Films and British National Identity

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Publisher : Manchester University Press
ISBN 13 : 9780719047435
Total Pages : 404 pages
Book Rating : 4.0/5 (474 download)

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Book Synopsis Films and British National Identity by : Jeffrey Richards

Download or read book Films and British National Identity written by Jeffrey Richards and published by Manchester University Press. This book was released on 1997-09-15 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book seeks to examine the ways in which the cinema has defined, mythified and disseminated British national identity during the course of the twentieth century. It takes the form of a series of linked essays which examine chronologically, thematically and by specific case studies of films, stars and genres the complexities and ambiguities in the process of evolution and definition of the national identity. It argues for the creation of a distinctive British national identity both in cinema and the wider culture. But it also assesses the creation of alternative identities both ethnic and regional and examines the interaction of cinema and other cultural forms (music, literature and television).

Rule, Britannia!

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Publisher : State University of New York Press
ISBN 13 : 1438471130
Total Pages : 366 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Rule, Britannia! by : Homer B. Pettey

Download or read book Rule, Britannia! written by Homer B. Pettey and published by State University of New York Press. This book was released on 2018-10-09 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Winner of the 2019 SAMLA Studies Book Award for Edited Collections presented by the South Atlantic Modern Language Association Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre’s only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. Homer B. Pettey is Professor of Film and Comparative Literature at the University of Arizona. His books include Film Noir and International Noir, both coedited with Palmer. R. Barton Palmer is Calhoun Lemon Professor of Literature and Director of the World Cinema program at Clemson University. His books include Invented Lives, Imagined Communities: The Biopic and American National Identity (coedited with William H. Epstein); Hitchcock at the Source: The Auteur as Adaptor (coedited with David Boyd); and Hitchcock’s Moral Gaze (coedited with Pettey and Steven M. Sanders), all published by SUNY Press.

Rule, Britannia!

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Publisher : SUNY Press
ISBN 13 : 1438471114
Total Pages : 366 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Rule, Britannia! by : Homer B. Pettey

Download or read book Rule, Britannia! written by Homer B. Pettey and published by SUNY Press. This book was released on 2018-10-01 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Assesses how cinematic biographies of key figures reflect and shape what it means to be British. Rule, Britannia! surveys the British biopic, a genre crucial to understanding how national cinema engages with the collective experience and values of its intended audience. Offering a provocative take on an aspect of filmmaking with profound cultural significance, the volume focuses on how screen biographies of prominent figures in British history and culture can be understood as involved, if unofficially, in the shaping and promotion of an ever-protean national identity. The contributors engage with the vexed concept of British nationality, especially as this sense of collective belonging is problematized by the ethnically oriented alternatives of English, Scottish, Welsh, and Irish nations. They explore the critical and historiographical issues raised by the biopic, demonstrating that celebration of conventional virtue is not the genre’s only natural subject. Filmic depictions of such personalities as Elizabeth I, Victoria, George VI, Elizabeth II, Margaret Thatcher, Iris Murdoch, and Jack the Ripper are covered. “This exceptional collection offers new ways of looking at these films as films, as well as a fresh approach to British history as a cultural whole.” — Wheeler Winston Dixon

How Identity is Reflected in British Working Class Films

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Publisher : GRIN Verlag
ISBN 13 : 3638765431
Total Pages : 38 pages
Book Rating : 4.6/5 (387 download)

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Book Synopsis How Identity is Reflected in British Working Class Films by : Maxi Kirchner

Download or read book How Identity is Reflected in British Working Class Films written by Maxi Kirchner and published by GRIN Verlag. This book was released on 2007-11 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,3, Dresden Technical University (Anglistik), 9 entries in the bibliography, language: English, abstract: This thesis compares several working class films such as "Brassed Off" and "Billy Elliot" with reference to the theoretical concept of national identity, ie. the British national identity. The analysis of such a diverse cultural term like "identity" and its treatment in British working class related films will be the topic of this research paper. After having defined the term on its several levels, I want to show how identity is treated differently in, firstly, a popular film called "Brassed Off" and, secondly, an independent film produced by Amber Films called "Like Father". Both films are set in the 1990′s and deal with the problem of pit closure and unemployment of miners. Both films deal with the consequences of unemployment and poverty of the working class than with work per se. Concerning class consciousness, both films show people who wish to escape the constrictions of their class. Since identity is not only a question of class, gender roles are considered in both films as well. The motif of identity is shown very differently in these films. This thesis analyzes how these films represent the construction, the maintenance and the loss of identity.

National Identity in Global Cinema

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Publisher : Springer
ISBN 13 : 0230117171
Total Pages : 178 pages
Book Rating : 4.2/5 (31 download)

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Book Synopsis National Identity in Global Cinema by : C. Celli

Download or read book National Identity in Global Cinema written by C. Celli and published by Springer. This book was released on 2016-02-02 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

The wounds of nations

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Publisher : Manchester University Press
ISBN 13 : 1847796850
Total Pages : 263 pages
Book Rating : 4.8/5 (477 download)

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Book Synopsis The wounds of nations by : Linnie Blake

Download or read book The wounds of nations written by Linnie Blake and published by Manchester University Press. This book was released on 2013-07-19 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: The wounds of nations: Horror cinema, historical trauma and national identity explores the ways in which the unashamedly disturbing conventions of international horror cinema allow audiences to engage with the traumatic legacy of the recent past in a manner that has serious implications for the ways in which we conceive of ourselves both as gendered individuals and as members of a particular nation-state. Exploring a wide range of stylistically distinctive and generically diverse film texts, its analysis ranges from the body horror of the American 1970s to the avant-garde proclivities of German Reunification horror, from the vengeful supernaturalism of recent Japanese chillers and their American remakes to the post-Thatcherite masculinity horror of the UK and the resurgence of 'hillbilly' horror in the period following September 11th 2001. In each case, it is argued, horror cinema forces us to look again at the wounds inflicted on individuals, families, communities and nations by traumatic events such as genocide and war, terrorist outrage and seismic political change, wounds that are all too often concealed beneath ideologically expedient discourses of national cohesion. By proffering a radical critique of the nation-state and the ideologies of identity it promulgates, horror cinema is seen to offer us a disturbing, yet perversely life affirming, means of working through the traumatic legacy of recent times.

Distorted Images

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Publisher :
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Distorted Images by : Kenton Bamford

Download or read book Distorted Images written by Kenton Bamford and published by . This book was released on 1999 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Brit(ish)

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Publisher : Random House
ISBN 13 : 1473546893
Total Pages : 447 pages
Book Rating : 4.4/5 (735 download)

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Book Synopsis Brit(ish) by : Afua Hirsch

Download or read book Brit(ish) written by Afua Hirsch and published by Random House. This book was released on 2018-02-01 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Afua Hirsch - co-presenter of Samuel L. Jackson's major BBC TV series Enslaved - the Sunday Times bestseller that reveals the uncomfortable truth about race and identity in Britain today. You're British. Your parents are British. Your partner, your children and most of your friends are British. So why do people keep asking where you're from? We are a nation in denial about our imperial past and the racism that plagues our present. Brit(ish) is Afua Hirsch's personal and provocative exploration of how this came to be - and an urgent call for change. 'The book for our divided and dangerous times' David Olusoga

National Identity in Indian Popular Cinema, 1947-1987

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Publisher : University of Texas Press
ISBN 13 : 0292789858
Total Pages : 347 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis National Identity in Indian Popular Cinema, 1947-1987 by : Sumita S. Chakravarty

Download or read book National Identity in Indian Popular Cinema, 1947-1987 written by Sumita S. Chakravarty and published by University of Texas Press. This book was released on 2011-05-18 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.

Jane Campion

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Publisher : Wayne State University Press
ISBN 13 : 9780814334324
Total Pages : 350 pages
Book Rating : 4.3/5 (343 download)

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Book Synopsis Jane Campion by : Hilary Radner

Download or read book Jane Campion written by Hilary Radner and published by Wayne State University Press. This book was released on 2009 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.

British Cinema in the Fifties

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Publisher : Routledge
ISBN 13 : 1134694644
Total Pages : 240 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis British Cinema in the Fifties by : Christine Geraghty

Download or read book British Cinema in the Fifties written by Christine Geraghty and published by Routledge. This book was released on 2002-01-04 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children. Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.

The British working class in postwar film

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Publisher : Manchester University Press
ISBN 13 : 1526141809
Total Pages : 241 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis The British working class in postwar film by : Philip Gillett

Download or read book The British working class in postwar film written by Philip Gillett and published by Manchester University Press. This book was released on 2019-01-04 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: An incidental pleasure of watching a film is what it tells us about the society in which it is made. Using a sociological model, The British working class in postwar film looks at how working-class people were portrayed in British feature films in the decade after the Second World War. Though some of the films examined are well known, others have been forgotten and deserve reassessment. Original statistical data is used to assess the popularity of the films with audiences. With its interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Students of media and cultural studies are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields. This work should appeal to all readers interested in social history and in how cinema and society works.

National Identity, Popular Culture and Everyday Life

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Publisher : Routledge
ISBN 13 : 100018935X
Total Pages : 219 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis National Identity, Popular Culture and Everyday Life by : Tim Edensor

Download or read book National Identity, Popular Culture and Everyday Life written by Tim Edensor and published by Routledge. This book was released on 2020-06-15 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Millennium Dome, Braveheart and Rolls Royce cars. How do cultural icons reproduce and transform a sense of national identity? How does national identity vary across time and space, how is it contested, and what has been the impact of globalization upon national identity and culture?This book examines how national identity is represented, performed, spatialized and materialized through popular culture and in everyday life. National identity is revealed to be inherent in the things we often take for granted - from landscapes and eating habits, to tourism, cinema and music. Our specific experience of car ownership and motoring can enhance a sense of belonging, whilst Hollywood blockbusters and national exhibitions provide contexts for the ongoing, and often contested, process of national identity formation. These and a wealth of other cultural forms and practices are explored, with examples drawn from Scotland, the UK as a whole, India and Mauritius. This book addresses the considerable neglect of popular cultures in recent studies of nationalism and contributes to debates on the relationship between ‘high' and ‘low' culture.

Past and Present

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857715577
Total Pages : 417 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Past and Present by : James Chapman

Download or read book Past and Present written by James Chapman and published by Bloomsbury Publishing. This book was released on 2005-09-23 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.

Britishness since 1870

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Publisher : Routledge
ISBN 13 : 1134600429
Total Pages : 256 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Britishness since 1870 by : Paul Ward

Download or read book Britishness since 1870 written by Paul Ward and published by Routledge. This book was released on 2004-04-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to be British? It is now recognized that being British is not innate, static or permanent, but that national identities within Britain are constantly constructed and reconstructed. Britishness since 1870 examines this definition and redefinition of the British national identity since the 1870s. Paul Ward argues that British national identity is a resilient force, and looks at how Britishness has adapted to changing circumstances. Taking a thematic approach, Britishness since 1870 examines the forces that have contributed to a sense of Britishness, and considers how Britishness has been mediated by other identities such as class, gender, region, ethnicity and the sense of belonging to England, Scotland, Wales and Ireland.

The Making of English National Identity

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Publisher : Cambridge University Press
ISBN 13 : 1107320097
Total Pages : 446 pages
Book Rating : 4.1/5 (73 download)

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Book Synopsis The Making of English National Identity by : Krishan Kumar

Download or read book The Making of English National Identity written by Krishan Kumar and published by Cambridge University Press. This book was released on 2003-03-13 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why is English national identity so enigmatic and so elusive? Why, unlike the Scots, Welsh, Irish and most of continental Europe, do the English find it so difficult to say who they are? The Making of English National Identity, first published in 2003, is a fascinating exploration of Englishness and what it means to be English. Drawing on historical, sociological and literary theory, Krishan Kumar examines the rise of English nationalism and issues of race and ethnicity from earliest times to the present day. He argues that the long history of the English as an imperial people has, as with other imperial people like the Russians and the Austrians, developed a sense of missionary nationalism which in the interests of unity and empire has necessitated the repression of ordinary expressions of nationalism. Professor Kumar's lively and provocative approach challenges readers to reconsider their pre-conceptions about national identity and who the English really are.

Which People's War?

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Publisher : OUP Oxford
ISBN 13 : 0191037532
Total Pages : 300 pages
Book Rating : 4.1/5 (91 download)

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Book Synopsis Which People's War? by : Sonya O. Rose

Download or read book Which People's War? written by Sonya O. Rose and published by OUP Oxford. This book was released on 2004-07-01 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Which People's War? examines how national belonging, or British national identity, was envisaged in the public culture of the World War II home front. Using materials from newspapers, magazines, films, novels, diaries, letters, and all sorts of public documents, it explores such questions as: who was included as 'British' and what did it mean to be British? How did the British describe themselves as a singular people, and what were the consequences of those depictions? It also examines the several meanings of citizenship elaborated in various discussions concerning the British nation at war. This investigation of the powerful constructions of national identity and understandings of citizenship circulating in Britain during the Second World War exposes their multiple and contradictory consequences at the time. It reveals the fragility of any singular conception of 'Britishness' even during a war that involved the total mobilization of the country's citizenry and cost 400,000 British civilian lives.