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Book Synopsis Cahiers Du Cinéma, the 1950s by : Jim Hillier
Download or read book Cahiers Du Cinéma, the 1950s written by Jim Hillier and published by Harvard University Press. This book was released on 1985 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cahiers du Cinéma has played a major role in establishing film theory and criticism as an essential part of the late 20th century culture. This volume contains articles from the 1950s.
Download or read book Cahiers Du Cinema written by Jim Hillier and published by Psychology Press. This book was released on 1985-03-21 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'With admirable clarity, Mrs Peters sums up what determines competence in spelling and the traditional and new approaches to its teaching.' -Times Literary Supplement
Download or read book Cahiers Du Cinéma written by Jim Hillier and published by Psychology Press. This book was released on 2000 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new volume in this influential series of anthologies covers the vibrant and turbulent period in which the editorial make-up and policy of the journal changed radically, and theory, history and politics dominated critical debate.
Book Synopsis Cahiers Du Cinéma: the 1950s: Neo-realism, Hollywood, New Wave by : Jim Hillier
Download or read book Cahiers Du Cinéma: the 1950s: Neo-realism, Hollywood, New Wave written by Jim Hillier and published by . This book was released on 1985 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Early Film Criticism of Francois Truffaut by : Wheeler Winston Dixon
Download or read book Early Film Criticism of Francois Truffaut written by Wheeler Winston Dixon and published by Indiana University Press. This book was released on 1993-02-22 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before turning to filmmaking, Francois Truffaut was a film critic writing for Cahiers du Cinema during the 1950s. The Early film Criticism of Francois Truffaut makes available, for the first time in English, articles that originally appeared in French journals such as Cahiers du Cinema and Arts. Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
Download or read book Not Like Us written by Richard Pells and published by Hachette UK. This book was released on 2008-08-04 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debunking the myth of the "Americanization" of Europe, a noted historian presents an authoritative and engrossing cultural history of how America tried to remake Europe in its own image, and how the Europeans successfully retained their identity in the face of American mass culture. Pells provides a new paradigm for understanding the survival of local and national cultures in a global setting.
Book Synopsis Approaches to Popular Film by : Joanne Hollows
Download or read book Approaches to Popular Film written by Joanne Hollows and published by Manchester University Press. This book was released on 1995-05-15 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introductory textbook for A-level and undergraduate courses.
Book Synopsis American Stranger by : Will Scheibel
Download or read book American Stranger written by Will Scheibel and published by SUNY Press. This book was released on 2017-01-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconstructs how Ray became a "rebel auteur" in cinema culture.
Book Synopsis The SAGE Handbook of Film Studies by : James Donald
Download or read book The SAGE Handbook of Film Studies written by James Donald and published by SAGE. This book was released on 2008-04-16 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional differences in the way that systematic intellectual reflection on cinema and film has been translated into an academic discipline. It examines the conversations between Film Studies and its contributory disciplines that not only defined a new field of discourse but also modified existing scholarly traditions. It reflects on the field′s dominant paradigms and debates and evaluates their continuing salience. Finally, it looks forward optimistically to the future of the medium of film, the institution of cinema and the discipline of Film Studies at a time when the very existence of film and cinema are being called into question by new technological, industrial and aesthetic developments.
Book Synopsis Roland Barthes and Film by : Patrick ffrench
Download or read book Roland Barthes and Film written by Patrick ffrench and published by Bloomsbury Publishing. This book was released on 2019-10-31 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Suspicious of what he called the spectator's “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and “myth”. In this book, Patrick Ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, Ffrench argues, punctuated by the experience of watching films – and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays 'The Third Meaning' and 'On Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni, to Eisenstein, the Marx Brothers and Hitchcock. Ffrench explains that although Barthes found pleasure in “leaving the cinema” – disconnecting from its dangerous allure by a literal exit or by forcefully breaking the trance – he found value in returning to the screen anew. Barthes delved beneath the pull of progressing narrative and the moving image by becoming attentive to space and material aesthetics. This book presents an invaluable reassessment of one of the most original and subtle thinkers of the twentieth-century: a figure indebted to the movies.
Book Synopsis Maximum Movies—Pulp Fictions by : Peter Stanfield
Download or read book Maximum Movies—Pulp Fictions written by Peter Stanfield and published by Rutgers University Press. This book was released on 2011-07-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.
Download or read book Jacques Rivette written by Mary M. Wiles and published by University of Illinois Press. This book was released on 2012-01-19 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets. His films, including Paris nous appartient, Out 1: Noli me tangere, Céline et Julie vont en bateau--Phantom Ladies Over Paris, La belle noiseuse, Secret défense, and Va savoir are extraordinary combinations of intellectual depth, playfulness, and sensuous beauty. In this study of Rivette, Mary M. Wiles provides a thorough account of the director's career from the burgeoning French New Wave to the present day, focusing on the theatricality of Rivette's films and his explorations of the relationship between cinema and fine arts such as painting, literature, music, and dance. Wiles also explores the intellectual interests that shaped Rivette's approach to film, including Sartre's existentialism, Barthes's structuralism, and the radical theater of the 1960s. The volume concludes with Wiles's insightful interview with Rivette.
Book Synopsis Film Criticism in the Digital Age by : Mattias Frey
Download or read book Film Criticism in the Digital Age written by Mattias Frey and published by Rutgers University Press. This book was released on 2015-04-20 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century. In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics—whether moonlighting bloggers or salaried writers—have been able to intervene in current popular discourse about arts and culture. In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.
Book Synopsis Studying Hammer Horror by : Victoria Walden
Download or read book Studying Hammer Horror written by Victoria Walden and published by Liverpool University Press. This book was released on 2016-06-07 with total page 143 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Hammer Productions was formed in the 1920s, no one foresaw the impact this small, independent studio would have on the international film market. Christopher Lee's mesmerizing, animalistic, yet gentlemanly performance as Dracula, Frankenstein's Monster, and the Mummy were celebrated worldwide, and the Byronic qualities of Peter Cushing's Dr. Frankenstein, among his many other Hammer characters, proved impossible to forget. Hammer maintained consistent period settings, creating a timeless and enchanting aesthetic. Studying Hammer Horror treats Hammer as a quintessentially British product and through a study of its work investigates larger conceptions of national horror cinemas. The book examines genre, auteur theory, stardom, and representation within case studies of Curse of Frankenstein (1957), Twins of Evil (1971), and Hammer's latest film, Beyond the Rave (2008). Walden weighs Hammer's impact on the British film industry, past and present. Intended for students, fans, and general readers, this book transcends superficial preconceptions of Hammer horror in order to reach the essence of Hammer.
Book Synopsis Encyclopedia of Contemporary French Culture by : Alexandra Hughes
Download or read book Encyclopedia of Contemporary French Culture written by Alexandra Hughes and published by Routledge. This book was released on 2002-03-11 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than 700 alphabetically organized entries by an international team of contributors provide a fascinating survey of French culture post 1945. Entries include: * advertising * Beur cinema * Coco Chanel * decolonization * écriture feminine * football * francophone press * gay activism * Seuil * youth culture Entries range from short factual/biographical pieces to longer overview articles. All are extensively cross-referenced and longer entries are 'facts-fronted' so important information is clear at a glance. It includes a thematic contents list, extensive index and suggestions for further reading. The Encyclopedia will provide hours of enjoyable browsing for all francophiles, and essential cultural context for students of French, Modern History, Comparative European Studies and Cultural Studies.
Book Synopsis Balzac Reframed by : Zahra Tavassoli Zea
Download or read book Balzac Reframed written by Zahra Tavassoli Zea and published by Springer Nature. This book was released on 2019-11-14 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.
