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Blacking Up The Minstrel Show In Nineteenth Century America
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Book Synopsis Blacking up : the minstrel show in nineteenth-century America by : Robert C. Toll
Download or read book Blacking up : the minstrel show in nineteenth-century America written by Robert C. Toll and published by . This book was released on 1974 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Inside the Minstrel Mask by : Annemarie Bean
Download or read book Inside the Minstrel Mask written by Annemarie Bean and published by Wesleyan University Press. This book was released on 1996-11-29 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sourcebook of contemporary and historical commentary on America's first popular mass entertainment.
Book Synopsis Darkest America: Black Minstrelsy from Slavery to Hip-Hop by : Yuval Taylor
Download or read book Darkest America: Black Minstrelsy from Slavery to Hip-Hop written by Yuval Taylor and published by W. W. Norton & Company. This book was released on 2012-08-27 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.
Book Synopsis The Blackface Minstrel Show in Mass Media by : Tim Brooks
Download or read book The Blackface Minstrel Show in Mass Media written by Tim Brooks and published by McFarland. This book was released on 2019-11-29 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Book Synopsis Beyond Blackface by : William Fitzhugh Brundage
Download or read book Beyond Blackface written by William Fitzhugh Brundage and published by Univ of North Carolina Press. This book was released on 2011 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Blackface
Book Synopsis Blacking up : The Minstrel show in nineteenth-century America by : Robert C. Toll
Download or read book Blacking up : The Minstrel show in nineteenth-century America written by Robert C. Toll and published by . This book was released on 1977 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Wages of Whiteness by : David R. Roediger
Download or read book The Wages of Whiteness written by David R. Roediger and published by Verso. This book was released on 1999 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE WAGES OF WHITENESS provides an original study of the formative years of working-class racism in the United States. In an Afterword to this second edition, Roediger discusses recent studies of whiteness and the changing face of labor itself--then surveys criticism of his work. He accepts the views of some critics but challenges others.
Book Synopsis Birth of an Industry by : Nicholas Sammond
Download or read book Birth of an Industry written by Nicholas Sammond and published by Duke University Press. This book was released on 2015-08-27 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Book Synopsis This Grotesque Essence by : Gary D. Engle
Download or read book This Grotesque Essence written by Gary D. Engle and published by . This book was released on 1978 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America by : Saidiya Hartman
Download or read book Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America written by Saidiya Hartman and published by W. W. Norton & Company. This book was released on 2022-10-11 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.
Author :Robert C. Toll Publisher :Oxford [Oxfordshire] ; New York : Oxford University Press ISBN 13 : Total Pages :360 pages Book Rating :4.3/5 (91 download)
Book Synopsis The Entertainment Machine by : Robert C. Toll
Download or read book The Entertainment Machine written by Robert C. Toll and published by Oxford [Oxfordshire] ; New York : Oxford University Press. This book was released on 1982 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lively, lavishly illustrated book explains the effects of the age of technology on American show business. Ranging over nearly a century, but as up-to-date as the latest box-office hits, the book traces the development of the major electronic media, then compares the treatment of popular genres in each of the different media.
Book Synopsis Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy by : Robert Nowatzki
Download or read book Representing African Americans in Transatlantic Abolitionism and Blackface Minstrelsy written by Robert Nowatzki and published by LSU Press. This book was released on 2010-06 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this intriguing study, Robert Nowatzki reveals the unexpected relationships between blackface entertainment and antislavery sentiment in the United States and Britain. He contends that the ideological ambiguity of both phenomena enabled the similarities between early minstrelsy and abolitionism in their depictions of African Americans, as well as their appropriations of each other's rhetoric, imagery, sentiment, and characterization. Nowatzki reveals how the most popular form of theatrical entertainment and the most significant reform movement of nineteenth-century Britain and America helped define cultural representations of African Americans.
Download or read book Raising Cain written by W. T. Lhamon and published by Harvard University Press. This book was released on 1998 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cain made the first blackface turn, blackface minstrels liked to say of the first man forced to wander the world acting out his low place in life. It wasn't the "approved" reading, but then, blackface wasn't the "approved" culture either--yet somehow we're still dancing to its renegade tune. The story of an insubordinate, rebellious, truly popular culture stretching from Jim Crow to hip hop is told for the first time in Raising Cain, a provocative look at how the outcasts of official culture have made their own place in the world. Unearthing a wealth of long-buried plays and songs, rethinking materials often deemed too troubling or lowly to handle, and overturning cherished ideas about classics from Uncle Tom's Cabin to Benito Cereno to The Jazz Singer, W. T. Lhamon Jr. sets out a startlingly original history of blackface as a cultural ritual that, for all its racist elements, was ultimately liberating. He shows that early blackface, dating back to the 1830s, put forward an interpretation of blackness as that which endured a commonly felt scorn and often outwitted it. To follow the subsequent turns taken by the many forms of blackface is to pursue the way modern social shifts produce and disperse culture. Raising Cain follows these forms as they prolong and adapt folk performance and popular rites for industrial commerce, then project themselves into the rougher modes of postmodern life through such heirs of blackface as stand-up comedy, rock 'n' roll, talk TV, and hip hop. Formally raising Cain in its myriad variants, blackface appears here as a racial project more radical even than abolitionism. Lhamon's account of its provenance and persistence is a major reinterpretation of American culture.
Book Synopsis Burnt Cork by : Stephen Burge Johnson
Download or read book Burnt Cork written by Stephen Burge Johnson and published by Univ of Massachusetts Press. This book was released on 2012 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
Book Synopsis Whiting Up by : Marvin Edward McAllister
Download or read book Whiting Up written by Marvin Edward McAllister and published by Univ of North Carolina Press. This book was released on 2011 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 1890s, black performer Bob Cole turned blackface minstrelsy on its head with his nationally recognized whiteface creation, a character he called Willie Wayside. Just over a century later, hiphop star Busta Rhymes performed a whiteface superco
Book Synopsis The Creolization of American Culture by : Christopher J Smith
Download or read book The Creolization of American Culture written by Christopher J Smith and published by University of Illinois Press. This book was released on 2013-09-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Creolization of American Culture examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807–1868) as a lens through which to see the multiethnic antebellum world that gave birth to blackface minstrelsy. As a young man living in the multiethnic working-class community of New York's Lower East Side, Mount took part in the black-white musical interchange his paintings depict. An avid musician and tune collector as well as an artist, he was the among the first to depict vernacular fiddlers, banjo players, and dancers precisely and sympathetically. His close observations and meticulous renderings provide rich evidence of performance techniques and class-inflected paths of musical apprenticeship that connected white and black practitioners. Looking closely at the bodies and instruments Mount depicts in his paintings as well as other ephemera, Christopher J. Smith traces the performance practices of African American and Anglo-European music-and-dance traditions while recovering the sounds of that world. Further, Smith uses Mount's depictions of black and white music-making to open up fresh perspectives on cross-ethnic cultural transference in Northern and urban contexts, showing how rivers, waterfronts, and other sites of interracial interaction shaped musical practices by transporting musical culture from the South to the North and back. The "Africanization" of Anglo-Celtic tunes created minstrelsy's musical "creole synthesis," a body of melodic and rhythmic vocabularies, repertoires, tunes, and musical techniques that became the foundation of American popular music. Reading Mount's renderings of black and white musicians against a background of historical sites and practices of cross-racial interaction, Smith offers a sophisticated interrogation and reinterpretation of minstrelsy, significantly broadening historical views of black-white musical exchange.
Book Synopsis Racial Innocence by : Robin Bernstein
Download or read book Racial Innocence written by Robin Bernstein and published by NYU Press. This book was released on 2011-12 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner, Outstanding Book Award, Association for Theatre in Higher Education Winner, Grace Abbott Best Book Award, Society for the History of Children and Youth Winner, Book Award, Children's Literature Association Winner, Lois P. Rudnick Book Prize, New England American Studies Association Winner, IRSCL Award, International Research Society for Children's Literature Runner-Up, John Hope Franklin Publication Prize, American Studies Association Honorable Mention, Book Award, Society for the Study of American Women Writers Part of the American Literatures Initiative Series In Racial Innocence, Robin Bernstein argues that the concept of "childhood innocence" has been central to U.S. racial formation since the mid-nineteenth century. Children--white ones imbued with innocence, black ones excluded from it, and others of color erased by it--figured pivotally in sharply divergent racial agendas from slavery and abolition to antiblack violence and the early civil rights movement. Bernstein takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which she analyzes as "scriptive things" that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom's Cabin to The Wonderful Wizard of Oz literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how "innocence" gradually became the exclusive province of white children--until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.