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Cinematic Shakespeare
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Book Synopsis Cinematic Shakespeare by : Michael A. Anderegg
Download or read book Cinematic Shakespeare written by Michael A. Anderegg and published by Rowman & Littlefield. This book was released on 2004 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Anderegg investigates how Shakespeare films constitute an exciting & ever-changing film genre. He looks closely at films by Olivier, Welles, & Branagh, as well as postmodern Shakespeares & multiple adaptations over the years of 'Romeo and Juliet'.
Book Synopsis 100 Shakespeare Films by : Daniel Rosenthal
Download or read book 100 Shakespeare Films written by Daniel Rosenthal and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films. Directors as diverse as Orson Welles, Akira Kurosawa, Franco Zeffirelli, Kenneth Branagh, Baz Luhrmann and Julie Taymor have transferred Shakespeare's plays from stage to screen with unforgettable results. Spanning a century of cinema, from a silent short of 'The Tempest' (1907) to Kenneth Branagh's 'As You Like It' (2006), Daniel Rosenthal's up-to-date selection takes in the most important, inventive and unusual Shakespeare films ever made. Half are British and American productions that retain Shakespeare's language, including key works such as Olivier's 'Henry V' and 'Hamlet', Welles' 'Othello' and 'Chimes at Midnight', Branagh's 'Henry V' and 'Hamlet', Luhrmann's 'Romeo + Juliet' and Taymor's 'Titus'. Alongside these original-text films are more than 30 genre adaptations: titles that aim for a wider audience by using modernized dialogue and settings and customizing Shakespeare's plots and characters, transforming 'Macbeth' into a pistol-packing gangster ('Joe Macbeth' and 'Maqbool') or reimagining 'Othello' as a jazz musician ('All Night Long'). There are Shakesepeare-based Westerns ('Broken Lance', 'King of Texas'), musicals ('West Side Story', 'Kiss Me Kate'), high-school comedies ('10 Things I Hate About You', 'She's the Man'), even a sci-fi adventure ('Forbidden Planet'). There are also films dominated by the performance of a Shakespearean play ('In the Bleak Midwinter', 'Shakespeare in Love'). Rosenthal emphasises the global nature of Shakespearean cinema, with entries on more than 20 foreign-language titles, including Kurosawa's 'Throne of Blood and Ran', Grigori Kozintsev's 'Russian Hamlet' and 'King Lear', and little-known features from as far afield as 'Madagascar' and 'Venezuela', some never released in Britain or the US. He considers the films' production and box-office history and examines the film-makers' key interpretive decisions in comparison to their Shakespearean sources, focusing on cinematography, landscape, music, performance, production design, textual alterations and omissions. As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
Book Synopsis Shakespeare in the Cinema by : Stephen M. Buhler
Download or read book Shakespeare in the Cinema written by Stephen M. Buhler and published by State University of New York Press. This book was released on 2012-02-01 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a comprehensive look at the strategies that filmmakers have employed in adapting Shakespeare's plays to the cinema, this book investigates what the task of Shakespearean adaptation reveals about film in general and focuses on patterns and approaches shared by various cinematic works. Buhler provides concise histories of each general strategy, which include non-illusionistic cinema, documentary interpretations, mass-market productions, transgressive and transnational cinema, and approaches that see film as either distinct from the stage or as an extension of theatrical traditions. The book spans more than a century of film, starting with the 1899 King John and extending through Michael Hoffman's A Midsummer Night's Dream, Julie Taymor's Titus, and later releases.
Book Synopsis Shakespeare, Film Studies, and the Visual Cultures of Modernity by : A. Guneratne
Download or read book Shakespeare, Film Studies, and the Visual Cultures of Modernity written by A. Guneratne and published by Springer. This book was released on 2016-04-30 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.
Book Synopsis The Cambridge Companion to Shakespeare on Film by : Russell Jackson
Download or read book The Cambridge Companion to Shakespeare on Film written by Russell Jackson and published by Cambridge University Press. This book was released on 2007-03-29 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: This companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. The emphasis is on feature films for cinema with strong coverage Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet.
Book Synopsis Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films by : Jessica M. Maerz
Download or read book Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films written by Jessica M. Maerz and published by Cambridge Scholars Publishing. This book was released on 2017-05-11 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kenneth Branagh is the most important contemporary figure in the production of filmed Shakespeare. His five feature-length Shakespeare films, Henry V (1989), Much Ado About Nothing (1993), Hamlet (1996), Love’s Labour’s Lost (2000) and As You Like It (2007) both created and represented the explosion of filmed Shakespeare adaptations that began in the 1990s. This book demonstrates Branagh’s appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original; it examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes. The generic appeal in Branagh’s films is one that grows progressively, becoming incrementally more critical to his Shakespearean adaptations as Branagh’s career progresses. Thus, his debut film, Henry V, is the least classically generic of all his films, relying primarily on intertextual and generic references to more contemporary styles, like the action genre and the Vietnam War film. Much Ado About Nothing represents a transitional moment in Branagh’s generic development; while the film closely accords to the norms of the screwball comedy, this generic correspondence derives primarily from the Shakespearean text. With Hamlet, Branagh begins to experiment with genre as a conceptual conceit: although the film owes much to classical domestic melodrama, particularly in Hamlet’s relationships with Gertrude and Ophelia, Branagh frames his domestic story with devices drawn from the classical Hollywood historical epic. Branagh’s spectacular failure Love’s Labour’s Lost demonstrates a unique subordination of the logic and authority of the Shakespearean source text to the demands of the classical musical form. Finally, Branagh’s most recent film, As You Like It, reveals a new approach towards working with filmed Shakespeare, while simultaneously “re-working” the generic structures and practices that characterize his earlier, more successful films.
Book Synopsis Shakespeare and World Cinema by : Mark Thornton Burnett
Download or read book Shakespeare and World Cinema written by Mark Thornton Burnett and published by Cambridge University Press. This book was released on 2013 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the significance of Shakespeare in contemporary world cinema for the first time. Mark Thornton Burnett draws on a wealth of examples from Africa, the Arctic, Brazil, China, France, India, Malaysia, Mexico, Singapore, Tibet, Venezuela, Yemen and elsewhere.
Book Synopsis Shakespeare and the English-speaking Cinema by : Russell Jackson
Download or read book Shakespeare and the English-speaking Cinema written by Russell Jackson and published by Oxford University Press. This book was released on 2014 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare and the English-speaking Cinema is a lively, authoritative, and innovative overview of the ways in which Shakespeare's plays have been adapted for cinema. Organised by topics rather than chronology, it offers detailed commentary on significant films, including both 'mainstream' and 'canonical' works by such directors as Laurence Olivier, Orson Welles, Franco Zeffirelli, and Kenneth Branagh, and such ground-breaking movies as Derek Jarman's The Tempest, Baz Luhrmann's William Shakespeare's Romeo + Juliet and Peter Greenaway's Prospero's Books. Chapters on the location of films in place and time, the effect of this on characterisation, and issues of gender and political power are followed by a discussion of work that goes 'beyond Shakespeare. A filmography and suggestions for further reading complete this stimulating, fresh, and accessible account of an important aspect of Shakespeare studies.
Book Synopsis Shakespeare's cinema of love by : R. S. White
Download or read book Shakespeare's cinema of love written by R. S. White and published by Manchester University Press. This book was released on 2016-10-03 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This engaging and stimulating book argues that Shakespeare's plays significantly influenced movie genres in the twentieth century, particularly in films concerning love in the classic Hollywood period. Shakespeare's 'green world' has a close functional equivalent in 'tinseltown' and on 'the silver screen', as well as in hybrid genres in Bollywood cinema. Meanwhile, Romeo and Juliet continues to be an enduring source for romantic tragedy on screen. The nature of generic indebtedness has not gained recognition because it is elusive and not always easy to recognise. The book traces generic links between Shakespeare's comedies of love and screen genres such as romantic comedy, 'screwball' comedy and musicals, as well as clarifying the use of common conventions defining the genres, such as mistaken identity, 'errors', disguise and 'shrew-taming'. Speculative, challenging and entertaining, the book will appeal to those interested in Shakespeare, movies and the representation of love in narratives.
Book Synopsis Shakespeare, Cinema and Desire by : S. Ryle
Download or read book Shakespeare, Cinema and Desire written by S. Ryle and published by Springer. This book was released on 2013-11-13 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Cinema and Desire explores the desires and the futures of Shakespeare's language and cinematographic adaptations of Shakespeare. Tracing ways that film offers us a rich new understanding of Shakespeare, it highlights issues such as media technology, mourning, loss, the voice, narrative territories and flows, sexuality and gender.
Book Synopsis Shakespeare, The Movie II by : Richard Burt
Download or read book Shakespeare, The Movie II written by Richard Burt and published by Routledge. This book was released on 2004-02-24 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond. Shakespeare, The Movie II: *focuses for the first time on the impact of postcolonialism, globalization and digital film on recent adaptations of Shakespeare; *takes in not only American and British films but also adaptations of Shakespeare in Europe and in the Asian diapora; *explores a wide range of film, television, video and DVD adaptations from Almereyda's Hamlet to animated tales, via Baz Luhrmann, Kenneth Branagh, and 1990s' Macbeths, to name but a few; *offers fresh insight into the issues surrounding Shakespeare on film, such as the interplay between originals and adaptations, the appropriations of popular culture, the question of spectatorship, and the impact of popularization on the canonical status of "the Bard." Combining three key essays from the earlier collection with exciting new work from leading contributors, Shakespeare, The Movie II offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film, media or cultural studies.
Book Synopsis Studying Shakespeare on Film by : Rebekah Owens
Download or read book Studying Shakespeare on Film written by Rebekah Owens and published by Liverpool University Press. This book was released on 2021-06-15 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aimed at newcomers to literature and film, this book is a guide for the analysis of Shakespeare on film. Starting with an introduction to the main challenge faced by any director—the early-modern language—it presents case studies of the twelve films most often used in classroom teaching, including Romeo and Juliet, Macbeth, and The Tempest.
Book Synopsis Shakespeare on Film by : Jack J. Jorgens
Download or read book Shakespeare on Film written by Jack J. Jorgens and published by . This book was released on 1977 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare, Cinema, Counter-Culture by : Ailsa Grant Ferguson
Download or read book Shakespeare, Cinema, Counter-Culture written by Ailsa Grant Ferguson and published by Routledge. This book was released on 2016-06-23 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addressing for the first time Shakespeare’s place in counter-cultural cinema, this book examines and theorizes counter-hegemonic, postmodern, and post-punk Shakespeare in late 20th and early 21st century film. Drawing on a diverse range of case studies, Grant Ferguson presents an interdisciplinary approach that offers new theories on the nature and application of Shakespearean appropriations in the light of postmodern modes of representation. The book considers the nature of the Shakespearean inter-text in subcultural political contexts concerning the politicized aesthetics of a Shakespearean ‘body in pieces,’ the carnivalesque, and notions of Shakespeare as counter-hegemonic weapon or source of empowerment. Representative films use Shakespeare (and his accompanying cultural capital) to challenge notions of capitalist globalization, dominant socio-cultural ideologies, and hegemonic modes of expression. In response to a post-modern culture saturated with logos and semiotic abbreviations, many such films play with the emblematic imagery and references of Shakespeare’s texts. These curious appropriations have much to reveal about the elusive nature of intertextuality in late postmodern culture and the battle for cultural ownership of Shakespeare. As there has yet to be a study that isolates and theorizes modes of Shakespearean production that specifically demonstrate resistance to the social, political, ideological, aesthetic, and cinematic norms of the Western world, this book expands the dialogue around such texts and interprets their patterns of appropriation, adaptation, and representation of Shakespeare.
Author :Mary Ellen Dakin Publisher :National Council of Teachers of English (Ncte) ISBN 13 :9780814139073 Total Pages :0 pages Book Rating :4.1/5 (39 download)
Book Synopsis Reading Shakespeare Film First by : Mary Ellen Dakin
Download or read book Reading Shakespeare Film First written by Mary Ellen Dakin and published by National Council of Teachers of English (Ncte). This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Reading Shakespeare Film First, Mary Ellen Dakin asserts that we need to read Shakespeare in triplicate--as the stuff of transformative literature, theater, and film. The potential for the mutual reinforcement and transfer of twenty-first-century literacy skills between text and film is too promising for classroom teachers to overlook. Studying Shakespeare in the high school classroom can and sometimes should begin with images and film. In Reading Shakespeare Film First, Mary Ellen Dakin asserts that we need to read Shakespeare in triplicate--as the stuff of transformative literature, theater, and film. The potential for the mutual reinforcement and transfer of twenty-first-century literacy skills between text and film is too promising for classroom teachers to overlook. The heart of this book is a triangle whose three points are literary, theatrical, and cinematic; the chapters map a route around the perimeter of the triangle, guiding teachers and students with carefully researched and classroom-tested strategies for crossing over from Shakespeare's rich and strange early modern English to equally rich and strange modern film and illustrated productions of his plays. Along the way, readers engage in reading and analyzing film stills, movie posters, and book covers; recognizing the three faces of film: literary, theatrical, and cinematic; exploring in depth the theatrical and cinematic elements of Shakespeare and then reconnecting them to the text; reading Shakespeare in full-length films; and transmediating Shakespeare's scripts into theater and film. As the "old" language of Shakespeare is constantly renewed through the "new" language of film, students develop twenty-first-century literacy skills through a marriage of the two.
Book Synopsis Shakespeare on Film by : Maurice Hindle
Download or read book Shakespeare on Film written by Maurice Hindle and published by Bloomsbury Publishing. This book was released on 2015-09-10 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: An approachable guide to Shakespeare on film, this book establishes the differences between stage and screen. It covers the history of Shakespeare on the screen since 1899, and discusses various modes and conventions of adaptations. Thoroughly updated to include the most recent films, for instance Joss Whedon's 2013 Much Ado About Nothing, it also explores the latest technology, such as DVD and Blu-ray, as well as live stage-to-screen productions. It also includes an exclusive interview with filmmaker John Wyver, discussing his own adaptations for the small screen.
Book Synopsis Shakespeare, The Movie by : Lynda E. Boose
Download or read book Shakespeare, The Movie written by Lynda E. Boose and published by Routledge. This book was released on 2005-06-28 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare. Taking a fresh look at the Bard an his place in the movies, Shakespeare, The Movie includes a selection of what is presently available in filmic format to the Shakespeare student or scholar, ranging across BBC television productions, filmed theatre productions, and full screen adaptations by Kenneth Branagh and Franco Zeffirelli. Films discussed include: * Amy Heckerling's Clueless * Gus van Sant's My Own Private Idaho * Branagh's Henry V * Baz Luhrman's William Shakespeare's Romeo and Juliet * John McTiernan's Last Action Hero * Peter Greenaway's Prospero's Books * Zeffirelli's Hamlet.
