Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism

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Publisher : Penn State Press
ISBN 13 : 9780271041971
Total Pages : 280 pages
Book Rating : 4.0/5 (419 download)

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Book Synopsis Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism by : Michael Marlais

Download or read book Conservative Echoes in Fin-de-Si_cle Parisian Art Criticism written by Michael Marlais and published by Penn State Press. This book was released on 2010-11-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the painting of the 1880s and 1890s in Paris has been studied in great depth, the concurrent art criticism has not been given the attention it deserves. Conservative Echoes examines previously unexplored aspects of the symbolist criticism of art, revealing its conservative nature, and thus providing a new view of the art criticism of one of the most significant periods in the development of modern art. Art historians tend to focus on a small body of criticism written by authors who championed one or more of the artists recognized today as leaders of the avant-garde. In essence, it is the art that directs most studies of criticism rather than the criticism itself. Michael Marlais has studied late nineteenth-century criticism on all levels, from popular press to esoteric review, in order to understand the context in which avant-garde art criticism appeared. He focuses on the critics Félix Fénéon, Albert Aurier, Alphonse Germain, Camille Mauclair, and Maurice Denis, noting both conservative and modernist features of their writing, while attempting to situate them within the antinaturalist intellectual trends of the period. Marlais emphasizes the relationship of avant-garde critics to the broader cultural milieu, thus providing both a valuable corrective in the study of fin-de-siècle art history and another way of understanding the cultural climate in Paris during that time.

A Moment's Monument

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Publisher : Univ of California Press
ISBN 13 : 0520294483
Total Pages : 360 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis A Moment's Monument by : Sharon Hecker

Download or read book A Moment's Monument written by Sharon Hecker and published by Univ of California Press. This book was released on 2017-06-13 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet also showed deep feeling for interactions between self and other. Rosso’s art was also transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment’s Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.

Art, Music, and Mysticism at the Fin de Siècle

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Publisher : Taylor & Francis
ISBN 13 : 1040028888
Total Pages : 262 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Art, Music, and Mysticism at the Fin de Siècle by : Corrinne Chong

Download or read book Art, Music, and Mysticism at the Fin de Siècle written by Corrinne Chong and published by Taylor & Francis. This book was released on 2024-07-29 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume explores the dialogue between art and music with that of mystical currents at the turn of the twentieth century. The volume draws on the most current research from both art historians and musicologists to present an interdisciplinary approach to the study of mysticism’s historical importance. The chapters in this edited volume gauge the scope of different interpretations of mysticism and illuminate how an exchange between the sister arts unveil an underlying stream of metaphysical, supernatural, and spiritual ideas over the course of the century. Case studies include Charles Tournemire, Joseph Péladan, Erik Satie, Hilma af Klint, Jean Sibelius, František Kupka, and Wassily Kandinsky. The contributors’ unique theoretical perspectives and disciplinary methodologies offer expert insight on both the rewards and inevitable aesthetic complications that arise when one artform meets another. The book will be of interest to scholars working in art history, musicology, visual culture, and mysticism.

Poetry and Radical Politics in Fin de Siècle France

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Publisher : Oxford University Press, USA
ISBN 13 : 0198706103
Total Pages : 305 pages
Book Rating : 4.1/5 (987 download)

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Book Synopsis Poetry and Radical Politics in Fin de Siècle France by : Patrick McGuinness

Download or read book Poetry and Radical Politics in Fin de Siècle France written by Patrick McGuinness and published by Oxford University Press, USA. This book was released on 2015 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Poetry and Radical Politics in fin de siecle France explores the relations between poetry and politics in France in the last decade of the 19th century. The period covers perhaps the most important developments in modern French poetry: from the post-Commune climate that spawned the 'decadent' movement, through to the (allegedly) ivory-towered aestheticism of Mallarme and the Symbolists. In terms of French politics, history and culture, the period was no less dramatic with the legacy of the Commune, the political and financial instability that followed, the anarchist campaigns, the Dreyfus affair, and the growth of 'Action francaise'. Patrick McGuinness argues that the anarchist politics of many Symbolist poets is a reaction to their own isolation, and to poetry's anxious relations with the public: too 'difficult' be be widely read, Symbolist poets react to the loss of poetry's centrality among the arts by delegating their radicalism to prose: they can call, in prose, for the overthrow of the state and support anarchist bombers, while at the same time writing poems about dribbling fountains and dazzling sunsets for each other. This study demonstrates the connections between the anti-Symbolist reaction of the ecole romane of 1891 (in which Charles Maurras first made his name), and the far-right cultural politics of Action francaise in the early 20th century. It also redefines many of the debates about late 19th-century French poetry by putting an argument forward for the political engagement(s) of the Symbolists while the French 'intellectuel' as a national icon was being forged. McGuinness insists on profound continuities between the end of the 19th century and the beginning of the 20th in terms of cultural politics, literary debate, and poetic theory, and shows how politics is to be found in unexpected ways in the least political-seeming literature of the period. The famous line by Peguy, that everything begins in mysticism and ends in politics, has an appealing sweep and grace. This book has its own more modest and specific version of a similar journey: it begins in Mallarme and ends in Maurras.

"Foreign Artists and Communities in Modern Paris, 1870-1914 "

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Author :
Publisher : Routledge
ISBN 13 : 135156692X
Total Pages : 289 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Foreign Artists and Communities in Modern Paris, 1870-1914 " by : Susan Waller

Download or read book "Foreign Artists and Communities in Modern Paris, 1870-1914 " written by Susan Waller and published by Routledge. This book was released on 2017-07-05 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.

Neo-Impressionism and Anarchism in Fin-de-Si?e France

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Publisher : Routledge
ISBN 13 : 1351556541
Total Pages : 232 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Neo-Impressionism and Anarchism in Fin-de-Si?e France by : Robyn Roslak

Download or read book Neo-Impressionism and Anarchism in Fin-de-Si?e France written by Robyn Roslak and published by Routledge. This book was released on 2017-07-05 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Neo-Impressionism and Anarchism in Fin-de-Si?e France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elis?Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.

Symbolism, Its Origins and Its Consequences

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443824526
Total Pages : 665 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Symbolism, Its Origins and Its Consequences by : Rosina Neginsky

Download or read book Symbolism, Its Origins and Its Consequences written by Rosina Neginsky and published by Cambridge Scholars Publishing. This book was released on 2010-08-11 with total page 665 pages. Available in PDF, EPUB and Kindle. Book excerpt: The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L’Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going from the abstract to the concrete (Venus, incarnated in the statue, represents love), it goes from the concrete to the abstract, from “what is seen, heard, felt, tasted, and sensed to the evocation of the idea.” This volume attempts to give a glimpse into the power of the Symbolist movement and the nature of its fundamental and interdisciplinary role in the evolution of art and literature of the twentieth century. It records the studies of a group of scholars, who met and discussed these topics together for the first time in 2009. While illuminating the specificity of Symbolism in art, architecture and literature in different European countries, these articles also demonstrate the crucial role of French Symbolism in the development of the international Symbolist movement. The authors hope that an expanding group, a society of Art, Literature and Music in Symbolism and Decadence (ALMSD), born out of the first meeting, will continue to further this discussion at future conferences and in the printed conference proceedings.

The Nabis and Intimate Modernism

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Publisher : Routledge
ISBN 13 : 1351542052
Total Pages : 303 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Nabis and Intimate Modernism by : KatherineM. Kuenzli

Download or read book The Nabis and Intimate Modernism written by KatherineM. Kuenzli and published by Routledge. This book was released on 2017-07-05 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.

A Companion to Impressionism

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Publisher : John Wiley & Sons
ISBN 13 : 1119373921
Total Pages : 644 pages
Book Rating : 4.1/5 (193 download)

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Book Synopsis A Companion to Impressionism by : André Dombrowski

Download or read book A Companion to Impressionism written by André Dombrowski and published by John Wiley & Sons. This book was released on 2024-02-27 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Modernism on Stage

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Publisher : Routledge
ISBN 13 : 1351558048
Total Pages : 315 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Modernism on Stage by : Juliet Bellow

Download or read book Modernism on Stage written by Juliet Bellow and published by Routledge. This book was released on 2017-07-05 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism on Stage restores Serge Diaghilev?s Ballets Russes to its central role in the Parisian art world of the 1910s and 1920s. During those years, the Ballets Russes? stage served as a dynamic forum for the interaction of artistic genres - dance, music and painting - in a mixed-media form inspired by Richard Wagner?s Gesamtkunstwerk (total work of art). This interdisciplinary study combines a broad history of Diaghilev?s troupe with close readings of four ballets designed by canonical modernist artists: Pablo Picasso, Sonia Delaunay, Henri Matisse, and Giorgio de Chirico. Experimental both in concept and form, these productions redefine our understanding of the interconnected worlds of the visual and performing arts, elite culture and mass entertainment in Paris between the two world wars. This volume traces the ways in which artists working with the Ballets Russes adapted painterly styles to the temporal, three-dimensional and corporeal medium of ballet. Analyzing interactions among sets, costumes, choreography, and musical accompaniment, the book establishes what the Ballets Russes' productions looked like and how audiences reacted to them. Juliet Bellow brings dance to bear upon modernist art history as more than a source of imagery or ornament: she spotlights a complex dialogue among art forms that did not preclude but rather enhanced artists? interrogation of the limits of medium.

Nature's Workshop

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Publisher : Yale University Press
ISBN 13 : 9780300081367
Total Pages : 334 pages
Book Rating : 4.0/5 (813 download)

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Book Synopsis Nature's Workshop by : Robert L. Herbert

Download or read book Nature's Workshop written by Robert L. Herbert and published by Yale University Press. This book was released on 2000-01-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renoir's works and writing on the decorative arts

Passionate Discontent

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Publisher : University of Chicago Press
ISBN 13 : 9780226510187
Total Pages : 348 pages
Book Rating : 4.5/5 (11 download)

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Book Synopsis Passionate Discontent by : Patricia Mathews

Download or read book Passionate Discontent written by Patricia Mathews and published by University of Chicago Press. This book was released on 1999 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France. Along the way, she illuminates the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. She analyzes contemporary cultural assumptions as well as theories such as social Darwinism, biological determinism, and degeneracy."--BOOK JACKET.

French Cultural Politics & Music

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Publisher : Oxford University Press on Demand
ISBN 13 : 0195120213
Total Pages : 304 pages
Book Rating : 4.1/5 (951 download)

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Book Synopsis French Cultural Politics & Music by : Jane F. Fulcher

Download or read book French Cultural Politics & Music written by Jane F. Fulcher and published by Oxford University Press on Demand. This book was released on 1999 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that French musical meanings and values in the years from 1898 to 1914 are best explained not in terms of contemporary artistic movements, but rather in terms of the political culture, which was undergoing subtle but profound transformation as nationalist Leagues enlarged the arena of political action. Applying recent insights from French history, sociology, political anthropology, and literary theory, the book reveals how nationalists used critics, educational institutions, concert series and lectures to disseminate their values through a discourse on French music and how the Republic and Left responded to this challenge.

The Beardsley Industry

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Publisher : Routledge
ISBN 13 : 0429802676
Total Pages : 301 pages
Book Rating : 4.4/5 (298 download)

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Book Synopsis The Beardsley Industry by : Jane Haville Desmarais

Download or read book The Beardsley Industry written by Jane Haville Desmarais and published by Routledge. This book was released on 2019-07-23 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this is the first book to examine the critical reception accorded to Beardsley’s work. For most of his short working life fierce debate raged in Britain over the merit of Aubrey Beardsley’s black and white drawings. Applauded for their technical skill, they were as often deplored for their ‘slimy nastiness’, their fin-de-siècle decadence and their foreign styles. There are ‘tainted whiffs from across the channel which lodge the Gallic germs in our lungs. Our Beardsleys have identical symptoms with Verlaine, Degas, Le Grand, Forain, and might quite well be sick from infection’ stormed Margaret Armour in the Magazine of Art. Jane Haville Desmarais opens with an account of the English response, exploring the fascinating interplay between Beardsley’s exploitation of the new media to shape his public persona and promote his work and the critics’ use of his life and art to articulate the fears and anxieties of the English fin de siècle. The second half of the book moves to France and deals with a different set of preoccupation. The French perceived Beardsley as the natural inheritor of the mantle of Pre-Raphaelitism. His work remained current largely through the interest of the Symbolists and, in particular, Robert de Montesquiou who celebrated Beardsley’s picturing of the fantasy realms of desire. The intriguing study of two very different critical traditions casts light on key issues of art history and literary studies, in particular the relationship between critical response and social perception. With 21 black and white illustrations, the book also has invaluable appendices which include a bibliography of criticism and comment on the work of Aubrey Beardsley between 1893 and 1914.

Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny

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Publisher : Taylor & Francis
ISBN 13 : 1000953041
Total Pages : 271 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny by : Nina Athanassoglou-Kallmyer

Download or read book Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny written by Nina Athanassoglou-Kallmyer and published by Taylor & Francis. This book was released on 2023-09-25 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.

Embattled Avant-Gardes

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Publisher : University of California Press
ISBN 13 : 0520261534
Total Pages : 448 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Embattled Avant-Gardes by : Walter L. Adamson

Download or read book Embattled Avant-Gardes written by Walter L. Adamson and published by University of California Press. This book was released on 2009-08-17 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.

Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde

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Publisher : University of Chicago Press
ISBN 13 : 9780226873244
Total Pages : 392 pages
Book Rating : 4.8/5 (732 download)

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Book Synopsis Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde by : Martha Ward

Download or read book Pissarro, Neo-Impressionism, and the Spaces of the Avant-Garde written by Martha Ward and published by University of Chicago Press. This book was released on 1996-07 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement. Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Paintings, Ward argues, often anticipate and respond to their own conditions of display and use, and in the case of the neo-impressionists, the artists' relations to market forces and exhibition spaces had a decisive impact on their art. Ward details the changes in art dealing, and chronicles how these and new freedoms for the press made artistic vanguardism possible while at the same time affecting the content of painting. She also provides a nuanced account of the neo-impressionists' engagements with anarchism, and traces the gradual undermining of any strong correlation between artistic allegiance and political direction in the art world of the 1890s. Throughout, there are sensitive discussions of such artists as Georges Seurat and Paul Signac, as well as Pissarro. Yet the touchstone of the book is Pissarro's intricate relationship to the various factions of the Paris art world.