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Esthetique Du Film 4e Ed
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Book Synopsis Esthétique du film - 4e éd. by : Jacques Aumont
Download or read book Esthétique du film - 4e éd. written by Jacques Aumont and published by Armand Colin. This book was released on 2016-08-17 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traduit dans plus de 10 langues, Esthétique du film est l’ouvrage de référence sur le cinéma depuis plus de 30 ans pour tous les étudiants en cinéma et tous les cinéphiles. Considérant celui-ci à la fois comme un art, un langage, un spectacle et une forme de récit, l’ouvrage s’appuie sur de nombreux exemples cinématographiques ainsi que sur une analyse à la fois sémiotique, littéraire et sociologique, pour présenter l’essentiel des aspects théoriques, esthétiques et techniques du cinéma : le film comme représentation visuelle et sonore (espace filmique, techniques de la profondeur, notion de « plan », représentation sonore), le montage (principes et fonctions) et la narration (cinéma narratif et film de fiction, réalisme au cinéma). Une 4e édition entièrement refondue et actualisée.
Book Synopsis Appareillages de pratique esthétique (2e ed.) by : MARTINI Marie-Claude
Download or read book Appareillages de pratique esthétique (2e ed.) written by MARTINI Marie-Claude and published by Lavoisier. This book was released on 2012-11-05 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Les appareillages utilisés pour les soins esthétiques sont extrêmement nombreux. Se repérer dans le large éventail d’articles proposés par les fabricants n’est pas chose aisée, d’autant moins que les notices sont souvent très succintes quant au mode de fonctionnement et aux divers accessoires qui composent les appareils. Cet ouvrage a été le premier à présenter un panorama complet de ces appareils. Ce domaine évoluant très vite, cette nouvelle édition s’est enrichie des nouveautés du marché et demeure un outil sans équivalent tant par son approche pratique que par ses qualités pédagogiques. Afin d’être didactique et de permettre aux lecteurs de trouver rapidement l’information recherchée, les appareillages sont largement illustrés, classés selon leur principe de fonctionnement et présentés selon le même plan : description, principe de fonctionnement, mode d'action, indications, utilisation, précautions d'emploi, entretien, avantages et inconvénients. Des rappels généraux de physique aident à la compréhension des divers systèmes évoqués. Cette nouvelle édition s’enrichit des nouveaux appareillages issus des récentes techniques de rajeunissement, de remodelage du corps, d’amincissement, d’examen de la peau et d’épilation. De plus, un chapitre consacré à la législation présente les nouvelles normes et recommandations en la matière. Appareillages de pratique esthétique ne se limite pas aux exigences des différents diplômes et enseignements de l’esthétique-cosmétique : il englobe les nouveautés techniques présentes sur le marché qui doivent être connues des spécialistes. Cet ouvrage a été conçu pour les étudiants et enseignants en CAP et BTS esthétique - cosmétique, et les professionnels de l'esthétique et médecins.
Book Synopsis Semiotics and the Analysis of Film by : Jean Mitry
Download or read book Semiotics and the Analysis of Film written by Jean Mitry and published by Indiana University Press. This book was released on 2000 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyses the value of semiotics in film analysis. It poses the question that if cinema is a language can it be understood through the techniques of linguistic analysis? The study includes signs, montage, codes, images and narrative.
Download or read book Film Editing written by Valerie Orpen and published by Wallflower Press. This book was released on 2003 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Editing provides an introduction to the craft of editing in the non-silent film as an expressive strategy to make meaning rather than a mere technique. The book addresses editing as part of a wider context and as a crucial element of the overarching design and vision of a film, incorporating parameters such as mise-en-scene, framing, sound, genre, history, and performance. By examining a number of mainstream and art films, such as Hitchcock's Rear Window, and Scorsese's Raging Bull, Film Editing seeks to dispel the notion that editing is necessarily polarized as continuity versus discontinuity.
Book Synopsis French National Cinema by : Susan Hayward
Download or read book French National Cinema written by Susan Hayward and published by Psychology Press. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.
Download or read book Counter-Archive written by Paula Amad and published by Columbia University Press. This book was released on 2010-09-28 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Counter-Archive brilliantly reflects the visual character of philosophy, geography, and historiography in twentieth-century France. Organized hermetically and crafted meticulously, this volume offers a wealth of information as it considers film theory."---Tom Conley, Harvard University Tucked Away in a Garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planete (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity, in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-grade, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. "This impressive book carves out a field of interest that, prior to Paula Amad's scrutiny, did not exist. Amad displays extraordinary erudition, assembling a remarkable bibliography of primary sources. She invites us to ponder her ideas in relation to our own digital, counter-archival, image overload."---Antonia Lant, New York University, editor of Red Velvet Seat: Women's Writings on the First Fifty Years of Cinema. "Paula Amad handles technical details with flourish and mastery, and the research in the French archives is exhilarating."---Donald Crafton, University of Notre Dame "Paula Amad's book is far more than an unusually successful effort to recover and analyze Kahn's unique dream of `archiving the planet.' It stages a theoretical interrogation of the terms archive, everyday life, and modernity, arguing that the emergence of motion pictures produced a revisionist concept of the archive or what she calls the counter-archive. Her book ultimately mounts a highly original methodological exploration of the intersection of history and theory."---Richard Abel, University of Michigan
Book Synopsis Off-Screen Cinema by : Kaira M. Cabañas
Download or read book Off-Screen Cinema written by Kaira M. Cabañas and published by University of Chicago Press. This book was released on 2015-01-26 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema. Highly influential, the Lettrists served as a bridge of sorts between the earlier works of the Dadaists and Surrealists and the later Conceptual artists. Off-Screen Cinema is the first monograph in English of the Lettrists. Offering a full portrait of the avant-garde scene of 1950s Paris, it focuses on the film works of key Lettrist figures like Gil J Wolman, Maurice Lemaître, François Dufrêne, and especially the movement's founder, Isidore Isou, a Romanian immigrant whose “discrepant editing” deliberately uncoupled image and sound. Through Cabañas's history, we see not only the full scope of the Lettrist project, but also its clear influence on Situationism, the French New Wave, the New Realists, as well as American filmmakers such as Stan Brakhage.
Book Synopsis The Cinema of Attractions Reloaded by : Wanda Strauven
Download or read book The Cinema of Attractions Reloaded written by Wanda Strauven and published by Amsterdam University Press. This book was released on 2006 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty years ago, noted film scholars Tom Gunning and André Gaudreault introduced the phrase “cinema of attractions” to describe the essential qualities of films made in the medium’s earliest days, those produced between 1895 and 1906. Now, The Cinema of Attractions Reloaded critically examines the term and its subsequent wide-ranging use in film studies. The collection opens with a history of the term, tracing the collaboration between Gaudreault and Gunning, the genesis of the term in their attempts to explain the spectacular effects of motion that lay at the heart of early cinema, and the pair’s debts to Sergei Eisenstein and others. This reconstruction is followed by a look at applications of the term to more recent film productions, from the works of the Wachowski brothers to virtual reality and video games. With essays by an impressive collection of international film scholars—and featuring contributions by Gunning and Gaudreault as well—The Cinema of Attractions Reloaded will be necessary reading for all scholars of early film and its continuing influence.
Book Synopsis Characters in Fictional Worlds by : Jens Eder
Download or read book Characters in Fictional Worlds written by Jens Eder and published by Walter de Gruyter. This book was released on 2010-11-19 with total page 607 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys today ́s diverse and at times conflicting theoretical perspectives on fictional character, spanning research on topics such as the differences between fictional characters and real persons, the ontological status of characters, the strategies of their representation and characterization, the psychology of their reception, as well as their specific forms and constellations in - and across - different media, from the book to the internet.
Book Synopsis Cinema and Contact by : Laura McMahon
Download or read book Cinema and Contact written by Laura McMahon and published by Routledge. This book was released on 2017-07-05 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe-tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi-nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema. The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.
Book Synopsis André Bazin's Film Theory by : Angela Dalle Vacche
Download or read book André Bazin's Film Theory written by Angela Dalle Vacche and published by . This book was released on 2020 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through metaphors and allusions to art, science, and religion, Andre Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is amind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously - the audience sees the same film, but eachindividual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture.By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that Andre Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the worldonto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinemaexplores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid aquantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.
Book Synopsis Medieval and Early Modern Film and Media by : R. Burt
Download or read book Medieval and Early Modern Film and Media written by R. Burt and published by Springer. This book was released on 2016-04-30 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval and Early Modern Film and Media contextualizes historical films in an innovative way - not only relating them to the history of cinema, but also to premodern and early modern media. This philological approach to the (pre)history of cinema engages both old media such as scrolls, illuminated manuscripts, the Bayeux Tapestry, and new digital media such as DVDs, HD DVDs, and computers. Burt examines the uncanny repetitions that now fragment films into successively released alternate cuts and extras (footnote tracks, audiocommentaries, and documentaries) that (re)structure and reframe historical films, thereby presenting new challenges to historicist criticism and film theory. With a double focus on recursive narrative frames and the cinematic paratexts of medieval and early modern film, this book calls our attention to strange, sometimes opaque phenomena in film and literary theory that have previously gone unrecognized.
Book Synopsis Eye of the Century by : Francesco Casetti
Download or read book Eye of the Century written by Francesco Casetti and published by Columbia University Press. This book was released on 2008-05-14 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received. Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time. So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.
Book Synopsis The Routledge Companion to Global Film Music in the Early Sound Era by : Jeremy Barham
Download or read book The Routledge Companion to Global Film Music in the Early Sound Era written by Jeremy Barham and published by Taylor & Francis. This book was released on 2023-12-22 with total page 842 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ranging collection of scholarship on music in global cinema during the transition from silent to sound films (the late 1920s to the 1940s). Moving beyond the traditional focus on Hollywood, this Companion considers the vast range of cinema and music created in often-overlooked regions throughout the rest of the world, providing crucial global context to film music history. An extensive editorial Introduction and 50 chapters from an array of international experts connect the music and sound of these films to regional and transnational issues—culturally, historically, and aesthetically—across five parts: Western Europe and Scandinavia Central and Eastern Europe North Africa, The Middle East, Asia, and Australasia Latin America Soviet Russia Filling a major gap in the literature, The Routledge Companion to Global Film Music in the Early Sound Era offers an essential reference for scholars of music, film studies, and cultural history.
Book Synopsis The Oxford Encyclopedia of American Literature by : Jay Parini
Download or read book The Oxford Encyclopedia of American Literature written by Jay Parini and published by . This book was released on 2004 with total page 2273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This set treats the whole of American literature, from the European discovery of America to the present, with entries in alphabetical order. Each of the 350 substantive essays is a major interpretive contribution. Well-known critics and scholars provide clear and vividly written essays thatreflect the latest scholarship on a given topic, as well as original thinking on the part of the critic. The Encyclopedia is available in print and as an e-reference text from Oxford's Digital Reference Shelf.At the core of the encyclopedia lie 250 essays on poets, playwrights, essayists, and novelists. The most prominent figures (such as Whitman, Melville, Faulkner, Frost, Morrison, and so forth) are treated at considerable length (10,000 words) by top-flight critics. Less well known figures arediscussed in essays ranging from 2,000 to 5,000 words. Each essay examines the life of the author in the context of his or her times, looking in detail at key works and describing the arc of the writer's career. These essays include an assessment of the writer's current reputation with abibliography of major works by the writer as well as a list of major critical and biographical works about the writer under discussion.A second key element of the project is the critical assessments of major American masterworks, such as Moby-Dick, Song of Myself, Walden, The Great Gatsby, The Waste Land, Their Eyes Were Watching God, Death of a Salesmanr, or Beloved. Each of these essays offers a close reading of the given work,placing that work in its historical context and offering a range of possibilities with regard to critical approach. These fifty essays (ranging from 2,000 to 5,000 words) are simply and clearly enough written that an intelligent high school student should easily understand them, but sophisticatedenough that a college student or general reader in a public library will find the essays both informative and stimulating.The final major element of this encyclopedia consists of fifty-odd essays on literary movements, periods, or themes, pulling together a broad range of information and making interesting connections. These essays treat many of the same authors already discussed, but in a different context; they alsogather into the fold authors who do not have an entire essay on their work (so that Zane Grey, for example, is discussed in an essay on Western literature but does not have an essay to himself). In this way, the project is truly "encyclopedic," in the conventional sense. These essays aim forcomprehensiveness without losing anything of the narrative force that makes them good reading in their own right.In a very real fashion, the literature of the American people reflects their deepest desires, aspirations, fears, and fantasies. The Oxford Encyclopedia of American Literature gathers a wide range of information that illumines the field itself and clarifies many of its particulars.
Book Synopsis World Socialist Cinema by : Masha Salazkina
Download or read book World Socialist Cinema written by Masha Salazkina and published by Univ of California Press. This book was released on 2023-06-13 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: "World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"--
Book Synopsis Concepts in Film Theory by : J. Dudley Andrew
Download or read book Concepts in Film Theory written by J. Dudley Andrew and published by Oxford University Press. This book was released on 1984-03-15 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
