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German Painting In The 20th Century
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Book Synopsis German Expressionism by : Rose-Carol Washton Long
Download or read book German Expressionism written by Rose-Carol Washton Long and published by Univ of California Press. This book was released on 1995-12-06 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An indispensable anthology that immediately renders its predecessors obsolete. With its gathering of public and private documents, it carries us through the rise and fall of one of the great upheavals of modern art."—Robert Rosenblum, New York University "These essays, including many previously unavailable in English, are rich with startling new insights into the German Expressionist psyche. Elucidating the artists' view of government, the role of women in modern society, and their own ambivalence about the effectiveness of abstract art, this anthology is essential reading for all scholars and students of twentieth-century art."—Joan Marter, author of Alexander Calder
Book Synopsis German Art of the Twentieth Century by : Werner Haftmann
Download or read book German Art of the Twentieth Century written by Werner Haftmann and published by . This book was released on 2012-07-01 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edited By Andrew Carnduff Ritchie. Bibliography By Nancy Riegen.
Book Synopsis German Expressionist Painting by : Peter Selz
Download or read book German Expressionist Painting written by Peter Selz and published by Univ of California Press. This book was released on 2023-04-28 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.
Download or read book Expressionism written by Dietmar Elger and published by Taschen. This book was released on 2002 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis German Art History and Scientific Thought by : MitchellB. Frank
Download or read book German Art History and Scientific Thought written by MitchellB. Frank and published by Routledge. This book was released on 2017-07-05 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh contribution to the ongoing debate between Kunstwissenschaft (scientific study of art) and Kunstgeschichte (art history), this essay collection explores how German-speaking art historians of the late nineteenth and early twentieth century self-consciously generated a field of study. Prominent North American and European scholars provide new insights into how a mixing of diverse methodologies took place, in order to gain a more subtle and comprehensive understanding of how art history became institutionalized and legitimized in Germany. One common assumption about early art-historical writing in Germany is that it depended upon a simplistic and narrowly-defined formalism. This book helps to correct this stereotype by demonstrating the complexity of discussion surrounding formalist concerns, and by examining how German-speaking art historians borrowed, incorporated, stole, and made analogies with concepts from the sciences in formulating their methods. In focusing on the work of some of the well-known 'fathers' of the discipline - such as Alois Riegl and Heinrich W?lfflin - as well as on lesser-known figures, the essays in this volume provide illuminating, and sometimes surprising, treatments of art history's prior and understudied interactions with a wide range of scientific orientations, from psychology, sociology, and physiognomics to evolutionism and comparative anatomy.
Book Synopsis Expressionism in Germany and France by : Timothy O. Benson
Download or read book Expressionism in Germany and France written by Timothy O. Benson and published by Prestel Pub. This book was released on 2014 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking examination of the cultural exchange between early 20th century French and German artists illuminates new ways of understanding the development of Expressionism. Although the Expressionist movement is widely considered to have arisen out of a German aesthetic, it was actually as much a result of German artists' exposure to artists living and working in France, such as van Gogh, Seurat, Gauguin, Cezanne, Matisse, Picasso, and Braque. In fact, in its early days, Expressionism was assigned no specific nationality at all. This fascinating book focuses on the key exhibitions, galleries, and museum directors that helped disseminate styles and techniques of revolutionary French artists throughout Germany. Included here are French masterpieces seen not only by German artists in Paris but also in important galleries, exhibitions, and private collections in Berlin, Dresden, Munich, Weimar, and other cities. More than 100 paintings and works on paper are grouped to encourage an understanding of artistic influence and interchange. The volume also reflects new scholarship on issues of French-German relations and contributes to our understanding of the ways the visual arts are influenced by ideas of national identity and cultural heritage."
Book Synopsis German Art in the 20th Century by : Franz Roh
Download or read book German Art in the 20th Century written by Franz Roh and published by . This book was released on 1968 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Twentieth Century German Art Exhibition by : Lucy Wasensteiner
Download or read book The Twentieth Century German Art Exhibition written by Lucy Wasensteiner and published by Routledge. This book was released on 2018-10-09 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
Book Synopsis Visual Culture in Twentieth-century Germany by : Gail Finney
Download or read book Visual Culture in Twentieth-century Germany written by Gail Finney and published by Indiana University Press. This book was released on 2006 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Visual Culture in Twentieth-Century Germany' explores a wide spectrum of visual media in 20th century Germany in their critical and social contexts. Contributors examine film, photography, cabaret performances, advertising, architecture, painting, dance, television, and cartography.
Book Synopsis A Critical History of 20th-century Art by : Donald B. Kuspit
Download or read book A Critical History of 20th-century Art written by Donald B. Kuspit and published by . This book was released on 2008 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Objects as History in Twentieth-century German Art by : Peter Chametzky
Download or read book Objects as History in Twentieth-century German Art written by Peter Chametzky and published by Univ of California Press. This book was released on 2010 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].
Book Synopsis Art of the 20th Century by : Karl Ruhrberg
Download or read book Art of the 20th Century written by Karl Ruhrberg and published by Taschen. This book was released on 2000 with total page 850 pages. Available in PDF, EPUB and Kindle. Book excerpt: The original edition of this ambitious reference was published in hardcover in 1998, in two oversize volumes (10x13"). This edition combines the two volumes into one; it's paperbound ("flexi-cover"--the paper has a plastic coating), smaller (8x10", and affordable for art book buyers with shallower pockets--none of whom should pass it by. The scope is encyclopedic: half the work (originally the first volume) is devoted to painting; the other half to sculpture, new media, and photography. Chapters are arranged thematically, and each page displays several examples (in color) of work under discussion. The final section, a lexicon of artists, includes a small bandw photo of each artist, as well as biographical information and details of work, writings, and exhibitions. Ruhrberg and the three other authors are veteran art historians, curators, and writers, as is editor Walther. c. Book News Inc.
Book Synopsis German Expressionism by : Jill Lloyd
Download or read book German Expressionism written by Jill Lloyd and published by . This book was released on 1991 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Primitivism versus modernity: the expressionist dilemma - Politics of primitivism - Brucke bathers: back to nature - Max Pechstein's visionary ideas - Emil Nolded.
Book Synopsis Art, Culture, and Media Under the Third Reich by : Richard A. Etlin
Download or read book Art, Culture, and Media Under the Third Reich written by Richard A. Etlin and published by University of Chicago Press. This book was released on 2002-10-15 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, Culture, and Media Under the Third Reich explores the ways in which the Nazis used art and media to portray their country as the champion of Kultur and civilization. Rather than focusing strictly on the role of the arts in state-supported propaganda, this volume contributes to Holocaust studies by revealing how multiple domains of cultural activity served to conceptually dehumanize Jews and other groups. Contributors address nearly every facet of the arts and mass media under the Third Reich—efforts to define degenerate music and art; the promotion of race hatred through film and public assemblies; views of the racially ideal garden and landscape; race as portrayed in popular literature; the reception of art and culture abroad; the treatment of exiled artists; and issues of territory, conquest, and appeasement. Familiar subjects such as the Munich Accord, Nuremberg Party Rally Grounds, and Lebensraum (Living Space) are considered from a new perspective. Anyone studying the history of Nazi Germany or the role of the arts in nationalist projects will benefit from this book. Contributors: Ruth Ben-Ghiat David Culbert Albrecht Dümling Richard A. Etlin Karen A. Fiss Keith Holz Kathleen James-Chakraborty Paul B. Jaskot Karen Koehler Mary-Elizabeth O'Brien Jonathan Petropoulos Robert Jan van Pelt Joachim Wolschke-Bulmahn and Gert Gröning
Book Synopsis German Art 1907-1937 by : Martin Ignatius Gaughan
Download or read book German Art 1907-1937 written by Martin Ignatius Gaughan and published by Peter Lang. This book was released on 2007 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the responses of visual artists, including architects, designers and photographers, to the technological and social modernisation of Germany during the first three decades of the twentieth century. It investigates how these aspects of the modernising process inform both the subject matter and formal innovations of their work. The study analyses how these visual practices were not just the concerns of isolated and enclosed art worlds but had wider social resonances, ranging from the debates concerning the reformist objectives of the Deutscher Werkbund (1907) to the National Socialist ideological onslaught on modernist culture culminating in the Entartete Kunst (Degenerate Art) exhibitions of 1937. Many of the artists encountered here were radicalised by the First World War, the Russian Revolution and the November 1918 Revolution in Germany, experiences which effected change in their conceptualising of cultural production and its social function: their modes of working, however, would also set challenging markers for what forms art might take for the twentieth century. The book is, therefore, both a study of art in complex political and sociocultural contexts and a reflection on how engagement with a social imagination can challenge a tradition based on the assumptions of individual imaginings.
Book Synopsis German Expressionism by : Stephanie Barron
Download or read book German Expressionism written by Stephanie Barron and published by . This book was released on 1997 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early years of the 20th century, a group of young artists including Ernst Kirchner, Vassily Kandinsky and Franz Marc, liberated themselves from traditional representation by using distortion and vibrant, unrealistic colour in their painting. Eroticism became a tool for exposing the lies and decadence of society, whilst motifs borrowed from African, Oceanic and Buddhist art further questioned bourgeois culture. Later, the cruelty of World War I was reflected violently in the work of Max Beckmann, Otto Dix and George Grosz.
Book Synopsis New Objectivity by : Stephanie Barron
Download or read book New Objectivity written by Stephanie Barron and published by Prestel. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
