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Author : Richard Dyer MacCann
Publisher : Plume Books
ISBN 13 : 9780525471813
Total Pages : 388 pages
Book Rating : 4.4/5 (718 download)
Download or read book Film: a Montage of Theories written by Richard Dyer MacCann and published by Plume Books. This book was released on 1966 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Richard Dyer McCann
Publisher :
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.:/5 (464 download)
Download or read book Film a montage of theories written by Richard Dyer McCann and published by . This book was released on 1966 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Richard Dyer MacCann
Publisher :
ISBN 13 :
Total Pages : 384 pages
Book Rating : 4.:/5 (224 download)
Download or read book Film: a Montage of Theories written by Richard Dyer MacCann and published by . This book was released on 1974 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Siegfried Kracauer
Publisher : Princeton University Press
ISBN 13 : 9780691037042
Total Pages : 492 pages
Book Rating : 4.0/5 (37 download)
Download or read book Theory of Film written by Siegfried Kracauer and published by Princeton University Press. This book was released on 1997 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
Author : Luís Fernando Morales Morante
Publisher : Taylor & Francis
ISBN 13 : 135199848X
Total Pages : 261 pages
Book Rating : 4.3/5 (519 download)
Download or read book Editing and Montage in International Film and Video written by Luís Fernando Morales Morante and published by Taylor & Francis. This book was released on 2017-07-06 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luís Fernando Morales Morante is Professor at the Autonomous University of Barcelona, Spain. He is the author of several books, and has worked as an editor for Panamericana Televisión and Frecuencia Latina, as well as for the media postproduction company Advanced Video Systems in Lima, Peru.
Author : Michael Frierson
Publisher : Taylor & Francis
ISBN 13 : 1315474999
Total Pages : 446 pages
Book Rating : 4.3/5 (154 download)
Download or read book Film and Video Editing Theory written by Michael Frierson and published by Taylor & Francis. This book was released on 2018-03-28 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.
Author : Volker Pantenburg
Publisher : Amsterdam University Press
ISBN 13 : 9048527554
Total Pages : 292 pages
Book Rating : 4.0/5 (485 download)
Download or read book Farocki/Godard written by Volker Pantenburg and published by Amsterdam University Press. This book was released on 2015-07-24 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
Author : Sergei Eisenstein
Publisher : HMH
ISBN 13 : 0547539479
Total Pages : 303 pages
Book Rating : 4.5/5 (475 download)
Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Author : Vsevolod Illarionovich Pudovkin
Publisher : Read Books Ltd
ISBN 13 : 1446547353
Total Pages : 346 pages
Book Rating : 4.4/5 (465 download)
Download or read book Film Technique and Film Acting written by Vsevolod Illarionovich Pudovkin and published by Read Books Ltd. This book was released on 2013-04-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Author : Edward Branigan
Publisher : Routledge
ISBN 13 : 1136472630
Total Pages : 567 pages
Book Rating : 4.1/5 (364 download)
Download or read book The Routledge Encyclopedia of Film Theory written by Edward Branigan and published by Routledge. This book was released on 2013-12-04 with total page 567 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.
Author : Jean Antoine-Dunne
Publisher : Rodopi
ISBN 13 : 9789042008984
Total Pages : 266 pages
Book Rating : 4.0/5 (89 download)
Download or read book The Montage Principle written by Jean Antoine-Dunne and published by Rodopi. This book was released on 2004 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book of essays is quite unique in that it intervenes in a still contested area within many universities, that of the relevance of film to literature, critical theory, politics, sociology and anthropology. The essays were commissioned by Jean Antoine-Dunne whose research has explored the impact of Eisenstein s aesthetics on different areas of modernist literature and drama. The essays in this collection use Eisenstein as a point of departure into divergent fields of analysis and are concerned with the principle of montage as a transforming idea. They gather within the pages of one work contributions from Geoffrey Nowell-Smith, Richard Taylor, Paul Willemen and emerging scholars entering and altering the field of interdisciplinary scholarship, film and literature. These hitherto unpublished essays not only extend and elaborate on previous treatments of Eisenstein and montage in areas such as semiotics, film theory, and feminist film practice, but also introduce his work to areas which have not yet been considered in relation to Eisenstein and montage, such as Beckett scholarship, Caribbean aesthetics, Third Cinema, and debates around digital imagery. No other collection of essays has explored the idea of montage as a structuring cultural and critical principle and the elasticity of Eisenstein's legacy in quite this way.
Author : Dziga Vertov
Publisher : Univ of California Press
ISBN 13 : 9780520056305
Total Pages : 414 pages
Book Rating : 4.0/5 (563 download)
Download or read book Kino-Eye written by Dziga Vertov and published by Univ of California Press. This book was released on 1984 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dziga Vertov was one of the greatest innovators of Soviet cinema. The radical complexity of his work—in both sound and silent forms—has given it a central place within contemporary theoretical inquiry. Vertov's writings, collected here, range from calculated manifestos setting forth his heroic vision of film's potential to dark ruminations on the inactivity forced upon him by the bureaucratization of the Soviet state.
Author : Peter Lehman
Publisher : Rutgers University Press
ISBN 13 : 9780813523026
Total Pages : 230 pages
Book Rating : 4.5/5 (23 download)
Download or read book Defining Cinema written by Peter Lehman and published by Rutgers University Press. This book was released on 1997 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: On film studies
Author : Jörg Schweinitz
Publisher : Columbia University Press
ISBN 13 : 0231151497
Total Pages : 382 pages
Book Rating : 4.2/5 (311 download)
Download or read book Film and Stereotype written by Jörg Schweinitz and published by Columbia University Press. This book was released on 2011 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the early days of film, critics and theorists have contested the value of formula, cliché, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jörg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Béla Balázs, Hugo Münsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as René Fülöp-Miller and Gilbert Cohen-Séat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.
Author : Sergei Eisenstein
Publisher : Houghton Mifflin Harcourt
ISBN 13 : 9780156309356
Total Pages : 316 pages
Book Rating : 4.3/5 (93 download)
Download or read book The Film Sense written by Sergei Eisenstein and published by Houghton Mifflin Harcourt. This book was released on 1947 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Author : Andreas Treske
Publisher : transcript Verlag
ISBN 13 : 3839430585
Total Pages : 209 pages
Book Rating : 4.8/5 (394 download)
Download or read book Video Theory written by Andreas Treske and published by transcript Verlag. This book was released on 2015-04-30 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Video is a part of everyday life, comparable to driving a car or taking a shower. It is nearly omnipresent, available on demand and attached to nearby anything, anywhere. Online Video became something vital and independent. With all the video created by the cameras around us, constantly uploading, sharing, linking, and relating, a blue ocean is covering our planet, an ocean of video. What might look as bluish noise and dust from the far outside, might embed beautiful and fascinating living scapes of moving images, objects constantly changing, re-arranging, assembling, evolving, collapsing, but never disappearing, a real cinema. Andreas Treske describes and theorizes these objects formerly named video, their forms, behaviours and properties.
Author : Lev Kuleshov
Publisher : Univ of California Press
ISBN 13 : 0520414691
Total Pages : 240 pages
Book Rating : 4.5/5 (24 download)
Download or read book Kuleshov on Film written by Lev Kuleshov and published by Univ of California Press. This book was released on 2024-07-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lev Kuleshov (1899–1970) was the first aesthetic theorist of the cinema. An outstanding figure in the “montage” school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage—the assemblage and alternation of shots—was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith’s), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the “Kuleshov effect” that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor’s neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also “synthesized” a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov’s analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator’s extensive introduction discusses Kuleshov’s use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov’s conflicts with advocates of “socialist realism,” who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov’s position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
