British Cinema And The Cold War

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British Cinema and the Cold War

Author : Tony Shaw
Publisher : I.B. Tauris
ISBN 13 :
Total Pages : 304 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis British Cinema and the Cold War by : Tony Shaw

Download or read book British Cinema and the Cold War written by Tony Shaw and published by I.B. Tauris. This book was released on 2001 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the court-room drama based on the trial of Hungary's Cardinal Mindszenty, The Prisoner; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's classic novel Animal Farm. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'."--BOOK JACKET.

Cinema in the Cold War

Author : Cyril Buffet
Publisher : Routledge
ISBN 13 : 1317358791
Total Pages : 152 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis Cinema in the Cold War by : Cyril Buffet

Download or read book Cinema in the Cold War written by Cyril Buffet and published by Routledge. This book was released on 2017-10-02 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort. It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.

Hollywood's Cold War

Author : Tony Shaw
Publisher : Edinburgh University Press
ISBN 13 : 0748630732
Total Pages : 352 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Hollywood's Cold War by : Tony Shaw

Download or read book Hollywood's Cold War written by Tony Shaw and published by Edinburgh University Press. This book was released on 2007-09-19 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood's Cold War

British Propaganda and News Media in the Cold War

Author : John Jenks
Publisher : Edinburgh University Press
ISBN 13 : 0748626751
Total Pages : 176 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis British Propaganda and News Media in the Cold War by : John Jenks

Download or read book British Propaganda and News Media in the Cold War written by John Jenks and published by Edinburgh University Press. This book was released on 2006-04-19 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing "e;unreliable"e; journalists, creating instant media experts through provision of carefully edited "e;inside information"e;, and exploiting the global media system to plant propaganda--disguised as news--around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the "e;hearts and minds"e; of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers and preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British "e;public opinion"e; for foreign audiences. By the early 1950s censorship waned but covert propaganda had become addictive. The endless tension of the Cold War normalized what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. John Jenks draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department (IRD) propaganda agency, and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.

Of Treason, God and Testicles

Author : Kathleen Starck
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443894133
Total Pages : 240 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Of Treason, God and Testicles by : Kathleen Starck

Download or read book Of Treason, God and Testicles written by Kathleen Starck and published by Cambridge Scholars Publishing. This book was released on 2016-05-11 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender in general, and masculinity in particular, might not be the first associations the mind produces when presented with the subject matter of the Cold War. More likely contenders would be the arms race or the ideological dichotomy of Communism versus Capitalism. However, recent research has established beyond a doubt that the politics and diplomacy of the superpower conflict were not only strongly influenced by beliefs about gender, but simultaneously also generated them. In fact, in a social climate where gender conformity was considered as crucial as ideological conformity, the conflict gave rise to what might be called distinctive “Cold War masculinities.” At the same time, the socio-historical context of the Cold War markedly shaped the cinemas of one of the main Cold War players, the United States, and of its close ally, Great Britain. Both film industries produced films overtly or covertly depicting the Cold War, characterised by propaganda, coercion and resistance to varying degrees. Integrating these findings from the fields of masculinity studies and (cultural) Cold War studies, this book analyses in what shape the interplay between widespread political and ideological Cold War convictions and Cold War notions of masculinity found its way onto British and American cinema screens of the early Cold War.

British cinema of the 1950s

Author : Ian Mackillop
Publisher : Manchester University Press
ISBN 13 : 1526137275
Total Pages : 249 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis British cinema of the 1950s by : Ian Mackillop

Download or read book British cinema of the 1950s written by Ian Mackillop and published by Manchester University Press. This book was released on 2018-07-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade.

Threatened Masculinity from British Fiction to Cold War German Cinema

Author : Joseph P. Willis
Publisher : Routledge
ISBN 13 : 1000011976
Total Pages : 211 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Threatened Masculinity from British Fiction to Cold War German Cinema by : Joseph P. Willis

Download or read book Threatened Masculinity from British Fiction to Cold War German Cinema written by Joseph P. Willis and published by Routledge. This book was released on 2019-05-30 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: The impact of the Cold War on German male identities can be seen in the nation’s cinematic search for a masculine paradigm that rejected the fate-centered value system of its National- Socialist past while also recognizing that German males once again had become victims of fate and fatalism, but now within the value system of the Soviet and American hegemonies that determined the fate of Cold War Germany and Central Europe. This monograph is the first to demonstrate that this Cold War cinematic search sought out a meaningful masculine paradigm through film adaptations of late-Victorian and Edwardian male writers who likewise sought a means of self-determination within a hegemonic structure that often left few opportunities for personal agency. In contrast to the scholarly practice of exploring categories of modern masculinity such as Victorian imperialist manliness or German Cold-War male identity as distinct from each other, this monograph offers an important, comparative corrective that brings forward an extremely influential century-long trajectory of threatened masculinity. For German Cold-War masculinity, lessons were to be learned from history—namely, from late-Victorian and Edwardian models of manliness. Cold War Germans, like the Victorians before them, had to confront the unknowns of a new world without fear or hesitation. In a Cold-War mentality where nuclear technology and geographic distance had trumped face-to-face confrontation between East and West, Cold-War German masculinity sought alternatives to the insanity of mutual nuclear destruction by choosing not just to confront threats, but to resolve threats directly through personal agency and self-determination.

Cold War II

Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
ISBN 13 : 149683111X
Total Pages : 246 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis Cold War II by : Tatiana Prorokova-Konrad

Download or read book Cold War II written by Tatiana Prorokova-Konrad and published by Univ. Press of Mississippi. This book was released on 2020-11-24 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

War Representation in British Cinema and Television

Author : Kevin M. Flanagan
Publisher : Springer Nature
ISBN 13 : 3030302032
Total Pages : 225 pages
Book Rating : 4.0/5 (33 download)

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Book Synopsis War Representation in British Cinema and Television by : Kevin M. Flanagan

Download or read book War Representation in British Cinema and Television written by Kevin M. Flanagan and published by Springer Nature. This book was released on 2019-10-25 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores alternatives to realist, triumphalist, and heroic representations of war in British film and television. Focusing on the period between the Suez Crisis of 1956 and the Falkland War but offering connections to the moment of Brexit, it argues that the “lost continent” of existential, satirical, simulated, and abstractly traumatic war stories is as central to understanding Britain’s martial history as the mainstream inheritance. The book features case studies that stress the contribution of exiled or expatriate directors and outsider sensibilities, with particular emphasis on Peter Watkins, Joseph Losey, and Richard Lester. At the same time, it demonstrates concerns and stylistic emphases that continue to the present in television series and films by directors such as Lone Scherfig and Christopher Nolan. Encompassing everything from features to government information films, the book explores related trends in the British film industry, popular culture, and film criticism, while offering a sense of how these contexts contribute to historical memory.

The Cold War and Entertainment Television

Author : Lori Maguire
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443899259
Total Pages : 280 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis The Cold War and Entertainment Television by : Lori Maguire

Download or read book The Cold War and Entertainment Television written by Lori Maguire and published by Cambridge Scholars Publishing. This book was released on 2016-08-17 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential dimension of the Cold War took place in the realm of ideas and culture. While much work exists on cinema, relatively little research has been conducted on this subject in relation to television, despite the latter being a technology and popular cultural form that emerged during this period. This book rectifies that absence by examining the impact of the Cold War on entertainment television, and underlines the comparative aspect by studying programs from both blocs – without forgetting, of course, the outsize impact of American television. Although most of the focus is on the two main protagonists, the US and the USSR, chapters also consider programming from the UK, Czechoslovakia, Romania, and both East and West Germany. This book represents a contribution to the debate about the cultural Cold War through a rigorously comparative analysis of the two blocs. For this reason, the approach used is thematic. The study begins by considering the subject of censorship, and then goes on to look at the very particular case of the two Germanys. A series of comparative genre studies follow, including police and war, variety shows, and documentaries and docudramas. Perhaps surprisingly, the similarities are often greater than the differences between television in the two blocs.

Cinema and the Cultural Cold War

Author : Sangjoon Lee
Publisher : Cornell University Press
ISBN 13 : 1501752324
Total Pages : 310 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Cinema and the Cultural Cold War by : Sangjoon Lee

Download or read book Cinema and the Cultural Cold War written by Sangjoon Lee and published by Cornell University Press. This book was released on 2020-12-15 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.

Film, Hot War Traces and Cold War Spaces

Author : Maurizio Cinquegrani
Publisher : EUP
ISBN 13 : 9781474475198
Total Pages : 0 pages
Book Rating : 4.4/5 (751 download)

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Book Synopsis Film, Hot War Traces and Cold War Spaces by : Maurizio Cinquegrani

Download or read book Film, Hot War Traces and Cold War Spaces written by Maurizio Cinquegrani and published by EUP. This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the intertwining of fiction, documentary and memory in film

Cold War II

Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
ISBN 13 : 1496831136
Total Pages : 264 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis Cold War II by : Tatiana Prorokova-Konrad

Download or read book Cold War II written by Tatiana Prorokova-Konrad and published by Univ. Press of Mississippi. This book was released on 2020-12-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

Religion and the Cold War

Author : D. Kirby
Publisher : Springer
ISBN 13 : 1403919577
Total Pages : 259 pages
Book Rating : 4.4/5 (39 download)

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Book Synopsis Religion and the Cold War by : D. Kirby

Download or read book Religion and the Cold War written by D. Kirby and published by Springer. This book was released on 2002-12-13 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although seen widely as the twentieth-century's great religious war, as a conflict between the god-fearing and the godless, the religious dimension of the Cold War has never been subjected to a scholarly critique. This unique study shows why religion is a key Cold War variable. A specially commissioned collection of new scholarship, it provides fresh insights into the complex nature of the Cold War. It has profound resonance today with the resurgence of religion as a political force in global society.

Cinematic Cold War

Author : Tony Shaw
Publisher : University Press of Kansas
ISBN 13 : 0700620206
Total Pages : 312 pages
Book Rating : 4.7/5 (6 download)

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Book Synopsis Cinematic Cold War by : Tony Shaw

Download or read book Cinematic Cold War written by Tony Shaw and published by University Press of Kansas. This book was released on 2014-08-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Cold War was as much a battle of ideas as a series of military and diplomatic confrontations, and movies were a prime battleground for this cultural combat. As Tony Shaw and Denise Youngblood show, Hollywood sought to export American ideals in movies like Rambo, and the Soviet film industry fought back by showcasing Communist ideals in a positive light, primarily for their own citizens. The two camps traded cinematic blows for more than four decades. The first book-length comparative survey of cinema's vital role in disseminating Cold War ideologies, Shaw and Youngblood's study focuses on ten films—five American and five Soviet—that in both obvious and subtle ways provided a crucial outlet for the global "debate" between democratic and communist ideologies. For each nation, the authors outline industry leaders, structure, audiences, politics, and international reach and explore the varied relationships linking each film industry to its respective government. They then present five comparative case studies, each pairing an American with a Soviet film: Man on a Tightrope with The Meeting on the Elbe; Roman Holiday with Spring on Zarechnaya Street; Fail-Safe with Nine Days in One Year; Bananas with Officers; Rambo: First Blood Part II with Incident at Map Grid 36-80. Shaw breathes new life into familiar American films by Elia Kazan and Woody Allen, while Youngblood helps readers comprehend Soviet films most have never seen. Collectively, their commentaries track the Cold War in its entirety—from its formative phase through periods of thaw and self-doubt to the resurgence of mutual animosity during the Reagan years-and enable readers to identify competing core propaganda themes such as decadence versus morality, technology versus humanity, and freedom versus authority. As the authors show, such themes blurred notions regarding "propaganda" and "entertainment," terms that were often interchangeable and mutually reinforcing during the Cold War. Featuring engaging commentary and evocative images from the films discussed, Cinematic Cold War offers a shrewd analysis of how the silver screen functioned on both sides of the Iron Curtain. As such it should have great appeal for anyone interested in the Cold War or the cinematic arts.

Sixties British Cinema Reconsidered

Author : Duncan Petrie
Publisher :
ISBN 13 : 9781474443890
Total Pages : 272 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Sixties British Cinema Reconsidered by : Duncan Petrie

Download or read book Sixties British Cinema Reconsidered written by Duncan Petrie and published by . This book was released on 2021-11-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.

Looking-Glass Wars: Spies on British Screens since 1960

Author : Alan Burton
Publisher : Vernon Press
ISBN 13 : 1622732901
Total Pages : 555 pages
Book Rating : 4.6/5 (227 download)

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Book Synopsis Looking-Glass Wars: Spies on British Screens since 1960 by : Alan Burton

Download or read book Looking-Glass Wars: Spies on British Screens since 1960 written by Alan Burton and published by Vernon Press. This book was released on 2018-01-31 with total page 555 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking-Glass Wars: Spies on British Screens since 1960 is a detailed historical and critical overview of espionage in British film and television in the important period since 1960. From that date, the British spy screen was transformed under the influence of the tremendous success of James Bond in the cinema (the spy thriller), and of the new-style spy writing of John le Carré and Len Deighton (the espionage story). In the 1960s, there developed a popular cycle of spy thrillers in the cinema and on television. The new study looks in detail at the cycle which in previous work has been largely neglected in favour of the James Bond films. The study also brings new attention to espionage on British television and popular secret agent series such as Spy Trap, Quiller and The Sandbaggers. It also gives attention to the more ‘realistic’ representation of spying in the film and television adaptations of le Carré and Deighton, and other dramas with a more serious intent. In addition, there is wholly original attention given to ‘nostalgic’ spy fictions on screen, adaptations of classic stories of espionage which were popular in the late 1970s and through the 1980s, and to ‘historical’ spy fiction, dramas which treated ‘real’ cases of espionage and their characters, most notably the notorious Cambridge Spies. Detailed attention is also given to the ‘secret state’ thriller, a cycle of paranoid screen dramas in the 1980s which portrayed the intelligence services in a conspiratorial light, best understood as a reaction to excessive official secrecy and anxieties about an unregulated security service. The study is brought up-to-date with an examination of screen espionage in Britain since the end of the Cold War. The approach is empirical and historical. The study examines the production and reception, literary and historical contexts of the films and dramas. It is the first detailed overview of the British spy screen in its crucial period since the 1960s and provides fresh attention to spy films, series and serials never previously considered.