British Orientalism And Representations Of Music In The Long Nineteenth Century

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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Author : Claire Mabilat
Publisher : Routledge
ISBN 13 : 1351555553
Total Pages : 267 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by : Claire Mabilat

Download or read book Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts written by Claire Mabilat and published by Routledge. This book was released on 2017-07-05 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

British Orientalism and Representations of Music in the Long Nineteenth Century

Author :
Publisher :
ISBN 13 :
Total Pages : 250 pages
Book Rating : 4.:/5 (912 download)

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Book Synopsis British Orientalism and Representations of Music in the Long Nineteenth Century by :

Download or read book British Orientalism and Representations of Music in the Long Nineteenth Century written by and published by . This book was released on 2006 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Music and Orientalism in the British Empire, 1780s–1940s

Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1351557599
Total Pages : 366 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music and Orientalism in the British Empire, 1780s–1940s by : Bennett Zon

Download or read book Music and Orientalism in the British Empire, 1780s–1940s written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts

Author : Claire Mabilat
Publisher : Routledge
ISBN 13 : 1351555545
Total Pages : 280 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts by : Claire Mabilat

Download or read book Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts written by Claire Mabilat and published by Routledge. This book was released on 2017-07-05 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

"Music and Orientalism in the British Empire, 1780s?940s "

Author : Bennett Zon
Publisher : Routledge
ISBN 13 : 1351557580
Total Pages : 590 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "Music and Orientalism in the British Empire, 1780s?940s " by : Bennett Zon

Download or read book "Music and Orientalism in the British Empire, 1780s?940s " written by Bennett Zon and published by Routledge. This book was released on 2017-07-05 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

Representing Non-Western Music in Nineteenth-century Britain

Author : Bennett Zon
Publisher : University Rochester Press
ISBN 13 : 9781580462594
Total Pages : 380 pages
Book Rating : 4.4/5 (625 download)

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Book Synopsis Representing Non-Western Music in Nineteenth-century Britain by : Bennett Zon

Download or read book Representing Non-Western Music in Nineteenth-century Britain written by Bennett Zon and published by University Rochester Press. This book was released on 2007 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the influence of anthropological theories, travel literature, psychology, and other intellectual trends on the perception of non-Western music and elucidates the roots of today's field of ethnomusicology.

Twenty-First Century Arab and African Diasporas in Spain, Portugal and Latin America

Author : Cristián H. Ricci
Publisher : Taylor & Francis
ISBN 13 : 1000828522
Total Pages : 255 pages
Book Rating : 4.0/5 (8 download)

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Book Synopsis Twenty-First Century Arab and African Diasporas in Spain, Portugal and Latin America by : Cristián H. Ricci

Download or read book Twenty-First Century Arab and African Diasporas in Spain, Portugal and Latin America written by Cristián H. Ricci and published by Taylor & Francis. This book was released on 2022-12-30 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume considers the Arabic and African diasporas through the underexplored Afro-Hispanic, Luso-Africans, and Mahjari (South American and Mexican authors of Arab descent) experiences in Spain, Portugal, and Latin America. Utilizing both established and emerging approaches, the authors explore the ways in which individual writers and artists negotiate the geographical, cultural, and historical parameters of their own diasporic trajectories influenced by their particular locations at home and elsewhere. At the same time, this volume sheds light on issues related to Spain, Portugal, and Latin American racial, ethnic, and sexual boundaries; the appeal of images of the Middle East and Africa in the contemporary marketplace; and the role of Spanish, Portuguese, and Latin American economic crunches in shaping attitudes towards immigration. This collection of thought-provoking chapters extends the concepts of diaspora and transnationalism, forcing the reader to reassess their present limitations as interpretive tools. In the process, Afro-Hispanic, Afro-Portuguese, and Mahjaris are rendered visible as national actors and transnational citizens.

Music in Edwardian London

Author : Simon McVeigh
Publisher : Boydell & Brewer
ISBN 13 : 1837651345
Total Pages : 345 pages
Book Rating : 4.8/5 (376 download)

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Book Synopsis Music in Edwardian London by : Simon McVeigh

Download or read book Music in Edwardian London written by Simon McVeigh and published by Boydell & Brewer. This book was released on 2024-05-21 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.

Representations of the Orient in Western Music

Author : Nasser Al-Taee
Publisher :
ISBN 13 :
Total Pages : 305 pages
Book Rating : 4.:/5 (13 download)

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Book Synopsis Representations of the Orient in Western Music by : Nasser Al-Taee

Download or read book Representations of the Orient in Western Music written by Nasser Al-Taee and published by . This book was released on 2016 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power."--Provided by publisher.

The Provincial Music Festival in England, 1784–1914

Author : Dr Pippa Drummond
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409494616
Total Pages : 326 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis The Provincial Music Festival in England, 1784–1914 by : Dr Pippa Drummond

Download or read book The Provincial Music Festival in England, 1784–1914 written by Dr Pippa Drummond and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the English music festival is long overdue. Dr Pippa Drummond argues that these festivals represented the most significant cultural events in provincial England during the nineteenth century and emphasizes their particular importance in the promotion and commissioning of new music. Drawing on material from surviving accounts, committee records, programmes, contemporary pamphlets and reviews, Drummond shows how the festivals responded to and reflected the changing social and economic conditions of their day. Coverage includes a chronological overview documenting the history of individual festivals followed by a detailed exploration of such topics as performers and performance practice, logistics and finance, programmes and commissioning, together with information concerning the composition and provenance of festival choirs and orchestras. Also discussed are the effects of improved transport and new technologies on the festivals, sacred and secular conflicts, gender issues, the role of philanthropy, the nature of patronage and the changing social status of festival audiences. The book will also be of interest to social, economic and local historians.

The Symphonic Poem in Britain, 1850-1950

Author : Michael Allis
Publisher : Boydell & Brewer
ISBN 13 : 1783275286
Total Pages : 382 pages
Book Rating : 4.7/5 (832 download)

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Book Synopsis The Symphonic Poem in Britain, 1850-1950 by : Michael Allis

Download or read book The Symphonic Poem in Britain, 1850-1950 written by Michael Allis and published by Boydell & Brewer. This book was released on 2020 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Symphonic Poem in Britain 1850-1950 aims to raise the status of the genre generally and in Britain specifically. The volume reaffirms British composers' confidence in dealing with literary texts and takes advantage of the contributors' interdisciplinary expertise by situating discussions of the tone poem in Britain in a variety of historical, analytical and cultural contexts. This book highlights some of the continental models that influenced British composers, and identifies a range of issues related to perceptions of the genre. Richard Strauss became an important figure in Britain during this time, not only in terms of the clear impact of his tone poems, but the debates over their value and even their ethics. A focus on French orchestral music in Britain represents a welcome addition to scholarly debate, and links to issues in several other chapters. The historical development of the genre, the impact of compositional models, issues highlighted in critical reception as well as programming strategies all contribute to a richer understanding of the symphonic poem in Britain. Works by British composers discussed in more detail include William Wallace's Villon (1909), Gustav Holst's Beni Mora(1909-10), Hubert Parry's From Death to Life (1914), John Ireland's Mai-Dun (1921), and Frank Bridge's orchestral 'poems' (1903-15).

British Music and Literary Context

Author : Michael Allis
Publisher : Boydell Press
ISBN 13 : 1843837307
Total Pages : 334 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis British Music and Literary Context by : Michael Allis

Download or read book British Music and Literary Context written by Michael Allis and published by Boydell Press. This book was released on 2012 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite several recent monographs, editions and recordings devoted to the reassessment of British music in the late nineteenth and early twentieth century, some negative perceptions still remain--particularly a sense that British composers in this period somehow lacked literary credentials. British Music and Literary Context counters this perception by showing that these composers displayed a real confidence and assurance in refiguring literary texts in their music. The book explores how a literary context might offer modern audiences and listeners a 'way in' to appreciate specific works that have traditionally been viewed as problematic. Each chapter of this interdisciplinary study juxtaposes a British composer with a particular literary counterpart or genre. Issues highlighted in the book include the vexed relationship between words and music, the refiguring of literary narratives as musical structures, and the ways in which musical settings or representations of literary texts might be seen as critical 'readings' of those texts. Anyone interested in nineteenth-century British music, literature and Victorian studies will enjoy this thought-provoking and perceptive book.

Cultural Identity in British Musical Theatre, 1890–1939

Author : Ben Macpherson
Publisher : Springer
ISBN 13 : 1137598077
Total Pages : 252 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Cultural Identity in British Musical Theatre, 1890–1939 by : Ben Macpherson

Download or read book Cultural Identity in British Musical Theatre, 1890–1939 written by Ben Macpherson and published by Springer. This book was released on 2018-05-15 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the performance of ‘Britishness’ on the musical stage. Covering a tumultuous period in British history, it offers a fresh look at the vitality and centrality of the musical stage, as a global phenomenon in late-Victorian popular culture and beyond. Through a re-examination of over fifty archival play-scripts, the book comprises seven interconnected stories told in two parts. Part One focuses on domestic and personal identities of ‘Britishness’, and how implicit anxieties and contradictions of nationhood, class and gender were staged as part of the popular cultural condition. Broadening in scope, Part Two offers a revisionary reading of Empire and Otherness on the musical stage, and concludes with a consideration of the Great War and the interwar period, as musical theatre performed a nostalgia for a particular kind of ‘Britishness’, reflecting the anxieties of a nation in decline.

Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards

Download Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards PDF Online Free

Author :
Publisher :
ISBN 13 :
Total Pages : 342 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards by :

Download or read book Index to Theses with Abstracts Accepted for Higher Degrees by the Universities of Great Britain and Ireland and the Council for National Academic Awards written by and published by . This book was released on 2007 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Representations of the Orient in Western Music

Author : Nasser Al-Taee
Publisher : Routledge
ISBN 13 : 1351551418
Total Pages : 336 pages
Book Rating : 4.3/5 (515 download)

DOWNLOAD NOW!

Book Synopsis Representations of the Orient in Western Music by : Nasser Al-Taee

Download or read book Representations of the Orient in Western Music written by Nasser Al-Taee and published by Routledge. This book was released on 2017-07-05 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.

Late Victorian Orientalism

Author : Eleonora Sasso
Publisher : Anthem Press
ISBN 13 : 1785273280
Total Pages : 242 pages
Book Rating : 4.7/5 (852 download)

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Book Synopsis Late Victorian Orientalism by : Eleonora Sasso

Download or read book Late Victorian Orientalism written by Eleonora Sasso and published by Anthem Press. This book was released on 2020-06-30 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Late Victorian Orientalism is a work of scholarly research pushing forward disciplines into new areas of enquiry. This collection of essays tries to redefine the task of interpreting the East in the nineteenth century taking as a starting point Edward Said’s Orientalism (1978) in order to investigate the visual, fantasised, and imperialist representations of the East as well as the most exemplary translations of Oriental texts. The Victorians envisioned the East in many different modes or Orientalisms since as Said suggested ‘[t]here were, perhaps, as many Orientalisms as Orientalists’. By combining together Western and Oriental modes of art, this study is not only aimed at filling a gap in Victorian and Oriental studies but also at broadening the audiences it is intended for.

Charles Dibdin and Late Georgian Culture

Author : Oskar Cox Jensen
Publisher : Oxford University Press
ISBN 13 : 0192540467
Total Pages : 273 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Charles Dibdin and Late Georgian Culture by : Oskar Cox Jensen

Download or read book Charles Dibdin and Late Georgian Culture written by Oskar Cox Jensen and published by Oxford University Press. This book was released on 2018-01-19 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation. He was an actor, lyricist, composer, singer-songwriter, comedian, theatre-manager, journalist, artist, music tutor, speculator, and author of novels, historical works, polemical pamphlets, and guides to musical education. This collection of essays illuminates the social and cultural conditions that made such a varied career possible, offering fresh insights into previously unexplored aspects of late Georgian culture, society, and politics. Tracing the transitions in the cultural economy from an eighteenth-century system of miscellany to a nineteenth-century regime of specialisation, Charles Dibdin and Late Georgian Culture illustrates the variety of Dibdin's cultural output as characteristic of late eighteenth-century entertainment, while also addressing the challenge mounted by a growing preoccupation with specialisation in the early nineteenth century. The chapters, written by some of the leading experts in their individual disciplines, examine Dibdin's extraordinarily wide-ranging career, spanning cultural spaces from the theatres at Drury Lane and Covent Garden, through Ranelagh Gardens, Sadler's Wells, and the Royal Circus, to singing on board ships and in elegant Regency parlours; from broadside ballads and graphic satires, to newspaper journalism, mezzotint etchings, painting, and decorative pottery. Together they demonstrate connections between forms of cultural production that have often been treated as distinct, and provide a model for a more integrated approach to the fabric of late Georgian cultural production.