Die Opéra comique und ihr Einfluss auf das europäische Musiktheater im 19. Jahrhundert

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Publisher :
ISBN 13 :
Total Pages : 500 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Die Opéra comique und ihr Einfluss auf das europäische Musiktheater im 19. Jahrhundert by : Herbert Schneider

Download or read book Die Opéra comique und ihr Einfluss auf das europäische Musiktheater im 19. Jahrhundert written by Herbert Schneider and published by . This book was released on 1997 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Musical Encounters at the 1889 Paris World's Fair

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Publisher : Boydell & Brewer
ISBN 13 : 1580461859
Total Pages : 417 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Musical Encounters at the 1889 Paris World's Fair by : Annegret Fauser

Download or read book Musical Encounters at the 1889 Paris World's Fair written by Annegret Fauser and published by Boydell & Brewer. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.

America in the French Imaginary, 1789-1914

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Publisher : Boydell & Brewer
ISBN 13 : 1783277009
Total Pages : 410 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis America in the French Imaginary, 1789-1914 by : Diana R. Hallman

Download or read book America in the French Imaginary, 1789-1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.

Reading Critics Reading

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Publisher : Oxford : Oxford University Press
ISBN 13 : 9780198166979
Total Pages : 290 pages
Book Rating : 4.1/5 (669 download)

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Book Synopsis Reading Critics Reading by : Roger Parker

Download or read book Reading Critics Reading written by Roger Parker and published by Oxford : Oxford University Press. This book was released on 2001 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is among the first to examine French opera and ballet criticism during the first half of the nineteenth century both as a historical and a literary phenomenon. It thus provides a new and badly needed perspective for scholars and other commentators who have often been willing to treatthe journalistic responses to such musical genres chiefly as a simple source of factual information. The essays, taken from a conference in Oxford in 1996, explore the kinds of problem encountered and the types of methodology that might be employed in trying to interpret these critical responses;they throw light on such aspects as the cultural attitudes underlying the writers' rhetoric, the aesthetic stances and ideological agendas at play, and how modes of production influenced content.

Musical Genre and Romantic Ideology

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Publisher : Oxford University Press
ISBN 13 : 0190646926
Total Pages : 553 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Musical Genre and Romantic Ideology by : Matthew Gelbart

Download or read book Musical Genre and Romantic Ideology written by Matthew Gelbart and published by Oxford University Press. This book was released on 2022-09-30 with total page 553 pages. Available in PDF, EPUB and Kindle. Book excerpt: European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the marketplace, entrenching associations between genres and target publics (whether based on ideas of nation, gender, class, or more subtle aspects of identity). These newly strengthened correlations made genre, if anything, more potent rather than less, despite Romantic claims. In case studies from across nineteenth-century Europe engaging with canonical music by Bizet, Chopin, Verdi, Wagner, and Brahms, alongside representative genres such as opéra-comique and the piano ballade, Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging. He examines genre vocabulary and discourse, the force of generic titles, how avant-garde music is absorbed through and into familiar categories, and how interpretation can be bolstered or undercut by genre agreements. Even in a modern world where transcription and sound recording can take any music into an infinite array of new spatial and social situations, we are still locked in the Romantics' ambivalent tussle with genre.

E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera

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Publisher : BRILL
ISBN 13 : 9004309578
Total Pages : 496 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera by : Francien Markx

Download or read book E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera written by Francien Markx and published by BRILL. This book was released on 2015-11-02 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: In E. T. A. Hoffmann, Cosmopolitanism, and the Struggle for German Opera, Francien Markx investigates Hoffmann’s writings on opera, discovering in them a number of challenges to traditional narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography.

Opera Acts

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Publisher : Cambridge University Press
ISBN 13 : 1107004268
Total Pages : 281 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Opera Acts by : Karen Henson

Download or read book Opera Acts written by Karen Henson and published by Cambridge University Press. This book was released on 2015-01-15 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Karen Henson explores a wealth of new historical material about singers and opera performance in the late nineteenth century.

The Frightful Stage

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Publisher : Berghahn Books
ISBN 13 : 9781845454593
Total Pages : 332 pages
Book Rating : 4.4/5 (545 download)

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Book Synopsis The Frightful Stage by : Robert Justin Goldstein

Download or read book The Frightful Stage written by Robert Justin Goldstein and published by Berghahn Books. This book was released on 2009 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

Meyerbeer und das europäische Musiktheater

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Publisher :
ISBN 13 :
Total Pages : 536 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Meyerbeer und das europäische Musiktheater by : Sieghart Döhring

Download or read book Meyerbeer und das europäische Musiktheater written by Sieghart Döhring and published by . This book was released on 1998 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Faure Song Cycles

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Publisher : University of California Press
ISBN 13 : 0520297628
Total Pages : 277 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis The Faure Song Cycles by : Stephen Rumph

Download or read book The Faure Song Cycles written by Stephen Rumph and published by University of California Press. This book was released on 2020-09-29 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.

The Comedians of the King

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Publisher : University of Chicago Press
ISBN 13 : 022674339X
Total Pages : 327 pages
Book Rating : 4.2/5 (267 download)

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Book Synopsis The Comedians of the King by : Julia Doe

Download or read book The Comedians of the King written by Julia Doe and published by University of Chicago Press. This book was released on 2021-03-21 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.

The Politics of Musical Identity

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Publisher : Routledge
ISBN 13 : 1351541471
Total Pages : 513 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Politics of Musical Identity by : Annegret Fauser

Download or read book The Politics of Musical Identity written by Annegret Fauser and published by Routledge. This book was released on 2017-07-05 with total page 513 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond.

French Grand Opera and the Historical Imagination

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Publisher : Cambridge University Press
ISBN 13 : 0521885620
Total Pages : 279 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis French Grand Opera and the Historical Imagination by : Sarah Hibberd

Download or read book French Grand Opera and the Historical Imagination written by Sarah Hibberd and published by Cambridge University Press. This book was released on 2009-04-30 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.

Music, Theater, and Cultural Transfer

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Publisher : University of Chicago Press
ISBN 13 : 0226239284
Total Pages : 450 pages
Book Rating : 4.2/5 (262 download)

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Book Synopsis Music, Theater, and Cultural Transfer by : Annegret Fauser

Download or read book Music, Theater, and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.

Michel-Jean Sedaine (1719-1797)

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Publisher : Taylor & Francis
ISBN 13 : 0429640250
Total Pages : 322 pages
Book Rating : 4.4/5 (296 download)

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Book Synopsis Michel-Jean Sedaine (1719-1797) by : David Charlton

Download or read book Michel-Jean Sedaine (1719-1797) written by David Charlton and published by Taylor & Francis. This book was released on 2019-01-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 2000, this book highlights the interst Sedaine's life and work is now, belatedly, provoking in many scholarly disciplines. If Sedaine speaks today to literary history, theatre history and opera studies, it is because he possessed a multivalent vision, one which accounts for both his past neglect and is present rediscovery. Like many others, he believed that the established, 'official' genres needed to be reformed; unlike many, he made it his business to transform the actual language and operation of the theatre arts he practised. Until late eighteenth-century opera and drama in France become better understood, Sedaine's immense importance for the development of Romantic opera and theatre risks remaining generally concealed; to reveal something of this importance is one main reason for publishing the present volume. This book includes chapters on Sedaine and the question of genre, the representation of the female in the dramas of Sedaine, and the words, gestures and other signs in the era of Sedaine.

The Oxford Handbook of Opera

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Publisher : Oxford Handbooks
ISBN 13 : 0195335538
Total Pages : 1217 pages
Book Rating : 4.1/5 (953 download)

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Book Synopsis The Oxford Handbook of Opera by : Helen M. Greenwald

Download or read book The Oxford Handbook of Opera written by Helen M. Greenwald and published by Oxford Handbooks. This book was released on 2014 with total page 1217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty of the world's most respected scholars cast opera as a fluid entity that continuously reinvents itself in a reflection of its patrons, audience, and creators.

D'une scène à l'autre, vol.2

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Author :
Publisher : Editions Mardaga
ISBN 13 :
Total Pages : 535 pages
Book Rating : 4./5 ( download)

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Book Synopsis D'une scène à l'autre, vol.2 by :

Download or read book D'une scène à l'autre, vol.2 written by and published by Editions Mardaga. This book was released on with total page 535 pages. Available in PDF, EPUB and Kindle. Book excerpt: