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Illustrations Of The Stage And Acting In England To 1580
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Book Synopsis Illustrations of the Stage and Acting in England to 1580 by : Clifford Davidson
Download or read book Illustrations of the Stage and Acting in England to 1580 written by Clifford Davidson and published by Medieval Institute Publications. This book was released on 1991 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.
Book Synopsis The Cambridge Illustrated History of British Theatre by : Simon Trussler
Download or read book The Cambridge Illustrated History of British Theatre written by Simon Trussler and published by Cambridge University Press. This book was released on 2000-09-21 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
Book Synopsis Typographies of Performance in Early Modern England by : Claire M. L. Bourne
Download or read book Typographies of Performance in Early Modern England written by Claire M. L. Bourne and published by . This book was released on 2020 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores typographic display and experimentation in printed play-texts from the fourteenth to the eighteenth centuries and interprets features of page display (particularly special characters, scene division, punctuation, and illustration) as a means of communicating and expressing aspects of dramatic performance to readers.
Book Synopsis European Theatre Performance Practice, 1400-1580 by : Philip Butterworth
Download or read book European Theatre Performance Practice, 1400-1580 written by Philip Butterworth and published by Routledge. This book was released on 2017-03-02 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together important records of medieval theatre practice between 1400 and 1580. The records are drawn from a wide range of spheres including civic, ecclesiastical, trade and guild records and consist of payments for materials, techniques and services; also included are some eye witness accounts. Alongside these records is a selection of the best contemporary research conducted into medieval performance practice, which features ground-breaking analysis and challenges current understanding, knowledge and authority in this field. These contributions of rigorous scholarship complement and support the work of the well-known Records of Early English Drama project and help to further illuminate contemporary fifteenth and early sixteenth-century theatre performance practice.
Book Synopsis Teaching with the Records of Early English Drama by : Elza C. Tiner
Download or read book Teaching with the Records of Early English Drama written by Elza C. Tiner and published by University of Toronto Press. This book was released on 2006-01-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the appearance of the first volume in 1979, the Records of Early English Drama (REED) series has made available an accurate and useable transcription of all surviving documentary evidence of dramatic, ceremonial, and minstrel activity in Great Britain up to the closing of the theatres in 1642. Although they are immensely valuable to scholars, the REED volumes sometimes prove difficult for students to use without considerable assistance. With this book, Elza Tiner aims to make the records accessible for classroom use. The contributors to the volume describe the various ways in which students can learn from working with these documents. Divided into five sections, the volume illustrates how specific disciplines can use the Records to provide resources for students including ways to teach the historical documents of early English drama, training students in acting and producing, historical contexts for the interpretation of literature, as well as the study of local history, women's studies, and historical linguistics. As a practical and much needed companion to the REED volumes, Teaching with the Records of Early English Drama will prove invaluable to both students and teachers of Medieval English Drama.
Book Synopsis A Cultural History of Theatre in the Middle Ages by : Jody Enders
Download or read book A Cultural History of Theatre in the Middle Ages written by Jody Enders and published by Bloomsbury Publishing. This book was released on 2019-08-08 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Book Synopsis A Companion to Medieval English Literature and Culture, c.1350 - c.1500 by : Peter Brown
Download or read book A Companion to Medieval English Literature and Culture, c.1350 - c.1500 written by Peter Brown and published by John Wiley & Sons. This book was released on 2009-10-26 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Medieval English Literature and Culture, c.1350-c.1500 challenges readers to think beyond a narrowly defined canon and conventional disciplinary boundaries. A ground-breaking collection of newly-commissioned essays on medieval literature and culture. Encourages students to think beyond a narrowly defined canon and conventional disciplinary boundaries. Reflects the erosion of the traditional, rigid boundary between medieval and early modern literature. Stresses the importance of constructing contexts for reading literature. Explores the extent to which medieval literature is in dialogue with other cultural products, including the literature of other countries, manuscripts and religion. Includes close readings of frequently-studied texts, including texts by Chaucer, Langland, the Gawain poet, and Hoccleve. Confronts some of the controversies that exercise students of medieval literature, such as those connected with literary theory, love, and chivalry and war.
Book Synopsis An Illustrated History of British Theatre and Performance by : Robert Leach
Download or read book An Illustrated History of British Theatre and Performance written by Robert Leach and published by Routledge. This book was released on 2018-12-21 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.
Book Synopsis Thomas Middleton and Early Modern Textual Culture by : Gary Taylor
Download or read book Thomas Middleton and Early Modern Textual Culture written by Gary Taylor and published by Oxford University Press. This book was released on 2007-11-22 with total page 1185 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.
Book Synopsis The Stage as Mirror by : Alan E. Knight
Download or read book The Stage as Mirror written by Alan E. Knight and published by Boydell & Brewer. This book was released on 1997 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aspects of medieval theatre examined for reflection of contemporary life. The essays in this volume explore ways in which plays and public spectacles mirrored the beliefs and values of the late medieval world. Topics covered include seasonal festivals, trade gilds, stagecraft, and the role played by themunicipal governments in fostering and controlling dramatic productions. The geographic range takes in all western Europe, with particular consideration of the connections between the various medieval European dramatic traditions. Inter-disciplinary in approach, perspectives range from the history of theatre to cultural and political history and literary criticism. There is particular emphasis on the real advances that can be made in expanding knowledge of medieval theatre through research in local and regional archives. ALAN E. KNIGHT is professor emeritus of French at the Pennsylvania State University. Contributors: ALEXANDRA F. JOHNSTON, LYNETTE R. MUIR, PAMELA SHEINGORN, R.B. DOBSON, GERARD NIJSTEN, CLIFFORD DAVIDSON, WIM HÜSKEN, STEPHEN SPECTOR, ALAN E. KNIGHT
Book Synopsis Picturing Performance by : Thomas F. Heck
Download or read book Picturing Performance written by Thomas F. Heck and published by University Rochester Press. This book was released on 1999 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.
Book Synopsis Shakespeare in the Media by : Stefani Brusberg-Kiermeier
Download or read book Shakespeare in the Media written by Stefani Brusberg-Kiermeier and published by Peter Lang. This book was released on 2010 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of critical essays and interviews gives an overview of the various kinds of medial manifestations which Shakespeare's work has been transferred into over the centuries: into a theatrical performance, a printed text, a painting, an opera, an audio book, a film, a radio or television drama, a website. On the whole this overview also provides a history of the general development of Shakespearean media. Practitioners as well as scholars focus on the strengths and weaknesses, the possibilities and limitations of each medium with regard to the representation of Shakespeare's work.
Book Synopsis Literary Visualities by : Ronja Bodola
Download or read book Literary Visualities written by Ronja Bodola and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-06-26 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges the focus on pictoriality as central constituent of visual culture from the perspective of literary studies, which in the wake of an ‘intermedial turn’ so far focused on the ways texts relate to pictures and visual media either in praesentia (e.g. word and image studies) or in absentia (e.g. ekphrasis). Instead, it emphasizes literature’s participation in visual culture at large and focuses on three areas of investigation: (1) the depiction of, for instance, visual perceptions in the literary mode of description, which is paramount to formatting the mental aspect of visual culture; (2) the readerly practice of visualising situations and events of the fictional world, which mediates between those mentefacts and techniques of writing; (3) textual visibilities which are grounded in materiality. The volume explores these three areas from a systematically integrated perspective and the essays include in-depth treatments of seminal examples taken from Western literatures (primarily English and German, but also French and American literature) from early modern times to the present. This book’s aim is to work out literature’s active role in shaping visual culture, thus demonstrating its relevance for “image studies”.
Book Synopsis Festivals and Plays in Late Medieval Britain by : Clifford Davidson
Download or read book Festivals and Plays in Late Medieval Britain written by Clifford Davidson and published by Ashgate Publishing, Ltd.. This book was released on 2007 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most comprehensive survey to date of medieval festival playing in Britain, this study presents an inclusive view of the drama in the British Isles. It offers detailed readings of individual plays-including the little studied Bodley plays, among others - as well as a summary of what is known of their production. Organized around the rituals of the liturgical seasons, the book clarifies the relationship between liturgical feast and dramatic celebration.
Book Synopsis English Professional Theatre, 1530-1660 by : Glynne Wickham
Download or read book English Professional Theatre, 1530-1660 written by Glynne Wickham and published by Cambridge University Press. This book was released on 2000 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the professional English theatre from 1530 to 1660. The documents collected here, many published for the first time, chronicle the exciting and flourishing world of the theatre through the reigns of Henry VIII to Charles I. These exciting primary sources offer first-hand accounts, including the daily life and work of the actor, and the most complete coverage yet of all the playhouses, both public and private, including the Rose, the Globe, Red Lion and the Swan. The volume documents the various theatre companies of children, costumes and stage property matters, audience reception and behaviour, and ecclesiastical and governmental legislation. A full linking narrative and extensive bibliography detailing the location of the primary sources, provide an important reference work and valuable research tool.
Book Synopsis Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre by : Philip Butterworth
Download or read book Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre written by Philip Butterworth and published by Routledge. This book was released on 2022-02-07 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this selection of research articles Butterworth focuses on investigation of the practical and technical means by which early English theatre, from the fifteenth to the early seventeenth century, was performed. Matters of staging for both 'pageant vehicle' and 'theatre-in-the-round' are described and analysed to consider their impact on playing by players, expositors, narrators and prompters. All these operators also functioned to promote the closely aligned disciplines of pyrotechnics and magic (legerdemain or sleight of hand) which also influence the nature of the presented theatre. The sixteen chapters form four clearly identified parts—staging, playing, pyrotechnics and magic—and drawing on a wealth of primary source material, Butterworth encourages the reader to rediscover and reappreciate the actors, magicians, wainwrights and wheelwrights, pyrotechnists, and (in modern terms) the special effects people and event managers who brought these early texts to theatrical life on busy city streets and across open arenas. The chapters variously explore and analyse the important backwaters of material culture that enabled, facilitated and shaped performance yet have received scant scholarly attention. It is here, among the itemised payments to carpenters and chemists, the noted requirements of mechanics and wheelwrights, or tucked away among the marginalia of suppliers of staging and ingenious devices that Butterworth has made his stamping ground. This is a fascinating introduction to the very ‘nuts and bolts’ of early theatre. Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre is a closely argued celebration of stagecraft that will appeal to academics and students of performance, theatre history and medieval studies as well as history and literature more broadly. It constitutes the eighth volume in the Routledge series Shifting Paradigms in Early English Drama Studies and continues the valuable work of that series (of which Butterworth is a general editor) in bringing significant and expert research articles to a wider audience. (CS 1105).
Book Synopsis The Art of Commedia by : M. A. Katritzky
Download or read book The Art of Commedia written by M. A. Katritzky and published by Rodopi. This book was released on 2006 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia-related aspects of visual, dramatic and festival culture, in and beyond Italy.
