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Central Italian Drawings
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Book Synopsis Art and Anatomy in Renaissance Italy by : Domenico Laurenza
Download or read book Art and Anatomy in Renaissance Italy written by Domenico Laurenza and published by Metropolitan Museum of Art. This book was released on 2012 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Book Synopsis Drawing Relationships in Northern Italian Renaissance Art by : Giancarla Periti
Download or read book Drawing Relationships in Northern Italian Renaissance Art written by Giancarla Periti and published by Routledge. This book was released on 2017-07-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.
Book Synopsis Donatello, Michelangelo, Cellini by : Isabella Stewart Gardner Museum Boston, Mass
Download or read book Donatello, Michelangelo, Cellini written by Isabella Stewart Gardner Museum Boston, Mass and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The self-portrait of Baccio Bandinelli shows the sculptor pointing to an object that he has placed on a kind of pedestal. Among the most remarkable aspects of this object is that it is not a sculpture but a design in red chalk, a medium that few other Renaissance sculptors used. Bandinelli was particularly proud of his skills as a draughtsman, and he produced hundreds of drawings, many of them as striking and unusual as the one his portrait depicts. His talent and productivity set him apart from other sculptors of his day, most of whom left little evidence of having worked extensively on paper. This publication, which accompanies an important exhibition at the Isabella Stewart Gardner Museum, puts Bandinelli's portrait in context by looking broadly at the practice of drawing by Renaissance sculptors, including such luminaries as Donatello, Verrocchio, Michelangelo, Cellini and Giambologna. The book surveys two centuries of material, considering rough sketches and more finished sheets, isolated studies and sequences of ideas. Comparing designs on paper to related three-dimensional works by the same artists, the book directly confronts the question of the importance drawing held for sculptors in the period. The authors, who include specialists in the history of sculpture and drawing, among other fields, pose new questions about the creative process and the relation between the arts in Renaissance Italy. A focus of the book will be Bandinellis own drawings and the development of his practice across his career and his experimentation with different media. The broader question considered, however, is when, how and why sculptors drew. Every Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay and/or stucco. Drawing was not an essential practice for sculptors in the way it was for painters, and indeed, most surviving sculptors drawings are not preparatory studies for works they subsequently executed in three dimensions. When sculptors did draw, it often indicated something about the artists training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio and Cellini, who had come to sculpture by way of goldsmithery, a profession that required proficiency in ornamental design. Artists who sought to become architects, meanwhile the likes of Michelangelo, Giambologna and Ammanati similarly needed to learn to draw, since architects had to provide plans, elevations and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover fountains and tombs, for example required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists careers.
Book Synopsis Roman Villas in Central Italy by : Annalisa Marzano
Download or read book Roman Villas in Central Italy written by Annalisa Marzano and published by BRILL. This book was released on 2007-08-31 with total page 842 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, which was awarded Honorable Mention and a Silver Medal from the Premio Romanistico Internationazionale Gérard Boulvert, investigates the socio-economic role of elite villas in Roman Central Italy drawing on both documentary sources and material evidence. Through the composite picture emerging from the juxtaposition of literary texts and archaeological evidence, the book traces elite ideological attitudes and economic behavior, caught between what was morally acceptable and the desire to invest capital intelligently. The analysis of the biases affecting the application of modern historiographical models to the interpretation of the archaeology frames the discussion on the identification of slave quarters in villas and the putative second century crisis of the Italian economy. The book brings an innovative perspective to the debate on the villa-system and the decline of villas in the imperial period.
Author :Metropolitan Museum of Art (Nova York, Nova York) Publisher :Metropolitan Museum of Art ISBN 13 :0300086229 Total Pages :246 pages Book Rating :4.3/5 ( download)
Book Synopsis Italian Paintings by : Metropolitan Museum of Art (Nova York, Nova York)
Download or read book Italian Paintings written by Metropolitan Museum of Art (Nova York, Nova York) and published by Metropolitan Museum of Art. This book was released on 1980 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Mary of Mercy in Medieval and Renaissance Italian Art by : KatherineT. Brown
Download or read book Mary of Mercy in Medieval and Renaissance Italian Art written by KatherineT. Brown and published by Routledge. This book was released on 2017-07-05 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
Book Synopsis Exhibiting Italian Art in the United States from Futurism to Arte Povera by : Raffaele Bedarida
Download or read book Exhibiting Italian Art in the United States from Futurism to Arte Povera written by Raffaele Bedarida and published by Taylor & Francis. This book was released on 2022-06-28 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.
Download or read book After Raphael written by Marcia B. Hall and published by . This book was released on 2001-07-01 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive overview of sixteenth-century Italian art.
Book Synopsis Fra Angelico to Leonardo by : Hugo Chapman
Download or read book Fra Angelico to Leonardo written by Hugo Chapman and published by . This book was released on 2010 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sumptuously illustrated catalogue charts the history of drawing in Italy from 1400, just prior to the emergence in Florence of the classically inspired naturalism of the Renaissance style, to around 1510 when Michelangelo, Raphael and Titian were on the verge of taking the innovations of earlier masters, such as Leonardo and Pollaiuolo, in a new direction. The book highlights the key role played by drawing in artistic teaching and in how artists studied the human body and the natural world. Aspects of regional difference, the development of new drawing techniques and classes of graphic work, such as finished presentation pieces to impress patrons, are also explored. An extended introduction focusing on how and why artists made drawings, with a special emphasis on the pivotal role of Leonardo, is richly illustrated with examples from the two collections that elucidate the technique and function of the works. This is followed by catalogue entries for just over 100 drawings where discussion of their function and significance is supported by comparative illustrations of related works, such as paintings.
Book Synopsis Drawing and Painting in the Italian Renaissance Workshop by : Carmen Bambach
Download or read book Drawing and Painting in the Italian Renaissance Workshop written by Carmen Bambach and published by . This book was released on 1999 with total page 548 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Drawing and Painting in the Italian Renaissance Workshop, Carmen Bambach reassesses the role of artists and their assistants in the creation of monumental painting. Analyzing representative wall paintings and the many drawings related to the various stages of their production, Bambach convincingly reconstructs the development of workshop practice and design theory in the early modern period. Her exhaustive analysis of archaeological and textual evidence provides a timely and much-needed reassessment of the working methods of artists in one of the most vital periods in the history of art.
Book Synopsis Italian Fifteenth- to Seventeenth-century Drawings by : Anna Forlani Tempesti
Download or read book Italian Fifteenth- to Seventeenth-century Drawings written by Anna Forlani Tempesti and published by Metropolitan Museum of Art. This book was released on 1991 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.
Book Synopsis The Endless Periphery by : Stephen J. Campbell
Download or read book The Endless Periphery written by Stephen J. Campbell and published by University of Chicago Press. This book was released on 2019-11-26 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.
Book Synopsis North Italian Drawings of the Quattrocento by : Karl Theodore Parker
Download or read book North Italian Drawings of the Quattrocento written by Karl Theodore Parker and published by . This book was released on 1927 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Italian Renaissance Garden by : Claudia Lazzaro
Download or read book The Italian Renaissance Garden written by Claudia Lazzaro and published by . This book was released on 1990-01-01 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Cassell's illustrated universal history by : Edmund Ollier
Download or read book Cassell's illustrated universal history written by Edmund Ollier and published by . This book was released on 1885 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis New Horizons in Trecento Italian Art by : Bryan Keene
Download or read book New Horizons in Trecento Italian Art written by Bryan Keene and published by . This book was released on 2021-03-04 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion, contributing to a new understanding of how art was made and experienced in this nodal century. These papers were originally presented at the Andrew Ladis Trecento Conference held at the Museum of Fine Arts in Houston in November of 2018.
Book Synopsis Between God and Man by : Francesco Buranelli
Download or read book Between God and Man written by Francesco Buranelli and published by Univ. Press of Mississippi. This book was released on 2007 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: How Italian artists have represented one of the most revered religious images--the angel
