Gil J Wolman

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Publisher : Museu D'Art Contemporani de Barcelona
ISBN 13 :
Total Pages : 148 pages
Book Rating : 4.:/5 (318 download)

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Book Synopsis Gil J Wolman by : Joseph Wolman

Download or read book Gil J Wolman written by Joseph Wolman and published by Museu D'Art Contemporani de Barcelona. This book was released on 2010 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: The French artist Gil J Wolman (1929-1995) was a pioneer in researching the intersection and alteration of visual and textual languages. This show, the first monographic exhibition of Wolman's work ever held in Spain, consists of about 250 works and documents, from L'Anticoncept (1951) to Voir de memoire (1995). It includes the artist's most important and fertile pieces, some of them never before exhibited."

I am immortal and alive

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Publisher :
ISBN 13 :
Total Pages : 139 pages
Book Rating : 4.:/5 (95 download)

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Book Synopsis I am immortal and alive by : Clara Plasencia

Download or read book I am immortal and alive written by Clara Plasencia and published by . This book was released on 2010 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Lipstick Traces

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Publisher : Harvard University Press
ISBN 13 : 9780674535817
Total Pages : 516 pages
Book Rating : 4.5/5 (358 download)

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Book Synopsis Lipstick Traces by : Greil Marcus

Download or read book Lipstick Traces written by Greil Marcus and published by Harvard University Press. This book was released on 1990 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. âeoeI am an antichrist!âe shouted singer Johnny Rottenâe"where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise.This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demandsâe"demands on society, art, and all the governing structures of everyday lifeâe"seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Parisâe"based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and âe(tm)60s; the rioting students and workers of May âe(tm)68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage âeoeAnarchy in the U.K.âe and âeoeGod Save the Queen.âe Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.

Off-Screen Cinema

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Publisher : University of Chicago Press
ISBN 13 : 022617462X
Total Pages : 192 pages
Book Rating : 4.2/5 (261 download)

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Book Synopsis Off-Screen Cinema by : Kaira M. Cabañas

Download or read book Off-Screen Cinema written by Kaira M. Cabañas and published by University of Chicago Press. This book was released on 2015-01-26 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.

The Tribe

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Publisher : Verso
ISBN 13 : 9781859843949
Total Pages : 140 pages
Book Rating : 4.8/5 (439 download)

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Book Synopsis The Tribe by : Jean-Michel Mension

Download or read book The Tribe written by Jean-Michel Mension and published by Verso. This book was released on 2002 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Tribe, the companion volume to Ralph Rumney's excellent The Consul is another fascinating slice of history concerning the ultra avant-garde's favourite sect. Jean-Michel Mension was a member of the Situationist International's precursor, the less political and more art focussed Lettrist International (which was founded in 1945 in Paris by the Romanian Jean-Isidore Isou as a reaction to Andre Breton's dictatorial control of the surrealist movement). Surrealism had become something of a cult of personality surrounding Breton and had drifted from its dada origins into mysticism. In 1956 at Alba in Italy a group of lettrists took an active part at the First World Congress of Liberated Artists (with the slogan "The International Movement for an Imaginist Bauhaus"). From June 1954 to November 1957 they published 29 numbers of their journal Potlatch. The last issue, formally indicating the direction the LI had been heading was subtitled "Bulletin d'information de l'internationale situationiste". The SI was soon to be born. In a series of interviews, Jean-Michel Mension recalls drunken philosophising with Guy Debord and his circle in a book beautifully filled with Ed van der Elsken's celebrated photographs of "the tribe" accompanied by reproductions of Lettrist leaflets and posters. When he woke from his "long night of drinking" Mension became a militant of the Ligue Communiste while the SI became a continuing source of inspiration for the non-authoritarian left. The tensions in the avant-garde where real enough it seems and this is a fascinating, if tangential, account of them. --George Bowman

The Beach Beneath the Street

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Publisher : Verso Books
ISBN 13 : 1781688389
Total Pages : 207 pages
Book Rating : 4.7/5 (816 download)

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Book Synopsis The Beach Beneath the Street by : McKenzie Wark

Download or read book The Beach Beneath the Street written by McKenzie Wark and published by Verso Books. This book was released on 2015-04-07 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over fifty years after the Situationist International appeared, its legacy continues to inspire activists, artists and theorists around the world. Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles. McKenzie Wark delves into the Situationists’ unacknowledged diversity, revealing a world as rich in practice as it is in theory. Tracing the group’s development from the bohemian Paris of the ’50s to the explosive days of May ’68, Wark’s take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement – including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong – Wark uncovers an international movement riven with conflicting passions. Accessible to those who have only just discovered the Situationists and filled with new insights, The Beach Beneath the Street rereads the group’s history in the light of our contemporary experience of communications, architecture, and everyday life. The Situationists tried to escape the world of twentieth-century spectacle and failed in the attempt. Wark argues that they may still help us to escape the twenty-first century, while we still can.

Leaving the Twentieth Century

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Publisher : Verso Books
ISBN 13 : 180429487X
Total Pages : 518 pages
Book Rating : 4.8/5 (42 download)

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Book Synopsis Leaving the Twentieth Century by : McKenzie Wark

Download or read book Leaving the Twentieth Century written by McKenzie Wark and published by Verso Books. This book was released on 2024-08-20 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Situationist International, who came to the fore during the Paris tumults of 1968, were revolutionary thinkers who continue to influence movements and philosophy into the twenty-first century. Mostly know for Guy Debord's The Society of the Spectacle as well as other key texts, the group was in fact hugely diverse and radical. In XXX McKenzie Wark explores the full range of the movement. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets Wark traces the group's development from the bohemian Paris of the '50s to the explosive days of May '68, Wark's take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement-including Constant, Asger Jorn, Michle Bernstein, Alex Trocchi and Jacqueline De Jong-Wark uncovers an international movement riven with conflicting passions. She also follows the narrative beyond 1968 to show what happened after the movement disintegration exploring the lives and ideas of T.J. Clark, the Fourierist utopia of Raoul Vaneigem, Ren Vienet's earthy situationist cinema, Gianfranco Sangunetti's pranking of the Italian ruling class, Alice-Becker Ho's account of the anonymous language of the Romany, Guy Debord's late films and his surprising work as a game designer.

France and the Visual Arts Since 1945

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501341529
Total Pages : 305 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis France and the Visual Arts Since 1945 by : Catherine Dossin

Download or read book France and the Visual Arts Since 1945 written by Catherine Dossin and published by Bloomsbury Publishing USA. This book was released on 2019-01-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945. Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau Réalisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Schöffer. Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations. Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.

Situationist International Anthology

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Author :
Publisher : PM Press
ISBN 13 :
Total Pages : 545 pages
Book Rating : 4.8/5 (874 download)

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Book Synopsis Situationist International Anthology by :

Download or read book Situationist International Anthology written by and published by PM Press. This book was released on 2024-10-08 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Situationist International Anthology is the most comprehensive and accurately translated collection of situationist writings in English. In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people’s passive conditioning with carefully calculated scandals and the playful tactic of détournement (“rerouting, hijacking”). Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its “Communist” pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then situationist theories and tactics have continued to inspire radical currents all over the world. This volume presents a rich variety of articles, leaflets, graffiti, and internal documents, ranging from experiments in “psychogeography” to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution, and other crises and upheavals of the sixties. For this new edition all the translations have been fine-tuned and the bibliography has been updated to include comments on dozens of newer books by and about the situationists.

From a Nation Torn

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Publisher : Duke University Press
ISBN 13 : 0822395959
Total Pages : 601 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis From a Nation Torn by : Hannah Feldman

Download or read book From a Nation Torn written by Hannah Feldman and published by Duke University Press. This book was released on 2014-02-03 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954–1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.

The Birth of Intertextuality

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Publisher : Routledge
ISBN 13 : 1135091919
Total Pages : 382 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis The Birth of Intertextuality by : Scarlett Baron

Download or read book The Birth of Intertextuality written by Scarlett Baron and published by Routledge. This book was released on 2019-11-01 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.

Gender Space Architecture

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Publisher : Routledge
ISBN 13 : 1134692056
Total Pages : 452 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Gender Space Architecture by : Iain Borden

Download or read book Gender Space Architecture written by Iain Borden and published by Routledge. This book was released on 2002-09-11 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: This significant reader brings together for the first time the most important essays concerning the intersecting subjects of gender, space and architecture. Carefully structured and with numerous introductory essays, it guides the reader through theoretical and multi-disciplinary texts to direct considerations of gender in relation to particular architectural sites, projects and ideas. This collection marks a seminal point in gender and architecture, both summarizing core debates and pointing toward new directions and discussions for the future.

Raoul Vaneigem: Self-Portraits and Caricatures of the Situationist International

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Author :
Publisher : Lulu.com
ISBN 13 : 0692379061
Total Pages : 267 pages
Book Rating : 4.6/5 (923 download)

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Book Synopsis Raoul Vaneigem: Self-Portraits and Caricatures of the Situationist International by : Raoul Vaneigem

Download or read book Raoul Vaneigem: Self-Portraits and Caricatures of the Situationist International written by Raoul Vaneigem and published by Lulu.com. This book was released on 2015 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.

Between the Black Box and the White Cube

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Publisher : University of Chicago Press
ISBN 13 : 022610902X
Total Pages : 284 pages
Book Rating : 4.2/5 (261 download)

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Book Synopsis Between the Black Box and the White Cube by : Andrew V. Uroskie

Download or read book Between the Black Box and the White Cube written by Andrew V. Uroskie and published by University of Chicago Press. This book was released on 2014-02-27 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art.

La música del siglo XX

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Publisher : Turner
ISBN 13 : 8415427719
Total Pages : 497 pages
Book Rating : 4.4/5 (154 download)

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Book Synopsis La música del siglo XX by : Francisco Ramos

Download or read book La música del siglo XX written by Francisco Ramos and published by Turner. This book was released on 2016-04 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: Partiendo de Debussy y llegando a Steve Reich. O empezando por Ablinger y acabando por Zimmerman. O arrancando en el impresionismo y siguiendo hasta la electroacústica. El lector puede elegir su forma de lectura en este libro torrencial, quizá el más completo escrito hasta la fecha, y no solo en español, sobre el complicado y muy diverso escenario de la música contemporánea durante el siglo XX. Vertebrada sobre itinerarios estéticos, la presente guía no deja de ser una historia de la música del siglo XX. La gran diferencia respecto a los manuales de historia estriba en la importancia que en este libro cobra el compositor, que junto al sonido es el eje fundamental del relato. (De la Introducción del autor). Relato es la palabra clave para un libro llamado a convertirse en un clásico: una obra llena de erudición, exhaustiva y utilísima como manual de referencia. Pero impregnada a la vez de amor por la música, de buen pulso narrativo y de una notable capacidad crítica.

Not Bored! Anthology 1983-2010

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Publisher : Lulu.com
ISBN 13 : 0578076543
Total Pages : 695 pages
Book Rating : 4.5/5 (78 download)

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Book Synopsis Not Bored! Anthology 1983-2010 by : Bill Brown

Download or read book Not Bored! Anthology 1983-2010 written by Bill Brown and published by Lulu.com. This book was released on 2011 with total page 695 pages. Available in PDF, EPUB and Kindle. Book excerpt: Massive anthology of essays and illustrations published in NOT BORED! between 1983 and 2010.

Anti-Book

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Publisher : U of Minnesota Press
ISBN 13 : 1452951993
Total Pages : 379 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Anti-Book by : Nicholas Thoburn

Download or read book Anti-Book written by Nicholas Thoburn and published by U of Minnesota Press. This book was released on 2016-12-15 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.