epochen- und genrespezifischen Umgang mit Raum dar und belegen nicht nur die Universalität des Themas Raummusik, sondern leisten auch einen Beitrag zu deren begrifflicher Differenzierung.
Book Synopsis Improvisation erforschen - improvisierend forschen by : Reinhard Gagel
Download or read book Improvisation erforschen - improvisierend forschen written by Reinhard Gagel and published by Transcript Publishing. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dieser Band versammelt Beiträge von Alan Bern, Rogério Costa, Nina Polaschegg, Edwin Prévost u.a. zu ästhetischen, künstlerischen und pädagogischen Fragestellungen der musikalischen Improvisation. Als flüchtiges - aber fundiertes - Verfahren ist Improvisation auch Forschen und damit ein Erkenntnisinstrument. Doch wie erweitern die Forschungen den Horizont der Improvisation? Was ist eine der Improvisation angemessene und aus ihr abgeleitete Form der Forschung? Und welche spezifischen Qualitäten bietet das Improvisieren für das künstlerische Forschen an? Der durchgehend zweisprachige Band beinhaltet Reflexionen und Modelle, die sich sowohl mit der Kunst der Improvisation als auch mit den in ihr handelnden Menschen befassen und über das Musikalisch-Performative hinaus faszinierende Perspektiven auch für Kultur und Wissenschaft bieten.
Book Synopsis Musical Composition in the Context of Globalization by : Christian Utz
Download or read book Musical Composition in the Context of Globalization written by Christian Utz and published by transcript Verlag. This book was released on 2021-03-31 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
Book Synopsis Curating Contemporary Music Festivals by : Brandon Farnsworth
Download or read book Curating Contemporary Music Festivals written by Brandon Farnsworth and published by transcript Verlag. This book was released on 2020-07-31 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be.
Book Synopsis Music Practices Across Borders by : Glaucia Peres da Silva
Download or read book Music Practices Across Borders written by Glaucia Peres da Silva and published by transcript Verlag. This book was released on 2019-06-30 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Connecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Conceiving music as a practice not confined to audibility, the contributions reveal how music emerges in concrete situations through people, objects, techniques, meanings, and emotions in different parts of the world and during different historic periods. Values are thereby created and shared, and creative processes are evaluated in terms of diversity, space and exchange. This book presents cases of contemporary, popular and traditional music, festivals and trade fairs, albums and band projects, shedding light on the tensions between the transfer, reconstruction and creation of music in different contexts.
Book Synopsis Musical Practice as a Form of Life by : Eva-Maria Houben
Download or read book Musical Practice as a Form of Life written by Eva-Maria Houben and published by transcript Verlag. This book was released on 2019-09-30 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is musical practice connected with everyday life? Eva-Maria Houben shows that performing music as an activity - indeed, as playing - is a meaningful shift from an approach based on structural analysis. Musical practice, Eva-Maria Houben contends, can be understood as open and never finished. Such an emphasis on repetition offers freedom from perfection, productivity, and purpose, thus allowing meaning to unfold in specific situations, places, and relationships. Musical practice can become a form of life and a reality in its own right. The study includes musical examples from the 17th, 18th, 19th, and 20th centuries as well as contemporary music.
Book Synopsis Decentering Musical Modernity by : Tobias Janz
Download or read book Decentering Musical Modernity written by Tobias Janz and published by transcript Verlag. This book was released on 2019-06-30 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection investigates the concept of modernity in music and its multiple interpretations in Europe and East Asia. Through contributions by both European and East Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while being attentive to the specificities of local music and their narratives in East Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.
Book Synopsis Music - Media - History by : Matej Santi
Download or read book Music - Media - History written by Matej Santi and published by transcript Verlag. This book was released on 2021-01-31 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).
Book Synopsis Cognitive Processes in the Perception of Art by : W.R. Crozier
Download or read book Cognitive Processes in the Perception of Art written by W.R. Crozier and published by Elsevier. This book was released on 1984-06-01 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reviews progress and describes original research in the cognitive psychology of the arts. The invited contributors are leading authorities, and the topics which they cover include psychological approaches to symbols and meaning in art, issues in experimental aesthetics, the development in children of artistic production and appreciation, and the perception of musical and pictorial material.
Author :Martha Brech Publisher :Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner ISBN 13 :9783837630763 Total Pages :350 pages Book Rating :4.6/5 (37 download)
Book Synopsis Kompositionen Für Hörbaren Raum / Compositions for Audible Space by : Martha Brech
Download or read book Kompositionen Für Hörbaren Raum / Compositions for Audible Space written by Martha Brech and published by Transcript Verlag, Roswitha Gost, Sigrid Nokel u. Dr. Karin Werner. This book was released on 2015 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Text in English & German. The integration of audible space is a central aspect of electroacoustic music. Ever since the earliest analogue days of electroacoustic music, pioneers of the genre -- including Pierre Schaeffer, Iannis Xenakis, Karlheinz Stockhausen, and Luigi Nono -- used special devices and methods for their compositions and refined the possibilities of integrating the sound of space into music. In this anthology, analytical portraits of compositions and groups of compositions show the wide spectrum of spatial practices in early electroacoustic music. Additionally, retrospective views on the use of spatial composition in earlier epochs and in instrumental music of the 20th century portray the practice of spatial composition in different eras and genres, as well as the universality of spatial music as a topic. In this way the book contributes to a more differentiated understanding of the term "spatial music."
Download or read book Notations 21 written by Theresa Sauer and published by . This book was released on 2009 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing inspiration from John Cage's, Notations, Notations 21 features illustrated musical scores from more than 100 international composers, all of whom are making amazing breakthroughs in the art of notation. These spectacularly beautiful and fascinatingly creative visual pieces not only make for exciting music, but inspiring visual art as well. The scores are accompanied by written contributions from the artists that explore every facet of their creative processes, from inspiration to execution. Contributors include the likes of Karlheinz Stockhausen, Earle Brown, Halim El-Dabh, Joan La Barbara, and Yuji Takahashi, as well as emerging composers whose compositions are also visually astounding and important. In the spirit of honoring the 40th anniversary of Cage's seminal book, while furthering it in a 21st century context, a portion of the sales will be donated to the Foundation for Contemporary Performing Arts.
Book Synopsis Musical Structure and Cognition by : Peter Howell
Download or read book Musical Structure and Cognition written by Peter Howell and published by Academic Press. This book was released on 1985 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a wide ranging and up-to-date account of human perception and production of musical structures, with a strong emphasis on empirical investigation, and the cognitive psychological principles underlying the intuitively based theorizing prevalent within the fields of music study. The first two thirds of the book focus mainly on music perception while the final third considers instrumental and vocal production. Topics covered include models of musical structure, recall of melodies, the perception and production of rhythm, the use of contour and internal information in melody recognition, and many more. The integration of state-of-the-art research with relevant background information provides a volume that will be essential reading for graduates, researchers, and advanced undergraduates in music psychology and of great relevance to musicologists and music students. FROM THE PREFACE: Music plays an important part in the lives of people of many cultures, serving as a component of ritual and as a source of recreation. The forms it may take vary from culture to culture and change over time. One integral feature of music that remains constant is that it involves the patterning or structuring of sound. Music theory provides ways of describing structure in music, but to comprehend musical structure fully we must focus on the human activities and capacities that give rise to and respond to it. The chapters in this volume describe recent advances in our understanding of musical structure as it exists in perception and performance. The scope of the volume is intended to be broad. The content ranges from an analysis of systems of pitch organisation in music theory to an account of the constraints on musical structure that may be imposed by the human motor system. The emphasis is on empirical investigation, and the need to base theoretical accounts of musical structure on extramusical principles relating to human cognition. Though the primary purpose of this volume is to convey the "state of the art" in the study of musical cognition, many of the chapters should be accessible to undergraduate students of music and psychology, and contain sufficient background material to provide an introduction to important topics within the field.
Book Synopsis Improvisation and Music Education by : Ajay Heble
Download or read book Improvisation and Music Education written by Ajay Heble and published by Routledge. This book was released on 2016-02-19 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.
Book Synopsis Composing Our Future by : Michele Kaschub
Download or read book Composing Our Future written by Michele Kaschub and published by Oxford University Press. This book was released on 2013-02-14 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composing Our Future is the ideal book for music teacher educators seeking to learn more about composition education. It provides resources to guide the development of undergraduate and graduate curricula, specific courses, professional development workshops, and environments where composition education can flourish.
Book Synopsis Synthesizer Performance and Real-time Techniques by : Jeff Pressing
Download or read book Synthesizer Performance and Real-time Techniques written by Jeff Pressing and published by . This book was released on 1992 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: The changes wrought by the MIDI and microcomputer revolution in the 1980s have dramatically transformed the world's music. Listeners now expect much more from the electronic music composer and performer, not only in audio quality, but also in skill and versatility across styles. However, to date there has been no comprehensive source of information to ground the synthesizer artist in the requisite technologies and techniques.
Book Synopsis The Oxford Handbook of Social Justice in Music Education by : Cathy Benedict
Download or read book The Oxford Handbook of Social Justice in Music Education written by Cathy Benedict and published by Oxford University Press. This book was released on 2015-11-27 with total page 736 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music education has historically had a tense relationship with social justice. One the one hand, educators concerned with music practices have long preoccupied themselves with ideas of open participation and the potentially transformative capacity that musical interaction fosters. On the other hand, they have often done so while promoting and privileging a particular set of musical practices, traditions, and forms of musical knowledge, which has in turn alienated and even excluded many children from music education opportunities. The Oxford Handbook of Social Justice in Music Education provides a comprehensive overview and scholarly analyses of the major themes and issues relating to social justice in musical and educational practice worldwide. The first section of the handbook conceptualizes social justice while framing its pursuit within broader contexts and concerns. Authors in the succeeding sections of the handbook fill out what social justice entails for music teaching and learning in the home, school, university, and wider community as they grapple with cycles of injustice that might be perpetuated by music pedagogy. The concluding section of the handbook offers specific practical examples of social justice in action through a variety of educational and social projects and pedagogical practices that will inspire and guide those wishing to confront and attempt to ameliorate musical or other inequity and injustice. Consisting of 42 chapters by authors from across the globe, the handbook will be of interest to anyone who wishes to better understand what social justice is and why its pursuit in and through music education matters.
