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Chinas Avant Garde Fiction
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Book Synopsis China's Avant-Garde Fiction by : Jing Wang
Download or read book China's Avant-Garde Fiction written by Jing Wang and published by Duke University Press. This book was released on 1998-03-27 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVAn anthology of translated short stories from Chinese writers of the 1980s. Authors considered “avant-garde” because work reflects the seriousness of revolutionary concerns, the disinterest in the progress of the Chinese nation and celebra/div
Book Synopsis Chinese Avant-garde Fiction by : Zhansui Yu
Download or read book Chinese Avant-garde Fiction written by Zhansui Yu and published by Cambria Sinophone World. This book was released on 2017 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the works of three leading writers-Su Tong, Yu Hua, and Ge Fei-and their significant contributions to the genre of Chinese avant-garde fiction.
Book Synopsis The Chinese Postmodern by : Xiaobin Yang
Download or read book The Chinese Postmodern written by Xiaobin Yang and published by University of Michigan Press. This book was released on 2002 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful look into contemporary Chinese avant-garde fiction and the problem of Chinese postmodernity
Book Synopsis Chinese Modernism in the Era of Reforms by : Xudong Zhang
Download or read book Chinese Modernism in the Era of Reforms written by Xudong Zhang and published by Duke University Press. This book was released on 1997 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: Book on Chinese cinema and literature
Download or read book Ma Yuan written by Will Gatherer and published by . This book was released on 2021 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Ma Yuan: The Chinese Avant-Garde, Metafiction, and Post-Postmodernism in the works of Ma Yuan provides the most comprehensive study to date on one of China's most influential contemporary authors, Ma Yuan. By engaging in close readings of narratologically complex works of metafiction, the author offers a reappraisal of the role Ma Yuan played within the rise of postmodern fiction within China and offers new interpretive possibilities for the Chinese Avant-Garde movement of the 1980s through demonstrating that rather than being predominantly 'formalist word games' or 'narrative traps', Ma Yuan's works of metafiction functioned as Foucauldian 'heterotopias' which allowed for the creation of distinctly Post-modern and Post-socialist 'possible worlds'. This book also analyses Ma Yuan's recent post-2000 output and in doing so explores the shifting dynamics of literary self-reflexivity and the 'Post-postmodern' within the contemporary context of 'Xi Jinping era modernity'. This book argues that Ma Yuan's recent works display a distinct movement towards 'metamodern' aesthetics alongside a rising anthropocenic awareness and eco-consciousness which offer key insights into the post-postmodern condition within a Chinese context"--
Download or read book The Lost Boat written by and published by . This book was released on 1993 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Internet Literature in China by : Michel Hockx
Download or read book Internet Literature in China written by Michel Hockx and published by Columbia University Press. This book was released on 2015-02-10 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1990s, Chinese literary enthusiasts have explored new spaces for creative expression online, giving rise to a modern genre that has transformed Chinese culture and society. Ranging from the self-consciously avant-garde to the pornographic, web-based writing has introduced innovative forms, themes, and practices into Chinese literature and its aesthetic traditions. Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and ideological challenges. Offering a unique portal into postsocialist Chinese culture, he presents a complex portrait of internet culture and control in China that avoids one-dimensional representations of oppression. The Chinese government still strictly regulates the publishing world, yet it is growing increasingly tolerant of internet literature and its publishing practices while still drawing a clear yet ever-shifting ideological bottom line. Hockx interviews online authors, publishers, and censors, capturing the convergence of mass media, creativity, censorship, and free speech that is upending traditional hierarchies and conventions within China—and across Asia.
Download or read book Running Wild written by Jeanne Tai and published by Columbia University Press. This book was released on 1994 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: -- Asia Week
Book Synopsis Visions of Dystopia in China’s New Historical Novels by : Jeffrey C. Kinkley
Download or read book Visions of Dystopia in China’s New Historical Novels written by Jeffrey C. Kinkley and published by Columbia University Press. This book was released on 2014-11-18 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: The depiction of personal and collective suffering in modern Chinese novels differs significantly from standard Communist accounts and many Eastern and Western historical narratives. Writers such as Yu Hua, Su Tong, Wang Anyi, Mo Yan, Han Shaogong, Ge Fei, Li Rui, and Zhang Wei skew and scramble common conceptions of China's modern development, deploying avant-garde narrative techniques from Latin American and Euro-American modernism to project a surprisingly "un-Chinese" dystopian vision and critical view of human culture and ethics. The epic narratives of modern Chinese fiction make rich use of magical realism, surrealism, and unusual treatments of historical time. Also featuring graphic depictions of sex and violence, as well as dark, raunchy comedy, these novels reflect China's recent history re-presenting the overthrow of the monarchy in the early twentieth century and the resulting chaos of revolution and war; the recurring miseries perpetrated by class warfare during the dictatorship of Mao Zedong; and the social dislocations caused by China's industrialization and rise as a global power. This book casts China's highbrow historical novels from the late 1980s to the first decade of the twenty-first century as a distinctively Chinese contribution to the form of the global dystopian novel and, consequently, to global thinking about the interrelations of utopia and dystopia.
Book Synopsis Tales of Futures Past by : Paola Iovene
Download or read book Tales of Futures Past written by Paola Iovene and published by Stanford University Press. This book was released on 2014-07-09 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most studies of Chinese literature conflate the category of the future with notions of progress and nation building, and with the utopian visions broadcast by the Maoist and post-Mao developmental state. The future is thus understood as a preconceived endpoint that is propagated, at times even imposed, by a center of power. By contrast, Tales of Futures Past introduces "anticipation"—the expectations that permeate life as it unfolds—as a lens through which to reexamine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to 2011. In doing so, Paola Iovene connects the emergence of new literary genres with changing visions of the future in contemporary China. This book provides a nuanced and dynamic account of the relationship between state discourses, market pressures, and individual writers and texts. It stresses authors' and editors' efforts to redefine what constitutes literature under changing political and economic circumstances. Engaging with questions of translation, temporality, formation of genres, and stylistic change, Iovene mines Chinese science fiction and popular science, puts forward a new interpretation of familiar Chinese avant-garde fiction, and offers close readings of texts that have not yet received any attention in English-language scholarship. Far-ranging in its chronological scope and impressive in its interdisciplinary approach, this book rethinks the legacies of socialism in postsocialist Chinese literary modernity.
Book Synopsis The Columbia Companion to Modern Chinese Literature by : Kirk A. Denton
Download or read book The Columbia Companion to Modern Chinese Literature written by Kirk A. Denton and published by Columbia University Press. This book was released on 2016-04-05 with total page 818 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Columbia Companion to Modern Chinese Literature features more than fifty short essays on specific writers and literary trends from the Qing period (1895–1911) to the present. The volume opens with thematic essays on the politics and ethics of writing literary history, the formation of the canon, the relationship between language and form, the role of literary institutions and communities, the effects of censorship, the representation of the Chinese diaspora, the rise and meaning of Sinophone literature, and the role of different media in the development of literature. Subsequent essays focus on authors, their works, and the schools with which they were aligned, featuring key names, titles, and terms in English and in Chinese characters. Woven throughout are pieces on late Qing fiction, popular entertainment fiction, martial arts fiction, experimental theater, post-Mao avant-garde poetry, post–martial law fiction from Taiwan, contemporary genre fiction from China, and recent Internet literature. The volume includes essays on such authors as Liang Qichao, Lu Xun, Shen Congwen, Eileen Chang, Jin Yong, Mo Yan, Wang Anyi, Gao Xingjian, and Yan Lianke. Both a teaching tool and a go-to research companion, this volume is a one-of-a-kind resource for mastering modern literature in the Chinese-speaking world.
Book Synopsis A Study of Literary Trends in China Since the 1980s by : Teresa Chi-Ching Sun
Download or read book A Study of Literary Trends in China Since the 1980s written by Teresa Chi-Ching Sun and published by Rowman & Littlefield. This book was released on 2019-03-27 with total page 87 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book intends to trace the revival of traditional literary works since the 1980s in China as it is revealed on the revitalized College Entrance Examination (CEE). In order to show how these changes reflect China’s altering ideology after the fall of Communism, selections from the CEE’s literary portion will be examined. Taking advantage of the resurrection of the powerful CEE, test creators have composed the literary portion as an education tool to shape public opinion in the post-Communist era. Literature in China have never been an independent art but had shared the responsibility for transmitting China’s intellectual and ethical traditions. The introduction of Communism to China silenced these traditions and made literature the servant of political ideology. This book traces the chronological process of restoring modern vernacular literature from the pre-Communist era and the ways in which traditional literature is being used for modern purposes. For many Chinese intellectuals, the gradual withdrawal of literature for serving political causes and the reinstatement of classical literature and early vernacular works to on the CEE bring to light the recovery of the aesthetic literary tradition and a return to normalcy. When students take the CEE, they not only mentally scrutinize literature that they first read during their secondary education, but also experience an assertive presentation of current Chinese cultural values and outlooks on life. This study argues that in the post-1980s CEE literary selections, students experience a variety of texts that summon up China’s pre-Communist literary tradition in order to serve as an intellectual guiding light for future social development. For those interested in comparative higher education, a particular area of interest may be the book’s singular consideration of the science and technology passages in connection with the restructuring of higher education in China as a remedy of China’s cultural tradition.
Book Synopsis A New Literary History of Modern China by : David Der-wei Wang
Download or read book A New Literary History of Modern China written by David Der-wei Wang and published by Belknap Press. This book was released on 2017-05-22 with total page 1033 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world—a process of “worlding” that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present. Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genres—pop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers’ assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture. A vibrant collection of contrasting voices and points of view, A New Literary History of Modern China is essential reading for anyone seeking a deeper understanding of China’s literary and cultural legacy.
Book Synopsis The Ethnic Avant-Garde by : Steven S. Lee
Download or read book The Ethnic Avant-Garde written by Steven S. Lee and published by Columbia University Press. This book was released on 2015-10-06 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.
Book Synopsis Chinese Literature and Culture in the Age of Global Capitalism by : Xiaoping Wang
Download or read book Chinese Literature and Culture in the Age of Global Capitalism written by Xiaoping Wang and published by BRILL. This book was released on 2021-07-15 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, Xiaoping Wang intends to explore newly emerging social and cultural trends in contemporary China, and find the truth content of Chinese society and culture in the age of global capitalism. Through in-depth textual analyses covering a variety of media, ranging from fiction, poetry, film to theoretical works as well as cultural phenomena which mirror social and cultural occurrences and reflect the present ideological proclivities of the Chinese society, this study offers timely interpretations of China in the age of globalization, its political inclinations, social fashions and cultural tendencies, and provides thought-provoking messages of China’s socio-economic and political reality.
Book Synopsis Pop Goes the Avant-garde by : Rossella Ferrari
Download or read book Pop Goes the Avant-garde written by Rossella Ferrari and published by . This book was released on 2012 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China is the first comprehensive review of the history and development of avant-garde drama and theater in the People's Republic of China since 1976. Drawing on a range of critical perspectives in the fields of comparative literature, theater, performance, and culture studies, the book explores key artistic movements and phenomena that have emerged in China's major cultural centers in the last several decades. It surveys the work of China's most influential dramatists, directors and performance groups, with a special focus on Beijing-based playwright, director and filmmaker Meng Jinghui--the former enfant terrible of Beijing theater, who is now one of Asia's foremost theater personalities. Through an extensive critique of theories of modernism and the avant-garde, the author reassesses the meanings, functions and socio-historical significance of this work in non-Western contexts by proposing a new theoretical construct--the pop avant-garde--and exploring new ways to understand and conceptualize aesthetic practices beyond Euro-American cultures and critical discourses.
Book Synopsis Imagining Sisterhood in Modern Chinese Texts, 1890–1937 by : Yun Zhu
Download or read book Imagining Sisterhood in Modern Chinese Texts, 1890–1937 written by Yun Zhu and published by Rowman & Littlefield. This book was released on 2017-03-16 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
