Cinema in Iran, 1900-1979

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Publisher :
ISBN 13 :
Total Pages : 472 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Cinema in Iran, 1900-1979 by : Mohammad Ali Issari

Download or read book Cinema in Iran, 1900-1979 written by Mohammad Ali Issari and published by . This book was released on 1989 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The history of iranian cinema, 1900-1979

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Publisher :
ISBN 13 :
Total Pages : 655 pages
Book Rating : 4.:/5 (49 download)

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Book Synopsis The history of iranian cinema, 1900-1979 by : Masʻūd Mihrābī

Download or read book The history of iranian cinema, 1900-1979 written by Masʻūd Mihrābī and published by . This book was released on 1997 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The development of Iranian cinema after the Islamic Revolution

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Publisher : GRIN Verlag
ISBN 13 : 3640334841
Total Pages : 28 pages
Book Rating : 4.6/5 (43 download)

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Book Synopsis The development of Iranian cinema after the Islamic Revolution by : Sophie Duhnkrack

Download or read book The development of Iranian cinema after the Islamic Revolution written by Sophie Duhnkrack and published by GRIN Verlag. This book was released on 2009-05-28 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thesis (M.A.) from the year 2009 in the subject Orientalism / Sinology - Islamic Studies, grade: 85, Ben Gurion University, course: The 1979 Iranian Revolution: A Thirty-Year Perspective, language: English, abstract: An analysis of the recent development of Iranian Cinema should primarily mention its origins and history, especially since Iranian cinema always has been so closely linked to the political circumstances dominating the social reality. Its outset is generally accepted to have begun around 1900, when Mirza Ebrahim Khan Akkas Bashi, the official photographer of Muzaffar al-Din Shah, shot the first Iranian documentary.... As Richard Tapper states in his work, The New Iranian Cinema, “both government and religious authorities sought to control the images to be shown publicly.” ‘Formal censorship’ began in the 1920s, when the imported films exhibiting women, sex and amusement dominated the Iranian market. In contrast to this permissive attitude, depicting the political or social reality critically in local productions was taboo. Until the Second World War “nothing worthy of being called ‘national cinema’” was produced. In these decades, Iranian films were mainly remakes of foreign works, mainly Indian or Egyptian, and normally they lacked artistic quality. This genre of films is known as “Film Farsi.” Along with the development of film comes the history of censorship, which tries to curb the freedom of expression in increasingly institutionalized manners. Indeed, in 1950 a committee for the supervision of locally produced or imported films was established. This might have contributed to the fact that in the 1950s and 1960s, next to the import of American and Indian films, only “commercial films” were famous in Iran, whose sole aim was to entertain and to fill the cash tills. In this period too, the censorship worried more about the expression of political opinions than about the demonstration of sex. However, on the edge of mainstream productions slowly evolved few other interesting and formative films. “1969 is generally agreed to mark the birth of Iranian art cinema, called the New Wave.” In the following period various films were successfully presented to international film festivals. However, from its beginning on, the evolution of Iranian cinema was constantly accompanied by a consistent religious opposition. Through the lens of many Iranian clerics, films were immoral. They denounced cinema as a tool to access corrupt western influence into Iran. This suspicion and aversion against cinema, which was deep-rooted in many Iranian clergymen found later on as well expression in the Islamic Republic.

Film in Iran, 1900 to 1979

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Publisher :
ISBN 13 : 9789171463562
Total Pages : 194 pages
Book Rating : 4.4/5 (635 download)

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Book Synopsis Film in Iran, 1900 to 1979 by : Behrad Najafi

Download or read book Film in Iran, 1900 to 1979 written by Behrad Najafi and published by . This book was released on 1986 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Social History of Iranian Cinema, Volume 1

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Publisher : Duke University Press
ISBN 13 : 082234775X
Total Pages : 458 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis A Social History of Iranian Cinema, Volume 1 by : Hamid Naficy

Download or read book A Social History of Iranian Cinema, Volume 1 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div

Popular Iranian Cinema before the Revolution

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Publisher : Routledge
ISBN 13 : 1315385600
Total Pages : 389 pages
Book Rating : 4.3/5 (153 download)

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Book Synopsis Popular Iranian Cinema before the Revolution by : Pedram Partovi

Download or read book Popular Iranian Cinema before the Revolution written by Pedram Partovi and published by Routledge. This book was released on 2017-07-14 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.

The New Wave Cinema in Iran

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501369105
Total Pages : 249 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The New Wave Cinema in Iran by : Parviz Jahed

Download or read book The New Wave Cinema in Iran written by Parviz Jahed and published by Bloomsbury Publishing USA. This book was released on 2022-06-02 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The New Wave Cinema in Iran is a historical and analytical study of the Iranian New Wave Cinema (Mowj-e No) as an artistic and intellectual movement that came to its best early productions between 1958 and 1978. As the movement has a long history, Parviz Jahed focuses on the development and the early progression of the movement in the 1960s and explores its emergence and development in the context of the cultural and social conditions of Iran during this period. Jahed first defines the term 'New Wave' in Iran's film culture, in order to identify the root elements that gave traction to this movement. He analyses the degree to which different elements and factors have contributed to the formation of this cinema, accounting for the different approaches of Iranian intellectual filmmakers towards modernity and a modern form of cinema in Iran. The book finishes by studying the works of three intellectual figures and influential filmmakers of the 1960s, Ebrahim Golestan, Farrokh Ghaffari, and Feraydoon Rahnama, who are arguably considered the forerunners of the New Wave Cinema in Iran.

A Social History of Iranian Cinema, Volume 2

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Publisher : Duke University Press
ISBN 13 : 0822347741
Total Pages : 560 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis A Social History of Iranian Cinema, Volume 2 by : Hamid Naficy

Download or read book A Social History of Iranian Cinema, Volume 2 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.

The Pre-occupation of Postcolonial Studies

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Publisher : Duke University Press
ISBN 13 : 9780822325215
Total Pages : 428 pages
Book Rating : 4.3/5 (252 download)

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Book Synopsis The Pre-occupation of Postcolonial Studies by : Fawzia Afzal-Khan

Download or read book The Pre-occupation of Postcolonial Studies written by Fawzia Afzal-Khan and published by Duke University Press. This book was released on 2000 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Pre-Occupation of Postcolonial Studies contains essays by both leading figures and younger scholars engaged in the field of postcolonial studies. In this state-of-the-field reader, editors Fawzia Afzal-Khan and Kalpana Seshadri-Crooks have created a dynamic forum for contributors from a variety of theoretical and disciplinary vantage points to question both the limits and the limitations of postcolonial thought. Since it burst on the academic scene as the "hot" new disciplinary field during the final decade of the twentieth century, postcolonial studies has faced criticism from those who question its "troubling" trajectories, its sometimes suspect epistemological and pedagogical methods, and its relatively narrow focus. With diverse essays that emerge from such disciplines as South Asian, Latin American, Arab, and Jewish studies, this volume responds to skeptics and adherers alike, addressing not only the broad theoretical issues at stake within the field but also the position of the field itself within the academy, as well as its relationship to modern, postmodern, and Marxist discourses. Contributors offer critiques on ahistorical and universalizing tendencies in postcolonial work and confront the need for scholars to attend to issues of class, ideology, and the effects of neocolonial practices. Seeking to broaden the field's traditionally literary spectrum of methodologies, these essayists take up large thematic issues to examine specific sites of colonial activities with all of their historical, political, and cultural significance. Closing the volume is an insightful interview with Homi Bhabha, in which he discusses postcolonial studies in the context of contemporary cultural politics and theory. The Pre-Occupation of Postcolonial Studies not only offers an overview of the discipline but also pushes and pulls at the edges of postcolonial studies, offering a comprehensive view of the field's diversity of thought and envisioning clear pathways for its future. Contributors. Fawzia Afzal-Khan, Ali Behdad, Homi Bhabha, Daniel Boyarin, Neil Larsen, Saree Makdisi, Joseph Massad, Walter Mignolo, Hamid Naficy, Ngugi Wa Thingo, Timothy B. Powell, R. Radhakrishnan, Bruce Robbins, Kalpana Seshadri-Crooks, Ella Shohat, Rajeswari Sunder Rajan

Iranian Cosmopolitanism

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Publisher : Cambridge University Press
ISBN 13 : 1108418511
Total Pages : 321 pages
Book Rating : 4.1/5 (84 download)

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Book Synopsis Iranian Cosmopolitanism by : Golbarg Rekabtalaei

Download or read book Iranian Cosmopolitanism written by Golbarg Rekabtalaei and published by Cambridge University Press. This book was released on 2019-01-17 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.

Iranian Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 0857713701
Total Pages : 314 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Iranian Cinema by : Hamid Reza Sadr

Download or read book Iranian Cinema written by Hamid Reza Sadr and published by Bloomsbury Publishing. This book was released on 2006-09-29 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.

Iran Today [2 volumes]

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1567207405
Total Pages : 580 pages
Book Rating : 4.5/5 (672 download)

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Book Synopsis Iran Today [2 volumes] by : Manochehr Dorraj

Download or read book Iran Today [2 volumes] written by Manochehr Dorraj and published by Bloomsbury Publishing USA. This book was released on 2008-10-30 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iran dominates the media headlines once again and has taken center stage in the U.S. and European Union strategy toward the Middle East. A more nuanced understanding of Iranian society has assumed even greater significance and urgency. Iran Today: An Encyclopedia of Life in the Islamic Republic offers crucial insight for students and the general reader into an often misunderstood and complex country that is shrouded in mystery and misperception. Heir to a long history and a great culture and civilization, Iran embodies a rich, complex, and diverse mosaic that defines its national identity. Diversity is also the operative word that describes Iranian landscapes and geography, its multiple ethnic groups and their varied cultures and traditions, as well as the uneven and vastly different levels of economic and industrial development, conflicting political tendencies, and different and often contradictory social and cultural outlooks. Because of its tumultuous recent political history, Iran appears to encapsulate all of these internal differences and stark contrasts somewhat more distinctly than most of its neighbors. The 1978-1979 revolution transformed the society and culture in fundamental ways and redefined social life. It created new institutions of governance and Islamicized the culture, education and the legal system in an attempt to create a new society that would usher in the reign of piety and virtue. Yet, Islamization had to come to terms with pre-Islamic and illustrious Persian history and culture, as well as the realities of an interdependent, postmodern, globalized world in which, as a developing country, Iran resides in the periphery. Within this framework, the dynamics and complexity of social life in the Islamic Republic unfold. This encyclopedia is the source for up-to-date, authoritative information on a full range of critical topics of interest. Coverage of the Islamic Republic here falls into the general categories of history, politics, economics, society and culture. The most significant aspects of the life in Iran since the revolution-the era of the Islamic Republic so far-are stressed. The wide range of entries shows the richness and complexity of Iranian society, its multiple and varied facets, its expressions and outward manifestations, and its nuanced responses to political repression, instability, war, pervasive crisis and the chronic tension between modernity and tradition. Some of the entries designed to highlight these important phenomena revolve around the country's ethnic mosaic, the social role and position of women, veiling, the educational system, sports, intellectuals, the arts and artistic expression, literature, poetry, cuisine, healthcare, and the family. Other entries range from regionalism and urban development to the petroleum industry, agriculture, the banking system, issues of wealth and poverty, class structure and economic mobility, and the private sector. In a number of significant areas economic, social and cultural phenomena intersect. These intersections are reflected in entries on broadcasting and communications technology, the Internet, public relations, electronic and print media, and family planning and healthcare. A chronology, selected bibliography, and photos complement the entries.

Words, Not Swords

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Publisher : Syracuse University Press
ISBN 13 : 0815651600
Total Pages : 373 pages
Book Rating : 4.8/5 (156 download)

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Book Synopsis Words, Not Swords by : Farzaneh Milani

Download or read book Words, Not Swords written by Farzaneh Milani and published by Syracuse University Press. This book was released on 2011-05-16 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: A woman not only needs a room of her own, as Virginia Woolf wrote, but also the freedom to leave it and return to it at will; for a room without that right becomes a prison cell. The privilege of self-directed movement, the power to pick up and go as one pleases, has not been a traditional "right" of Iranian women. This prerogative has been denied them in the name of piety, anatomy, chastity, class, safety, and even beauty. It is only during the last 160 years that the spell has been broken and Iranian women have emerged as a moderating, modernizing force. Women writers have been at the forefront of this desegregating movement and renegotiation of boundaries. Words, Not Swords explores the legacy of sex segregation and its manifestations in Iranian literature and film and in notions of beauty and the erotics of passivity. Milani expands her argument beyond Iranian culture, arguing that freedom of movement is a theme that crosses frontiers and dissolves conventional distinctions of geography, history, and religion. She makes bold connections between veiling and foot binding, between Cinderella and Barbie, between the figures of the female Gypsy and the witch. In so doing, she challenges cultural hierarchies that divert attention from key issues in the control of women across the globe.

Iranian Intellectuals

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Publisher : Routledge
ISBN 13 : 1317969359
Total Pages : 167 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis Iranian Intellectuals by : Lloyd Ridgeon

Download or read book Iranian Intellectuals written by Lloyd Ridgeon and published by Routledge. This book was released on 2013-10-18 with total page 167 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previously published as a special issue of British Journal of Middle East Studies, this volume focuses on leading figures within Iran between 1997-2007 and their visions and works that are related to Iranian society. A cross section of opinion is investigated, including the clerical (‘Ali Khameneh’i, Muhammad Khatami and Mohsen Kadivar), the dissident (Mohsen Makhmalbaf), and the poetic (Qaysar Aminpour) and cinematic. The past decade has been a traumatic one in Iran, and the essays in this volume testify to the vibrancy of the responses from Iranian thinkers. It may be a surprise to some observers that in some senses, ‘Ali Khameneh’i may be considered a ‘liberal’ whereas Muhammad Khatami’s own credentials as an advocate of rapprochement with the West needs to be qualified. Responses to Western culture continue to remain centre-stage, and this is also nowhere more apparent than in the complex relationship between the directors of Iranian films (perhaps Iran’s most celebrated export these days) and their audiences, both Iranian and Western. Despite some viewing Iran as a pariah state, it remains firmly connected to the West and to modern technology, typified in the practice of blogging that is enjoyed by so many Iranians, which has provided a new space for expression and thinking.

Modernity, Sexuality, and Ideology in Iran

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Publisher : Syracuse University Press
ISBN 13 : 0815651392
Total Pages : 333 pages
Book Rating : 4.8/5 (156 download)

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Book Synopsis Modernity, Sexuality, and Ideology in Iran by : Kamran Talattof

Download or read book Modernity, Sexuality, and Ideology in Iran written by Kamran Talattof and published by Syracuse University Press. This book was released on 2011-06-01 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Iran, since the mid–nineteenth century, one issue has been a common concern: how should Iran become modern? More than a century of struggle for or against modernity has constituted much of the social, political, and cultural history of the country. In the decades since the 1979 Revolution, the question has become even more critical. In Modernity, Sexuality, and Ideology in Iran, Talattof finds that the process of modernity never truly unfolded, due in large part to Iran’s reluctance to embrace the seminal subjects of gender and sexuality. Talattof’s approach reflects a unique look at modernity as advancement not only in industry and economy but also toward an open, intellectual discourse on sexuality. Exploring the life and times of Shahrzad, a dancer, actress, filmmaker, and poet, Talattof illuminates the country’s struggle with modernity and the ideological, traditional, and religious resistance against it. Born in 1946, she performed in several theater productions, became an acclaimed film star in the 1970s, and pursued a career as a journalist and poet. Following the revolution, she was imprisoned and eventually became homeless on the streets of Tehran. Her success and eventual decline as a female artist and entertainer illustrate the conflict between modernity and tradition and Iran’s failure to embrace an overt expression of sexuality. Talattof also profiles several other female artists of the 1970s, analyzing their lives and work as windows through which to examine what Iranian culture allowed and what it repudiated. A pioneering and timely work, Modernity, Sexuality, and Ideology in Iran explores the integral role of popular culture and female artists in the shaping of modern Iran, constructing a new framework for understanding such crucial concepts as ideology and modernity.

Iranian-Russian Encounters

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Publisher : Routledge
ISBN 13 : 1136187200
Total Pages : 434 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Iranian-Russian Encounters by : Stephanie Cronin

Download or read book Iranian-Russian Encounters written by Stephanie Cronin and published by Routledge. This book was released on 2012-11-27 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past two hundred years, encounters between Iran and Russia have been both rich and complex. This book explores the myriad dimensions of the Iranian-Russian encounter during a dramatic period which saw both Iran and Russia subject to revolutionary upheavals and transformed from multinational dynastic empires typical of the nineteenth century to modernizing, authoritarian states typical of the twentieth. The collection provides a fresh perspective on traditional preoccupations of international relations: wars and diplomacy, the hostility of opposing nationalisms, the Russian imperial menace in the nineteenth century and the Soviet threat in the twentieth. Going beyond the traditional, this book examines subaltern as well as elite relations and combines a cultural, social and intellectual dimension with the political and diplomatic. In doing so the book seeks to construct a new discourse which contests the notion of an implacable enmity between Iran and Russia Bringing together leading scholars in the field, this book demonstrates extensive use of family archives, Iranian, Russian and Caucasian travelogues and memoirs, and newly available archives in both Iran and the countries of the former Soviet Union. Providing essential background to current international tensions, this book will be of particular use to students and scholars with an interest in the Middle East and Russia.

Animating Eroded Landscapes

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Publisher : H&S Media
ISBN 13 : 1780833822
Total Pages : 241 pages
Book Rating : 4.7/5 (88 download)

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Book Synopsis Animating Eroded Landscapes by : Ramin S Khanjani

Download or read book Animating Eroded Landscapes written by Ramin S Khanjani and published by H&S Media. This book was released on 2014 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: