Conceptual Revolutions In Twentieth Century Art

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Conceptual Revolutions in Twentieth-Century Art

Author : David W. Galenson
Publisher : Cambridge University Press
ISBN 13 : 1139479393
Total Pages : pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis Conceptual Revolutions in Twentieth-Century Art by : David W. Galenson

Download or read book Conceptual Revolutions in Twentieth-Century Art written by David W. Galenson and published by Cambridge University Press. This book was released on 2009-09-14 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.

The Language of Twentieth-century Art

Author : Paul Crowther
Publisher :
ISBN 13 : 9780300233551
Total Pages : 251 pages
Book Rating : 4.2/5 (335 download)

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Book Synopsis The Language of Twentieth-century Art by : Paul Crowther

Download or read book The Language of Twentieth-century Art written by Paul Crowther and published by . This book was released on 1997 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Recent theory has tended to understand the meaning of art primarily as a function of original contexts of production and reception or in its relation to fashionable notions of gender, multiculturalism, and 'scopic regimes.' These approaches, however, fail to negotiate adequately art's transhistorical and transcultural significance, a shortcoming that is particularly serious in relation to twentieth-century works because it confines their significance to contexts that are regulated by the specialist interests of a narrow managerial class of curators, critics, and historians. In this important book, Paul Crowther provides a radical reinterpretation of key phases and figures in twentieth-century art, focusing on the way artists and critics negotiate philosophically significant ideas. Crowther begins by discussing how and why form is significant. Using Derrida's notion of 'iterability'-- a sign's capacity to be used across different contexts-- he links this possibility to key reciprocal cognitive relations that are the structural basis of self-consciousness. He then argues that while such relations are necessarily involved in any pictorial work, they are especially manifest in aesthetically valuable representation, and even more so in those twentieth-century works that radically transform or abandon conventional modes of representation. The involvement of key reciprocal relations gives such works a transhistorical and transcultural significance. To show this, Crowther investigates the theory and practice of important artists such as Malevich, Pollock, Mondrian, and Newman, and major tendencies such as Futurism, Surrealism, and Conceptual Art. By linking them to reciprocal relations, he is able to illuminate a language of twentieth-century art that cuts across those boundaries set out by such conventional notions as modern, avant-garde, and postmodern"--Publisher's description.

Old Masters and Young Geniuses

Author : David W. Galenson
Publisher : Princeton University Press
ISBN 13 : 1400837391
Total Pages : 251 pages
Book Rating : 4.4/5 (8 download)

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Book Synopsis Old Masters and Young Geniuses by : David W. Galenson

Download or read book Old Masters and Young Geniuses written by David W. Galenson and published by Princeton University Press. This book was released on 2011-06-27 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.

Boundaries of Modern Art

Author : Richard Pooler
Publisher : Arena books
ISBN 13 : 1909421111
Total Pages : 138 pages
Book Rating : 4.9/5 (94 download)

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Book Synopsis Boundaries of Modern Art by : Richard Pooler

Download or read book Boundaries of Modern Art written by Richard Pooler and published by Arena books. This book was released on 2013-02-04 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Conceptual art in the Western world is in crisis.' That is the view of many people who are disillusioned with what they regard as its attention-seeking antics, where artists themselves have proudly proclaimed 'the death of art'. Why has art been on this road to destruction, and how did it get there? How does one make sense of the bewildering complexity of Conceptual art, and how does one extract meaning from its diverse and sometimes bizarre manifestations? This predicament needs explanation, and an exploration of the theoretical underpinnings of modern and contemporary art, and a means to evaluate it. This book starts with a summarised overview of the major art movements since the beginning of the twentieth century, a tracing of the extraordinary journey that art has followed in modern times.The next part considers contemporary art movements, to explore whether they have value, and how that value can be determined. Are the activities that take place in the name of art actually art? Or, as some would have it, is it a gigantic sham, manipulated by clowns to make a trap for fools? To some, it is an outrage that modern and contemporary artists can splash paint around quickly and freely, with a modicum of skill, or assemble a range of found objects, and regard themselves as gifted and creative artists. Others see this as a new, forward-rolling wave, with art at last released from the suffocation and restrictions of the past. The rules have been cast aside. There are fresh ways of exploring and seeing the world, and expressing it freely. The world is constantly changing, and art must change with it. Modern art has followed a long journey. Traditions have been largely cast aside, and replaced with an unceasing search for the new. Our apparent progress is now being questioned. Where do we go from here? Are we on the right road? The second half of this book discusses how we can make sense of contemporary art and assign value to an artwork.Traditional painting and sculpture have physical limits, Conceptual art does not. This is a new freedom - but is it freedom for art, or freedom from art?

Revolutions in Twentieth-Century Physics

Author : David J. Griffiths
Publisher : Cambridge University Press
ISBN 13 : 1107602173
Total Pages : 187 pages
Book Rating : 4.1/5 (76 download)

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Book Synopsis Revolutions in Twentieth-Century Physics by : David J. Griffiths

Download or read book Revolutions in Twentieth-Century Physics written by David J. Griffiths and published by Cambridge University Press. This book was released on 2013 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1. Classical foundations -- 2. Special relativity -- 3. Quantum mechanics -- 4. Elementary particles -- 5. Cosmology.

Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Author : Aleš Erjavec
Publisher : Duke University Press
ISBN 13 : 0822375664
Total Pages : 344 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements by : Aleš Erjavec

Download or read book Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements written by Aleš Erjavec and published by Duke University Press. This book was released on 2015-05-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic

The Cambridge History of Modernism

Author : Vincent Sherry
Publisher : Cambridge University Press
ISBN 13 : 1316720535
Total Pages : 1579 pages
Book Rating : 4.3/5 (167 download)

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Book Synopsis The Cambridge History of Modernism by : Vincent Sherry

Download or read book The Cambridge History of Modernism written by Vincent Sherry and published by Cambridge University Press. This book was released on 2017-01-11 with total page 1579 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.

Modern Art in the USA

Author : Patricia Hills
Publisher : Pearson
ISBN 13 : 9780130361387
Total Pages : 0 pages
Book Rating : 4.3/5 (613 download)

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Book Synopsis Modern Art in the USA by : Patricia Hills

Download or read book Modern Art in the USA written by Patricia Hills and published by Pearson. This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This chronologically organized and comprehensive anthology of readings tells the whole story of art in America from 1900 to the present. It focuses on the themes, issues, and controversies that occurred throughout the century--using selections that are contemporary with the art--by artists, critics, exhibition organizers, poets, politicians, and other writers on culture. Some recurring themes and issues include issues of identity; the changing nature of modernism and modernity; nationalism; art as individual or community expression; the nature of public art; and the role of criticism, censorship, and government intervention. Texts by well-known writers include Meyer Schapiro, Clement Greenberg, Michael Fried, Donald Kuspit, and Kate Linker. A guide for those interested in both the standard interpretations of American art and in alternative readings.

Twentieth-Century American Art

Author : Erika Doss
Publisher : OUP Oxford
ISBN 13 : 0191587745
Total Pages : 288 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Twentieth-Century American Art by : Erika Doss

Download or read book Twentieth-Century American Art written by Erika Doss and published by OUP Oxford. This book was released on 2002-04-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.

Latin American Artists of the Twentieth Century

Author : Museum of Modern Art (New York, N.Y.)
Publisher :
ISBN 13 :
Total Pages : 432 pages
Book Rating : 4.3/5 (97 download)

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Book Synopsis Latin American Artists of the Twentieth Century by : Museum of Modern Art (New York, N.Y.)

Download or read book Latin American Artists of the Twentieth Century written by Museum of Modern Art (New York, N.Y.) and published by . This book was released on 1993 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art, New York.

Critical Shift

Author : Karen L. Georgi
Publisher : Penn State Press
ISBN 13 : 0271062479
Total Pages : 150 pages
Book Rating : 4.2/5 (71 download)

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Book Synopsis Critical Shift by : Karen L. Georgi

Download or read book Critical Shift written by Karen L. Georgi and published by Penn State Press. This book was released on 2015-06-29 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.

Boundaries of Modern Art

Author : Richard Pooler
Publisher : Arena books
ISBN 13 : 1909421014
Total Pages : 160 pages
Book Rating : 4.9/5 (94 download)

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Book Synopsis Boundaries of Modern Art by : Richard Pooler

Download or read book Boundaries of Modern Art written by Richard Pooler and published by Arena books. This book was released on 2013-02-04 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Conceptual art in the Western world is in crisis.' That is the view of many people who are disillusioned with what they regard as its attention-seeking antics, where artists themselves have proudly proclaimed 'the death of art'. Why has art been on this road to destruction, and how did it get there? How does one make sense of the bewildering complexity of Conceptual art, and how does one extract meaning from its diverse and sometimes bizarre manifestations? This predicament needs explanation, and an exploration of the theoretical underpinnings of modern and contemporary art, and a means to evaluate it. This book starts with a summarised overview of the major art movements since the beginning of the twentieth century, a tracing of the extraordinary journey that art has followed in modern times. The next part considers contemporary art movements, to explore whether they have value, and how that value can be determined. Are the activities that take place in the name of art actually art? Or, as some would have it, is it a gigantic sham, manipulated by clowns to make a trap for fools?To some, it is an outrage that modern and contemporary artists can splash paint around quickly and freely, with a modicum of skill, or assemble a range of found objects, and regard themselves as gifted and creative artists. Others see this as a new, forward-rolling wave, with art at last released from the suffocation and restrictions of the past. The rules have been cast aside. There are fresh ways of exploring and seeing the world, and expressing it freely. The world is constantly changing, and art must change with it. Modern art has followed a long journey. Traditions have been largely cast aside, and replaced with an unceasing search for the new. Our apparent progress is now being questioned. Where do we go from here? Are we on the right road? The second half of this book discusses how we can make sense of contemporary art and assign value to an artwork. Traditional painting and sculpture have physical limits, Conceptual art does not. This is a new freedom - but is it freedom for art, or freedom from art?

The 20th Century Art Book

Author :
Publisher : Phaidon Press Limited
ISBN 13 :
Total Pages : 524 pages
Book Rating : 4.3/5 (97 download)

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Book Synopsis The 20th Century Art Book by :

Download or read book The 20th Century Art Book written by and published by Phaidon Press Limited. This book was released on 1999-03-25 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following in the tradition of Phaidon's The Art Book, this is an illustrated dictionary which presents in alphabetical order the work of 500 great artists from the 20th century. Each artist is represented by a full-page colour plate of a key work and a short text about the work of the artist.

Italian Drawings of the 20th Century

Author : Antonello Negri
Publisher : Silvana Editoriale
ISBN 13 : 9788836641178
Total Pages : 420 pages
Book Rating : 4.6/5 (411 download)

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Book Synopsis Italian Drawings of the 20th Century by : Antonello Negri

Download or read book Italian Drawings of the 20th Century written by Antonello Negri and published by Silvana Editoriale. This book was released on 2019 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian Drawing of the 20th Century brings together works from the Ramo Collection, the only collection in the world exclusively dedicated to drawing in Italy during the 20th century, from the great masters to lesser-known figures. The collection--and this book--presents drawing in Italy as a fundamental part of 20th-century art history. Including a wide range of techniques on paper (from watercolor to collage, crayon to felt-tip pen), this volume presents drawing as the skeleton of 20th-century art because it represents the first visualization of an idea. As an essential early step in art making, drawing is an expressive means shared by artists in working in different mediums, opening up to realization in a wide range of art practices. Italian Drawing of the 20th Century presents a specific national history for this unique, wide-ranging medium of creative thought. Among the artists featured are Balla, Baruchello, Boccioni, Crippa, de Chirico, Depero, Fabro, Fontana, Kounellis, Licini, Manzoni, Melotti, Morandi, Munari, Penone, Pistoletto, Rama, Rosso, Rotella and Severini.

The Twentieth Century

Author : Maurice Besset
Publisher : A&C Black
ISBN 13 : 9780906969939
Total Pages : 204 pages
Book Rating : 4.9/5 (699 download)

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Book Synopsis The Twentieth Century by : Maurice Besset

Download or read book The Twentieth Century written by Maurice Besset and published by A&C Black. This book was released on 1988 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Twentieth Century is one of a series which attempts to describe the social, political, religious and intellectual climate in which the visual arts developed in a particular period as well as the genesis and attainments of its art and architecture and the features that distinguish its style and the artists who practised it. From the turn of the century Cite Industrielle to the latest in Environments, Conceptual Art and consumer-society architecture, the book surveys the major trends and experiments in painting, sculpture and architecture of the twentieth century. It traces the evolution of modern art from Matisse and the Fauves to some of the latest manifestations of Freud, abstraction, functionalism, futurism, pop art, op art, tachisme, cubism, surrealism, art brut, orphism and machines a habiter. The text attempts to analyze not only changes in style associated with the period but also radical changes in expressive means and new intellectual approaches towards creativity.

Themes in Contemporary Art

Author : Gillian Perry
Publisher :
ISBN 13 : 9780300101430
Total Pages : 326 pages
Book Rating : 4.1/5 (14 download)

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Book Synopsis Themes in Contemporary Art by : Gillian Perry

Download or read book Themes in Contemporary Art written by Gillian Perry and published by . This book was released on 2004 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: 02 In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization of art at the end of the twentieth century. Full color illustrations are featured throughout the volume. Gill Perry is senior lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University. In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization of art at the end of the twentieth century. Full color illustrations are featured throughout the volume. Gill Perry is senior lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University.

Formalism and Historicity

Author : Benjamin H. D. Buchloh
Publisher : National Geographic Books
ISBN 13 : 0262028522
Total Pages : 0 pages
Book Rating : 4.2/5 (62 download)

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Book Synopsis Formalism and Historicity by : Benjamin H. D. Buchloh

Download or read book Formalism and Historicity written by Benjamin H. D. Buchloh and published by National Geographic Books. This book was released on 2015-02-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays spanning three decades by one of the most rigorous art thinkers of our time grapple with formal and historical paradigms in twentieth century art. These influential essays by the noted critic and art historian Benjamin Buchloh have had a significant impact on the theory and practice of art history. Written over the course of three decades and now collected in one volume, they trace a history of crucial artistic transitions, iterations, and paradigmatic shifts in the twentieth century, considering both the evolution and emergence of artistic forms and the specific historical moment in which they occurred. Buchloh's subject matter ranges through various moments in the history of twentieth-century American and European art, from the moment of the retour à l'ordre of 1915 to developments in the Soviet Union in the 1920s to the beginnings of Conceptual art in the late 1960s to the appropriation artists of the 1980s. He discusses conflicts resulting from historical repetitions (such as the monochrome and collage/montage aesthetics in the 1910s, 1950s, and 1980s), the emergence of crucial neo-avantgarde typologies, and the resuscitation of obsolete genres (including the portrait and landscape, revived by 1980s photography). Although these essays are less monographic than those in Buchloh's earlier collection, Neo-Avantgarde and Culture Industry, two essays in this volume are devoted to Marcel Broodthaers, whose work remains central to Buchloh's theoretical concerns. Engaging with both formal and historical paradigms, Buchloh situates himself productively between the force fields of formal theory and historical narrative, embracing the discrepancies and contradictions between them and within individual artistic trajectories. Contents Formalism and Historicity (1977) • Marcel Broodthaers: Allegories of the Avant-Garde (1980) • Figures of Authority, Ciphers of Regression: Notes on the Return of Representation in European Painting (1981) • Allegorical Procedures: Appropriations and Montage in Contemporary Art (1982) • The Museum Fictions of Marcel Broodthaers (1983) • From Faktura to Factography (1984) • Readymade, Objet Trouvé, Idée Reçue (1985) • The Primary Colors for the Second Time: A Paradigm Repetition of the Neo-Avantgarde (1986) • Cold War Constructivism (1986) • Conceptual Art 1962–1969: From the Aesthetics of Administration to the Critique of Institutions (1989) • Residual Resemblance: Three Notes on the Ends of Portraiture (1994) • Sculpture: Publicity and the Poverty of Experience (1996)