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Comic Transformations In Shakespeare
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Book Synopsis Comic Transformations in Shakespeare by : Ruth Nevo
Download or read book Comic Transformations in Shakespeare written by Ruth Nevo and published by Routledge. This book was released on 2013-10-11 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
Book Synopsis Comic Transformations in Shakespeare by : Ruth Nevo
Download or read book Comic Transformations in Shakespeare written by Ruth Nevo and published by Routledge. This book was released on 2013-10-11 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1980. In this study of Shakespeare's ten early comedies, from The Comedy of Errors to Twelfth Night, the concept of a dynamic of comic form is developed; the Falstaff plays are seen as a watershed, and the emergence of new comic protagonists - the resourceful, anti-romantic romantic heroine and the Fool - as the summit of the achievement. The plays are explored from three complementary perspectives - theoretical, developmental and interpretative which lead to a further understanding of the powerful relation between the plays' formal complexity and their naturalistic verisimilitude.
Book Synopsis The Evolution of Shakespeare's Comedy by : Larry S. Champion
Download or read book The Evolution of Shakespeare's Comedy written by Larry S. Champion and published by Harvard University Press. This book was released on 1970 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: The evolution of Shakespeare's comedy, in Larry Champion's view, is apparent in the expansion of his comic vision to include a complete reflection of human life while maintaining a comic detachment for the audience. Like the other popular dramatists of Elizabethan England, Shakespeare used the diverse comic motifs and devices which time and custom had proved effective. He went further, however, and created progressively deeper levels of characterization and plot interaction, thereby forming characters who were not merely devices subordinated to the needs of the plot. Shakespeare's development as a comic playwright, suggests Champion, was "consistently in the direction of complexity or depth of characterization." His earliest works, like those of his contemporaries, are essentially situation comedies: the humor arises from action rather than character. There is no significant development of the main characters; instead, they are manipulated into situations which are humorous as a result, for example, of mistaken identity or slapstick confusion. The ensuing phase of Shakespeare's comedy sets forth plots in which the emphasis is on identity rather than physical action, a revelation of character which occurs in one of two forms: either a hypocrite is exposed for what he actually is or a character who has assumed an unnatural or abnormal pose is forced to realize and admit the ridiculousness of his position. In the final comedies involving sin and sacrificial forgiveness, however, character development is concerned with a "transformation of values." Although each of the comedies is discussed, Champion concentrates on nine, dividing them according to the complexity of characterization. He pursues as well the playwright's efforts to achieve for the spectator the detached stance so vital to comedy. Shakespeare obtained this perspective, Champion observes, through experimentation with the use of material mirroring the main action--mockery, parody, or caricature--and through the use of a "comic pointer" who is himself involved in the action but is sufficiently independent of the other characters to provide the audience with an omniscient view.
Book Synopsis The Taming of the Shrew by : Harold Bloom
Download or read book The Taming of the Shrew written by Harold Bloom and published by Infobase Publishing. This book was released on 2009 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of essays discussing aspects of William Shakespeare's comedy portraying the ageless battle between the sexes.
Book Synopsis Shakespeare’s comic theory by : Thomas Allen Nelson
Download or read book Shakespeare’s comic theory written by Thomas Allen Nelson and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-03-18 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: No detailed description available for "Shakespeare's comic theory".
Book Synopsis Shakespeare's Comic Rites by : Edward Berry
Download or read book Shakespeare's Comic Rites written by Edward Berry and published by Cambridge University Press. This book was released on 1984-10-18 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Berry combines social history, anthropology and literary criticism to Shakespeare's romantic comedies.
Book Synopsis The Metamorphoses of Shakespearean Comedy by : William C. Carroll
Download or read book The Metamorphoses of Shakespearean Comedy written by William C. Carroll and published by Princeton University Press. This book was released on 2014-07-14 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that the idea of metamorphosis is central to both the theory and practice of Shakespearean comedy. It offers a synthesis of several major themes of Shakespearean comedy--identity, change, desire, marriage, and comic form--under the master trope of transformation. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Acting Funny written by Frances N. Teague and published by Fairleigh Dickinson Univ Press. This book was released on 1994 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Finally, these assumptions lead to the corollary that such hierarchies are natural and immutable and not fashioned by critics.
Book Synopsis Political and Comic Characters of Shakespeare by : John L. Palmer
Download or read book Political and Comic Characters of Shakespeare written by John L. Palmer and published by Springer. This book was released on 1962-12-01 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Dramatic Form in Shakespeare and the Jacobeans by : Leo Salingar
Download or read book Dramatic Form in Shakespeare and the Jacobeans written by Leo Salingar and published by Cambridge University Press. This book was released on 1986-03-20 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays concerned with aspects of dramatic form in works by Shakespeare and his contemporaries.
Book Synopsis Shakespeare & the Uses of Comedy by : Joseph Allen Bryant
Download or read book Shakespeare & the Uses of Comedy written by Joseph Allen Bryant and published by University Press of Kentucky. This book was released on 1986 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.
Book Synopsis The Shakespearean Grotesque by : Willard Farnham
Download or read book The Shakespearean Grotesque written by Willard Farnham and published by Oxford : Clarendon Press. This book was released on 1971 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare's Agonistic Comedy by : G. Beiner
Download or read book Shakespeare's Agonistic Comedy written by G. Beiner and published by Fairleigh Dickinson Univ Press. This book was released on 1993 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: "As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly."--Jacket.
Download or read book Shakespeare written by Robert S. Knapp and published by Princeton University Press. This book was released on 2014-07-14 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretation. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis Shakespeare's Comic Sequence by : Kenneth Muir
Download or read book Shakespeare's Comic Sequence written by Kenneth Muir and published by . This book was released on 1979 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Comic Matrix of Shakespeare's Tragedies by : Susan Snyder
Download or read book The Comic Matrix of Shakespeare's Tragedies written by Susan Snyder and published by Princeton University Press. This book was released on 2019-01-29 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comic elements in Shakespeare's tragedies have often been noted, but while most critics have tended to concentrate on humorous interludes or on a single play, Susan Snyder seeks a more comprehensive understanding of how Shakespeare used the conventions, structures, and assumptions of comedy in his tragic writing. She argues that Shakespeare's early mastery of romantic comedy deeply influenced his tragedies both in dramaturgy and in the expression and development of his tragic vision. From this perspective she sheds new light on Romeo and Juliet, Hamlet, Othello, and King Lear. The author shows Shakespeare's tragic vision evolving as he moves through three possibilities: comedy and tragedy functioning first as polar opposites, later as two sides of the same coin, and finally as two elements in a single compound. In the four plays examined here, Professor Snyder finds that traditional comic structures and assumptions operate in several ways to shape the tragedy: they set up expectations which when proven false reinforce the movement into tragic inevitability; they underline tragic awareness by a pointed irrelevance; they establish a point of departure for tragedy when comedy's happy assumptions reveal their paradoxical "shadow" side; and they become part of the tragedy itself when the comic elements threaten the tragic hero with insignificance and absurdity. Susan Snyder is Professor of English at Swarthmore College. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
