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Census Catalogue Of Manuscript Sources Of Polyphonic Music 1400 1550
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Author :University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies Publisher : ISBN 13 :9781595514868 Total Pages : pages Book Rating :4.5/5 (148 download)
Book Synopsis Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 by : University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies
Download or read book Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 written by University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies and published by . This book was released on 1979 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies Publisher : ISBN 13 : Total Pages :476 pages Book Rating :4.:/5 (319 download)
Book Synopsis Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 by : University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies
Download or read book Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 written by University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies and published by . This book was released on 1979 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 by :
Download or read book Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550 written by and published by . This book was released on 1979 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies Publisher : ISBN 13 :9781595514875 Total Pages :0 pages Book Rating :4.5/5 (148 download)
Book Synopsis Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550: Cumulative bibliography and indices by : University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies
Download or read book Census-catalogue of Manuscript Sources of Polyphonic Music, 1400-1550: Cumulative bibliography and indices written by University of Illinois at Urbana-Champaign. Musicological Archives for Renaissance Manuscript Studies and published by . This book was released on 1979 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Urban Life in the Renaissance by : Susan Zimmerman
Download or read book Urban Life in the Renaissance written by Susan Zimmerman and published by University of Delaware Press. This book was released on 1989 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume derives from two symposia sponsored by the Center for Renaissance and Baroque Studies at the University of Maryland. In studies of Italy, France, England, Holland, and Spain that range from the fifteenth through the seventeenth centuries, it explores various aspects of Renaissance urban culture and urban identity.
Book Synopsis Putting Popular Music in Its Place by : Charles Hamm
Download or read book Putting Popular Music in Its Place written by Charles Hamm and published by Cambridge University Press. This book was released on 1995 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on the context of popular music and its interrelationships with politics and ideology.
Download or read book Josquin's Rome written by Jesse Rodin and published by Oxford University Press. This book was released on 2012-11-07 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late fifteenth century the newly built Sistine Chapel was home to a vigorous culture of musical composition and performance. Josquin des Prez stood at its center, singing and composing for the pope's private choir. Josquin's Rome offers a new reading of the composer's work in light of the repertory he and his fellow papal singers performed from the chapel's singers' box. Comprising the single largest surviving corpus of late fifteenth-century sacred music, these pieces served as a backdrop for elaborately choreographed liturgical ceremonies--a sonic analogue to the frescoes by Botticelli, Perugino, and their contemporaries that adorn the chapel's walls. Jesse Rodin uses a comparative approach to uncover this aesthetically and intellectually rich musical tradition. He confronts longstanding problems concerning the authenticity and chronology of Josquin's music while offering nuanced readings of scandalously understudied works by the composer's contemporaries. The book further contextualizes Josquin by locating intersections between his music and the wider soundscape of the Cappella Sistina. Central to Rodin's argument is the idea that these pieces lived in performance. The author puts his interpretations into practice through a series of exquisite recordings by his ensemble, Cut Circle (available both on the companion website and as a CD from Musique en Wallonie). Josquin's Rome is an essential resource for musicologists, scholars of the Italian Renaissance, and enthusiasts of early music.
Book Synopsis Papal Music and Musicians in Late Medieval and Renaissance Rome by : Richard Sherr
Download or read book Papal Music and Musicians in Late Medieval and Renaissance Rome written by Richard Sherr and published by Clarendon Press. This book was released on 1998-05-21 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
Book Synopsis Music in North-east England, 1500-1800 by : Stephanie Carter
Download or read book Music in North-east England, 1500-1800 written by Stephanie Carter and published by Boydell & Brewer. This book was released on 2020 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection situates the North-East within a developing nationwide account of British musical culture.
Book Synopsis Early Music History by : Iain Fenlon
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. The office of the cantor in early Western monastic rules and customaries: a preliminary investigation; Montecassino and the Old Beneventan chant; and Music and ceremonial in the Low Countries: Philip the fair and the Order of the Golden Fleece.
Book Synopsis Catalogue of the Manuscripts of Lincoln Cathedral Chapter Library by : Rodney M. Thomson
Download or read book Catalogue of the Manuscripts of Lincoln Cathedral Chapter Library written by Rodney M. Thomson and published by Boydell & Brewer. This book was released on 1989 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: This catalogue describes MSS 1-247 and 298 in the Chapter Library of Lincoln Cathedral, plus ten former Lincoln MSS now elsewhere. About half of the MSS were part of the cathedral's medieval Library; nearly all the rest came therebefore the late seventeenth century. Among the MSS, which date from the eighth to the early sixteenth century, are biblical commentaries and sermons, works of pastoral theology and an important corpus of Middle English texts, including the famous Thornton Romances. A group of MSS written at the Cathedral c.1100 is notable for its distinctive decoration. The Catalogue is preceded by a history of the Cathedral Library, based on the rich documentaryevidence, which includes two medieval catalogues. The plates illustrate bindings, ownership marks, important decoration and noteworthy script, including samples from all signed and dated books.
Book Synopsis Sourcebook for Research in Music by : Phillip Crabtree
Download or read book Sourcebook for Research in Music written by Phillip Crabtree and published by Indiana University Press. This book was released on 1993 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Book Synopsis The Rise of European Music, 1380-1500 by : Reinhard Strohm
Download or read book The Rise of European Music, 1380-1500 written by Reinhard Strohm and published by Cambridge University Press. This book was released on 2005-02-17 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Book Synopsis Composers at Work by : Jessie Ann Owens
Download or read book Composers at Work written by Jessie Ann Owens and published by Oxford University Press. This book was released on 1998-11-19 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did Renaissance composers write their music? In this revolutionary look at a subject that has fascinated scholars for years, musicologist Jessie Ann Owens offers new and striking evidence that contrary to accepted theory, sixteenth-century composers did not use scores to compose--even to write complex vocal polyphony. Drawing on sources that include contemporary theoretical treatises, documents and letters, iconographical evidence, actual fragments of composing slates, and numerous sketches, drafts, and corrected autograph manuscripts, Owens carefully reconstructs the step-by-step process by which composers between 1450 and 1600 composed their music. The manuscript evidence--autographs of more than thirty composers--shows the stages of work on a wide variety of music--instrumental and vocal, sacred and secular--from across most of Renaissance Europe. Her research demonstrates that instead of working in full score, Renaissance composers fashioned the music in parts, often working with brief segments, according to a linear conception. The importance of this discovery on editorial interpretation and on performance cannot be overstated. The book opens with a broad picture of what has been known about Renaissance composition. From there, Owens examines the teaching of composition and the ways in which musicians and composers both read and wrote music. She also considers evidence for composition that occurred independent of writing, such as composing "in the mind" or composing with instruments. In chapters on the manuscript evidence, she establishes a typology both of the sources themselves and of their contents (sketches, drafts, fair copies). She concludes with case studies detailing the working methods of Francesco Corteccia, Henricus Isaac, Cipriano de Rore, and Giovanni Pierluigi da Palestrina. This book will change the way we analyze and understand early music. Clear, provocative, and painstakingly researched, Composers at Work: The Craft of Musical Composition 1450-1600 makes essential reading for scholars of Renaissance music as well as those working in related fields such as sketch studies and music theory.
Book Synopsis The Early Tudor Court and International Musical Relations by : Theodor Dumitrescu
Download or read book The Early Tudor Court and International Musical Relations written by Theodor Dumitrescu and published by Routledge. This book was released on 2017-07-05 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Book Synopsis Songs and Musicians in the Fifteenth Century by : David Fallows
Download or read book Songs and Musicians in the Fifteenth Century written by David Fallows and published by Taylor & Francis. This book was released on 2024-10-28 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe. The first group of studies arises from the author's long-term fascination with the widely dispersed traces of English song and , in particular, with the most successful song by any English composer, O rosa bella. This leads to a set of enquiries into the distribution and international currents of the song repertory in Italy and Spain. The essays in the final section, taken together, represent an extended discussion of the problems of performance, both of voice and instrument, what they performed and how.
Book Synopsis "MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164?67 " by : AnthonyM. Cummings
Download or read book "MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164?67 " written by AnthonyM. Cummings and published by Routledge. This book was released on 2017-07-05 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manuscript Florence, Biblioteca Nazionale Centrale, Magliabechiana XIX, 164-167 (FlorBN Magl. 164-7) has been the subject of considerable scholarly attention. The prevailing assumption had been that it was a Florentine source of the early sixteenth century. More recently, it has been argued that its provenance is not as easily determined as it first appears, and that there are Roman connections suggested by one of its codicological features. This monograph provides as full a bibliographical and codicological report on FlorBN Magl. 164-7 as is currently possible. Such evidence suggests that the earlier thesis is more likely to be correct: the manuscript was copied in Florence c.1520. After a review of the evidence for provenance and date, the repertory of the manuscript is placed in its historical and cultural context. Florence of the early sixteenth century is shown to have an organized cultural life that was characterized by the activities of such institutions as the Sacred Academy of the Medici, the famous group that met in the garden of the Rucellai, and others. FlorBN Magl. 164-7 is an exceedingly interesting and important source; an eclectic repository not only of compositionally advanced settings of Petrarchan verse by Rucellai-group intimate Bernardo Pisano but also of sharply contrasting works, popular in character. It is almost a manifesto of the sensibilities of preeminent Florentine cultural figures of the sort who frequented the garden of the Rucellai and as such is a revealing document of Florentine musical taste during those crucial years that witnessed the emergence of the new secular genre we know as the Italian madrigal.