Film Criticism and Digital Cultures

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1786730391
Total Pages : 272 pages
Book Rating : 4.7/5 (867 download)

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Book Synopsis Film Criticism and Digital Cultures by : Andrew McWhirter

Download or read book Film Criticism and Digital Cultures written by Andrew McWhirter and published by Bloomsbury Publishing. This book was released on 2016-08-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism.

Film Criticism and Digital Cultures

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Publisher :
ISBN 13 : 9781350986442
Total Pages : 262 pages
Book Rating : 4.9/5 (864 download)

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Book Synopsis Film Criticism and Digital Cultures by : Andrew McWhirter

Download or read book Film Criticism and Digital Cultures written by Andrew McWhirter and published by . This book was released on with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism."--

Film Criticism in the Digital Age

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Author :
Publisher : Rutgers University Press
ISBN 13 : 0813570743
Total Pages : 284 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Film Criticism in the Digital Age by : Mattias Frey

Download or read book Film Criticism in the Digital Age written by Mattias Frey and published by Rutgers University Press. This book was released on 2015-04-20 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

Film Criticism in the Digital Age

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Author :
Publisher : Rutgers University Press
ISBN 13 : 0813573645
Total Pages : 284 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Film Criticism in the Digital Age by : Mattias Frey

Download or read book Film Criticism in the Digital Age written by Mattias Frey and published by Rutgers University Press. This book was released on 2015-04-20 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.

On-Demand Culture

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Publisher : Rutgers University Press
ISBN 13 : 0813567165
Total Pages : 193 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis On-Demand Culture by : Chuck Tryon

Download or read book On-Demand Culture written by Chuck Tryon and published by Rutgers University Press. This book was released on 2013-07-18 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an “on-demand culture,” a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access—online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar—are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.

Deep Mediations

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Publisher : U of Minnesota Press
ISBN 13 : 1452962944
Total Pages : 421 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Deep Mediations by : Karen Redrobe

Download or read book Deep Mediations written by Karen Redrobe and published by U of Minnesota Press. This book was released on 2021-03-09 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: The preoccupation with “depth” and its relevance to cinema and media studies For decades the concept of depth has been central to critical thinking in numerous humanities-based disciplines, legitimizing certain modes of inquiry over others. Deep Mediations examines why and how this is, as scholars today navigate the legacy of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies. The collection’s eighteen essays seek to understand the decisive but evolving fixation on depth by considering the term’s use across a range of conversations as well as its status in relation to critical methodologies and the current mediascape. Engaging contemporary debates about new computing technologies, the environment, history, identity, affect, audio/visual culture, and the limits and politics of human perception, Deep Mediations is a timely interrogation of depth’s ongoing importance within the humanities. Contributors: Laurel Ahnert; Taylor Arnold, U of Richmond; Erika Balsom, King’s College London; Brooke Belisle, Stony Brook University; Jinhee Choi, King’s College London; Jennifer Fay, Vanderbilt U; Lisa Han, UC Santa Barbara; Jean Ma, Stanford U; Shaka McGlotten, Purchase College-SUNY; Susanna Paasonen, U of Turku, Finland; Jussi Parikka, U of Southampton; Alessandra Raengo, Georgia State U; Pooja Rangan, Amherst College; Katherine Rochester, VIA Art Fund in Boston; Karl Schoonover, University of Warwick (UK); Jordan Schonig, Michigan State U; John Paul Stadler, North Carolina State U; Nicole Starosielski, New York U; Lauren Tilton, U of Richmond.

Digital Shift

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Publisher : U of Minnesota Press
ISBN 13 : 1452944377
Total Pages : 120 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Digital Shift by : Jeff Scheible

Download or read book Digital Shift written by Jeff Scheible and published by U of Minnesota Press. This book was released on 2015-03-15 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emoticons matter. Equal signs do, too. This book takes them seriously and shows how and why they matter. Digital Shift explores the increasingly ubiquitous presence of punctuation and typographical marks in our lives⎯using them as reading lenses to consider a broad range of textual objects and practices across the digital age. Jeff Scheible argues that pronounced shifts in textual practices have occurred with the growing overlap of crucial spheres of language and visual culture, that is, as screen technologies have proliferated and come to form the interface of our everyday existence. Specifically, he demonstrates that punctuation and typographical marks have provided us with a rare opportunity to harness these shifts and make sense of our new media environments. He does so through key films and media phenomena of the twenty-first century, from the popular and familiar to the avant-garde and the obscure: the mass profile-picture change on Facebook to equal signs (by 2.7 million users on a single day in 2013, signaling support for gay marriage); the widely viewed hashtag skit in Jimmy Fallon’s Late Night show; Spike Jonze’s Adaptation; Miranda July’s Me and You and Everyone We Know; Ryan Trecartin’s Comma Boat; and more. Extending the dialogue about media and culture in the digital age in original directions, Digital Shift is a uniquely cross-disciplinary work that reveals the impact of punctuation on the politics of visual culture and everyday life in the digital age.

Cinephilia in the Age of Digital Reproduction

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Author :
Publisher : Wallflower Press
ISBN 13 :
Total Pages : 264 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Cinephilia in the Age of Digital Reproduction by : Scott Balcerzak

Download or read book Cinephilia in the Age of Digital Reproduction written by Scott Balcerzak and published by Wallflower Press. This book was released on 2009 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title explores the increasing relevance of digital media in the consumption and analysis of film.

The Emergence of Film Culture

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Publisher : Berghahn Books
ISBN 13 : 1782384243
Total Pages : 390 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis The Emergence of Film Culture by : Malte Hagener

Download or read book The Emergence of Film Culture written by Malte Hagener and published by Berghahn Books. This book was released on 2014-09-01 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.

Cinematic Perspectives on Digital Culture

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Publisher : Springer
ISBN 13 : 1137284625
Total Pages : 242 pages
Book Rating : 4.1/5 (372 download)

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Book Synopsis Cinematic Perspectives on Digital Culture by : Norman Taylor

Download or read book Cinematic Perspectives on Digital Culture written by Norman Taylor and published by Springer. This book was released on 2012-10-10 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring research into mobile phone use as props to subjective identity, Norman Taylor employs concepts from Michelle Foucault, Gilles Deleuze and actor network theory to discuss the affect of mechanisms of make-believe, from celebrity culture to avatar-obsessed game players, and digital culture.

Rethinking Cultural Criticism

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Author :
Publisher : Springer Nature
ISBN 13 : 981157474X
Total Pages : 271 pages
Book Rating : 4.8/5 (115 download)

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Book Synopsis Rethinking Cultural Criticism by : Nete Nørgaard Kristensen

Download or read book Rethinking Cultural Criticism written by Nete Nørgaard Kristensen and published by Springer Nature. This book was released on 2020-11-30 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume examines cultural criticism in the digital age. It provides new insights into how critical authority and expertise in a cultural context are being reconfigured in digital media and by means of digital media, as the boundaries of cultural criticism and who may perform as a cultural critic are redefined or even dissolved. The book applies cross-media and cross-disciplinary perspectives to advance cultural criticism as a wide-ranging and multi-facetted object of study in the 21st century. Presenting a broad collection of case studies, including global cases such as the Golden Globe, the Intellectual Dark Web, YouTube, Rotten Tomatoes and Artsy and particular national contexts such as Britain, the Czech Republic, Denmark and the Netherlands, the book showcases the many theoretical and methodological approaches that may serve as useful frameworks for studying new critical voices in the digital age. It will be of interest to media, communication and journalism scholars as well as scholars from a range of aesthetic disciplines.

Cineaste on Film Criticism, Programming, and Preservation in the New Millennium

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Publisher : University of Texas Press
ISBN 13 : 1477313435
Total Pages : 380 pages
Book Rating : 4.4/5 (773 download)

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Book Synopsis Cineaste on Film Criticism, Programming, and Preservation in the New Millennium by : Cynthia Lucia

Download or read book Cineaste on Film Criticism, Programming, and Preservation in the New Millennium written by Cynthia Lucia and published by University of Texas Press. This book was released on 2017-11-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.

Digital Memory and the Archive

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Author :
Publisher : U of Minnesota Press
ISBN 13 : 1452933952
Total Pages : 231 pages
Book Rating : 4.4/5 (529 download)

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Book Synopsis Digital Memory and the Archive by : Wolfgang Ernst

Download or read book Digital Memory and the Archive written by Wolfgang Ernst and published by U of Minnesota Press. This book was released on 2012-12-20 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the popular imagination, archives are remote, largely obsolete institutions: either antiquated, inevitably dusty libraries or sinister repositories of personal secrets maintained by police states. Yet the archive is now a ubiquitous feature of digital life. Rather than being deleted, e-mails and other computer files are archived. Media software and cloud storage allow for the instantaneous cataloging and preservation of data, from music, photographs, and videos to personal information gathered by social media sites. In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society. Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.

Goodbye Cinema, Hello Cinephilia

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Author :
Publisher : University of Chicago Press
ISBN 13 : 0226726665
Total Pages : 408 pages
Book Rating : 4.2/5 (267 download)

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Book Synopsis Goodbye Cinema, Hello Cinephilia by : Jonathan Rosenbaum

Download or read book Goodbye Cinema, Hello Cinephilia written by Jonathan Rosenbaum and published by University of Chicago Press. This book was released on 2010-10-15 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.

Extreme Cinema

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Author :
Publisher : Rutgers University Press
ISBN 13 : 0813576520
Total Pages : 299 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Extreme Cinema by : Mattias Frey

Download or read book Extreme Cinema written by Mattias Frey and published by Rutgers University Press. This book was released on 2016-03-15 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Received an Honorable Mention for the 2017 British Association of Film, Television and Screen Studies (BAFTSS) Best Monograph Award From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace. Paying close attention to the discourses employed by film critics, distributors, and filmmakers themselves, Extreme Cinema examines the various tightropes that must be walked when selling transgressive art films to discerning audiences, distinguishing them from generic horror, pornography, and Hollywood product while simultaneously hyping their salacious content. Deftly tracing the links between the local and the global, Frey also shows how the directors and distributors of extreme art house fare from both Europe and East Asia have significant incentives to exaggerate the exotic elements that would differentiate them from Anglo-American product. Extreme Cinema also includes original interviews with the programmers of several leading international film festivals and with niche distributors and exhibitors, giving readers a revealing look at how these institutions enjoy a symbiotic relationship with the “taboo-breakers” of art house cinema. Frey also demonstrates how these apparently transgressive films actually operate within a strict set of codes and conventions, carefully calibrated to perpetuate a media industry that fuels itself on provocation.

Technology and Culture, the Film Reader

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Author :
Publisher : Psychology Press
ISBN 13 : 9780415319850
Total Pages : 172 pages
Book Rating : 4.3/5 (198 download)

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Book Synopsis Technology and Culture, the Film Reader by : Andrew Utterson

Download or read book Technology and Culture, the Film Reader written by Andrew Utterson and published by Psychology Press. This book was released on 2005 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringin together key theoretical texts from respected names in the field including Andre Bevin, Walter Benjamin and Vivian Sobchack, this book examines more than a century of writing on film and technology.

Goodbye Cinema, Hello Cinephilia

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Author :
Publisher : University of Chicago Press
ISBN 13 : 0226726657
Total Pages : 409 pages
Book Rating : 4.2/5 (267 download)

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Book Synopsis Goodbye Cinema, Hello Cinephilia by : Jonathan Rosenbaum

Download or read book Goodbye Cinema, Hello Cinephilia written by Jonathan Rosenbaum and published by University of Chicago Press. This book was released on 2010-10-15 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gathers examples of the author's criticism from the span of his writing career, each of which demonstrates his passion for the way we view movies, as well as how we write about them.