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British Posters Of The First World War
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Book Synopsis British Posters of the First World War by : John Christopher
Download or read book British Posters of the First World War written by John Christopher and published by Amberley Publishing Limited. This book was released on 2014-05-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Feel the full force of the propaganda that surrounded the British public during the First World War in this full-colour book exploring the art, themes and psychology of over 200 authentic posters from the period.
Book Synopsis Posters of the First World War by : David Bownes
Download or read book Posters of the First World War written by David Bownes and published by Bloomsbury Publishing. This book was released on 2014-07-10 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
Download or read book Picture This written by Pearl James and published by U of Nebraska Press. This book was released on 2009 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by Jay Winter, Jeffrey T. Schnapp, Jennifer D. Keene, and others reveal the centrality of visual media, particularly the poster, within the specific national contexts of Britain, France, Germany, Russia, and the United States during World War I.℗¡Ultimately, posters were not merely representations of popular understanding of the war, but instruments influencing the.
Book Synopsis British Posters of the Second World War by : Richard Slocombe
Download or read book British Posters of the Second World War written by Richard Slocombe and published by Imperial War Museums. This book was released on 2013-12-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Keep calm and carry on." In 1939, Britain's Ministry of Information produced this now-ubiquitous reminder to its citizens in the event of widely predicted air attacks. But in the six consecutive years before Germany's surrender to Allied forces, the British public would feel keenly both the physical and moral hardships of war. To boost morale and raise awareness of how citizens' efforts might help--or hinder--the wartime effort, one of the most effective forms the British government had at its disposal was the poster. British Posters of the Second World War presents one hundred posters from this important period in world history. Some proclaimed in bold type that "Victory of the Allies is assured" and featured stalwart British soldiers alongside exaggerated enemy figures. Others, however, hung on the walls of bus and railway stations, town halls, and pubs, called for continued self-sufficiency, urging Britons to raise chickens and join "pig clubs." As the threat of espionage came to be regarded as ever-present, another category of posters cautioned soldiers and civilians alike against talking about the war: "Furtive Fritz is always listening" warned o≠ another, "Keep mum--she's not so dumb." Drawing on the Imperial War Museum's impressive collection of materials related to conflicts involving Britain in the twentieth and twenty-first centuries, British Posters of the Second World War explores these campaigns and many others with an introduction and explanatory text by the museum's senior curator, Richard Slocombe.
Book Synopsis Posters of the First World War by : Maurice Rickards
Download or read book Posters of the First World War written by Maurice Rickards and published by . This book was released on 1968 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Seduction Or Instruction? by : James Aulich
Download or read book Seduction Or Instruction? written by James Aulich and published by Manchester University Press. This book was released on 2007 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Seduction or instruction? considers the museological and memorialising imperatives behind the formation of the war publicity collection at the Imperial War Museum and undertakes institutional and iconographical analyses of the British government's recruiting, war load and charity campaigns. It examines the effect of the inroads of the poster into important public and symbolic spaces and provides a comparative analysis of European poster design and the visual contribution of the poster through style and iconography to languages of 'imagined communities'." "This volume will be of interest to design historians, historians and readers involved with the study of communication arts, publicity, advertising and visual culture at every level."--Jacket.
Book Synopsis Posters of The Great War by : Frédérick Hadley
Download or read book Posters of The Great War written by Frédérick Hadley and published by Pen and Sword. This book was released on 2013-05-20 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until the arrival of radio and television, and despite the influence of newspapers, posters were the major medium for mass communication. During the Great War all the belligerent nations produced an extraordinary variety of them - and they did so on a massive scale. As the 200 wartime and immediate post-war posters selected for this book reveal, they were one of the most potent, and memorable, ways of conveying news, information and propaganda. In the most graphic and colourful fashion they promoted values such as patriotism and sacrifice. By using rallying symbols such as flags as well as historical and mythical models, they sought to maintain morale and draw people together by stirring up anger against the enemy. Today their remarkable variety of styles give us an instant insight into the themes and messages the military and civilian authorities wished to publicize.The sheer inventiveness of the poster artists is demonstrated as they focused on key aspects of the propaganda campaign in Britain, France, Germany, America and Russia. The diversity of their work is displayed here in chapters that cover recruitment, money raising, the soldier, the enemy, the family and the home front, films and the post-war world. A century ago, when these images were first viewed, they must have been even more striking in contrast to the poor-quality newspaper photographs and postcards that were available at the time. The Great War was to change that forever. It introduced a means of propaganda that was novel, persuasive and above all, powerful. It was the first media war, and the poster played a key role in it.
Book Synopsis World War I in 40 Posters by : Ann P. Linder
Download or read book World War I in 40 Posters written by Ann P. Linder and published by Rowman & Littlefield. This book was released on 2016-04-01 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war.
Book Synopsis World War One Posters by : Dover Publications, Inc.
Download or read book World War One Posters written by Dover Publications, Inc. and published by Courier Dover Publications. This book was released on 2018-02-15 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the heyday of poster art comes this choice selection of 100 full-page color reproductions accompanied by detailed captions. Magnificent hardcover edition features posters by Lyendecker, Christy, Flagg, Brangwyn, Steinlen, others.
Book Synopsis First World War Posters by : Rosalind Ormiston
Download or read book First World War Posters written by Rosalind Ormiston and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features an introduction to the First World War and its posters, and 100 key works. Beautifully reproduced full-page artworks in an appealing hardback giftbook.
Book Synopsis At Home and under Fire by : Susan R. Grayzel
Download or read book At Home and under Fire written by Susan R. Grayzel and published by Cambridge University Press. This book was released on 2012-01-09 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although the Blitz has come to symbolize the experience of civilians under attack, Germany first launched air raids on Britain at the end of 1914 and continued them during the First World War. With the advent of air warfare, civilians far removed from traditional battle zones became a direct target of war rather than a group shielded from its impact. This is a study of how British civilians experienced and came to terms with aerial warfare during the First and Second World Wars. Memories of the World War I bombings shaped British responses to the various real and imagined war threats of the 1920s and 1930s, including the bombing of civilians during the Spanish Civil War and, ultimately, the Blitz itself. The processes by which different constituent bodies of the British nation responded to the arrival of air power reveal the particular role that gender played in defining civilian participation in modern war.
Book Synopsis World War I and American Art by : Robert Cozzolino
Download or read book World War I and American Art written by Robert Cozzolino and published by Princeton University Press. This book was released on 2016-11 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: -World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Book Synopsis The Christy Girl by : Howard Chandler Christy
Download or read book The Christy Girl written by Howard Chandler Christy and published by . This book was released on 1906 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book War Posters written by Martin Hardie and published by Courier Dover Publications. This book was released on 2016-09-21 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eighty color and black-and-white posters, issued from 1914 to 1919, feature the work of Steinlen, Biró, Paul Nash, and other noted artists. An informative Introduction details the historical role of wartime posters.
Download or read book The Art of War written by Artemis Design and published by . This book was released on 2019-11-21 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'THE ART OF WAR: VOLUME 1' IS A COLLECTION OF 130 BRITISH WORLD WAR TWO PROPAGANDA POSTERS. INCLUDES A FOREWORD BY HISTORIAN M. J. TROW. Propaganda during the Second World War was an unavoidable aspect of daily life. It must be a situation that is hard to relate to for those of us in the West born too late or too young to remember the war or the decades afterwards. The idea that you must always be alert to the ominous drone of the air-raid sirens as you went about your business, or that your home could be destroyed in an aerial bombardment at any moment is very hard to comprehend. But those who lived through the war knew it was perfectly possible that the Wehrmacht could soon be marching through the streets, with all the chaos, fear, death and destruction that that would imply. Against this backdrop we can understand why propaganda was so vital to all sides of the conflict. For those interested in the psychology of the past, propaganda posters are a great glimpse into the (understandable) paranoia, hysteria and concerns of those who created them, and the message they thought it was necessary to promote to everyone else. All of these posters served some sort of purpose, and modern cynicism means it is often hard not to scoff at some of them, because to us they are now often unintentionally humorous or offensive. Those in government at the time knew that war had evolved. The Great War had changed much, and this latest conflict with Germany would create a huge strain, both in terms of morale and in the nation's resources, and it was vital to have and maintain full support for the war at home. While propaganda was nothing new, it came into its own during the Second World War. British posters were, in the main, created by the controversial Ministry of Information, a government department that was dissolved soon after the war and probably one of George Orwell's inspirations for 'Big Brother'. Many contemporary members of parliament were very disturbed by the agenda of this department and protested that there was a very real danger that Britain could ironically sleep-walk into becoming the fascist, brain-washed state with which they were at war. The messages behind most of these posters is overt and obvious. The well-known, but never actually distributed, 'Keep Calm and Carry On' posters are still recognisable to us today, over 70 years later. Other messages may verge on the bizarre to those who never knew the horrors of the conflict first-hand. One poster shows a soldier and his partner on a sofa with the message 'Keep mum (stay silent), she might not be so dumb', implying that his girlfriend may, at best, be a loudmouth who will report his military operations to everyone in town and, at worst, be a Gestapo agent who had been planted into his home. This isn't to mock the sentiment, but simply to point out how difficult it is for a modern mind to understand. Other posters urging mothers to evacuate their children away from towns as refugees to find safety in the countryside, or even abroad to the security of Canada or other parts of the empire are quite shocking. Still more so are those which implied that people taking a day off work due to sickness could be shirking, or that those who lost a tool at work were aiding Hitler, are quite unsettling even now. American propaganda was often racist, showing rat-like Japanese. One dramatic poster, featuring two creepy children in their gas masks and proclaiming 'Dear God, keep them safe!' is still striking. On the Axis side, they were oddly obsessed with reminding Allied soldiers, particularly Americans, that their women were back at home, probably sleeping with someone else and that 'the negroes' were now running the country.
Book Synopsis British Propaganda Posters of the First World War by :
Download or read book British Propaganda Posters of the First World War written by and published by . This book was released on 2004 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Modern British Posters by : Paul Rennie
Download or read book Modern British Posters written by Paul Rennie and published by Black Dog Pub Limited. This book was released on 2010 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.
