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Hinduism And Hindi Theater
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Book Synopsis Hinduism and Hindi Theater by : Diana Dimitrova
Download or read book Hinduism and Hindi Theater written by Diana Dimitrova and published by Springer. This book was released on 2016-08-18 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova’a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly ‘Hindu-Hindi’ theatre.
Book Synopsis Gender, Religion, and Modern Hindi Drama by : Diana Dimitrova
Download or read book Gender, Religion, and Modern Hindi Drama written by Diana Dimitrova and published by McGill-Queen's Press - MQUP. This book was released on 2008 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender, Religion, and Modern Hindi Drama studies the representation of gender and religion in Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s. This is the period when urban proscenium Hindi theatre, which originated under Western influence, matured and thrived. The focus is on how different religious and mythological models pertaining to women have been reworked in Hindi drama and whether the seven representative dramatists discussed in this book assert conservative or liberating Hindu images of the feminine. The book examines how the intersections of gender, religion, and ideology account for the creation of the canon of modern Hindi drama, specifically for the assertion of a conservative interpretation of orthodox Hindu images of the feminine as well as for the exclusion of dramatists who introduce innovative liberating images of the feminine. The overt reason for the negative attitude toward this innovative representation of gender is that it is perceived as "Western" and thus "non-Indian." By contrast, the author's analysis of Hindu mythology, religion and theatre history reveals that the new interpretation of gender is deeply embedded in Hindu tradition and is thus both Hindu Indian and modernist Western in character.
Book Synopsis Western Tradition and Naturalistic Hindi Theatre by : Diana Dimitrova
Download or read book Western Tradition and Naturalistic Hindi Theatre written by Diana Dimitrova and published by Peter Lang. This book was released on 2004 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Western Tradition and Naturalistic Hindi Theatre is a critical study of the dramatic work of naturalistic Hindi playwright Upendranath Ashk (1910-1996). The book explores modern Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s. During this period, proscenium Hindi theatre, which originated under Western influence, matured and thrived. In the years after Independence, there was a strong resentment of Western ideas and cultural influence. Because of political controversies with the British, «Western» influence also came to be understood as «non-Indian» in the sphere of literature. This resulted in a negative stance toward the naturalistic play of Hindi and those dramatists who adhered to it. Thus, this book is a contribution to the present-day cultural dialogue between East and West.
Book Synopsis Gender, Religion, and Modern Hindi Drama by : Diana Dimitrova
Download or read book Gender, Religion, and Modern Hindi Drama written by Diana Dimitrova and published by McGill-Queen's Press - MQUP. This book was released on 2008-03-19 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diana Dimitrova studies the representation of gender and religion in Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s - the period when urban proscenium Hindi theatre, which originated under Western influence, matured and thrived. Her focus is on how different religious and mythological models pertaining to women have been reworked in Hindi drama and whether the seven representative dramatists discussed in this book present conservative or liberating Hindu images of the feminine. She examines how the intersections of gender, religion, and ideology account for the creation of the canon of modern Hindi drama, specifically the assertion of a conservative interpretation of orthodox Hindu images of the feminine as well as the exclusion of dramatists who introduce innovative liberating images of the feminine. The overt reason for the negative attitude toward this innovative representation of gender is that it is perceived as "Western" and thus "non-Indian." By contrast, the author's analysis of Hindu mythology, religion, and theatre history reveals that the new interpretation of gender is deeply embedded in Hindu tradition and is thus both Hindu Indian and modernist Western in character.
Book Synopsis Rethinking the Body in South Asian Traditions by : Diana Dimitrova
Download or read book Rethinking the Body in South Asian Traditions written by Diana Dimitrova and published by Routledge. This book was released on 2020-12-14 with total page 109 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses cultural questions related to representations of the body in South Asian traditions, human perceptions and attitudes toward the body in religious and cultural contexts, as well as the processes of interpreting notions of the body in religious and literary texts. Utilising an interdisciplinary perspective by means of textual study and ideological analysis, anthropological analysis, and phenomenological analysis, the book explores both insider- and outsider perspectives and issues related to the body from the 2nd century CE up to the present-day. Chapters assess various aspects of the body including processes of embodiment and questions of mythologizing the divine body and othering the human body, as revealed in the literatures and cultures of South Asia. The book analyses notions of mythologizing and "othering" of the body as a powerful ideological discourse, which empowers or marginalizes at all levels of the human condition. Offering a deep insight into the study of religion and issues of the body in South Asian literature, religion and culture, this book will be of interest to academics in the fields of South Asian studies, South Asian religions, South Asian literatures, cultural studies, philosophy and comparative literature.
Book Synopsis Imagining Indianness by : Diana Dimitrova
Download or read book Imagining Indianness written by Diana Dimitrova and published by Springer. This book was released on 2017-02-08 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
Download or read book Filming the Gods written by Rachel Dwyer and published by Routledge. This book was released on 2006-09-27 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
Book Synopsis Popular Hindi Cinema by : Ronie Parciack
Download or read book Popular Hindi Cinema written by Ronie Parciack and published by Routledge. This book was released on 2016-04-20 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: The popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.
Book Synopsis Shakespeare and Indian Theatre by : Vikram Singh Thakur
Download or read book Shakespeare and Indian Theatre written by Vikram Singh Thakur and published by Bloomsbury Publishing. This book was released on 2021-12-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at adaptations, translations and performance of Shakespeare's productions in India from the mid-18th century, when British officers in India staged Shakespeare's plays along with other English playwrights for entertainment, through various Indian adaptations of his plays during the colonial period to post-Independence period. It studies Shakespeare in Bengali and Parsi theatre at length. Other theatre traditions, such as Marathi, Kannada, Malayalam and Hindi, have been included. The book dwells on the fascinating story of the languages of India that have absorbed Shakespeare's work and have transformed the original educated Indian's Shakespeare into the popular Shakespeare practice of the 19th and 20th centuries, and the unique urban-folkish tradition in postcolonial India.
Download or read book Filming the Gods written by Rachel Dwyer and published by Routledge. This book was released on 2006-09-27 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India's other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film.
Book Synopsis The Other in South Asian Religion, Literature and Film by : Diana Dimitrova
Download or read book The Other in South Asian Religion, Literature and Film written by Diana Dimitrova and published by Routledge. This book was released on 2014-01-10 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces the term "otherism" and looks at the discourse of otherism and the issue of otherness in South Asian religion, literature and film. It examines cultural questions related to the human condition of being the "other," of the process of "othering" and of the representation of "otherness" and its religious, cultural and ideological implications. The book applies the perspectives of ideological criticism, theories of hybridity, orientalism, nationalism, and gender and queer studies to gain new insights into the literature, film and culture of South Asia. It looks at the different ways of interpreting "otherness" today. The book goes on to analyze the ideological implications of the creation of "otherness" with regard to religious and cultural identity and the legitimation of power, as well as how the representation of "otherness" reflects the power structures of contemporary societies in South Asia. Offering a well-thought-out reflection on important cultural questions as well as a deep insight into the study of religion and "otherness" in South Asian literature and film, this book is a pioneering project that is of interest to scholars of South Asian Studies and South Asian religions, literatures and cultures.
Download or read book Hindu Pasts written by Vasudha Dalmia and published by State University of New York Press. This book was released on 2017-07-31 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenges the monolithic view of Hinduism in the nineteenth century, and instead offers a vision of India that contains a rich multiplicity of Hinduisms, women’s stories, and cultural histories. In her introduction to Hindu Pasts—which showcases her work as a scholar of social, literary, and religious history—Vasudha Dalmia outlines the central ideas which thread her writings: first, to understand in greater historical depth the relationship between body language, religion, and society in India, as well as the ever-changing role of its religious and social institutions; second, to recognize that the Hindu tradition, which colonials and nationalists tend to see as monolithic, is in fact a multiplicity of distinct and semi-autonomous strands. Vasudha Dalmia is Emerita Professor of Hindi and Modern South Asian Studies at the University of California, Berkeley. She has written, edited, and translated many books, including The Nationalization of Hindu Traditions: Bhāratendu Hariśchandra and Nineteenth-Century Banaras; Poetics, Plays, and Performances: The Politics of Modern Indian Theatre; and Fiction as History: The Novel and the City in Modern North India.
Book Synopsis Religion in Literature and Film in South Asia by : Diana Dimitrova
Download or read book Religion in Literature and Film in South Asia written by Diana Dimitrova and published by Springer. This book was released on 2010-02-15 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative, interdisciplinary collection of essays by scholars based in Europe and the United States offers stimulating approaches to the role played by religion in present-day South Asia.
Book Synopsis The Last Hindu Emperor by : Cynthia Talbot
Download or read book The Last Hindu Emperor written by Cynthia Talbot and published by Cambridge University Press. This book was released on 2015-12-09 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fascinating new study traces traditions and memories relating to the twelfth-century Indian ruler Prithviraj Chauhan; a Hindu king who was defeated and overthrown during the conquest of Northern India by Muslim armies from Afghanistan. Surveying a wealth of narratives that span more than 800 years, Cynthia Talbot explores the reasons why he is remembered, and by whom. In modern times, the Chauhan king has been referred to as 'the last Hindu emperor', because Muslim rule prevailed for centuries following his defeat. Despite being overthrown, however, his name and story have evolved over time into a historical symbol of India's martial valor. The Last Hindu Emperor sheds new light on the enduring importance of heroic histories in Indian culture and the extraordinary ability of historical memory to transform the hero of a clan into the hero of a community, and finally a nation.
Book Synopsis Hindi Cinema by : Nandini Bhattacharya
Download or read book Hindi Cinema written by Nandini Bhattacharya and published by Routledge. This book was released on 2013-05-07 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India. The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure to happenings. Establishing structure and event as paradigmatic poles of a historical and anthropological spectrum for the individual in society, the book goes on to discuss cinematic portrayals of violence, gender embodiment, religion, economic transformations and new globalised Indianness as events and sites of liminality disrupting structural aspirations. After revealing the impossibility of accurate representation of incommensurable and liminal subjects within the historiography of the nation-state, the book highlights how Hindi cinema as an ongoing engagement with the nation-state as a site of eventfulness draws attention to the problematic nature of the thematic of nation. It is a useful study for academics of Film Studies and South Asian Culture.
Book Synopsis Storytelling in World Cinemas by : Lina Khatib
Download or read book Storytelling in World Cinemas written by Lina Khatib and published by Columbia University Press. This book was released on 2013-01-31 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
Book Synopsis Routledge Handbook of Indian Cinemas by : K. Moti Gokulsing
Download or read book Routledge Handbook of Indian Cinemas written by K. Moti Gokulsing and published by Routledge. This book was released on 2013-04-17 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
