Film Curatorship Archives Museums And The Digital Marketplace

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Film Curatorship

Author : Paolo Cherchi Usai
Publisher : Austrian Film Museum
ISBN 13 :
Total Pages : 248 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Film Curatorship by : Paolo Cherchi Usai

Download or read book Film Curatorship written by Paolo Cherchi Usai and published by Austrian Film Museum. This book was released on 2008 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: What are the major issues and challenges film archives, cinémathèques, and film museums are bound to face in the digital age, and at a time when there is an expectation of access on demand? What is curatorship, and what does it imply in the context of film preservation and presentation? Is there a concept of the "film artifact" that transcends the idea of film as "content" or "art" in the information age? Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century. This book is jointly published with Le Giornate del Cinema muto, Pordenone, Italy.

Film Curatorship - Archives, Museums, and the Digital Marketplace

Author : David Francis
Publisher : Austrian Film Museum
ISBN 13 : 9783901644825
Total Pages : 240 pages
Book Rating : 4.6/5 (448 download)

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Book Synopsis Film Curatorship - Archives, Museums, and the Digital Marketplace by : David Francis

Download or read book Film Curatorship - Archives, Museums, and the Digital Marketplace written by David Francis and published by Austrian Film Museum. This book was released on 2020-06-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.

Film Programming

Author : Peter Bosma
Publisher : Columbia University Press
ISBN 13 : 0231850824
Total Pages : 218 pages
Book Rating : 4.2/5 (318 download)

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Book Synopsis Film Programming by : Peter Bosma

Download or read book Film Programming written by Peter Bosma and published by Columbia University Press. This book was released on 2015-06-09 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

A Companion to Early Cinema

Author : André Gaudreault
Publisher : John Wiley & Sons
ISBN 13 : 1444332317
Total Pages : 660 pages
Book Rating : 4.4/5 (443 download)

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Book Synopsis A Companion to Early Cinema by : André Gaudreault

Download or read book A Companion to Early Cinema written by André Gaudreault and published by John Wiley & Sons. This book was released on 2012-07-02 with total page 660 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context

MUBI and the Curation Model of Video on Demand

Author : Mattias Frey
Publisher : Springer Nature
ISBN 13 : 3030800768
Total Pages : 168 pages
Book Rating : 4.0/5 (38 download)

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Book Synopsis MUBI and the Curation Model of Video on Demand by : Mattias Frey

Download or read book MUBI and the Curation Model of Video on Demand written by Mattias Frey and published by Springer Nature. This book was released on 2021-08-12 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subscription video on demand (SVOD) represents the fastest-growing means to consume films and series. Although market leaders Netflix and Amazon Prime have received much scholarly attention for the way that they use algorithms and big data to connect users to content, there is another significant, relatively unexamined model: curation-style services such as BFI Player, IFC Unlimited, the Criterion Channel or MUBI — the latter, which forms the focus of this book, claims to be the world's most subscribed independent video on demand service. These platforms take advantage of common anxieties about algorithms, cultural surplus and filter bubbles to promote discovery, human-generated recommendations and quality over quantity of content. Deploying an original, holistic methodology that includes analysis of technological affordances, marketing rhetoric, business models, interviews with company executives and a qualiquantitative audience study, this book critically analyses MUBI as a way to understand this particular mode of content aggregation, cultural recommendation, choice architecture and community building. Curation services address a real, but decidedly circumscribed gap in the market. Ultimately, MUBI offers film, media and business scholars an instructive example of the fate of art cinema and media diversity in a digital culture increasingly dominated by a few giant tech companies.

Provenance and Early Cinema

Author : Joanne Bernardi
Publisher : Indiana University Press
ISBN 13 : 0253053021
Total Pages : 582 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Provenance and Early Cinema by : Joanne Bernardi

Download or read book Provenance and Early Cinema written by Joanne Bernardi and published by Indiana University Press. This book was released on 2021-02-01 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: Remnants of early films often have a story to tell. As material artifacts, these film fragments are central to cinema history, perhaps more than ever in our digital age of easy copying and sharing. If a digital copy is previewed before preservation or is shared with a researcher outside the purview of a film archive, knowledge about how the artifact was collected, circulated, and repurposed threatens to become obscured. When the question of origin is overlooked, the story can be lost. Concerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, "How did these moving images get here for me to see them?" This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.

An International Study of Film Museums

Author : Rinella Cere
Publisher : Routledge
ISBN 13 : 1000317528
Total Pages : 151 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis An International Study of Film Museums by : Rinella Cere

Download or read book An International Study of Film Museums written by Rinella Cere and published by Routledge. This book was released on 2020-12-29 with total page 151 pages. Available in PDF, EPUB and Kindle. Book excerpt: An International Study of Film Museums examines how cinema has been transformed and strengthened through museological and archival activities since its origins and asks what paradoxes may be involved, if any, in putting cinema into a museum. Cere explores the ideas that were first proposed during the first half of the twentieth century around the need to establish national museums of cinema and how these have been adapted in the subsequent development of the five case studies presented here: four in Europe and one in the USA. The book traces the history of the five museums' foundation, exhibitions, collections, and festivals organised under their aegis and it asks how they resolve the tensions between cinema as an aesthetic artefact – now officially recognised as part of humanity's cultural heritage – and cinema as an entertainment and leisure activity. It also gives an account of recent developments around unifying collections, exhibition activities and archives in one national film centre that offers the general public a space totally devoted to film and cinematographic culture. An International Study of Film Museums provides a unique comparative study of museums of cinema in varying national contexts. The book will be of interest to academics and students around the world who are engaged in the study of museums, archives, heritage, film, history and visual culture.

The Netflix Effect

Author : Kevin McDonald
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501340182
Total Pages : 269 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The Netflix Effect by : Kevin McDonald

Download or read book The Netflix Effect written by Kevin McDonald and published by Bloomsbury Publishing USA. This book was released on 2018-02-22 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.

Visualizing Film History

Author : Christian Gosvig Olesen
Publisher : Indiana University Press
ISBN 13 : 0253071844
Total Pages : 302 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Visualizing Film History by : Christian Gosvig Olesen

Download or read book Visualizing Film History written by Christian Gosvig Olesen and published by Indiana University Press. This book was released on 2024 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Though many archival digital objects were not "born digital," film archives are now becoming important resources for digital scholarship as a consequence of digitization. Moreover, with advancements in digital research methods involving video annotation, visual analysis, and GIS affecting the way we look at archival films' material, stylistic histories and circulation, new research practices are more important than ever. Visualizing Film History is an accessible introduction to archive-based digital scholarship in film and media studies and beyond. With a combined focus on the history of film historiography, archiving, and recent digital scholarship-covering a period from the "first wave" of film archiving in the early 1900s to recent data art-this book proposes ways to work critically with digitized archives and research methods. Christian Olesen encourages a shift towards new critical practices in the field with an in-depth assessment of and critical approach to doing film historiography with the latest digital tools and digitized archives. Olesen argues that if students, scholars and archivists are to fully realize the potential of emerging digital tools and methodologies, they must critically consider the roles that data analysis, visualization, interfaces and procedural human-machinery interactions play in producing knowledge in current film historical research. If we fail to do so, we risk losing our ability to critically navigate and renew contemporary research practices and evaluate the results of digital scholarship"--

After Taste: Cultural Value and the Moving Image

Author : Julia Vassilieva
Publisher : Routledge
ISBN 13 : 1317984684
Total Pages : 246 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis After Taste: Cultural Value and the Moving Image by : Julia Vassilieva

Download or read book After Taste: Cultural Value and the Moving Image written by Julia Vassilieva and published by Routledge. This book was released on 2014-01-02 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the wake of the debates over high/low culture distinction spilling into the effective dismantling of the boundary that once separated them, the past decade has seen the explosion of ‘bad taste’ production on screen. Starting with paracinema or ‘badfilm’ – a movement that has grown up around sleazy, excessive, or poorly executed B-movies and has come to encompass disreputable and unworthy films – this trend has been evident in various formats: on television and in video-art, low-budget and straight to TV films, amateur and home movies. The proliferation of trash on screen can be seen as delivering the final blow to the vexed issue of taste. More importantly, it prompts a reconsideration of some critical issues surrounding production, circulation, understanding and teaching of ‘bad objects’ in the media. This collection of essays, written by international film and television scholars, provides detailed critical analysis of the issues surrounding judgements of cultural value and taste, feeling and affect, cultural morals and politics, research methodologies and teaching strategies in the new landscape of ‘after taste’ media. Addressing global and local developments – from global Hollywood to Australian indigenous film and television, through auteurs Sergei Eisenstein to Jerry Bruckheimer, on to examples such as Twilight to Sukiyaki Western Django – the essays in this book offer a range of critical tools for understanding the recent shifts affecting cultural, aesthetic and political value of the moving image. This book was originally published as a special issue of Continuum: Journal of Media & Cultural Studies.

South American Cinematic Culture

Author : Miriam Ross
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443825379
Total Pages : 245 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis South American Cinematic Culture by : Miriam Ross

Download or read book South American Cinematic Culture written by Miriam Ross and published by Cambridge Scholars Publishing. This book was released on 2010-09-13 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives), altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most significant sites for non-Western filmmaking in the twenty-first century. There is an awareness of the place South American cinema has on the international stage and, for this reason, the study involves an in depth look at the way film products are circulated within national boundaries and through external global circuits. Drawing on scholarship from studies on Latin American culture, cultural policy, indigeneity, digital technology, globalisation, transculturation and the public sphere, new links are traced between the various fields.

Saving Cinema

Author : Caroline Frick
Publisher : Oxford University Press
ISBN 13 : 019979264X
Total Pages : 231 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis Saving Cinema by : Caroline Frick

Download or read book Saving Cinema written by Caroline Frick and published by Oxford University Press. This book was released on 2011-01-21 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: The importance of media preservation has in recent years achieved much broader public recognition. From the vaults of Hollywood and the halls of Congress to the cash-strapped museums of developing nations, people are working to safeguard film from physical harm. But the forces at work aren't just physical. The endeavor is also inherently political. What gets saved and why? What remains ignored? Who makes these decisions, and what criteria do they use? Saving Cinema narrates the development of the preservation movement and lays bare the factors that have influenced its direction. Archivists do more than preserve movie history; they actively produce and codify cinematic heritage. At the same time, digital technologies have produced an entirely new reality, one that resists the material, artifact-driven approach that is the gold standard of preservation in the Western world. As it has become increasingly easy to capture and access moving images, increasing evidence of something many archivists have known for years has emerged: industrial and training films, amateur travel diaries, and even family videos are critical public resources. It has also raised question about the role of the profession. Is access equivalent to preservation, and, if it is, how should archivists alter their activities? The time is ripe for a reconsideration of the politics and practices of preservation. Saving Cinema is the book to guide that conversation.

Showing and Telling: Film heritage institutes and their performance of public accountability

Author : Nico de Klerk
Publisher : Vernon Press
ISBN 13 : 1622736524
Total Pages : 328 pages
Book Rating : 4.6/5 (227 download)

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Book Synopsis Showing and Telling: Film heritage institutes and their performance of public accountability by : Nico de Klerk

Download or read book Showing and Telling: Film heritage institutes and their performance of public accountability written by Nico de Klerk and published by Vernon Press. This book was released on 2019-03-25 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Showing and Telling' is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author’s experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24 institutes worldwide, based on their websites, in February 2014; the latter constitutes a unique source. This original work uncovers the disconnect between the curatorial activities of these institutes and their missions. A central finding is that publicly funded film heritage institutes give their public an inadequate sense of cinema history. By and large they offer a mainstream-oriented repertoire of presentations, overwhelmingly consisting of feature fiction; they show a disproportionate amount of recent and new works, often through commercial distribution; their screenings consist of an unexplained melee of technological formats (sometimes substandard); and their presentations monotonously frame film as art, although their professed aesthetics are mostly of a cinephile nature and rest on received opinion. Specific materials, early cinema in particular, and specialist knowledge, both historical and methodological, are largely restricted to their network of peer communities. Wholesome transfer of full knowledge, in word and image, to the public is not a major concern. 'Showing and Telling' concludes with recommendations for curatorial activities. Firstly, with a conceptual apparatus that allows a more complete understanding of film heritage and its histories. Secondly, with a plea for rethinking the institutes’ gatekeeper function and for developing more varied, imaginative, and informative public presentations, both on site and online, that reflect the range of their collections and their histories.

Towards a Film Theory from Below

Author : Jiri Anger
Publisher : Bloomsbury Publishing USA
ISBN 13 :
Total Pages : 233 pages
Book Rating : 4.7/5 (651 download)

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Book Synopsis Towards a Film Theory from Below by : Jiri Anger

Download or read book Towards a Film Theory from Below written by Jiri Anger and published by Bloomsbury Publishing USA. This book was released on 2024-05-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.

Silent Cinema

Author : Paolo Cherchi Usai
Publisher : Bloomsbury Publishing
ISBN 13 : 1911239139
Total Pages : 465 pages
Book Rating : 4.9/5 (112 download)

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Book Synopsis Silent Cinema by : Paolo Cherchi Usai

Download or read book Silent Cinema written by Paolo Cherchi Usai and published by Bloomsbury Publishing. This book was released on 2019-04-04 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.

After Kubrick

Author : Jeremi Szaniawski
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501347667
Total Pages : 321 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis After Kubrick by : Jeremi Szaniawski

Download or read book After Kubrick written by Jeremi Szaniawski and published by Bloomsbury Publishing USA. This book was released on 2020-02-20 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking at its starting point the idea that Kubrick's cinema has constituted an intellectual, cerebral, and philosophical maze in which many filmmakers (as well as thinkers and a substantial fringe of the general public) have gotten lost at one point or another, this collection looks at the legacy of Kubrick's films in the 21st century. The main avenues investigated are as follows: a look at Kubrick's influence on his most illustrious followers (Paul Thomas Anderson, the Coen Brothers, Christopher Nolan, Ridley Scott, and Lars von Trier, to name a few); Kubrick in critical reception; Kubrick in stylistic (camera movements, set designs, music), thematic (artificial intelligence, new frontiers- large and small), aesthetic (the question of genre, pastiche, stereoscopy) and political terms (paranoia, democracy and secret societies, conspiracy theories). The contributions coalesce around the concept of a Kubrickian substrate, rich and complex, which permeates our Western cultural landscape very much to this day, informing and sometimes announcing/reflecting it in twisted ways, 21 years after the director's death.

The Routledge Companion to World Cinema

Author : Rob Stone
Publisher : Routledge
ISBN 13 : 1317420586
Total Pages : 522 pages
Book Rating : 4.3/5 (174 download)

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Book Synopsis The Routledge Companion to World Cinema by : Rob Stone

Download or read book The Routledge Companion to World Cinema written by Rob Stone and published by Routledge. This book was released on 2017-09-27 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty-three world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.