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Csm 3 Jacobus Leodiensis Jacobus Of Liege 1260 1330 Speculum Musicae Edited By Roger Bragard In 7 Volumes Vol Ii Liber Secundus Pars I
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Book Synopsis CSM 3 Jacobus Leodiensis (Jacobus of Liège) (1260?-1330?), Speculum Musicae, Edited by Roger Bragard in 7 Volumes. Vol. II Liber Secundus, [Pars I] by : Jacobus Leodiensis
Download or read book CSM 3 Jacobus Leodiensis (Jacobus of Liège) (1260?-1330?), Speculum Musicae, Edited by Roger Bragard in 7 Volumes. Vol. II Liber Secundus, [Pars I] written by Jacobus Leodiensis and published by American Institute of Musicology. This book was released on 1961 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: For more information, see http: //www.corpusmusicae.com/csm/csm_cc003.htm
Book Synopsis Journal of Renaissance and Baroque Music by : Armen Carapetyan
Download or read book Journal of Renaissance and Baroque Music written by Armen Carapetyan and published by . This book was released on 1996 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Regule written by Robertus de Handlo and published by U of Nebraska Press. This book was released on 1991-01-01 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure the first part, on notation, of one of those widely circulated, abbreviated versions of the teachings of Franco of Cologne that begin in most sources with the motto, "Gaudent brevitate moderni." The Summa of Hanboys, written around 1375, takes Handlo as a point of departure and incorporates an abbreviated redaction of the Regule, along with citations of other later English authorities, into an exhaustively systematic survey of ars nova forms and rests. Building on a line of development in English theory, Hanboys expanded the mensural system to a total of eight figures. For this edition, Lefferts has thoroughly reexamined, edited, and appraised the single extant source of each treatise. Full descriptions of these sources are provided and the documents are illustrated with a plate from each. Each treatise is presented in its original Latin, with a fully annotated translation on facing pages. Leffert's introduction discusses the authors, places the treatise in the context of the theoretical traditions of fourteenth-century France and England, and reviews their contents in detail. Indexes of terms, names, and subjects are included. Appendixes provide a concordance to the music examples from the Regule that recur in the Summa and transcriptions of two English motet fragments that exhibit insular notational practices discussed in the treatises. Leffert's work will be seen as a major contribution to our understanding of medieval English music.
Book Synopsis Tractatus Figurarum by : Philip Evan Schreur
Download or read book Tractatus Figurarum written by Philip Evan Schreur and published by U of Nebraska Press. This book was released on 1989-01-01 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simultaneous combinations of any two of the four prolations of the French mensural system. Edmond Coussemaker?s 1869 edition of the Tractatus figurarum, which attributes the treatise to Philippus de Caserta, was based on his knowledge of only four of the fourteen surviving manuscripts. A critical study of all the sources, including the important Newberry Library manuscript, leads to a corrected version of the text and allows the entire system to be resurrected. The critical edition is joined with fully annotated translation on facing pages. An Introduction discusses the authorship and theory of the treatise, as well as placing it within the context of the music theory of the fourteenth century. Full descriptions of all the manuscript sources and four full-color plates of the Newberry Library manuscript are included. The system of the Tractatus figurarum was beautifully creative, but it did not meet with success. Nevertheless, the treatise proves itself invaluable to the study of the Ars subtilior in revealing certain basic notational principles that may be applied to surviving musical compositions, illuminating the notational subtleties in which the music delighted.
Book Synopsis Practica Musicae by : Franchinus Gaffurius
Download or read book Practica Musicae written by Franchinus Gaffurius and published by . This book was released on 1968 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Berkeley Manuscript by : Oliver B. Ellsworth
Download or read book The Berkeley Manuscript written by Oliver B. Ellsworth and published by U of Nebraska Press. This book was released on 1984-01-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.
Book Synopsis Music in the German Renaissance by : John Kmetz
Download or read book Music in the German Renaissance written by John Kmetz and published by Cambridge University Press. This book was released on 1994-12-08 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: This 1994 collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c.1450 and 1600. The essays demonstrate the important role played by German speakers in the development of instrumental music in the Renaissance, the shaping of the curricula of musical education in the modern age, in setting patterns of musical patronage, in establishing congregational singing in churches, and in developing commercial music printing. The essays shed light on the music that flourished at Imperial and ducal courts, universities, parish churches, collegiate schools, as well as the homes of prosperous merchants. The volume thus provides an overview of German polyphonic music in the age of Gutenberg, Dürer and Luther and documents the changing social status of music in Germany during a crucial epoch of its history.
Download or read book Fundamentals of Music written by Boethius and published by . This book was released on 1989 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fauvel Studies written by Margaret Bent and published by . This book was released on 1998 with total page 768 pages. Available in PDF, EPUB and Kindle. Book excerpt: The manuscript Paris, Bibliothe'que Nationale, fonds francais 146, one of the most sumptuous and important of the fourteenth century, stands as an unparalleled witness to the politics, society, and culture of the French royal court in the early fourteenth century. It contains an interpolated version of the Roman de Fauvel, completed by Gerve's de Bus in 1314, that uniquely combines the Old French text with music setting poetry in French and Latin, high-quality illuminations (including early depictions of the architecture of medieval Paris), and further literary elaborations and additions. The narrative finds a place within several literary traditions, serving both as a satire on a fallen minister, Philip IV (d. 1314), Enguerran de Marigny, and as admonition or advice for the new King Philip V (crowned 1317). Alongside the Roman de Fauvel, fr. 146 also includes French and Latin narrative dits (the latter edited here for the first time), the complete known works of Jehannot de Lescurel, and an important French verse chronicle. It invites complementary works by such shoalrs in several disciplines. This volume assembles papers by leading medievalists and younger scholars in different fields that reflect a period of interchange and collaboration viewing the same material from different perspectives. It is generously illustrated and includes essential new reference material for medievalists in political, social, and urban history, art and architecture history, musicology, the history of the book and codicology, and medieval languages and literatures, principally Old French and Latin. This interdisciplinary collection presents a wealth of new material for medievalists working in a number of fields.
Book Synopsis U.S. Department of Transportation Federal Motor Carrier Safety Administration Register by :
Download or read book U.S. Department of Transportation Federal Motor Carrier Safety Administration Register written by and published by . This book was released on 2008-07-08 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Medieval Music and the Art of Memory by : Anna Maria Busse Berger
Download or read book Medieval Music and the Art of Memory written by Anna Maria Busse Berger and published by University of California Press. This book was released on 2019-10-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Book Synopsis Schooling and Society by : Alasdair A. MacDonald
Download or read book Schooling and Society written by Alasdair A. MacDonald and published by Peeters Publishers. This book was released on 2004 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume, number VI in the series Groningen Studies in Cultural Change, offers a selection of papers presented at the International Conference 'Knowledge and Learning' held in Groningen in November 2001. It is the second of three volumes. The first (volume V in the series), entitled Learned Antiquity: Scholarship and Society in the Near East, the Greco-Roman World, and the Early Medieval West has been edited by Alasdair A. MacDonald, Michael W. Twomey and Gerrit J. Reinink. The third one (volume VII in the series) bears the title Scholarly Environments: Centres of Learning and Institutional Contexts 1600-1960 and will be edited by Alasdair A. MacDonald and Arend H. Huussen. The present volume, Schooling and Society: The Ordering and Reordering of Knowledge in the Western Middle Ages, contains new studies on a wide range of matters pertaining to scholarship (and to changes in scholarship, in the European West) from the early Middle Ages throught to the Renaissance and beyond. The disciplines discussed include: literature, philosophy, cultural history, and education.
Book Synopsis Music Theory and Its Sources by : André Barbera
Download or read book Music Theory and Its Sources written by André Barbera and published by . This book was released on 1990 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music in the Medieval and Renaissance Universities by : Nan Cooke Carpenter
Download or read book Music in the Medieval and Renaissance Universities written by Nan Cooke Carpenter and published by . This book was released on 2003-01 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :Pontifical Institute of Mediaeval Studies, Department of Publications Publisher : ISBN 13 : Total Pages :1296 pages Book Rating :4.X/5 ( download)
Book Synopsis Arts Liberaux Et Philosophie by : Pontifical Institute of Mediaeval Studies, Department of Publications
Download or read book Arts Liberaux Et Philosophie written by Pontifical Institute of Mediaeval Studies, Department of Publications and published by . This book was released on 1969 with total page 1296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Hearing the Motet by : Dolores Pesce
Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.
Download or read book Summa Musice written by Christopher Page and published by Cambridge University Press. This book was released on 2007-05-31 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did medieval musicians learn to perform? How did they compose? What was their sense of the history and purpose of music? The Summa musice, a treatise on practical music from c. 1200, sheds light on all these questions. It is a manual for young singers who are learning Gregorian chant for the first time, and provides a compact but comprehensive introduction to notation, performance, and composition, written in a mixture of Latin prose and verse. More than that, however, it is also an introduction to medieval culture: what educated people believed to be worth knowing about music, how they reasoned when they discussed musical questions, the nature of musical thought and how it was expressed. There has been no edition of the Summa musice since 1784, when Gerbert published a very faulty text. Christopher Page's book provides a completely new edition of the Latin text taken from the only surviving original copy, together with an English translation. Both texts are copiously annotated and introduced by an authoritative and illuminating editorial commentary.
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