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English Alabaster Carvings And Their Cultural Contexts
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Book Synopsis English Alabaster Carvings and Their Cultural Contexts by : Zuleika Murat
Download or read book English Alabaster Carvings and Their Cultural Contexts written by Zuleika Murat and published by Boydell Studies in Medieval Ar. This book was released on 2019 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: New interpretations of an art form ubiquitious in the Middle Ages. English alabasters played a seminal role in the artistic development of late medieval and early modern Europe. Carvings made of this lustrous white stone were sold throughout England and abroad, and as a result many survived the iconoclasm that destroyed so much else from this period. They are a unique and valuable witness to the material culture of the Middle Ages. This volume incorporates a variety of new approaches to these artefacts, employing methodologies drawn from a number of different disciplines. Its chapters explore a range of key points connected to alabasters: their origins, their general history and their social, cultural, intellectual and devotional contexts. ZULEIKA MURAT is a Research Fellow and Lecturer in the History of Medieval Art at the University of Padua. Contributors: Jennifer Alexander, Jon Bayliss, Claire Blakey, Stephanie De Roemer, Rachel King, AndrewKirkman, Aleksandra Lipinska, Zuleika Murat, Luca Palozzi, Sophie Phillips, Nigel Ramsay, Christina Welch, Philip Weller, Kim Woods, Michaela Zöschg
Book Synopsis English Alabaster Carvings by : Victoria and Albert Museum
Download or read book English Alabaster Carvings written by Victoria and Albert Museum and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis An Introduction to the Making of Western Art by : Susan L. Green
Download or read book An Introduction to the Making of Western Art written by Susan L. Green and published by Taylor & Francis. This book was released on 2024-03-29 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first introduction to Western art that not only considers how choice of materials can impact form, but also how objects in different media can alter in appearance over time, and the role of conservators in the preservation of our cultural heritage. The first four chapters cover wall and easel paintings, sculpture, drawings, and prints, from the late Middle Ages to the present day. They examine, with numerous examples, how these works have been produced, how they might have been transformed, and how efforts regarding their preservation can sometimes be misleading or result in controversy. The final two chapters look at how photography, new techniques, and modern materials prompted innovative ways of creating art in the twentieth century, and how the rapid expansion of technology in the twenty-first century has led to a revolution in how artworks are constructed and seen, generating specific challenges for collectors, curators, and conservators alike. This book is primarily directed at undergraduates interested in art history, museum studies, and conservation, but will also be of interest to a more general non-specialist audience.
Book Synopsis Seven Medieval English Alabaster Carvings in the Walters Art Gallery by : Walter Leo Hildburgh
Download or read book Seven Medieval English Alabaster Carvings in the Walters Art Gallery written by Walter Leo Hildburgh and published by . This book was released on 1955 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :Jessica Caroline Brantley Publisher :Medieval Institute Publications ISBN 13 :9781501518126 Total Pages :320 pages Book Rating :4.5/5 (181 download)
Book Synopsis Reassessing Alabaster Sculpture in Medieval England by : Jessica Caroline Brantley
Download or read book Reassessing Alabaster Sculpture in Medieval England written by Jessica Caroline Brantley and published by Medieval Institute Publications. This book was released on 2020-12-07 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers fresh approaches to both the material and the subject matter of late medieval English alabaster sculptures, bringing them into dialogue with twenty-first-century scholarship on pre-modern visual culture. Devotional alabaster images, too often thought of as "folk art" and narrowly English, were avidly collected and appreciated throughout Europe in the late Middle Ages, and this collection of essays seeks to help integrate them into the current discourse on materiality, the role of seriality in the changing modes of artistic production of the late Middle Ages, and the broad debate about whether it is useful to draw distinctions between elite/high and folk/low culture.
Book Synopsis Folk-life Recorded in Medieval English Alabaster Carvings by : Walter Leo Hildburgh
Download or read book Folk-life Recorded in Medieval English Alabaster Carvings written by Walter Leo Hildburgh and published by . This book was released on 1949 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Late Medieval Italian Art and Its Contexts by : Donal Cooper
Download or read book Late Medieval Italian Art and Its Contexts written by Donal Cooper and published by Boydell & Brewer. This book was released on 2022-11-29 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Book Synopsis The Ashburnham Pentateuch and Its Contexts by : Jennifer Awes Freeman
Download or read book The Ashburnham Pentateuch and Its Contexts written by Jennifer Awes Freeman and published by Boydell & Brewer. This book was released on 2022 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh interpretation of an enigmatic illumination and its contexts.The Ashburnham Pentateuch is an early medieval manuscript of uncertain provenance, which has puzzled and intrigued scholars since the nineteenth century. Its first image, which depicts the Genesis creation narrative, is itself a site of mystery; originally, it presented the Trinity as three men in various vignettes, but in the early ninth century, by which time the manuscript had come to the monastery at Tours, most of the figures were obscured by paint, leaving behind a single creator. In this sense, the manuscript serves as a kind of hinge between the late antique and early medieval periods. Why was the Ashburnham Pentateuch's anthropomorphic image of the Trinity acceptable in the sixth century, but not in the ninth?This study examines the theological, political, and iconographic contexts of the production and later modification of the Ashburnham Pentateuch's creation image. The discussion focuses on materiality, the oft-contested relationship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.nship between image and word, and iconoclastic acts as "embodied responses". Ultimately, this book argues that the Carolingian-era reception and modification of the creation image is consistent with contemporaneous iconography, a concern for maintaining the absolute unity of the Trinity, as well as Carolingian image theory following the Byzantine iconoclastic controversy. Tracing the changes in Trinitarian theology and theories of the image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.e image offers us a better understanding of the mutual influences between art, theology, and politics during Late Antiquity and the early Middle Ages.
Book Synopsis Notes on Some English Alabaster Carvings by : W. L. Hildburgh
Download or read book Notes on Some English Alabaster Carvings written by W. L. Hildburgh and published by . This book was released on 1921 with total page 10 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Some Unusual Medieval English Alabaster Carvings by : W. L. Hildburgh
Download or read book Some Unusual Medieval English Alabaster Carvings written by W. L. Hildburgh and published by . This book was released on 1928 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Group of Medieval English Alabaster Carvings at Nantes by : Walter Leo Hildburgh
Download or read book A Group of Medieval English Alabaster Carvings at Nantes written by Walter Leo Hildburgh and published by . This book was released on 1948 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Notes on some english medieval alabaster carvings by : Walter Leo Hildburgh
Download or read book Notes on some english medieval alabaster carvings written by Walter Leo Hildburgh and published by . This book was released on 1923 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Reassessing English Alabaster Carving by : Lloyd De Beer
Download or read book Reassessing English Alabaster Carving written by Lloyd De Beer and published by . This book was released on 2018 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Miscellaneous Notes Concerning English Alabaster Carvings by : Walter Leo Hildburgh
Download or read book Miscellaneous Notes Concerning English Alabaster Carvings written by Walter Leo Hildburgh and published by . This book was released on 1932 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Late Medieval Lodging Ranges by : Sarah Kerr
Download or read book Late Medieval Lodging Ranges written by Sarah Kerr and published by Boydell & Brewer. This book was released on 2023-10-03 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book draws on architectural and archaeological analysis to consider the form, function, use and meaning of late medieval lodging ranges. While we know a great deal about most elements of the late medieval great house, we understand very little about their lodging ranges, and even less on their contributions to the lived experience of the household and wider society. Why were lodging ranges built, for example, and how were they used? It is this gap in our knowledge which the present book aims to fill. It draws on archaeological and architectural analysis of lodging ranges to show that they were some of the finest living spaces within the great house, built as accommodation for high-ranking members of the household. Their low-, even single-, occupancy rooms, accessible via individual doors, were innovatory, showing how the idea of privacy developed. The explicit displays of uniformity upon the lodging ranges' symmetrical facades were juxtaposed with variations within. Surviving lodging ranges (including Wingfield Manor, Middleham Castle and Dartington Hall) are examined, alongside the lost example of Caister Castle, demonstrating how lodging ranges simultaneously reflected and shaped medieval life; the author argues that their very form and stones, and their manipulation of space, enabled them to have multi-faceted functions, including the representation of multiple and even conflicting identities.
Book Synopsis Iconoclasm and the Museum by : Stacy Boldrick
Download or read book Iconoclasm and the Museum written by Stacy Boldrick and published by Routledge. This book was released on 2020-09-24 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.
Book Synopsis Breaking Images by : Gianluca Miniaci
Download or read book Breaking Images written by Gianluca Miniaci and published by Oxbow Books. This book was released on 2023-02-16 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilizations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artifacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artifacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artifacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.
