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Iconography Of Islamic Art
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Book Synopsis Islamic Art and Beyond by : Oleg Grabar
Download or read book Islamic Art and Beyond written by Oleg Grabar and published by Taylor & Francis. This book was released on 2024-08-01 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Art and Beyond is the third in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art, 650-1100; Islamic Visual Culture, 1100-1800; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The articles in the present volume illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. Was it a faith or a combination of social, historical, and cultural events? And how has 'Islamic art' impacted on the contemporary arts of the Islamic world? The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world. The Islamic examples allow for the development of new intellectual positions for the history and criticism of the arts everywhere.
Book Synopsis Islamic Art in Detail by : Sheila R. Canby
Download or read book Islamic Art in Detail written by Sheila R. Canby and published by Harvard University Press. This book was released on 2005 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Book Synopsis The Iconography of Islamic Art by : Bernard O'Kane
Download or read book The Iconography of Islamic Art written by Bernard O'Kane and published by . This book was released on 2005 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Professor Robert Hillenbrand's writings on Islamic art and architecture cover a wide range, from the seventh to the nineteenth centuries, and from Spain to India. The multiplicity of approaches to the search for meaning in Islamic art, as presented in this volume, mirrors the broad range of his scholarship."--Jacket.
Book Synopsis A Companion to Islamic Art and Architecture by : Finbarr Barry Flood
Download or read book A Companion to Islamic Art and Architecture written by Finbarr Barry Flood and published by John Wiley & Sons. This book was released on 2017-06-16 with total page 1442 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Book Synopsis The Dragon in Medieval East Christian and Islamic Art by : Sara Kuehn
Download or read book The Dragon in Medieval East Christian and Islamic Art written by Sara Kuehn and published by BRILL. This book was released on 2011-07-12 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures. The book will be of particular interest to those concerned with the relationship between the pre-Islamic, Islamic and Eastern Christian (especially Armenian) world. The study is fully illustrated, with 209 (b/w and full colour) plates, many of previously unpublished material. Illustrations include photographs of architectural structures visited by the author, as well as a vast collection of artefacts, all of which are described and discussed in detail with inscription readings, historical data and textual sources.
Book Synopsis What is “Islamic” Art? by : Wendy M. K. Shaw
Download or read book What is “Islamic” Art? written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Book Synopsis Islamic Visual Culture, 1100-1800 by : Oleg Grabar
Download or read book Islamic Visual Culture, 1100-1800 written by Oleg Grabar and published by Taylor & Francis. This book was released on 2024-08-01 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic Visual Culture, 1100-1800 is the second in a set of four volumes of studies on Islamic art by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century by a master of the field. Each volume takes a particular section of the topic, the three other volumes being entitled: Early Islamic Art 650-1100; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The focus of the present volume is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
Book Synopsis Iconography of Islamic Art by : O'Kane Bernard O'Kane
Download or read book Iconography of Islamic Art written by O'Kane Bernard O'Kane and published by Edinburgh University Press. This book was released on 2019-08-06 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: People have been searching for meaning in Islamic art for centuries. Newly available in paperback, this book explores the iconography of Islamic art, presenting a diverse range of approaches to the subject.Despite this variety, there is an overarching theme: the linking of the interpretation of objects to textual sources. This results in a collection of in-depth studies of motifs as diverse as the peacock, trees, and the figure holding a cup and branch. In addition, new interpretations are presented of other objects, such as an Abuyyid metal basin or Mongol paintings.Textual sources on the Ka'ba or the use of marble provide a starting point for the examination of objects and their relationship to history. The architectural decoration of monuments from Egypt to India is analysed, and Arab and Safavid paintings are mined for meaning. Links with Christian elements in Sicily or Buddhist stupas are appraised.Generously illustrated throughout, this book will appeal to all those with an interest in Islamic art, architecture and iconography.Key Features* Lavishly illustrated with colour and black and white photographs and line drawings* Features contributions from leading figures including Sheila S. Blair and Jonathan M. Bloom* Presents new interpretations of Islamic art* Integrates the study of objects and related texts
Download or read book Aisha’s Cushion written by Jamal J. Elias and published by Harvard University Press. This book was released on 2012-11-15 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Media coverage of the Danish cartoon crisis and the destruction of the Buddhas of Bamiyan left Westerners with a strong impression that Islam does not countenance depiction of religious imagery. Jamal J. Elias corrects this view by revealing the complexity of Islamic attitudes toward representational religious art. Aisha’s Cushion emphasizes Islam’s perceptual and intellectual modes and in so doing offers the reader both insight into Islamic visual culture and a unique way of seeing the world. Aisha’s Cushion evaluates the controversies surrounding blasphemy and iconoclasm by exploring Islamic societies at the time of Muhammad and the birth of Islam; during early contact between Arab Muslims and Byzantine Christians; in medieval Anatolia and India; and in modern times. Elias’s inquiry then goes further, to situate Islamic religious art in a global context. His comparisons with Christian, Jewish, Buddhist, and Hindu attitudes toward religious art show them to be as contradictory as those of Islam. Contemporary theories about art’s place in society inform Elias’s investigation of how religious objects have been understood across time and in different cultures. Elias contends that Islamic perspectives on representation and perception should be sought not only in theological writings or aesthetic treatises but in a range of Islamic works in areas as diverse as optics, alchemy, dreaming, calligraphy, literature, vehicle and home decoration, and Sufi metaphysics. Unearthing shades of meaning in Islamic thought throughout history, Elias offers fresh insight into the relations among religion, art, and perception across a broad range of cultures.
Book Synopsis Treasures of Islam by : Bernard O'Kane
Download or read book Treasures of Islam written by Bernard O'Kane and published by Duncan Baird Publishers. This book was released on 2007 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the impact of Islam on the cultural heritage of diverse communities around the world, focusing on how works of art and architecture have been influenced and inspired by Islamic traditions, beliefs, and practices.
Book Synopsis The Art and Material Culture of Iranian Shi’ism by : Pedram Khosronejad
Download or read book The Art and Material Culture of Iranian Shi’ism written by Pedram Khosronejad and published by Bloomsbury Publishing. This book was released on 2011-11-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shi'i Islam has been the official religion of Iran from the Safavids (1501-1732) to the present day. The Shi'i world experience has provided a rich artistic tradition, encompassing painting, sculpture and the production of artefacts and performance, which has helped to embed Shi'i identity in Iran as part of its national narrative. In what areas of material culture has Iranian Shi'ism manifested itself through objects or buildings that are unique within the overall culture of Islam? To what extent is the art and architecture of Iran from the Safavid period onwards identifiably Shi'i? What does this say about the relationship of nation, state and faith in Iran? Here, leading experts trace the material heritage of Iranian Shi'ism within each of its political, religious and cultural dimensions.
Book Synopsis Early Islamic Art and Architecture by : Jonathan M. Bloom
Download or read book Early Islamic Art and Architecture written by Jonathan M. Bloom and published by Routledge. This book was released on 2017-05-15 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Book Synopsis Of Serpents and Dragons in Islamic Art by : Abbas Daneshvari
Download or read book Of Serpents and Dragons in Islamic Art written by Abbas Daneshvari and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like Plato's "Pharmakon, "; the dragon was imbued with antithetical meanings: as it stood for both the darkness of the eclipse and the light of God, the satanic and the divine, the transcendent and the earthly. The "yin" and the "yang" of Islam were embodied in the dragon, whose fire was the hell of destruction and also the blessed light of the divine. The dragon thus represented one of those exceptional and mysterious symbols that explained the more baffling phenomena such as creation, chaos and order, furthermore signifying amalgamations of dichotomous forces whose balance made life and the understanding of life possible ... -- Book Description.
Book Synopsis Islamic Chinoiserie by : Kadoi Yuka Kadoi
Download or read book Islamic Chinoiserie written by Kadoi Yuka Kadoi and published by Edinburgh University Press. This book was released on 2019-07-31 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour
Download or read book Art of Islam written by Titus Burckhardt and published by World Wisdom, Inc. This book was released on 2009 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islam.
Book Synopsis Image and Meaning in Islamic Art by : Robert Hillenbrand
Download or read book Image and Meaning in Islamic Art written by Robert Hillenbrand and published by . This book was released on 2005 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Studies in the Islamic Arts of the Book by : Robert Hillenbrand
Download or read book Studies in the Islamic Arts of the Book written by Robert Hillenbrand and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies collected in this volume, some of them rather difficult to access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period, Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole. Contents: Preface The Uses of Space in Timurid Painting The Iconography of the Shah-nama-yi Shahi The Iskandar Cycle in the Great Mongol Shahnama Images of Muhammad in al-Biruni's Chronology of Ancient Nations The Arts of the Book in Ilkhanid Iran The paintings of Rashid al-Din's 'Universal History' at Edinburgh Mamluk and Ilkhanid Bestiaries: Convention and Experiment The Qur'an Illuminated The relationship between book painting and luxury ceramics in 13th-century Iran, The Message of Misfortune Literature and the visual arts; New Perspectives in Shahnama Iconography Erudition exalted: the double frontispiece to The Epistles of the Sincere Brethren The Shahnama and the illustrated book Islamic Bookbinding Index
