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Forms And Processes Of African Sculptures
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Book Synopsis African Sculptures and Forms by : Francois Neyt
Download or read book African Sculptures and Forms written by Francois Neyt and published by 5 Continents Editions. This book was released on 2018 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "At the turn of the twentieth century, in particular Gauguin, Picasso, Matisse, and later the Surrealists, then others right up till the present day, Western artists have drawn on the arts of Africa for inspiration. How can this constant impact ever be measured? The same is true for the arts in Africa. Every sculpture carries within it the heritage of a people, culture, and artistic tradition in the originality of its forms. West Africa, Central Africa, and East Africa each has its own set of characteristics, within which the variety of the sculptures--always similar yet also always different--demonstrates the creativity of the ethnic group that created it. This book presents a remarkable collection amassed by a knowledgeable and impassioned art lover that combines sensitivity with quality--a quality of forms meticulously selected among different African cultures. It includes masks and reliquaries carved in Gabon, effigies and statuettes from Congo-Brazzaville and Congo-Kinshasa, and astonishing objects from West Africa, from Mali to Cameroon, the Koro and Mossi peoples, the Ejagham and Ekoi in Nigeria, and the Gouro in the Ivory Coast. An extraordinary collection of artistic forms that well merits its place in the universal patrimony of art."--Publisher's website.
Book Synopsis Tribes and Forms in African Art by : William Buller Fagg
Download or read book Tribes and Forms in African Art written by William Buller Fagg and published by . This book was released on 1965 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on the exhibition Africa: 100 Stm̃me, 100 Meisterwerke, sponsored by the Congress for Cultural Freedom at the Berlin Festival, 1964./ Includes bibliography.
Download or read book Surfaces written by Leonard Kahan and published by . This book was released on 2009 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the power and potency of surfaces in African sculpture
Book Synopsis Methodology, Ideology and Pedagogy of African Art by : Moyo Okediji
Download or read book Methodology, Ideology and Pedagogy of African Art written by Moyo Okediji and published by Taylor & Francis. This book was released on 2024-02-14 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
Book Synopsis Flow of Forms / Forms of Flow by : Kerstin Pinther
Download or read book Flow of Forms / Forms of Flow written by Kerstin Pinther and published by transcript Verlag. This book was released on 2018-05-31 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet. Kossi Aguessy How is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures.
Book Synopsis The Black Art Renaissance by : Joshua I. Cohen
Download or read book The Black Art Renaissance written by Joshua I. Cohen and published by University of California Press. This book was released on 2020-07-21 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Book Synopsis The Department of State Bulletin by :
Download or read book The Department of State Bulletin written by and published by . This book was released on 1986 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Art of Africa by : Christa Clarke
Download or read book The Art of Africa written by Christa Clarke and published by Metropolitan Museum of Art. This book was released on 2006 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: A CD-ROM and DVD set extracted from the 'The Art of Africa: A Resource for Educators.' The CD-ROM "contains a PDF of 'The Art of Africa: A Resource for Educators, ' which features forty traditional works of African art in The Metropolitan Museum of Art. It includes a brief overview of the Metropolitan's collection of African art; a short introduction and history of Africa; an explanation of the role of visual expression in the continent; descriptions of the featured works of art and background about the materials and techniques that were used to created them ... The DVD, 'Ci Wara Invocation, ' "presents the highlights of a dozen ci wara performances in Bamana communities in present-day Mali that were recorded by five different observers between 1970-2002. Among the Bamana, oral traditions credit a mythical being named Ci Wara, a divine being half mortal and half antelope, with the introduction of agriculture to the Bamana. The ci wara performances are part of biannual celebrations that either launch or conclude the farming season."--Container
Book Synopsis A Mythology of Forms by : Carl Einstein
Download or read book A Mythology of Forms written by Carl Einstein and published by University of Chicago Press. This book was released on 2019-12-26 with total page 423 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German art historian and critic Carl Einstein (1885-1940) was at the forefront of the modernist movement that defined the twentieth century. One of the most prolific and brilliant early commentators on cubism, he was also among the first authors to assess African sculpture as art. Yet his writings remain relatively little known in the Anglophone world. With A Mythology of Forms, the first representative collection of Einstein’s art theory and criticism to appear in English translation, Charles W. Haxthausen fills this gap. Spanning three decades, it assembles the most important of Einstein’s writings on the art that was central to his critical project—on cubism, surrealism, Pablo Picasso, Georges Braque, and Paul Klee, and includes the full texts of his two pathbreaking books on African art, Negro Sculpture (1915) and African Sculpture (1921). With fourteen texts by Einstein, each presented with extensive commentary, A Mythology of Forms will bring a pivotal voice in the history of modern art into English.
Book Synopsis African Art and Leadership by : Douglas Fraser
Download or read book African Art and Leadership written by Douglas Fraser and published by Univ of Wisconsin Press. This book was released on 1972 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: A scholarly analysis of the close relationships among the structure, function, and history of the sub-Saharan African arts.
Book Synopsis Art History in Africa by : J. Vansina
Download or read book Art History in Africa written by J. Vansina and published by Routledge. This book was released on 2014-06-06 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a pioneering introduction to a subject that is still at an early srage of academic development. It aims to provide the reader with a systematic method for the historical understanding of African art. Professor Vansina considers the medium, technique, style and meaning of art objects and examines the creative process through which they come into being. Numerous photographs and drawings illustrate his arguments, and help to explain the changes that have taken place.
Author :University of Texas at Austin. African and Afro-American Research Institute Publisher : ISBN 13 : Total Pages :37 pages Book Rating :4.:/5 (14 download)
Book Synopsis Forms and Processes of African Sculpture by : University of Texas at Austin. African and Afro-American Research Institute
Download or read book Forms and Processes of African Sculpture written by University of Texas at Austin. African and Afro-American Research Institute and published by . This book was released on 1972 with total page 37 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Department of State Publication by :
Download or read book Department of State Publication written by and published by . This book was released on 1985 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Africa written by Maria Grosz-Ngaté and published by Indiana University Press. This book was released on 2014-04-18 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Much has changed in Africa and in African studies . . . but one constant has been the enduring excellence of the anthology Africa.” —International Journal of African Historical Studies Since the publication of the first edition in 1977, Africa has established itself as a leading resource for teaching, business, and scholarship. This fourth edition has been completely revised and focuses on the dynamism and diversity of today’s Africa. The latest volume emphasizes contemporary culture–civil and social issues, art, religion, and the political scene–and provides an overview of significant themes that bear on Africa’s place in the world. Historically grounded, Africa provides a comprehensive view of the ways that African women and men have constructed their lives and engaged in collective activities at the local, national, and global levels. “From all indications, the fourth edition of Africa should not only endure the test of time, but also be found exceptionally useful by a wide spectrum of scholars, including college professors and their students in general.” —Africa Today
Download or read book Nok written by Peter Breunig and published by Africa Magna Verlag. This book was released on 2014-10-15 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides insights into the archaeological context of the Nok Culture in Nigeria (West Africa). It was first published in German accompanying the same-titled exhibition “Nok – Ein Ursprung afrikanischer Skulptur” at the Liebieghaus Skulpturensammlung in Frankfurt (30th October 2013 – 23rd March 2014) and has now been translated into English. A team of archaeologists from the Goethe University Frankfurt/Main has been researching the Nok Culture since 2005. The results are now presented to the public. The Nok Culture existed for about 1500 years – from around the mid-second millennium BCE to the turn of the Common Era. It is mainly known by the elaborate terracotta sculptures which were likewise the focus of the exhibition. The research of the archaeologists from Frankfurt, however, not only concerns the terracotta figures. They investigate the Nok Culture from a holistic perspective and put it into the larger context of the search for universal developments in the history of mankind. Such a development – important because it initiated a new era of the past – is the transition from small groups of hunters and gatherers to large communities with complex forms of human co-existence. This process took place almost everywhere in the world in the last 10,000 years, although in very different ways. The Nok Culture represents an African variant of that process. It belongs to a group of archaeological cultures or human groups, who in part subsisted on the crops they were growing and lived in mostly small but permanent settlements in the savanna regions south of the Sahara from the second millennium BCE onwards. The discovery of metallurgy is the next turning point in the development of the first farming cultures. In Africa the first metal used was not copper or bronze as in the Near East and Europe, but iron. The people of the Nok Culture were among the first that produced iron south of the Sahara. This happened in the first millennium BCE – about 1000 years after the agricultural beginning. While iron metallurgy spread rapidly across sub-Saharan Africa, the terracotta sculptures remained a cultural monopoly of the Nok Culture. Nothing comparable existed in Africa outside of Ancient Egypt and the Mediterranean coast. The oldest, securely dated clay figures date back to the early first millennium BCE. Currently, it seems as if they appeared in the Nok Culture before iron metallurgy, reaching their peak in the following centuries. At the end of the first millennium BCE they disappeared from the scene. There is hardly any doubt about the ritual character of the Nok sculptures. Yet, central questions remain unanswered: Why did such an apparently complex world of ritual practices develop in an early farming culture just before or at the beginning of the momentous invention of iron production? Why were the elaborate sculptures – as excavations show – intentionally destroyed? And why did they disappear as suddenly as they emerged?
Book Synopsis The World in the Mind and Sculpture of Deafblind People by : Ewa Anna Niestorowicz
Download or read book The World in the Mind and Sculpture of Deafblind People written by Ewa Anna Niestorowicz and published by Cambridge Scholars Publishing. This book was released on 2017-05-11 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: The World in the Mind and Sculpture of Deafblind People discusses the creative capabilities of people with simultaneous impairment of sight and hearing. It is a pioneering interdisciplinary study combining theories from the fields of pedagogy, psychology, semiotics and theory of art. It presents a study of the act of creation performed by deafblind people, which makes it possible to propose a vision of reality as conveyed through their sculptures, and which forms a base for the scrutiny of the specific and individual ways of understanding the world and its visualisation in the minds of deafblind artists. The key to the model of the analysis of the creative act proposed here is the concept of a sign developed by semiotics as proposed by Morris and Peirce. The study indicates the fact that creative challenges can become the means of transgressing barriers of disabilities, can serve as therapy, and can influence social attitudes resulting in conscious studying of, participating in, and transforming reality. This book will aid specialists working within the fields of pedagogy, special education, psychology, and fine arts, as well as teachers, students, researchers, art therapists, and workshop instructors.
Book Synopsis Ben Enwonwu by : Sylvester Okwunodu Ogbechie
Download or read book Ben Enwonwu written by Sylvester Okwunodu Ogbechie and published by University Rochester Press. This book was released on 2008 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.
