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Englands Iconoclasts Laws Against Images
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Book Synopsis England's Iconoclasts: Laws against images by : Margaret Aston
Download or read book England's Iconoclasts: Laws against images written by Margaret Aston and published by . This book was released on 1988 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rejection of idolatry during the Reformation had dramatic and far-reaching effects on English society: the removal of color and ornament from churches, the alteration of divine and secular laws, and the destruction of an enormous amount of religious art. This study looks at the changes in sixteenth-century theology that brought about iconoclasm and offers new insight into a central aspect of the Reformation.
Book Synopsis Laws Against Images by : Margaret Aston
Download or read book Laws Against Images written by Margaret Aston and published by . This book was released on 1988 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Images, Idolatry, and Iconoclasm in Late Medieval England by : Jeremy Dimmick
Download or read book Images, Idolatry, and Iconoclasm in Late Medieval England written by Jeremy Dimmick and published by OUP Oxford. This book was released on 2002-02-14 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book capitalizes on brilliant recent work on sixteenth-century iconoclasm to extend the study of images, both their making and their breaking, into an earlier period and wider discursive territories. Pressures towards iconoclasm are powerfully registered in fourteenth and fifteenth-century writings, both heterodox and orthodox, just as the use of images is central to the practice of both politics and religion. The governance of images turns out, indeed, to be central to governance itself. It is also of critical concern in any moment of historical change, when new cultural forms must incorporate or destroy the images of the old order. The iconoclast redescribes images as pure matter, objects of idolatry worthy only of the hammer. Issues of historical memory, no less than of social ethics, are, then, inherent to the making, love, and destruction of images. These issues are the consistent concern of the essays of this volume, essays commissioned from a range of outstanding late medievalists in a variety of disciplines: literature, art history, Biblical studies, and intellectual history.
Book Synopsis Broken Idols of the English Reformation by : Margaret Aston
Download or read book Broken Idols of the English Reformation written by Margaret Aston and published by Cambridge University Press. This book was released on 2015-11-26 with total page 1994 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
Book Synopsis Puritan Iconoclasm During the English Civil War by : Julie Spraggon
Download or read book Puritan Iconoclasm During the English Civil War written by Julie Spraggon and published by Boydell Press. This book was released on 2003 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: Julie Spraggon offers a detailed analysis of Puritan iconoclasm in England during the 1640s, which led to a resurgence of image breaking a century after the break with Rome. She examines parliamentary legislation, its enforcement & the parallel action undertaken by the army to rid the land of superstition.
Download or read book Under the Hammer written by James Simpson and published by OUP Oxford. This book was released on 2010-11-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we think of breaking images, we assume that it happens somewhere else. We also tend to think of iconoclasts as barbaric. Iconoclasts are people like the Taliban, who blew up Buddhist statues in 2001. We tend, that is, to look with horror on iconoclasm. This book argues instead that iconoclasm is a central strand of Anglo-American modernity. Our horror at the destruction of art derives in part from the fact that we too did, and still do, that. This is most obviously true of England's iconoclastic century between 1538 and 1643. That century of legislated early modern image breaking, exceptional in Europe for its jurisdictional extension and duration, stands at the core of this book. That's when written texts, especially poems, rather than visual images became our living monuments. Surely, though, the story of image breaking stops in the eighteenth century, with its enlightened cultivation of the visual arts and the art market. Not so, argues Under the Hammer: once started, iconoclasm is difficult to stop. It ripples through cultures, into the psyche, and it ripples through history. Museums may have protected images from the iconoclast's hammer, but also subject images to metaphorical iconoclasm. Aesthetics may have drawn a protective circle around the image, but as it did so, it also neutralised the image. The ripple effect also continues across the Atlantic, into puritan culture, into twentieth-century American Abstract Expressionism, and into the puritan temple of modern art. That, in fact, is where this book starts, with mid-twentieth-century abstract painting: the image has survived, just, but it bears the scars of a 500 year history.
Book Synopsis From Icons to Idols by : David J. Davis
Download or read book From Icons to Idols written by David J. Davis and published by James Clarke Company. This book was released on 2017-01-26 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an important work collecting documents that detail and explore the iconoclasm of the Reformation's image debate between Protestants and Catholics.
Book Synopsis "The Netherlandish Image after Iconoclasm, 1566?672 " by : MiaM. Mochizuki
Download or read book "The Netherlandish Image after Iconoclasm, 1566?672 " written by MiaM. Mochizuki and published by Routledge. This book was released on 2017-07-05 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debunking the myth of the stark white Protestant church interior, this study explores the very objects and architectural additions that were in fact added to Netherlandish church interiors in the first century after iconoclasm. In charting these additions, Mia Mochizuki helps explain the impact of iconoclasm on the cultural topography of the Dutch Golden Age, and by extension, permits careful scrutiny of a decisive moment in the history of the image. Focusing on the Great or St. Bavo Church in Haarlem, this interdisciplinary book draws on art history, history and theology to look at the impact of iconoclasm and reformation on the process of image-making in the early modern Netherlands. The new objects that began to appear in the early Dutch Reformed Church signaled a dramatic change in the form, function and patronage of church art and testified to new roles for church, government, guild and resident. Each chapter in the book introduces a major theme of the nascent Protestant church interior - the Word made material, the Word made memorial and the Word made manifest - which is then explored through the painting, sculpture and architecture of the early Dutch Reformed Church. The text is heavily illustrated with images of the objects under discussion, many of them never before published. A large number of these images are from the camera of prize-winning photographer Tjeerd Frederikse, with additional photography courtesy of E.A. van Voorden. This book unveils, defines and reproduces a host of images previously unaddressed by scholarship and links them to more familiar and long studied Dutch paintings. It provides a religious art companion to general studies of Dutch Golden Age art and lends greater depth to our understanding of iconoclasm, as well as the way in which cultural artifacts and religious material culture reflect and help to shape the values of a community. Taking up the challenge of an unusual category of objects for visual analysis, this
Book Synopsis "Striking Images, Iconoclasms Past and Present " by : Stacy Boldrick
Download or read book "Striking Images, Iconoclasms Past and Present " written by Stacy Boldrick and published by Routledge. This book was released on 2017-07-05 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st century. With its impressive chronological sweep and disciplinary breadth, this is the first book about iconoclasm (the breaking of images) and the transformation of broader sets of signs that includes contributions from archaeologists, curators, and museum conservators as well as historians of art, literature and religious studies. The chapters examine themes critical to the study of iconoclasm: violence, punishment, memory, intentionality, ruins and relics and their survival. The conclusion shows how cross-disciplinary debate amongst the contributors informed Tate Britain?s 'Art under Attack' exhibition (2013) and addresses the challenges iconoclasm presents to the modern museum. By juxtaposing objects and places usually considered in isolation, Striking Images raises provocative questions about our understandings of cross-cultural differences and the value of representational objects from the broken swords of pre-historical bog graves to the Bamiyan Buddhas and contemporary art. Are any such objects ever ?finished?, or are they simply subject to constant transformation? In dialogue with each other, the essays consider this question and expand the field of iconoclasm - and cultural - studies.
Book Synopsis From Icons to Idols by : David J Davis
Download or read book From Icons to Idols written by David J Davis and published by James Clarke & Company. This book was released on 2017-01-26 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1547, the young King Edward VI issued a series of religious injunctions that were intended to reform the Churches in England. Religious imagery was a tangible and permanent aspect of the landscape, both inside and outside churches. For many people, it was one of the first aspects of the Church to be reformed, and the degree to which it was reformed often was indicative of an individual's or community's theological leanings. Behind this destruction lay a longstanding debate over the nature, purpose, and appropriate uses of images, particularly in relation to worship and devotion. The Reformation lines between icon and idol, however, are much more difficult to identify than any single debate, event, or royal injunction would suggest. FromIcons to Idols tracks the image debate from the perspectives of both Protestants and Catholics across the period of religious change in England from 1525 to 1625. For scholars of the English Reformation, iconoclasm has played a major role in the historiographical disputes over the nature, length, and efficacy of Protestant reform. The fresh perspective of David J. Davis incorporates geography historical use and abuse, popular appeal, size, dimensions and what was represented.
Book Synopsis Image, Text, and Religious Reform in Fifteenth-Century England by : Shannon Gayk
Download or read book Image, Text, and Religious Reform in Fifteenth-Century England written by Shannon Gayk and published by Cambridge University Press. This book was released on 2010-09-30 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on the period between the Wycliffite critique of images and Reformation iconoclasm, Shannon Gayk investigates the sometimes complementary and sometimes fraught relationship between vernacular devotional writing and the religious image. She examines how a set of fifteenth-century writers, including Lollard authors, John Lydgate, Thomas Hoccleve, John Capgrave, and Reginald Pecock, translated complex clerical debates about the pedagogical and spiritual efficacy of images and texts into vernacular settings and literary forms. These authors found vernacular discourse to be a powerful medium for explaining and reforming contemporary understandings of visual experience. In its survey of the function of literary images and imagination, the epistemology of vision, the semiotics of idols, and the authority of written texts, this study reveals a fifteenth century that was as much an age of religious and literary exploration, experimentation, and reform as it was an age of regulation.
Book Synopsis Seeing Faith, Printing Pictures: Religious Identity During the English Reformation by : David J. Davis
Download or read book Seeing Faith, Printing Pictures: Religious Identity During the English Reformation written by David J. Davis and published by BRILL. This book was released on 2013-02-15 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a unique analysis of visual religion in Reformation England as seen in its religious printed images. Challenging traditional notions of an iconoclastic Reformation, it offers a thorough analysis of the widespread body of printed images and the ways the images gave shape to the religious culture.
Download or read book Iconoclasm written by Stacy Boldrick and published by Routledge. This book was released on 2017-07-05 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The word 'iconoclasm' is most often used in relation to sculpture, because it is sculptures that most visibly bear witness to physical damage. But damage can also be invisible, and the actions of iconoclasm can be subtle and varying. Iconoclastic acts include the addition of objects and accessories, as well as their removal, or may be represented in text or imagery that never materially affects the original object. This book brings together a collection of essays each of which fundamentally questions the meaning of the word iconoclasm as a descriptive category. Each contribution examines the impact of iconoclastic acts on different representational forms, and assesses the development and historical implications of these various destructive and transformative behaviours.
Download or read book Mortal Thoughts written by Brian Cummings and published by OUP Oxford. This book was released on 2013-08-22 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the nineteenth century it has been assumed that the concept of personal identity in the early modern period is bound up with secularization. Indeed, many explanations of the emergence of modernity have been based on this thesis, in which Shakespeare as a secular author has played a central role. However, the idea of secularization is now everywhere under threat. The secularity of modern society is less apparent than it was a generation ago. Shakespeare, too, has come to be seen in a religious perspective. What happens to human identity in this different framework? Mortal Thoughts asks what selfhood looks like if we do not assume that an idea of the self could only come into being as a result of an emptying out of a religious framework. It does so by examining human mortality. What it is to be human, and how a life is framed by its ending, are issues that cross religious confessions in early modernity, and interrogate the sacred and secular divide. A series of chapters examines literature and art in relation to concepts such as conscience, martyrdom, soliloquy, luck, suicide, and embodiment. Religious and philosophical creativity are revealed as poised around anxieties about finitude and contingency, challenging conventional divisions between kinds of literary and artistic endeavour. Mortal Thoughts considers incipient genres of life writing (More, Foxe, and Montaigne) and life drawing (Dürer, Hans Baldung Grien) in relation to dramatic representation and literary narration (Shakespeare, Donne, Milton). In the process it asks whether the problem of human identity rewrites historical boundaries.
Book Synopsis Art and Religion in Eighteenth-Century Europe by : Nigel Aston
Download or read book Art and Religion in Eighteenth-Century Europe written by Nigel Aston and published by Reaktion Books. This book was released on 2009-07-15 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighteenth-century Europe witnessed monumental upheavals in both the Catholic and Protestant faiths and the repercussions rippled down to the churches’ religious art forms. Nigel Aston now chronicles here the intertwining of cultural and institutional turmoil during this pivotal century. The sustained popularity of religious art in the face of competition from increasingly prevalent secular artworks lies at the heart of this study. Religious art staked out new spaces of display in state institutions, palaces, and private collections, the book shows, as well as taking advantage of patronage from monarchs such as Louis XIV and George III, who funded religious art in an effort to enhance their monarchial prestige. Aston also explores the motivations and exhibition practices of private collectors and analyzes changing Catholic and Protestant attitudes toward art. The book also examines purchases made by corporate patrons such as charity hospitals and religious confraternities and considers what this reveals about the changing religiosity of the era as well. An in-depth historical study, Art and Religion in Eighteenth-Century Europe will be essential for art history and religious studies scholars alike.
Book Synopsis Church Music and Protestantism in Post-Reformation England by : Jonathan Willis
Download or read book Church Music and Protestantism in Post-Reformation England written by Jonathan Willis and published by Routledge. This book was released on 2016-05-23 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.
Book Synopsis Ruin and Reformation in Spenser, Shakespeare, and Marvell by : Stewart Mottram
Download or read book Ruin and Reformation in Spenser, Shakespeare, and Marvell written by Stewart Mottram and published by Oxford University Press. This book was released on 2019-01-31 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653). It focuses on representations of ruined churches, monasteries, and cathedrals in the works of a range of English Protestant writers, including Spenser, Shakespeare, Jonson, Herbert, Denham, and Marvell, reading literature alongside episodes in English reformation history: from the dissolution of the monasteries and the destruction of church icons and images, to the puritan reforms of the 1640s. The study departs from previous responses to literature's 'bare ruined choirs', which tend to read writerly ambivalence towards the dissolution of the monasteries as evidence of traditionalist, catholic, or Laudian nostalgia for the pre-reformation church. Instead, Ruin and Reformation shows how English protestants of all varieties—from Laudians to Presbyterians—could, and did, feel ambivalence towards, and anxiety about, the violence that accompanied the dissolution of the monasteries and other acts of protestant reform. The study therefore demonstrates that writerly misgivings about ruin and reformation need not necessarily signal an author's opposition to England's reformation project. In so doing, Ruin and Reformation makes an important contribution to cross-disciplinary debates about the character of English Protestantism in its formative century, revealing that doubts about religious destruction were as much a part of the experience of English protestantism as expressions of popular support for iconoclasm in the sixteenth and seventeenth centuries.
