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Cinema And Urban Culture In Shanghai 1922 1943
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Book Synopsis Cinema and Urban Culture in Shanghai, 1922-1943 by : Yingjin Zhang
Download or read book Cinema and Urban Culture in Shanghai, 1922-1943 written by Yingjin Zhang and published by Stanford University Press. This book was released on 1999 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume establishes cinema as a vital force in Shanghai culture, focusing on early Chinese cinema. It surveys the history and historiography of Chinese cinema and examines the development of the various aspects affecting the film culture.
Book Synopsis A Companion to Chinese Cinema by : Yingjin Zhang
Download or read book A Companion to Chinese Cinema written by Yingjin Zhang and published by John Wiley & Sons. This book was released on 2012-04-23 with total page 705 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications
Book Synopsis Chinese Film Classics, 1922–1949 by : Christopher G. Rea
Download or read book Chinese Film Classics, 1922–1949 written by Christopher G. Rea and published by Columbia University Press. This book was released on 2021-06-01 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.
Book Synopsis Contemporary Chinese Cinema and Visual Culture by : Sheldon Lu
Download or read book Contemporary Chinese Cinema and Visual Culture written by Sheldon Lu and published by Bloomsbury Publishing. This book was released on 2021-07-15 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Honourable Mention, Best Monograph Award, BAFTSS Publication Awards 2022 Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive body politic with mechanisms of control and surveillance. He explores the interrelations of the local, the national, the subnational, and the global as China repositions itself in the world. Lu considers examples from feature and documentary film, mainstream and marginal cinema, and a variety of visual arts: photography, painting, digital video, architecture, and installation. His close case studies include representations of class, masculinity and sexuality in contemporary Taiwanese and Chinese cinema; the figure of the sex worker as a symbol of modernity and mobility; and artists' representations of Beijing at the time of the 2008 Olympics.
Book Synopsis Building a New China in Cinema by : Laikwan Pang
Download or read book Building a New China in Cinema written by Laikwan Pang and published by Rowman & Littlefield. This book was released on 2002 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Building a New China in Cinema introduces English readers for the first time to one of the most exciting left-wing cinema traditions in the world. This unique book explores the history, ideology, and aesthetics of China's left-wing cinema movement, a quixotic film culture that was as political as commercial, as militant as sensationalist. Originating in the 1930s, it marked the first systematic intellectual involvement in Chinese cinema. In this era of turmoil and idealism, the movement's films were characterized by fantasies of heroism intertwined with the inescapable spell of impotency, thus exposing the contradictions of the filmmakers' underlying ideology as their political and artistic agendas alternately fought against or catered to the taste and viewing habits of a popular audience. Political cinema became a commercially successful industry, resulting in a film culture that has never been replicated. Drawing on detailed archival research, Pang demonstrates that this cinema movement was a product of the era's social, economic, and political discourses. The author offers a close analysis of many rarely seen films, richly illustrated with over eighty stills collected from the Beijing Film Archive. With its original conceptual approach and rich use of primary sources, this book will be of interest not only to scholars and fans of Chinese cinema but to those who study the relationship between cinema and modernity.
Book Synopsis The Chinese Cinema Book by : Song Hwee Lim
Download or read book The Chinese Cinema Book written by Song Hwee Lim and published by Bloomsbury Publishing. This book was released on 2020-04-30 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated new edition provides a comprehensive introduction to the history of cinema in mainland China, Hong Kong and Taiwan, as well as to disaporic and transnational Chinese film-making, from the beginnings of cinema to the present day. Chapters by leading international scholars are grouped in thematic sections addressing key historical periods, film movements, genres, stars and auteurs, and the industrial and technological contexts of cinema in Greater China.
Download or read book Projecting A Nation written by Jubin Hu and published by Hong Kong University Press. This book was released on 2003-06-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first major work on pre-1949 Chinese cinema in English. As such, it represents a major contribution to existing discussions of both Chinese cinema and national cinema, and is an indispensible basic resource for scholars interested in Chinese film history. The book analyses the wide variety of conceptions of "Chinese national cinema" between the early years of the 20th century and 1949, and contrasts these to conceptions of national cinema in Europe and China. After years of exhausting primary historical research, the author has been able to bring to light sources hitherto not widely available. The author argues that questions and debates about the status and meaning of the "national" in "Chinese national cinema" are central to any consideration of cinema during this period, and addresses the issue of Chinese nationalism as part of a complex history of cinema within the early modern Chinese nation.
Book Synopsis Shanghai Filmmaking by : HUANG Xuelei
Download or read book Shanghai Filmmaking written by HUANG Xuelei and published by BRILL. This book was released on 2014-09-03 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Shanghai Filmmaking, Huang Xuelei paints a multi-faceted picture of early Chinese film culture and examines a series of border-crossing practices across various ideological, geographical and medial divides.
Book Synopsis The Future of Museum and Gallery Design by : Suzanne MacLeod
Download or read book The Future of Museum and Gallery Design written by Suzanne MacLeod and published by Routledge. This book was released on 2018-06-18 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.
Book Synopsis Revealing/Reveiling Shanghai by : Lisa Bernstein
Download or read book Revealing/Reveiling Shanghai written by Lisa Bernstein and published by State University of New York Press. This book was released on 2020-08-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revealing/Reveiling Shanghai provides international and interdisciplinary perspectives on representations of Shanghai, a contested location within political discourse and cultural imagination. Shanghai's complex history as a quasi-colonial city, and its contradictory identity as the birthplace of Communist China and the epitome of twenty-first-century capitalism, make it an especially fascinating subject. Contributors examine representations of Shanghai in film, art, literature, memoir, theater, and mass media from the past one hundred years. They address the ways in which texts from the late twentieth and early twenty-first centuries have rewritten past and present Shanghai to reflect our own wishes and anguishes, show how the city resists static interpretations, and challenge notions of authentic representation and identity. By revealing and questioning persistent stereotypes and constructed versions of East and West, the essays offer diverse views so as to create a genuine exchange with contemporary global audiences. A wide variety of texts are discussed, including the films Street Angel (1937) and The White Countess (2005), and the novels The Song of Everlasting Sorrow (1996) and Shanghai Baby (1999).
Book Synopsis Shanghai Reflections by : Mario Gandelsonas
Download or read book Shanghai Reflections written by Mario Gandelsonas and published by Princeton Architectural Press. This book was released on 2002 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Student projects sponsored by Princeton, Hong Kong, and Tongji universities and reviewed by critics.
Book Synopsis Chinese National Cinema by : Yingjin Zhang
Download or read book Chinese National Cinema written by Yingjin Zhang and published by Routledge. This book was released on 2004-08-02 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.
Book Synopsis The Oxford Handbook of Chinese Cinemas by : Carlos Rojas
Download or read book The Oxford Handbook of Chinese Cinemas written by Carlos Rojas and published by Oxford University Press. This book was released on 2013-04-25 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded field, this Handbook presents thirty-three essays by leading researchers and scholars intent on yielding new insights and new analyses using three different methodologies. Chapters in Part I investigate the historical periodizations of the field through changing notions of national and political identity — all the way from the industry's beginnings in the 1920s up to its current forms in contemporary Hong Kong, Taiwan, and the global diaspora. Chapters in Part II feature studies centered on the field's taxonomical formalities, including such topics as the role of the Chinese opera in technological innovation, the political logic of the "Maoist film," and the psychoanalytic formula of the kung fu action film. Finally, in Part III, focus is given to the structural elements that comprise a work's production, distribution, and reception to reveal the broader cinematic apparatuses within which these works are positioned. Taken together, the multipronged approach supports a wider platform beyond the geopolitical and linguistic limitations in existing scholarship. Expertly edited to illustrate a representative set of up to date topics and approaches, The Oxford Handbook of Chinese Cinemas provides a vital addition to a burgeoning field still in its formative stages.
Book Synopsis Chinese Martial Arts Cinema by : Stephen Teo
Download or read book Chinese Martial Arts Cinema written by Stephen Teo and published by Edinburgh University Press. This book was released on 2015-11-13 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries. Key attractions of the book are analyses of:*The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.*The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.*The protagonists and heroes of the genre, in particular the figure of the female knight-errant.*The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).
Download or read book Worldly Desires written by Brian Hu and published by Edinburgh University Press. This book was released on 2017-07-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how internet use empowers Arab citizens
Book Synopsis Early Film Culture in Hong Kong, Taiwan, and Republican China by : Emilie Yueh-yu Yeh
Download or read book Early Film Culture in Hong Kong, Taiwan, and Republican China written by Emilie Yueh-yu Yeh and published by University of Michigan Press. This book was released on 2018-03-22 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema’s relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
Download or read book Rhizomes written by Nathalie Ramière and published by Cambridge Scholars Publishing. This book was released on 2021-02-19 with total page 251 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, Rhizomes, is a challenging path into a very multidisciplinary set of papers. Papers range across cultural studies and film, to applied linguistics to sociolinguistics; and as gathered in this one volume - the result of postgraduate student research of a very high order - they 'force' readers to think critically of disciplines, their assumed boundaries and most importantly, the usefulness of assuming the enduring value of such boundaries. This is not to say that ‘anything goes’, but the diversity of areas under scrutiny means that sharper re-thinking of one’s own comfort zones is necessarily one key outcome when confronted with a volume like this. This is one advantage of the selected papers – besides the obvious one of having at your finger tips a simple way of delving into a challenging diversity. Brian Ridge, Campion College, Sydney This is a wonderful collection of papers, which demonstrates the power and vitality of contemporary literary and cultural research. The scope of the papers, the diversity of the subject matter, and the willingness of their authors to work across disciplinary boundaries work together to create an exemplary collection of research for the twenty-first century – multidisciplinary, multigeneric, and multimodal, like 21st century texts and media. Greg Hainge’s opening paper sets the stage for the diverse and engaging papers that follow. With his own examples of rhizomatics drawn from music, Greg immediately has the reader acknowledging the multidisciplinary – and multimodality – of contemporary texts – and so the need for research that can address the richness and complexity of these texts. In Part 1 we have two papers that address the issue of the limitations of conventional research methodology in their own fields (language acquisition, film studies) – and propose alternative and more productive methodologies. The exciting thing about this section is that these are fields normally considered very different and without much to say to one another – and yet the combination works to create a dialogue that extends across these and many other fields of research. Most importantly, both challenge the dichotomising of research and analytical methods that has worked to impoverish their fields and the research on which it is based. Part 2 presents papers on a range of marginalised social positionings and experiences – and in the process demonstrates both the power of research to uncover what has been ignored or elided in contemporary histories (how many westerners know of the long history of Chinese women in film? Or of an Aboriginal Taiwanese literature?) as well as the power of new perspectives, new ways of thinking the research subject, to open up areas of study such as dating manuals and country music, both conventionally dismissed as inherently trivial and/or sexist. In Part 3 the papers all play brilliantly with the notion of connectivity, demonstrating for readers the inextricability of texts and meaning systems (verbal, visual and other) with the cultural contexts in which they operate – and so the diverse ways they may be deployed. These papers banish forever any reliance on a formalist reading or methodology for the analysis of text and meaning! And, again, the range of subject-matter is breath-taking and argues the need for cross-disciplinary, transdisciplinary and multidisciplinary research practice. Part 4 takes the reader into the realm of transformations, challenging the ways in which textual and systemic changes articulate profound cultural changes in the societies that produce them. So we learn about grammatical interventions in the Chinese language as feminine and neuter pronouns are added to the gender-free Chinese language – and consider the major cultural change that both caused this change and is subsequently produced by it. We consider the ways in which cinema has evolved as an art-form, under the influence of its material and verbal technologies. And we consider the ways in which Chinese poetry has entered a range of cultural practices in the west and the east, and again consider how its traditional meanings and significance are maintained and communicate to these new contexts – and the nature of the transcultural experience this generates. For the academic, student, or interested reader this collection offers a breath-taking scope of subject-matter and a vital and engaged approach to the material, that makes this collection a research ‘page turner’! Professor Anne Cranny-Francis, Department of Critical and Cultural Studies, Macquarie University, Sydney
