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Eroticism In Early Modern Music
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Book Synopsis Eroticism in Early Modern Music by : Bonnie Blackburn
Download or read book Eroticism in Early Modern Music written by Bonnie Blackburn and published by Routledge. This book was released on 2016-03-09 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Book Synopsis Eroticism in Early Modern Music by : Bonnie Blackburn
Download or read book Eroticism in Early Modern Music written by Bonnie Blackburn and published by Routledge. This book was released on 2016-03-09 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Book Synopsis Eroticism in Early Modern Music by : Bonnie J. Blackburn
Download or read book Eroticism in Early Modern Music written by Bonnie J. Blackburn and published by Routledge. This book was released on 2017-10-12 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eroticism in Early Modern Music contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Its chapters have grown from a long dialogue between a group of scholars, who employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. Eroticism in Early Modern Music will be of value to scholars and students of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Book Synopsis Eros and Music in Early Modern Culture and Literature by : Claire Bardelmann
Download or read book Eros and Music in Early Modern Culture and Literature written by Claire Bardelmann and published by Routledge. This book was released on 2020-09-30 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between Eros and music? How does the intersection of love and music contribute to define the perimeter of Early Modern love? The Early Moderns hold parallel discourses on the metaphysical doctrines of love and music as theories of harmony. Statements of love as music, of music as love, and of both as harmonic ideals, are found across a wide range of cultural contexts, highlighting the understanding of love as a cultural construct. The book assesses the complexity of cultural discourses on this linkage of Eros and music. The ambivalence of music as an erotic agent is enacted in the controversy over dancing and reflected in the ubiquitous symbolism of music instruments. Likewise, the trivialization of musical imagery in madrigal lyrics and love poetry highlights a sense of degradation and places the love-music relationship at the meeting point of two epistemes. The book also shows the symbolic deployment of the intertwined ideas of love and music in the English epyllion, and offers close readings of Shakespeare's poems The Rape of Lucrece and Venus and Adonis. The book is the first to propose an overview of the theoretical, cultural and poetical intersections of Eros and music in Early Modern England. It discusses the connections in a richly interdisciplinary manner, drawing on a wealth of primary material which includes rhetoric, natural philosophy, educational literature, medicine, music theory and musical performance, dance books, performance politics, Protestant pamphlets and sermons, and emblem books.
Book Synopsis The Matter of Song in Early Modern England by : Katherine R. Larson
Download or read book The Matter of Song in Early Modern England written by Katherine R. Larson and published by Oxford University Press. This book was released on 2019-08-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective, The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Book Synopsis The Matter of Song in Early Modern England by : Katherine Rebecca Larson
Download or read book The Matter of Song in Early Modern England written by Katherine Rebecca Larson and published by . This book was released on 2019 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
Book Synopsis The Oxford Handbook of Shakespeare and Music by : Christopher R. Wilson
Download or read book The Oxford Handbook of Shakespeare and Music written by Christopher R. Wilson and published by Oxford University Press. This book was released on 2022 with total page 1289 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Book Synopsis Eroticism in Early Modern Music by : Bonnie J. Blackburn
Download or read book Eroticism in Early Modern Music written by Bonnie J. Blackburn and published by Lund Humphries Publishers. This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection contributes to a small but significant literature on music, sexuality, and sex in sixteenth- and seventeenth-century Europe. Contributors employ a variety of different approaches to the repertoire: musical and visual analysis; archival and cultural history; gender studies; philology; and performance. By confronting musical, literary, and visual sources with historically situated analyses, the book shows how erotic life and sensibilities were encoded in musical works. It will be of value to scholars of early modern European history and culture, and more widely to a readership interested in the history of eroticism and sexuality.
Book Synopsis Sexuality in the Middle Ages and Early Modern Times by : Albrecht Classen
Download or read book Sexuality in the Middle Ages and Early Modern Times written by Albrecht Classen and published by Walter de Gruyter. This book was released on 2008-12-10 with total page 913 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.
Book Synopsis Women and Music in Sixteenth-Century Ferrara by : Laurie Stras
Download or read book Women and Music in Sixteenth-Century Ferrara written by Laurie Stras and published by Cambridge University Press. This book was released on 2018-09-27 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.
Book Synopsis Gender, Age and Musical Creativity by : Catherine Haworth
Download or read book Gender, Age and Musical Creativity written by Catherine Haworth and published by Routledge. This book was released on 2016-03-03 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
Book Synopsis Erotic Subjects by : Melissa E. Sanchez
Download or read book Erotic Subjects written by Melissa E. Sanchez and published by Oxford University Press. This book was released on 2011-04-06 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Treating sixteenth- and seventeenth-century erotic literature as part of English political history, Erotic Subjects traces some surprising implications of two early modern commonplaces: first, that love is the basis of political consent and obedience, and second, that suffering is an intrinsic part of love. Rather than dismiss such assumptions as mere conventions, Melissa Sanchez uncovers the political import of early modern literature's fascination with eroticized violence. Focusing on representations of masochism, sexual assault, and cross-gendered identification, Sanchez re-examines the work of politically active writers from Philip Sidney to John Milton. She argues that political allegiance and consent appear far less conscious and deliberate than traditional historical narratives allow when Sidney depicts abjection as a source of both moral authority and sexual arousal; when Edmund Spenser and William Shakespeare make it hard to distinguish between rape and seduction; when Mary Wroth and Margaret Cavendish depict women who adore treacherous or abusive lovers; when court masques stress the pleasures of enslavement; or when Milton insists that even Edenic marriage is hopelessly pervaded by aggression and self-loathing. Sanchez shows that this literature constitutes an alternate tradition of political theory that acknowledges the irrational and perverse components of power and thereby disrupts more conventional accounts of politics as driven by self-interest, false consciousness, or brute force. Erotic Subjects will be of interest to students and scholars of early modern literary and political history, as well as those interested in the histories of gender, sexuality, and affect more generally.
Download or read book Syrene Soundes written by Eleanor Chan and published by Oxford University Press. This book was released on 2024-10-08 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: The visual, material, and literary cultures of the English Renaissance are littered with objects that depict, utilise, or respond to the metaphor of musical harmony--yet harmony in this period relied on a certain amount of carefully mannered dissonance. Using visual and literary sources alongside musical works, author Eleanor Chan explores the rise of the false relation, a variety of dissonance that, despite being officially frowned upon by contemporary theoretical treatises, became characteristic of English vocal music between ca. 1550 and 1630.
Book Synopsis Female-Voice Song and Women’s Musical Agency in the Middle Ages by :
Download or read book Female-Voice Song and Women’s Musical Agency in the Middle Ages written by and published by BRILL. This book was released on 2022-08-22 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents fresh evidence and new perspectives on the diverse ways in which women created and interacted with cultures of song between c. 600 and c. 1500.
Book Synopsis The Triumph of Pleasure by : Georgia Cowart
Download or read book The Triumph of Pleasure written by Georgia Cowart and published by University of Chicago Press. This book was released on 2008-12-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia J. Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
Download or read book Trial by Farce written by Jody Enders and published by University of Michigan Press. This book was released on 2023-03-06 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Was there more to comedy than Chaucer, the Second Shepherds’ Play, or Shakespeare? Of course! But, for a real taste of medieval and Renaissance humor and in-your-face slapstick, one must cross the Channel to France, where over two hundred extant farces regularly dazzled crowds with blistering satires. Dwarfing all other contemporaneous theatrical repertoires, the boisterous French corpus is populated by lawyers, lawyers everywhere. No surprise there. The lion’s share of mostly anonymous farces was written by barristers, law students, and legal apprentices. Famous for skewering unjust judges and irreligious ecclesiastics, they belonged to a 10,000-member legal society known as the Basoche, which flourished between 1450 and 1550. What is more, their dramatic send-ups of real and fictional court cases were still going strong on the eve of Molière, resilient against those who sought to censor and repress them. The suspenseful wait to see justice done has always made for high drama or, in this case, low drama. But, for centuries, the scripts for these outrageous shows were available only in French editions gathered from scattered print and manuscript sources. In Trial by Farce, prize-winning theater historian Jody Enders brings twelve of the funniest legal farces to English-speaking audiences in a refreshingly uncensored but philologically faithful vernacular. Newly conceived as much for scholars as for students and theater practitioners, this repertoire and its familiar stock characters come vividly to life as they struggle to negotiate the limits of power, politics, class, gender, and, above all, justice. Through the distinctive blend of wit, social critique, and breathless boisterousness that is farce, we gain a new understanding of comedy itself as form of political correction. In ways presciently modern and even postmodern, farce paints a different cultural picture of the notoriously authoritarian Middle Ages with its own vision of liberty and justice for all. Theater eternally offers ways for new generations to raise their voices and act.
Book Synopsis The Cambridge Companion to Seventeenth-Century Opera by :
Download or read book The Cambridge Companion to Seventeenth-Century Opera written by and published by Cambridge University Press. This book was released on with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt:
