Cinema's Illusions, Opera's Allure

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Publisher : Bloomsbury Publishing
ISBN 13 : 1474291414
Total Pages : 402 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis Cinema's Illusions, Opera's Allure by : David Schroeder

Download or read book Cinema's Illusions, Opera's Allure written by David Schroeder and published by Bloomsbury Publishing. This book was released on 2016-10-06 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.

Opera as Soundtrack

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Author :
Publisher : Routledge
ISBN 13 : 1317085477
Total Pages : 260 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Opera as Soundtrack by : Jeongwon Joe

Download or read book Opera as Soundtrack written by Jeongwon Joe and published by Routledge. This book was released on 2016-05-13 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.

Film Music in the Sound Era

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Author :
Publisher : Routledge
ISBN 13 : 1000091287
Total Pages : 1155 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Film Music in the Sound Era by : Jonathan Rhodes Lee

Download or read book Film Music in the Sound Era written by Jonathan Rhodes Lee and published by Routledge. This book was released on 2020-03-10 with total page 1155 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume.

Voicing the Cinema

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Publisher : University of Illinois Press
ISBN 13 : 0252051866
Total Pages : 489 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis Voicing the Cinema by : James Buhler

Download or read book Voicing the Cinema written by James Buhler and published by University of Illinois Press. This book was released on 2020-03-16 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theorists of the soundtrack have helped us understand how the voice and music in the cinema impact a spectator's experience. James Buhler and Hannah Lewis edit in-depth essays from many of film music's most influential scholars in order to explore fascinating issues around vococentrism, the voice in cinema, and music’s role in the integrated soundtrack. The collection is divided into four sections. The first explores historical approaches to technology in the silent film, French cinema during the transition era, the films of the so-called New Hollywood, and the post-production sound business. The second investigates the practice of the singing voice in diverse repertories such as Bergman's films, Eighties teen films, and girls' voices in Brave and Frozen. The third considers the auteuristic voice of the soundtrack in works by Kurosawa, Weir, and others. A last section on narrative and vococentrism moves from The Martian and horror film to the importance of background music and the state of the soundtrack at the end of vococentrism. Contributors: Julie Brown, James Buhler, Marcia Citron, Eric Dienstfrey, Erik Heine, Julie Hubbert, Hannah Lewis, Brooke McCorkle, Cari McDonnell, David Neumeyer, Nathan Platte, Katie Quanz, Jeff Smith, Janet Staiger, and Robynn Stilwell

When Opera Meets Film

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Publisher : Cambridge University Press
ISBN 13 : 1139489631
Total Pages : pages
Book Rating : 4.1/5 (394 download)

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Book Synopsis When Opera Meets Film by : Marcia J. Citron

Download or read book When Opera Meets Film written by Marcia J. Citron and published by Cambridge University Press. This book was released on 2010-05-27 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La Cérémonie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.

Seeing Through Music

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Publisher : Oxford University Press
ISBN 13 : 0199874638
Total Pages : 202 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Seeing Through Music by : Peter Franklin

Download or read book Seeing Through Music written by Peter Franklin and published by Oxford University Press. This book was released on 2011-07-29 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the émigré Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane and Psycho. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."

Technology and the Diva

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Publisher : Cambridge University Press
ISBN 13 : 0521198062
Total Pages : 245 pages
Book Rating : 4.5/5 (211 download)

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Book Synopsis Technology and the Diva by : Karen Henson

Download or read book Technology and the Diva written by Karen Henson and published by Cambridge University Press. This book was released on 2016-09-12 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on the operatic soprano as the diva and her relationships with technology from the 1820s to the digital age.

The Tales of Hoffmann

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Publisher : Bloomsbury Publishing
ISBN 13 : 1839020636
Total Pages : 137 pages
Book Rating : 4.8/5 (39 download)

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Book Synopsis The Tales of Hoffmann by : William Germano

Download or read book The Tales of Hoffmann written by William Germano and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Tales of Hoffmann (1951) is a unique and important film, both in the history of British cinema and in the history of interdisciplinary art-making. It is the first full-throttle presentation of an opera on screen: a Technicolor exploration of romance, fantasy, and failure, more danced than sung.

Historical Dictionary of Opera

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Publisher : Scarecrow Press
ISBN 13 : 0810879433
Total Pages : 564 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Opera by : Scott L. Balthazar

Download or read book Historical Dictionary of Opera written by Scott L. Balthazar and published by Scarecrow Press. This book was released on 2013-07-05 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.

Film's Musical Moments

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Publisher : Edinburgh University Press
ISBN 13 : 0748627278
Total Pages : 240 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Film's Musical Moments by : Ian Conrich

Download or read book Film's Musical Moments written by Ian Conrich and published by Edinburgh University Press. This book was released on 2006-07-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The scope of this collection is indicative of the breadth and diversity of music's role in cinema, as is its emphasis on musical contributions to 'non-musical' films. By bringing together chapters that are concerned both with the relationship between performance, music and film and the specificity of national, historical, social, and cultural contexts, Film's Musical Moments will be of equal importance to students of film studies, cultural studies and music. The book is organised into four sections: Music, Film, Culture focuses on cinema representations of music forms; Stars, Performance and Reception explores stars, fan cultures and intertextuality; The Post-Classical Hollywood Musical considers the importance of popular music to contemporary cinema; and Beyond Hollywood looks to specific national contexts.

Opera

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Publisher : Simon and Schuster
ISBN 13 : 1780741723
Total Pages : 182 pages
Book Rating : 4.7/5 (87 download)

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Book Synopsis Opera by : Alexandra Wilson

Download or read book Opera written by Alexandra Wilson and published by Simon and Schuster. This book was released on 2012-12-01 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is often dismissed as outdated and excessive, and perceived to be characterised by excessive passions, sumptuous costumes, and ill-mannered divas. In reality, however, operas address the most fundamental and universal of human concerns - love, death, jealousy, greed, and power. Revealing the diverse reasons behind opera's lasting appeal, opera champion and expert Alexandra Wilson provides a lucid and engaging introduction to the agendas that have governed its composition, production and reception over the last four centuries, and explains the reasons behind its enduring appeal.

Hitchcock's Ear

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Publisher : A&C Black
ISBN 13 : 1441182160
Total Pages : 277 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis Hitchcock's Ear by : David Schroeder

Download or read book Hitchcock's Ear written by David Schroeder and published by A&C Black. This book was released on 2012-03-22 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author focuses on the way that music has infiltrated Hitchcock’s thinking as a director, from his earliest silent films to his last works.

The Cambridge Companion to Opera Studies

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Publisher : Cambridge University Press
ISBN 13 : 0521855616
Total Pages : 365 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis The Cambridge Companion to Opera Studies by : Nicholas Till

Download or read book The Cambridge Companion to Opera Studies written by Nicholas Till and published by Cambridge University Press. This book was released on 2012-10-18 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.

Changing Tunes: The Use of Pre-existing Music in Film

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Publisher : Routledge
ISBN 13 : 1351572431
Total Pages : 224 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Changing Tunes: The Use of Pre-existing Music in Film by : Robynn Stilwell

Download or read book Changing Tunes: The Use of Pre-existing Music in Film written by Robynn Stilwell and published by Routledge. This book was released on 2017-09-08 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of pre-existing film music is now a well-established part of Film Studies, covering 'classical' music and popular music. Generally, these broad musical types are studied in isolation. This anthology brings them together in twelve focused case studies by a range of scholars, including Claudia Gorbman, Jeongwon Joe, Raymond Knapp, and Timothy Warner. The first section explores art music, both instrumental and operatic; it revolves around the debate on the relation between the aural and visual tracks, and whether pre-existing music has an integrative function or not. The second section is devoted to popular music in film, and shows how very similar the functions of popular music in film are to the supposedly more 'elite' classical music and opera. Case studies in part 1: Eyes Wide Shut, Raging Bull, Brief Encounter, Detective, The Godfather Part III, three versions of the Carmen story (DeMille's, Preminger's and Rosi's), Amadeus, The Birth of a Nation, M: Eine Stadt sucht einen MA rder, Needful Things, Rat Race. Case studies in part 2: various films by AlmodA^3var, Young Frankenstein, Pulp Fiction, Trainspotting, Amelie, High Fidelity, Ghost World, Heavenly Creatures, The Virgin Suicides, and the video Timber by Coldcut.

The Oxford Handbook of Shakespeare and Performance

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Publisher : Oxford University Press
ISBN 13 : 0191510823
Total Pages : 766 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis The Oxford Handbook of Shakespeare and Performance by : James C. Bulman

Download or read book The Oxford Handbook of Shakespeare and Performance written by James C. Bulman and published by Oxford University Press. This book was released on 2017-11-16 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbooks to Shakespeare are designed to record past and present investigations and renewed and revised judgments by both familiar and younger Shakespeare specialists. Each of these volumes is edited by one or more internationally distinguished Shakespeareans; together, they comprehensively survey the entire field. Shakespearean performance criticism has firmly established itself as a discipline accessible to scholars and general readers alike. And just as performances of the plays expand audiences' understanding of how Shakespeare speaks to them, so performance criticism is continually shifting the contours of the discipline. The 36 contributions in this volume represent the most current approaches to Shakespeare in performance. They are divided into four parts. Part I explores how experimental modes of performance ensure Shakespeare's contemporaneity. Part II tackles the burgeoning field of reception: how and why audiences respond to performances as they do. Part III addresses the ways in which technology has revolutionized our access to Shakespeare, both through the mediums of film and sound recording and through digitalization. Part IV grapples with 'global' Shakespeare, considering matters of cultural appropriation in productions played for international audiences. Together, these ground-breaking essays attest to the richness and diversity of Shakespearean performance criticism as it is practiced today

Opera as Anthropology

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443814229
Total Pages : 380 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Opera as Anthropology by : Vlado Kotnik

Download or read book Opera as Anthropology written by Vlado Kotnik and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contemplates the relationship between opera and anthropology. It rests on the following central arguments: on the one hand, opera is quite a new and “exotic” topic for anthropologists, while, on the other, anthropology is still perceived as an unusual approach to opera. Both initial arguments are indicative of the current situation of the relationship between anthropological discipline and opera research. The book introduces the work of anthropologists and ethnographers whose personal and professional affinity for opera has been explicated in their academic and biographical accounts. Anthropological, ethnological, ethnographic, and semiotic accounts of opera by Claude Lévi-Strauss, Michel Leiris, William O. Beeman, Denis Laborde, Paul Atkinson, and Philippe-Joseph Salazar establish that opera can be a pertinent object of anthropological interest, ethnographic investigation, cultural analysis, and historical reflection. By touching on opera not merely as a musical, aesthetic, or artistic category, but as a social, cultural, historical, and transnational phenomenon that, over the last four centuries, has significantly influenced and reflected the identity of Western culture and society, this monograph suggests that opera and anthropology no longer need be alien to one another.

Shakespeare on Screen: Othello

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Publisher : Cambridge University Press
ISBN 13 : 1316352552
Total Pages : 261 pages
Book Rating : 4.3/5 (163 download)

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Book Synopsis Shakespeare on Screen: Othello by : Sarah Hatchuel

Download or read book Shakespeare on Screen: Othello written by Sarah Hatchuel and published by Cambridge University Press. This book was released on 2015-06-30 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Québec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources include a fuller version of the bibliography and an additional contribution on YouTube versions of Othello. This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.