Gender Meets Genre in Postwar Cinemas

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Publisher : University of Illinois Press
ISBN 13 : 0252093666
Total Pages : 290 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Gender Meets Genre in Postwar Cinemas by : Christine Gledhill

Download or read book Gender Meets Genre in Postwar Cinemas written by Christine Gledhill and published by University of Illinois Press. This book was released on 2012-01-15 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film. Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.

Genre, Authorship and Contemporary Women Filmmakers

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Publisher : Edinburgh University Press
ISBN 13 : 1474425275
Total Pages : 294 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Genre, Authorship and Contemporary Women Filmmakers by : Katarzyna Paszkiewicz

Download or read book Genre, Authorship and Contemporary Women Filmmakers written by Katarzyna Paszkiewicz and published by Edinburgh University Press. This book was released on 2018-06-06 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the significance of women's work in popular film genres, this test sheds light on women's contribution to genre cinema through an exploration of filmmakers like Kathryn Bigelow, Diablo Cody, Sofia Coppola, and Kelly Reichard.

Women Do Genre in Film and Television

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Publisher : Routledge
ISBN 13 : 1315526077
Total Pages : 266 pages
Book Rating : 4.3/5 (155 download)

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Book Synopsis Women Do Genre in Film and Television by : Mary Harrod

Download or read book Women Do Genre in Film and Television written by Mary Harrod and published by Routledge. This book was released on 2017-10-30 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines how different generations of women work within the genericity of audio-visual storytelling not necessarily to ‘undo’ or ‘subvert’ popular formats, but also to draw on their generative force. Recent examples of filmmakers and creative practitioners within and outside Hollywood as well as women working in non-directing authorial roles remind us that women are in various ways authoring commercially and culturally impactful texts across a range of genres. Put simply, this volume asks: what do women who are creatively engaged with audio-visual industries do with genre and what does genre do with them? The contributors to the collection respond to this question from diverse perspectives and with different answers, spanning issues of direction, screenwriting, performance and audience address/reception.

Doing Women's Film History

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Publisher : University of Illinois Press
ISBN 13 : 0252097777
Total Pages : 280 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Doing Women's Film History by : Christine Gledhill

Download or read book Doing Women's Film History written by Christine Gledhill and published by University of Illinois Press. This book was released on 2015-10-30 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.

Heightened Genre and Women's Filmmaking in Hollywood

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Author :
Publisher : Springer Nature
ISBN 13 : 3030709949
Total Pages : 314 pages
Book Rating : 4.0/5 (37 download)

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Book Synopsis Heightened Genre and Women's Filmmaking in Hollywood by : Mary Harrod

Download or read book Heightened Genre and Women's Filmmaking in Hollywood written by Mary Harrod and published by Springer Nature. This book was released on 2021-05-24 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.

The Routledge Companion to Cinema & Gender

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Publisher : Routledge
ISBN 13 : 1317408047
Total Pages : 672 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis The Routledge Companion to Cinema & Gender by : Kristin Lené Hole

Download or read book The Routledge Companion to Cinema & Gender written by Kristin Lené Hole and published by Routledge. This book was released on 2016-11-10 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.

Operatic and the Everyday in Postwar Italian Film Melodrama

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Publisher : Edinburgh University Press
ISBN 13 : 1474402879
Total Pages : 240 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Operatic and the Everyday in Postwar Italian Film Melodrama by : Louis Bayman

Download or read book Operatic and the Everyday in Postwar Italian Film Melodrama written by Louis Bayman and published by Edinburgh University Press. This book was released on 2015-03-05 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.

Women Make Horror

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Publisher : Rutgers University Press
ISBN 13 : 1978805136
Total Pages : 270 pages
Book Rating : 4.9/5 (788 download)

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Book Synopsis Women Make Horror by : Alison Peirse

Download or read book Women Make Horror written by Alison Peirse and published by Rutgers University Press. This book was released on 2020-09-17 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards​ “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.

Hollywood's Artists

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Publisher : Columbia University Press
ISBN 13 : 0231551436
Total Pages : 191 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Hollywood's Artists by : Virginia Wright Wexman

Download or read book Hollywood's Artists written by Virginia Wright Wexman and published by Columbia University Press. This book was released on 2020-07-21 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the director become so deeply ingrained in our understanding of cinema? In Hollywood’s Artists, Virginia Wright Wexman offers a groundbreaking history of how movie directors became cinematic auteurs that reveals and pinpoints the influence of the Directors Guild of America (DGA). Guided by Frank Capra’s mantra “one man, one film,” the Guild has portrayed its director-members as the creators responsible for turning Hollywood entertainment into cinematic art. Wexman details how the DGA differentiated itself from other industry unions, focusing on issues of status and creative control as opposed to bread-and-butter concerns like wages and working conditions. She also traces the Guild’s struggle for creative and legal power, exploring subjects from the language of on-screen credits to the House Un-American Activities Committee’s investigations of the movie industry. Wexman emphasizes the gendered nature of images of the great director, demonstrating how the DGA promoted the idea of the director as a masculine hero. Drawing on a broad array of archival sources, interviews, and theoretical and sociological insight, Hollywood’s Artists sheds new light on the ways in which the Directors Guild of America has shaped the role and image of directors both within the Hollywood system and in the culture at large.

The US Sports Film: A Genre of American Dream Time

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Author :
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110760355
Total Pages : 308 pages
Book Rating : 4.1/5 (17 download)

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Book Synopsis The US Sports Film: A Genre of American Dream Time by : Danny Gronmaier

Download or read book The US Sports Film: A Genre of American Dream Time written by Danny Gronmaier and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-12-05 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sports and film are media that create time. They are temporal not only in the sense that they are defined and regulated by certain temporalities as a result of processes of social negotiation, but also in the sense of modulating and intervening in these processes in the first place. They are determined by multiple temporalities referring to and aligning along perceptual corporeality; but at the same time, they also produce time through and along temporalities of bodily expression and perception. Thus, as much as we perceive and understand sports and film by means of our culturally coded conceptions of time, this comprehension is itself already the product of these media’s fabrication and modulation of certain audiovisual imaginations of time. This book examines these imaginations with regard to US team sports feature films, understanding the former as the latter’s constitutive conflict which makes these films graspable as a genre in the first place. By addressing temporality as an ever-new crystallization of a heroic past and an unattainable future in a saturated yet volatile present, this conflict connects substantially to the American Dream as an idea of community-building historicity. Departing from a non-taxonomic approach in genre theory and such philosophical recognition of the American Dream as less an ideological narrative but more a social and socially effective imaginary embedded in an audiovisual discourse of time, this book demonstrates the interrelation of sports, cinema and “American” subjectivization along close readings of the poetics of affect of five exemplary sports films (FIELD OF DREAMS, WE ARE MARSHALL, KNUTE ROCKNE ALL AMERICAN, JIM THORPE – ALL-AMERICAN, MIRACLE).

Final Girls, Feminism and Popular Culture

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Publisher : Springer Nature
ISBN 13 : 3030315231
Total Pages : 281 pages
Book Rating : 4.0/5 (33 download)

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Book Synopsis Final Girls, Feminism and Popular Culture by : Katarzyna Paszkiewicz

Download or read book Final Girls, Feminism and Popular Culture written by Katarzyna Paszkiewicz and published by Springer Nature. This book was released on 2020-05-05 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.

South Asian Filmscapes

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Publisher : University of Washington Press
ISBN 13 : 0295747862
Total Pages : 341 pages
Book Rating : 4.2/5 (957 download)

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Book Synopsis South Asian Filmscapes by : Elora Halim Chowdhury

Download or read book South Asian Filmscapes written by Elora Halim Chowdhury and published by University of Washington Press. This book was released on 2020-11-30 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: In South Asia massive anticolonial movements in the twentieth century created nation-states and reset national borders, forming the basis for emerging film cultures. Following the upheaval of the partition of India and Pakistan in 1947 and the Bangladesh Liberation War of 1971, new national cinemas promoted and reinforced prevailing hierarches of identity and belonging. At the same time, industrial and independent cinemas contributed to remarkably porous and hybrid film cultures, reflecting the intertwining of South Asian histories and their reciprocal cultural influences. This cross-fertilization within South Asian cultural production continues today. South Asian Filmscapes excavates these complex politics and poetics of bordered identity and crossings through selected histories of cinema in South Asia. Several essays reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners, while others interrogate how filmic politics intersects with discourses of nationalism, sexuality and gender, religion, and language. Together, they offer a fluid approach to the multiple histories and encounters that conjure “South Asia” as a geographic and political entity in the region and globally through a cinematic imagination.

Contemporary Cinema and 'Old Age'

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Publisher : Springer
ISBN 13 : 1137584025
Total Pages : 258 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Contemporary Cinema and 'Old Age' by : Josephine Dolan

Download or read book Contemporary Cinema and 'Old Age' written by Josephine Dolan and published by Springer. This book was released on 2018-02-06 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to explore ‘old age’ in cinema at the intersection of gender, ageing, celebrity and genre studies. It takes its cue from the dual meanings of ‘silvering’ – economics and ageing – and explores shifting formulations of ‘old age’ and gender in contemporary cinema. Broad in its scope, the book establishes the importance of silver audiences to the survival of cinema exhibition while also forging connections between the pleasures of ‘old age’ films, consumer culture, the ‘economy of celebrity’ and the gendered silvering of stardom. The chapters examine gendered genres such as romantic comedies, action and heist movies, the prosthetics of costume, and CGI enabled age transformations. Through this analysis, Josephine Dolan teases out the different meanings of ageing masculinity and femininity offered in contemporary cinema. She identifies ageing femininity as the pathologised target of rejuvenation while masculine ageing is seen to enhance an enduring youthfulness. This book has interdisciplinary appeal and will engage scholars interested in ‘old age’ and gender representations in contemporary cinema.

Women Who Kill

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Publisher : Bloomsbury Publishing
ISBN 13 : 1350115614
Total Pages : 363 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis Women Who Kill by : David Roche

Download or read book Women Who Kill written by David Roche and published by Bloomsbury Publishing. This book was released on 2020-02-20 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Who Kill explores several lines of inquiry: the female murderer as a figure that destabilizes order; the tension between criminal and victim; the relationship between crime and expression (or the lack thereof); and the paradox whereby a crime can be both an act of destruction and a creative assertion of agency. In doing so, the contributors assess the influence of feminist, queer and gender studies on mainstream television and cinema, notably in the genres (film noir, horror, melodrama) that have received the most critical attention from this perspective. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism. The book is structured in three parts: Neo-femmes Fatales; Action Babes and Monstrous Women. Films and series examined include White Men Are Cracking Up (1994); Hit & Miss (2012); Gone Girl (2014); Terminator (1984); The Walking Dead (2010); Mad Max: Fury Road (2015); Contagion (2011) and Ex Machina (2015) among others.

Pink-Slipped

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Publisher : University of Illinois Press
ISBN 13 : 0252050487
Total Pages : 320 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Pink-Slipped by : Jane M Gaines

Download or read book Pink-Slipped written by Jane M Gaines and published by University of Illinois Press. This book was released on 2018-02-23 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.

Ghost Faces

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Publisher : State University of New York Press
ISBN 13 : 1438460082
Total Pages : 315 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Ghost Faces by : David Greven

Download or read book Ghost Faces written by David Greven and published by State University of New York Press. This book was released on 2016-02-09 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finalist for the 2017 Lambda Literary Award in the LGBT Nonfiction category presented by the Lambda Literary Foundation Ghost Faces explores the insidious nature of homophobia even in contemporary Hollywood films that promote their own homo-tolerance and appear to destabilize hegemonic masculinity. Reframing Laura Mulvey's and Gilles Deleuze's paradigms and offering close readings grounded in psychoanalysis and queer theory, David Greven examines several key films and genre trends from the late 1990s forward. Movies considered range from the slasher film Scream to bromances and beta male comedies such as I Love You, Man to dramas such as Donnie Darko and 25th Hour to Rob Zombie's remake of the horror film Halloween. Greven also traces the disturbing connections between torture porn found in such films as Hostel and gay male Internet pornography.

Nancy Meyers

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1628921765
Total Pages : 272 pages
Book Rating : 4.6/5 (289 download)

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Book Synopsis Nancy Meyers by : Deborah Jermyn

Download or read book Nancy Meyers written by Deborah Jermyn and published by Bloomsbury Publishing USA. This book was released on 2017-07-27 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nancy Meyers is acknowledged as the most commercially successful woman filmmaker of all time, described by Daphne Merkin in The New York Times on the release of It's Complicated as "a singular figure in Hollywood – [she] may, in fact, be the most powerful female writer-director-producer currently working". Yet Meyers remains a director who, alongside being widely dismissed by critics, has been largely absent in scholarly accounts both of contemporary Hollywood cinema, and of feminism and film. Despite Meyers' impressive track record for turning a profit (including the biggest box-office return ever achieved by a woman filmmaker at that timefor What Women Want in 2000), and a multifaceted career as a writer/producer/director dating back to her co-writing Private Benjamin in 1980, Meyers has been oddly neglected by Film Studies to date. Including Nancy Meyers in the Bloomsbury Companions to Contemporary Filmmakers rectifies this omission, giving her the kind of detailed consideration and recognition she warrants and exploring how, notwithstanding the challenges authorship holds for feminist film studies, Meyers can be situated as a skilled 'auteur'. This book proposes that Meyers' box-office success, the consistency of style and theme across her films, and the breadth of her body of work as a writer/producer/director across more than three decades at the forefront of Hollywood, (thus importantly bridging the second/third waves of feminism) make her a key contemporary US filmmaker. Structured to meet the needs of both the student and scholar, Jermyn's volume situates Meyers within this historical and critical context, exploring the distinctive qualities of her body of work, the reasons behind the pervasive resistance to it and new ways of understanding her films.