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Filming The Colonial Past
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Book Synopsis Filming the Colonial Past by : Annabel Cooper
Download or read book Filming the Colonial Past written by Annabel Cooper and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction -- Hayward in The Bay of Plenty: The silent Rewi's Last Stand and The Te Kooti Trail -- Hayward in the Waipā: Rewi's Last Stand in the sound era -- Wars in the living room: The Killing of Kane and The Governor -- The Pūhā western: Utu -- Documentary adventures: The New Zealand Wars -- Television histories in uncertain times: Greenstone, Von Tempsky's Ghost and Frontier of Dreams -- Aftermath and memory: In Spring One Plants Alone and Rain of the Children -- Encounter, romance and conflict: River Queen -- Māori creative control and new screens -- Conclusion.
Book Synopsis Postcolonial Film by : Rebecca Weaver-Hightower
Download or read book Postcolonial Film written by Rebecca Weaver-Hightower and published by Routledge. This book was released on 2014-02-24 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century’s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation’s unique postcolonial situation. This analysis of one nation’s struggle with its coloniality allows each essay to investigate just what it means to be postcolonial.
Book Synopsis The Cinematic Challenge: Filming Colonial America by : John P. Harty, Jr.
Download or read book The Cinematic Challenge: Filming Colonial America written by John P. Harty, Jr. and published by Hillcrest Publishing Group. This book was released on 2016 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did cinema largely ignore the colonial era and the Revolutionary War? The Cinematic Challenge asks this question and studies four films from the 1930s and 1940s to consider other queries, such as: How did Darryl F. Zanuck make a film about the American Revolution (Drums Along The Mohawk) without indicating that the British were the enemy? Why was Northwest Passage never completed? How did Cecil B. DeMille begin production on a film (Unconquered) based on a book that did not yet exist?In addition, we'll learn how accurate the depictions of colonial life were in each film and whether the political and economic climate affected the finished products.Volume one of The Cinematic Challenge also includes information about the general state of the film industry during this period, technological advancements, and rival theories about historical filmmaking, making it the most in-depth resource available today on colonial movies.
Book Synopsis Films for the Colonies by : Tom Rice
Download or read book Films for the Colonies written by Tom Rice and published by University of California Press. This book was released on 2019-10-01 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films for the Colonies examines the British Government’s use of film across its vast Empire from the 1920s until widespread independence in the 1960s. Central to this work was the Colonial Film Unit, which produced, distributed, and, through its network of mobile cinemas, exhibited instructional and educational films throughout the British colonies. Using extensive archival research and rarely seen films, Films for the Colonies provides a new historical perspective on the last decades of the British Empire. It also offers a fresh exploration of British and global cinema, charting the emergence and endurance of new forms of cinema culture from Ghana to Jamaica, Malta to Malaysia. In highlighting the integral role of film in managing and maintaining a rapidly changing Empire, Tom Rice offers a compelling and far-reaching account of the media, propaganda, and the legacies of colonialism.
Book Synopsis Theorizing Colonial Cinema by : Nadine Chan
Download or read book Theorizing Colonial Cinema written by Nadine Chan and published by Indiana University Press. This book was released on 2022-02 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.
Book Synopsis The Oxford Handbook of the Ends of Empire by : Martin Thomas
Download or read book The Oxford Handbook of the Ends of Empire written by Martin Thomas and published by . This book was released on 2018 with total page 801 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of the Ends of Empire offers the most comprehensive treatment of the causes, course, and consequences of the collapse of empires in the twentieth century. The volume's contributors convey the global reach of decolonization, analysing the ways in which European, Asian, and African empires disintegrated over the past century.
Book Synopsis Colonial Documentary Film in South and South-East Asia by : Ian Aitken
Download or read book Colonial Documentary Film in South and South-East Asia written by Ian Aitken and published by Edinburgh University Press. This book was released on 2016-12-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.
Book Synopsis Colonial America on Film and Television by : Bertil O. Österberg
Download or read book Colonial America on Film and Television written by Bertil O. Österberg and published by McFarland. This book was released on 2018-01-16 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early history of American settlement, pioneering, and independence is marked by fascinating characters and events often shrouded in legend. Filmmakers have sought to capture these characters, as diverse as Daniel Boone, Francis Marion and Pocahontas, and events, as disparate as the Lost Colony, the Boston Tea Party and the French and Indian War. This comprehensive filmography provides production information and commentary on all films and television episodes set during the years between the first settlements in the future United States and the fledgling country's War of 1812 with Britain. Films are arranged alphabetically, and a detailed introduction provides a thorough overview of the period, with references to films chronicling specific events.
Book Synopsis Film and Colonialism in the Sixties by : Jon Cowans
Download or read book Film and Colonialism in the Sixties written by Jon Cowans and published by Routledge. This book was released on 2018-12-07 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Relations between Western nations and their colonial subjects changed dramatically in the second half of the twentieth century. As nearly all of the West’s colonies gained their independence by 1975, attitudes toward colonialism in the West also changed, and terms such as empire and colonialism, once used with pride, became strongly negative. While colonialism has become discredited, precisely when or how that happened remains unclear. This book explores changing Western attitudes toward colonialism and decolonization by analyzing American, British, and French popular cinema and its reception from 1960 to 1973.
Download or read book Empire and Film written by Lee Grieveson and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This important new volume reconstructs the forms of production, distribution and exhibition of films made in and about the colonies. It then ties them to wider theoretical issues about film and liberalism, spectacle and political economy, representation and rule. The result is one of the first volumes to examine how imperial rule is intimately tied to the emergence of documentary as a form and, indeed, how the history of cinema is at the same time the history of Empire.' BRIAN LARKIN, Barnard College 'This superb collection of new scholarship shows how cinema both communicated and aided the imperialist agenda throughout the twentieth century. In doing so, it shows film can be understood as one of the tools of empire, as much as the technology of weaponry or modes of administration: a means of education and indoctrination in the colonies and at home.' TOM GUNNING, University of Chicago At its height in 1919, the British Empire claimed 58 countries, 400 million subjects, and 14 million square miles of ground. Empire and Film brings together leading international scholars to examine the integral role cinema played in the control, organisation, and governance of this diverse geopolitical space. The essays reveal the complex interplay between the political and economic control essential to imperialism and the emergence and development of cinema in the late nineteenth and first half of the twentieth century. Contributors address how the production, distribution and exhibition of film were utilised by state and industrial and philanthropic institutions to shape the subject positions of coloniser and colonised; to demarcate between 'civilised' and 'primitive' and codify difference; and to foster a political economy of imperialism that was predicated on distinctions between core and periphery. The generic forms of colonial cinema were, consequently, varied: travelogues mapped colonial spaces; actuality films re-presented spectacles of royal authority and imperial conquest and conflict; home movies rendered colonial self-representation; state-financed newsreels and documentaries fostered political and economic control and the 'education' of British and colonial subjects; philanthropic and industrial organisations sponsored films to expand Western models of capitalism; British and American film companies made films of imperial adventure. These films circulated widely in Britain and the empire, and were sustained through the establishment of imperial networks of distribution and exhibition, including in particular innovative mobile exhibition circuits and non-theatrical spaces like schools, museums and civic centres. Empire and Film is a significant revision to the historical and conceptual frameworks of British cinema history, and is a major contribution to the history of cinema as a global form that emerged amid, and in dialogue with, the global flows of imperialism. The book is produced in conjunction with a major website housing freely available digitised archival films and materials relating to British colonial cinema, www.colonialfilm.org.uk, and a companion volume entitled Film and the End of Empire.
Download or read book Cinematic Settlers written by Janne Lahti and published by Routledge. This book was released on 2020 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This anthology adds to the burgeoning field of settler colonial studies by examining settler colonial narratives in the underanalyzed medium of film. Cinematic Settlers discusses different cinematic genres, national traditions, and specific movies in order to expose related threads, shared circulations of knowledge, and paralleled representations. Organized into thematic groupings-conquest, settlement, natives, and space-the contributors explore the question of how film compares to written genres and other visual media in representing and effecting settler colonialism on a global scale. Striving for inclusiveness, the volume covers different eras and settler colonial situations in Australia, New Zealand, Taiwan, Hawaii, the American West, Canada, Latin America, Russia, France, Algeria, German Africa, South Africa, and even the next frontier: outer space. By showing how films offer layered, contested, and dynamic settler colonial narratives that advance settler hegemonic readings, the essays enable students to better analyze and understand the complex history of diversity and colonialism in film. This book is important reading for undergraduate classes on the history of empire, colonialism, and film"--
Book Synopsis The Cinematic Challenge- Volume 2: Filming Colonia America by : John P. Harty Jr
Download or read book The Cinematic Challenge- Volume 2: Filming Colonia America written by John P. Harty Jr and published by Langdon Street Press. This book was released on 2019-12-26 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Your guide to colonial films DURING THE TRANSFORMATION PERIOD OF THE AMERICAN CINEMA, 1950-1975 How did the collapse of the studio system and the rise of "independent" film companies affect the production of motion pictures about colonial America? The Cinematic Challenge seeks to answer this question and uses in-depth case studies of four films to reveal the shift in historical interpretation, which occurred during this period. In the process other queries will be addressed including: Did Walt Disney's Light in the Forest make a political statement about civil rights? What was the unique financial system producer Samuel Bronston developed in Spain to produce the naval epic John Paul Jones and establish his own film studio there? Why did the Hecht-Hill- Lancaster company select George Bernard Shaw's play The Devil's Disciple as a film project, when their company was on the brink of financial ruin? Why did Jack Warner decide to film the Broadway musical 1776 while our nation was being torn apart by the Vietnam war strategy? This study will indicate how accurate the depictions of colonial life were in each film and whether the modern political and economic climate affected the completed motion picture, making it the most in-depth resource available today on colonial films. Being a member of IATSE for nearly fifty years has given author John P. Harty. Jr. the opportunity to have an inside view of theater, television and film production, which combined with his love of history has led to the creation of The Cinematic Challenge series of books. He holds a bachelor's degree in history from St. Bonaventure University, a master's degree in political science from Fairleigh Dickinson University and has studied Russian and English history at the doctoral level at New York University.
Author : Publisher : ISBN 13 :0520295307 Total Pages :204 pages Book Rating :4.5/5 (22 download)
Download or read book written by and published by . This book was released on with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Picturing a Colonial Past by : Isaac Schapera
Download or read book Picturing a Colonial Past written by Isaac Schapera and published by University of Chicago Press. This book was released on 2007-06-30 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Book Synopsis Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963 by : Samson Kaunga Ndanyi
Download or read book Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963 written by Samson Kaunga Ndanyi and published by Rowman & Littlefield. This book was released on 2022-03-14 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Instructional Cinema and African Audiences in Colonial Kenya, 1926–1963, the author argues against the colonial logic instigating that films made for African audiences in Kenya influenced them to embrace certain elements of western civilization but Africans had nothing to offer in return. The author frames this logic as unidirectional approach purporting that Africans were passive recipients of colonial programs. Contrary to this understanding, the author insists that African viewers were active participants in the discourse of cinema in Kenya. Employing unorthodox means to protest mediocre films devoid of basic elements of film production, African spectators forced the colonial government to reconsider the way it produced films. The author frames the reconsideration as bidirectional approach. Instructional cinema first emerged as a tool to “educate” and “modernize” Africans, but it transformed into a contestable space of cultural and political power, a space that both sides appropriated to negotiate power and actualize their abstract ideas.
Book Synopsis Colonial Cinema and Imperial France, 1919–1939 by : David Henry Slavin
Download or read book Colonial Cinema and Imperial France, 1919–1939 written by David Henry Slavin and published by JHU Press. This book was released on 2001-10-09 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the author uses such key colonial-era films as L'Atlantide and Péṕe le Moko to document how the French cinema reflected the changing policies and values of French colonialism in the inter-war period.
Book Synopsis The Cinematic Challenge - Volume 3: Filming Colonial America the International Era 1976-2020 by : John P. Harty
Download or read book The Cinematic Challenge - Volume 3: Filming Colonial America the International Era 1976-2020 written by John P. Harty and published by Langdon Street Press. This book was released on 2022-01-15 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: YOUR GUIDE TO COLONIAL FILMS DURING THE INTERNATIONAL ERA, 1976-2000 With the death of the old Hollywood system, a new structure of global telecommunication networks rose in its place spearheaded by the independent multi-national production company, the million dollar actor and the bundle-master/talent agent. Could quality filmmaking about colonial America survive in this new corporate Hollywood, which advocated the use of global screenplays to attract world-wide audiences for their products? The Cinematic Challenge delves into this question and uses in-depth case studies of five films to considered: Was Hugh Hudson a self-indulgent perfectionist or an idealistic, visionary auteur when he filmed Revolution using an avant-garde non-linear approach to storytelling? Did Bruce Beresford 's Black Robe succeed in creating a unique adventure saga about a Jesuit priest pushed to the limits of his religious beliefs and physical endurance in the hostile interior of 17th century New France? How was Michael Mann's "re-imagining" of The Last of the Mohicans different from the James Fenimore Cooper novel and the 1936 film classic? Was Ted Turner successful in presenting a more balanced view of the Native Americans or did The Broken Chain only succeed in creating a new set of myths about an idyllic indigenous people corrupted by evil Europeans? How did Roland Emmerlich 's The Patriot manage to pass through development hell and become one of Columbia Pictures tentpole attractions for 2000? This study will explain to what degree each of the colonial films represented America's sociopolitical history and how the films encapsulated the state of mind of the American people at the time of their release, making it the most in-depth resource available today on this subject. Publication of volume 3 of The Cinematic Challenge completes author John P. Harty, Jr.'s decade-long desire to write a complete history of the films about colonial America produced in the 20th century. He holds a bachelor's degree in history, a master's degree in political science and has studied Russian and English history at the doctoral level at New York University.
