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Gluck And His Operas
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Book Synopsis Christoph Willibald Gluck by : Patricia Howard
Download or read book Christoph Willibald Gluck written by Patricia Howard and published by Psychology Press. This book was released on 2003 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis From Garrick to Gluck by : Daniel Heartz
Download or read book From Garrick to Gluck written by Daniel Heartz and published by Pendragon Press. This book was released on 2004 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001
Book Synopsis Gluck and the French Theatre in Vienna by : Bruce Alan Brown
Download or read book Gluck and the French Theatre in Vienna written by Bruce Alan Brown and published by . This book was released on 1991 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
Book Synopsis C. W. Von Gluck: Orfeo by : Patricia Howard
Download or read book C. W. Von Gluck: Orfeo written by Patricia Howard and published by Cambridge University Press. This book was released on 1981-08-20 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores all aspects of Gluck's historically important opera Orfeo.
Download or read book Gluck written by Patricia Howard and published by Routledge. This book was released on 2017-07-05 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck‘s life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.
Book Synopsis Genealogies of Music and Memory by : Mark Everist
Download or read book Genealogies of Music and Memory written by Mark Everist and published by Oxford University Press, USA. This book was released on 2021 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of music is most often written as a sequence of composers and works. But a richer understanding of the music of the past may be obtained by also considering the afterlives of a composer's works. Genealogies of Music and Memory asks how the stage works of Christoph Willibald Gluck (1714-87) were cultivated in nineteenth-century Paris, and concludes that although the composer was not represented formally on the stage until 1859, his music was known from a wide range of musical and literary environments. Received opinion has Hector Berlioz as the sole guardian of the Gluckian flame from the 1820s onwards, and responsible -- together with the soprano Pauline Viardot -- for the 'revival' of the composer's Orfeo in 1859. The picture is much clarified by looking at the concert performances of Gluck during the first two thirds of the nineteenth century, and the ways in which they were received and the literary discourses they engendered. Coupled to questions of music publication, pedagogy, and the institutional status of the composer, such a study reveals a wide range of individual agents active in the promotion of Gluck's music for the Parisian stage. The 'revival' of Orfeo is contextualised among other attempts at reviving Gluck's works in the 1860s, and the role of Berlioz, Viardot and a host of others re-examined.
Book Synopsis A History of Opera by : Carolyn Abbate
Download or read book A History of Opera written by Carolyn Abbate and published by W. W. Norton & Company. This book was released on 2015-09-08 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The best single volume ever written on the subject, such is its range, authority, and readability.”—Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer— physically, emotionally, intellectually—with its enduring power.
Book Synopsis The New American Cyclopaedia by : George Ripley
Download or read book The New American Cyclopaedia written by George Ripley and published by . This book was released on 1860 with total page 814 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Antigono by : Christoph Willibald Gluck
Download or read book Antigono written by Christoph Willibald Gluck and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antigono is a classic Italian libretto by Pietro Metastasio, set to music by Christoph Willibald Gluck. Featuring themes of love, betrayal, and political intrigue, this opera seria has been a staple of the operatic repertoire since its premiere in 1756. For fans of classical music and opera, this book is an essential addition to any collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book The New American Cyclopaedia written by and published by . This book was released on 1871 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis (Dis)embodying Myths in Ancien Régime Opera by : Bruno Forment
Download or read book (Dis)embodying Myths in Ancien Régime Opera written by Bruno Forment and published by Leuven University Press. This book was released on 2012 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.
Download or read book The Singing Turk written by Larry Wolff and published by Stanford University Press. This book was released on 2016-08-30 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
Author :Frederick William Sternfeld Publisher :Oxford University Press, USA ISBN 13 :9780198165736 Total Pages :290 pages Book Rating :4.1/5 (657 download)
Book Synopsis The Birth of Opera by : Frederick William Sternfeld
Download or read book The Birth of Opera written by Frederick William Sternfeld and published by Oxford University Press, USA. This book was released on 1995 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: F. W. Sternfeld examines the role of poets and composers in establishing the new genre of opera in northern Italy around 1600. He discusses the problems of sung drama, particularly the required happy ending and its foil, the lament, and highlights the enduring appeal, from Poliziano through toMonteverdi, to Stravinsky, of the story of Orpheus the divine singer.
Book Synopsis The Oxford Handbook of the Operatic Canon by : Cormac Newark
Download or read book The Oxford Handbook of the Operatic Canon written by Cormac Newark and published by Oxford University Press. This book was released on 2020-08-20 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has always been a vital and complex mixture of commercial and aesthetic concerns, of bourgeois politics and elite privilege. In its long heyday in the eighteenth and nineteenth centuries, it came to occupy a special place not only among the arts but in urban planning, too this is, perhaps surprisingly, often still the case. The Oxford Handbook of the Operatic Canon examines how opera has become the concrete edifice it was never meant to be, by tracing its evolution from a market entirely driven by novelty to one of the most canonic art forms still in existence. Throughout the book, a lively assembly of musicologists, historians, and industry professionals tackle key questions of opera's past, present, and future. Why did its canon evolve so differently from that of concert music? Why do its top ten titles, all more than a century old, now account for nearly a quarter of all performances worldwide? Why is this system of production becoming still more top-heavy, even while the repertory seemingly expands, notably to include early music? Topics range from the seventeenth century to the present day, from Russia to England and continental Europe to the Americas. To reflect the contested nature of many of them, each is addressed in paired chapters. These complement each other in different ways: by treating the same geographical location in different periods, by providing different national or regional perspectives on the same period, or by thinking through similar conceptual issues in contrasting or changing contexts. Posing its questions in fresh, provocative terms, The Oxford Handbook of the Operatic Canon challenges scholarly assumptions in music and cultural history, and reinvigorates the dialogue with an industry that is, despite everything, still growing.
Book Synopsis Songs from the Operas ... by : Henry Edward Krehbiel
Download or read book Songs from the Operas ... written by Henry Edward Krehbiel and published by . This book was released on 1911 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Songs from the Operas for Baritone and Bass by : Henry Edward Krehbiel
Download or read book Songs from the Operas for Baritone and Bass written by Henry Edward Krehbiel and published by . This book was released on 1911 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera by : Francien Markx
Download or read book E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera written by Francien Markx and published by BRILL. This book was released on 2015-11-02 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
