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Author : Barry Salt
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (664 download)
Download or read book Film Form 1900-1906 written by Barry Salt and published by . This book was released on 1978 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : John L. Fell
Publisher : Univ of California Press
ISBN 13 : 9780520047587
Total Pages : 412 pages
Book Rating : 4.0/5 (475 download)
Download or read book Film Before Griffith written by John L. Fell and published by Univ of California Press. This book was released on 1983 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Linda Williams
Publisher : Univ of California Press
ISBN 13 : 9780520219434
Total Pages : 402 pages
Book Rating : 4.2/5 (194 download)
Download or read book Hard Core written by Linda Williams and published by Univ of California Press. This book was released on 1999-04-27 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: On hard core pornographic cinema.
Author :
Publisher :
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.3/5 (91 download)
Download or read book Cinema 1900/1906: An analytical study by the National Film Archive (London) and the International Federation of Film Archives written by and published by . This book was released on 1982 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : David Bordwell
Publisher : Routledge
ISBN 13 : 1134988095
Total Pages : 791 pages
Book Rating : 4.1/5 (349 download)
Download or read book The Classical Hollywood Cinema written by David Bordwell and published by Routledge. This book was released on 2003-09-02 with total page 791 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Author : Tom Gunning
Publisher : University of Illinois Press
ISBN 13 : 9780252063664
Total Pages : 334 pages
Book Rating : 4.0/5 (636 download)
Download or read book D.W. Griffith and the Origins of American Narrative Film written by Tom Gunning and published by University of Illinois Press. This book was released on 1994 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Author : Tom Gunning
Publisher :
ISBN 13 :
Total Pages : 12 pages
Book Rating : 4.:/5 (664 download)
Download or read book The Non-continuous Style of Early Film (1900-1906) written by Tom Gunning and published by . This book was released on with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Eileen Bowser
Publisher : Univ of California Press
ISBN 13 : 9780520085343
Total Pages : 356 pages
Book Rating : 4.0/5 (853 download)
Download or read book The Transformation of Cinema, 1907-1915 written by Eileen Bowser and published by Univ of California Press. This book was released on 1994-05-04 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Transformation of Cinema chronicles the history of the American film business from the days of storefront nickelodeons to the premiere of D.W. Griffith's The Birth of a Nation, complete with full symphony orchestra. Eileen Bowser here redresses the imbalance of the "Griffith did it all" cliché by discussing the efforts of countless lesser-known figures who also helped to create Hollywood and shape the growing film industry. The effect of the surroundings -- the size of the hall; whether the film was shown alone or along with vaudeville entertainment; and the size, quality, and relevance of the musical background -- are all examined for their impact on the filmgoing experience. Bowser documents the emergence of the star system, which set the stage for the classic silent-film era. By 1915 the silent film is seen as a full-fledged art form with its own style and place in the world of business."--Back cover.
Author : Thomas Elsaesser
Publisher : Bloomsbury Publishing
ISBN 13 : 1838715479
Total Pages : 416 pages
Book Rating : 4.8/5 (387 download)
Download or read book Early Cinema written by Thomas Elsaesser and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for millions of people. Only recently have film scholars and historians begun to study these early years of cinema in their own right and not simply as first steps towards the classical narrative cinema we now associate with Hollywood. The essays in this collection trace the fascinating history of how the cinema developed its forms of storytelling and representation and how it evolved into a complex industry with Hollywood rapidly acquiring a dominant role. These issues can be seen to arise from new readings of the so-called pioneers - Melies, Lumiere, Porter, and Griffith - while also suggesting new perspectives on major European filmmakers of the 1910s and 20s. Editor Thomas Elsaesser complements the contributions from leading British, American, and European scholars with introductory essays of his own that provide a comprehensive overview of the field. The volume is the most authoritative survey to date of a key area of contemporary film research, invaluable to historians as well as to students of cinema.
Author : Charles Keil
Publisher : John Wiley & Sons
ISBN 13 : 1118341252
Total Pages : 624 pages
Book Rating : 4.1/5 (183 download)
Download or read book A Companion to D. W. Griffith written by Charles Keil and published by John Wiley & Sons. This book was released on 2018-02-05 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most comprehensive volume on one of the most controversial directors in American film history A Companion to D.W. Griffith offers an exhaustive look at the first acknowledged auteur of the cinema and provides an authoritative account of the director’s life, work, and lasting filmic legacy. The text explores how Griffith’s style and status advanced along with cinema’s own development during the years when narrative became the dominant mode, when the short gave way to the feature, and when film became the pre-eminent form of mass entertainment. Griffith was at the centre of each of these changes: though a contested figure, he remains vital to any understanding of how cinema moved from nickelodeon fixture to a national pastime, playing a significant role in the cultural ethos of America. With the renewed interest in Griffith’s contributions to the film industry, A Companion to D.W. Griffith offers a scholarly look at a career that spanned more than 25 years. The editor, a leading scholar on D.W. Griffith, and the expert contributors collectively offer a unique account of one of the monumental figures in film studies. Presents the most authoritative, complete account of the director’s life, work, and lasting legacy Builds on the recent resurgence in the director’s scholarly and popular reputation Edited by a leading authority on D.W. Griffith, who has published extensively on this controversial director Offers the most up-to-date, singularly comprehensive volume on one of the monumental figures in film studies
Author : Andrew A. Erish
Publisher : University Press of Kentucky
ISBN 13 : 0813181224
Total Pages : 304 pages
Book Rating : 4.8/5 (131 download)
Download or read book Vitagraph written by Andrew A. Erish and published by University Press of Kentucky. This book was released on 2021-06-09 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Vitagraph, Andrew A. Erish provides the first comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multi-million-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists, including a surprising number of women and minorities, whose aesthetic innovations have long been incorporated into virtually all commercial cinema. They developed fundamental aspects of the form and content of American movies, encompassing everything from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. The company overcame resistance to multi-reel motion pictures by establishing a national distribution network for its feature films. Vitagraph's international distribution was even more successful, cultivating a worldwide preference for American movies that endures to the present. For most of its existence America's most influential studio was headquartered in Brooklyn, New York before relocating to Hollywood. Finally, here is a historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era. Drawing on valuable primary material long overlooked by other historians, Erish introduces readers to the fascinating, forgotten pioneers of Vitagraph.
Author : Annemone Ligensa
Publisher : Indiana University Press
ISBN 13 : 0861969162
Total Pages : 258 pages
Book Rating : 4.8/5 (619 download)
Download or read book Film 1900 written by Annemone Ligensa and published by Indiana University Press. This book was released on 2009-10-05 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays examining the relationships between culture, film, and the audience around the turn of the twentieth century. The current digital revolution has sparked a renewed interest in the origins and trajectory of modern media, particularly in the years around 1900 when the technology was rapidly developing. This collection aims to broaden our understanding of early cinema as a significant innovation in media history. Joining traditional scholarship with fresh insights from a variety of disciplines, this book explains the aesthetic and institutional characteristics in early cinema within the context of the contemporary media landscape. It also addresses transcultural developments such as scientific revolutions, industrialization, urbanization, and globalization, as well as differing attitudes toward modernization. Film 1900 is an important reassessment of early cinema’s position in cultural history. “The capable Ligensa and Kreimeier invited a coterie of renowned Continental scholars and thinkers to reflect on issues of modernity and cinema by harking back to the fin de siècle. . . . Summing Up: Highly recommended. Graduate students, researchers, faculty.” —T. Lindval, Choice
Author : Andrew A. Erish
Publisher : University of Texas Press
ISBN 13 : 0292728700
Total Pages : 316 pages
Book Rating : 4.2/5 (927 download)
Download or read book Col. William N. Selig, the Man Who Invented Hollywood written by Andrew A. Erish and published by University of Texas Press. This book was released on 2012-03-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium. In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.
Author : Aaron Sultanik
Publisher : Associated University Presses
ISBN 13 : 9780845348529
Total Pages : 188 pages
Book Rating : 4.3/5 (485 download)
Download or read book Camera-cut-composition written by Aaron Sultanik and published by Associated University Presses. This book was released on 1995 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to author Aaron Sultanik, the viewer's response to a film derives from three visually ascertained, dramatically realized cognitive elements: (1) the multiple points of view of a camera's placement, angle, and mobility; (2) the dynamic spatiotemporal assemblage of a film's editing; (3) and the final meaning of a film through the story's pictorial stylization.
Author : Karen Redrobe
Publisher : U of Minnesota Press
ISBN 13 : 1452962944
Total Pages : 421 pages
Book Rating : 4.4/5 (529 download)
Download or read book Deep Mediations written by Karen Redrobe and published by U of Minnesota Press. This book was released on 2021-03-09 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: The preoccupation with “depth” and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.
Author : Charlie Keil
Publisher : University of Wisconsin Pres
ISBN 13 : 0299173631
Total Pages : 321 pages
Book Rating : 4.2/5 (991 download)
Download or read book Early American Cinema in Transition written by Charlie Keil and published by University of Wisconsin Pres. This book was released on 2001-12-10 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
Author : Karen Redrobe
Publisher : Duke University Press
ISBN 13 : 082238437X
Total Pages : 255 pages
Book Rating : 4.8/5 (223 download)
Download or read book Vanishing Women written by Karen Redrobe and published by Duke University Press. This book was released on 2003-04-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.
