II Electroacoustic Music Meeting

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Author :
Publisher :
ISBN 13 :
Total Pages : 142 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis II Electroacoustic Music Meeting by :

Download or read book II Electroacoustic Music Meeting written by and published by . This book was released on 1997 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Electroacoustic Music in East Asia

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Author :
Publisher : Routledge
ISBN 13 : 1000458660
Total Pages : 174 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Electroacoustic Music in East Asia by : Marc Battier

Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.

Composing Electronic Music

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Author :
Publisher : Oxford University Press, USA
ISBN 13 : 0195373243
Total Pages : 513 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis Composing Electronic Music by : Curtis Roads

Download or read book Composing Electronic Music written by Curtis Roads and published by Oxford University Press, USA. This book was released on 2015 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic music evokes new sensations, feelings, and thoughts in both composers and listeners. Composing Electronic Music outlines a new theory based on the powerful toolkit of electronic music techniques.

Array

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Publisher :
ISBN 13 :
Total Pages : 36 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Array by :

Download or read book Array written by and published by . This book was released on 1998 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Language Electroacoustic Music

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Author :
Publisher : Springer
ISBN 13 : 1349184926
Total Pages : 229 pages
Book Rating : 4.3/5 (491 download)

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Book Synopsis The Language Electroacoustic Music by : Simon Emmerson

Download or read book The Language Electroacoustic Music written by Simon Emmerson and published by Springer. This book was released on 1986-12-03 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.

Music, Electronic Media and Culture

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Publisher : Routledge
ISBN 13 : 131709171X
Total Pages : 246 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Music, Electronic Media and Culture by : Simon Emmerson

Download or read book Music, Electronic Media and Culture written by Simon Emmerson and published by Routledge. This book was released on 2016-04-29 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and invigorating as well as exploitative and destructive. This book addresses some of the issues now posed by the brave new world of music produced with technology.

Music after the Fall

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Publisher : Univ of California Press
ISBN 13 : 0520959043
Total Pages : 368 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Music after the Fall by : Tim Rutherford-Johnson

Download or read book Music after the Fall written by Tim Rutherford-Johnson and published by Univ of California Press. This book was released on 2017-02-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Electroacoustic Music in East Asia

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Author :
Publisher : Routledge
ISBN 13 : 1000449165
Total Pages : 194 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Electroacoustic Music in East Asia by : Marc Battier

Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.

Making It Heard

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501344455
Total Pages : 297 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Making It Heard by : Rui Chaves

Download or read book Making It Heard written by Rui Chaves and published by Bloomsbury Publishing USA. This book was released on 2019-12-12 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.

Understanding the Art of Sound Organization

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Publisher : MIT Press
ISBN 13 : 0262260905
Total Pages : 319 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Understanding the Art of Sound Organization by : Leigh Landy

Download or read book Understanding the Art of Sound Organization written by Leigh Landy and published by MIT Press. This book was released on 2007-08-17 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first work to propose a comprehensive musicological framework to study sound-based music, a rapidly developing body of work that includes electroacoustic art music, turntable composition, and acoustic and digital sound installations. The art of sound organization, also known as electroacoustic music, uses sounds not available to traditional music making, including prerecorded, synthesized, and processed sounds. The body of work of such sound-based music (which includes electroacoustic art music, turntable composition, computer games, and acoustic and digital sound installations) has developed more rapidly than its musicology. Understanding the Art of Sound Organization proposes the first general foundational framework for the study of the art of sound organization, defining terms, discussing relevant forms of music, categorizing works, and setting sound-based music in interdisciplinary contexts. Leigh Landy's goal in this book is not only to create a theoretical framework but also to make the work more accessible—to suggest a way to understand sound-based music, to give a listener what he terms “something to hold on to,” for example, by connecting elements in a work to everyday experience. Landy considers the difficulties of categorizing works and discusses such types of works as sonic art and electroacoustic music, pointing out where they overlap and how they are distinctive. He proposes a “sound-based music paradigm” that transcends such traditional categories as art and pop music. Landy defines patterns that suggest a general framework and places the studies of sound-based music into interdisciplinary contexts, from acoustics to semiotics, proposing a holistic research approach that considers the interconnectedness of a given work's history, theory, technological aspects, and social impact. The author's ElectroAcoustic Resource Site (EARS, www.ears.dmu.ac.uk), the architecture of which parallels this book's structure, offers updated bibliographic resource abstracts and related information.

Creativity and Robotics

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Publisher : Frontiers Media SA
ISBN 13 : 2832503845
Total Pages : 232 pages
Book Rating : 4.8/5 (325 download)

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Book Synopsis Creativity and Robotics by : Patricia Alves-Oliveira

Download or read book Creativity and Robotics written by Patricia Alves-Oliveira and published by Frontiers Media SA. This book was released on 2022-11-03 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Instruments in the 21st Century

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Publisher : Springer
ISBN 13 : 9811029512
Total Pages : 412 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis Musical Instruments in the 21st Century by : Till Bovermann

Download or read book Musical Instruments in the 21st Century written by Till Bovermann and published by Springer. This book was released on 2016-12-09 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: By exploring the many different types and forms of contemporary musical instruments, this book contributes to a better understanding of the conditions of instrumentality in the 21st century. Providing insights from science, humanities and the arts, authors from a wide range of disciplines discuss the following questions: · What are the conditions under which an object is recognized as a musical instrument? · What are the actions and procedures typically associated with musical instruments? · What kind of (mental and physical) knowledge do we access in order to recognize or use something as a musical instrument? · How is this knowledge being shaped by cultural conventions and temporal conditions? · How do algorithmic processes 'change the game' of musical performance, and as a result, how do they affect notions of instrumentality? · How do we address the question of instrumental identity within an instrument's design process? · What properties can be used to differentiate successful and unsuccessful instruments? Do these properties also contribute to the instrumentality of an object in general? What does success mean within an artistic, commercial, technological, or scientific context?

EMAS Newsletter

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Publisher :
ISBN 13 :
Total Pages : 86 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis EMAS Newsletter by :

Download or read book EMAS Newsletter written by and published by . This book was released on 1983 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Technology, Design and the Arts - Opportunities and Challenges

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Author :
Publisher : Springer Nature
ISBN 13 : 3030420973
Total Pages : 392 pages
Book Rating : 4.0/5 (34 download)

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Book Synopsis Technology, Design and the Arts - Opportunities and Challenges by : Rae Earnshaw

Download or read book Technology, Design and the Arts - Opportunities and Challenges written by Rae Earnshaw and published by Springer Nature. This book was released on 2020-06-22 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This open access book details the relationship between the artist and their created works, using tools such as information technology, computer environments, and interactive devices, for a range of information sources and application domains. This has produced new kinds of created works which can be viewed, explored, and interacted with, either as an installation or via a virtual environment such as the Internet. These processes generate new dimensions of understanding and experience for both the artist and the public’s relationships with the works that are produced. This has raised a variety of interdisciplinary opportunities and issues, and these are examined. The symbiotic relationship between artistic works and the cultural context in which they are produced is reviewed. Technology can provide continuity by making traditional methods and techniques more efficient and effective. It can also provide discontinuity by opening up new perspectives and paradigms. This can generate new ideas, and produce a greater understanding of artistic processes and how they are implemented in practice. Tools have been used from the earliest times to create and modify artistic works. For example, naturally occurring pigments have been used for cave paintings. What has been created provides insight into the cultural context and social environment at the time of creation. There is an interplay between the goal of the creator, the selection and use of appropriate tools, and the materials and representations chosen. Technology, Design and the Arts - Opportunities and Challenges is relevant for artists and technologists and those engaged in interdisciplinary research and development at the boundaries between these disciplines.

Timbre Composition in Electroacoustic Music

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Publisher : Routledge
ISBN 13 : 1134358776
Total Pages : 291 pages
Book Rating : 4.1/5 (343 download)

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Book Synopsis Timbre Composition in Electroacoustic Music by : Simon Emmerson

Download or read book Timbre Composition in Electroacoustic Music written by Simon Emmerson and published by Routledge. This book was released on 2019-07-23 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.

Women Composers and Music Technology in the United States

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Author :
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 9780754604617
Total Pages : 326 pages
Book Rating : 4.6/5 (46 download)

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Book Synopsis Women Composers and Music Technology in the United States by : Elizabeth Hinkle-Turner

Download or read book Women Composers and Music Technology in the United States written by Elizabeth Hinkle-Turner and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the most definitive attempt to date to discuss the achievements of women as composers of experimental and avant-garde music from the 1930s to the present day. Using a wealth of primary material, it also explores currently relevant issues in gender and technology. Drawing out the relationships between composers and their working environments, and between teachers and students, Elizabeth Hinkle-Turner discusses the contribution of women composers to electroacoustic music. The book includes a bibliography and discography covering the work of ninety composers.

Music and Sonic Art

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527524744
Total Pages : 257 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis Music and Sonic Art by : John Dack

Download or read book Music and Sonic Art written by John Dack and published by Cambridge Scholars Publishing. This book was released on 2019-01-10 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together practitioners and theorists of music and sonic art. Contributions explore a wide range of historical, artistic, pedagogical and critical issues from multiple perspectives, emphasizing the continuities and links along a broad spectrum of hearing and listening practices and art-making that use sound.