Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Bergson And Russian Modernism 1900 1930
Download Bergson And Russian Modernism 1900 1930 full books in PDF, epub, and Kindle. Read online Bergson And Russian Modernism 1900 1930 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Bergson and Russian Modernism, 1900-1930 by : Hilary L. Fink
Download or read book Bergson and Russian Modernism, 1900-1930 written by Hilary L. Fink and published by Northwestern University Press. This book was released on 1999 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study focuses on the Russian modernist attraction to Bergson's notions of duration and intuition, his unbridled optimism in both art and life, and his belief in the individual's creative power.
Book Synopsis A Concise Companion to Modernism by : David Bradshaw
Download or read book A Concise Companion to Modernism written by David Bradshaw and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This concise Companion offers an innovative approach tounderstanding the Modernist literary mind in Britain, focusing onthe intellectual and cultural contexts, which shaped it. Offers an innovative approach to understanding the Modernistliterary mind in Britain. Helps readers to grasp the intellectual and cultural contextsof literary Modernism. Organised around contemporary ideas such as Freudianism andeugenics rather than literary genres. Relates literary Modernism to the overarching issues of theperiod, such as feminism, imperialism and war.
Book Synopsis David Bergelson's Strange New World by : Harriet Murav
Download or read book David Bergelson's Strange New World written by Harriet Murav and published by Indiana University Press. This book was released on 2019-02-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: A contemporary evaluation of Bergelson and his works, examining Yiddish literature, Jewish culture, and modernism. David Bergelson (1884–1952) emerged as a major literary figure who wrote in Yiddish before WWI. He was one of the founders of the Kiev Kultur-Lige, and his work was at the center of the Yiddish-speaking world of the time. He was well known for creating characters who often felt the painful after-effects of the past and the clumsiness of bodies stumbling through the actions of daily life as their familiar worlds crumbled around them. In this contemporary assessment of Bergelson and his fiction, Harriet Murav focuses on untimeliness, anachronism, and warped temporality as an emotional, sensory, existential, and historical background to Bergleson’s work and world. Murav grapples with the great modern theorists of time and memory, especially Henri Bergson, Sigmund Freud, and Walter Benjamin, to present Bergelson as an integral part of the philosophical and artistic experiments, political and technological changes, and cultural context of Russian and Yiddish modernism that marked his age. As a comparative and interdisciplinary study of Yiddish literature and Jewish culture, this work adds a new, ethnic dimension to understandings of the turbulent birth of modernism. “Harriet Murav treats Bergelson with the care and sincerity that literary critics have shown other important writers. This is a masterpiece of literary scholarship that will be sure to transform not only how people read Bergelson and who chooses to read Bergelson, but how readers engage with the entire concept of modernism itself.” —David Shneer, author of Yiddish and the Creation of Soviet Jewish Culture: 1918-1930
Book Synopsis Theatre Symposium, Vol. 16 by : Jay Malarcher
Download or read book Theatre Symposium, Vol. 16 written by Jay Malarcher and published by University of Alabama Press. This book was released on 2008-09-14 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comedy Tonight! in Volume 16 of the annual journal Theatre Symposium illustrate well the range of material that falls under the heading "comedy" as it is played on stage.
Book Synopsis Nabokov, History and the Texture of Time by : Will Norman
Download or read book Nabokov, History and the Texture of Time written by Will Norman and published by Routledge. This book was released on 2012-10-02 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that the apparent evasion of history in Vladimir Nabokov’s fiction conceals a profound engagement with social, and therefore political, temporalities. While Nabokov scholarship has long assumed the same position as Nabokov himself — that his works exist in a state of historical exceptionalism — this study restores the content, context, and commentary to Nabokovian time by reading his American work alongside the violent upheavals of twentieth-century ideological conflicts in Europe and the United States. This approach explores how the author’s characteristic temporal manipulations and distortions function as a defensive dialectic against history, an attempt to salvage fiction for autonomous aesthetics. Tracing Nabokov’s understanding of the relationship between history and aesthetics from nineteenth-century Russia through European modernism to the postwar American academy, the book offers detailed contextualized readings of Nabokov’s major writings, exploring the tensions, fissures, and failures in Nabokov’s attempts to assert aesthetic control over historical time. In reading his response to the rise of totalitarianism, the Holocaust, and Cold War, Norman redresses the commonly-expressed admiration for Nabokov’s heroic resistance to history by suggesting the ethical, aesthetic, and political costs of reading and writing in its denial. This book offers a rethinking of Nabokov’s location in literary history, the ideological impulses which inform his fiction, and the importance of temporal aesthetics in negotiating the matrices of modernism.
Download or read book Vitalist Modernism written by Fae Brauer and published by Taylor & Francis. This book was released on 2023-02-28 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book reveals how, when, where, and why vitalism and its relationship to new scientific theories, philosophies and concepts of energy became seminal from the fin de siècle until the Second World War for such Modernists as Sophie Taeuber-Arp, Hugo Ball, Juliette Bisson, Eva Carrière, Salvador Dalì, Robert Delaunay, Marcel Duchamp, Edvard Munch, Picasso, Yves Tanguy, Gino Severini and John Cage. For them, Vitalism entailed the conception of life as a constant process of metamorphosis impelled by the free flow of energies, imaginings, intuition and memories, unconstrained by mechanistic materialism and chronometric imperatives, to generate what the philosopher Henri Bergson aptly called Creative Evolution. Following the three main dimensions of Vitalist Modernism, the first part of this book reveals how biovitalism at the fin de siècle entailed the pursuit of corporeal regeneration through absorption in raw nature, wholesome environments, aquatic therapies, electromagnetism, heliotherapy, modern sports, particularly rugby, water sports, the Olympic Games and physical culture to energize the human body and vitalize its life force. This is illuminated by artists as geoculturally diverse as Gustave Caillebotte, Thomas Eakins, Munch and Albert Gleizes. The second part illuminates how simultaneously Vitalism became aligned with anthroposophy, esotericism, magnetism, occultism, parapsychology, spiritism, theosophy and what Bergson called "psychic states", alongside such new sciences as electromagnetism, radiology and the Fourth Dimension, as captured by such artists as Juliette Bisson, Giacomo Balla, Albert Besnard, Umberto Boccioni, Eva Carrière, John Gerrard Keulemans, László Moholy-Nagy, James Tissot, Albert von Schrenck Notzing and Picasso. During and after the devastation of the First World War, the third part explores how Vitalism, particularly Bergson’s theory of becoming, became associated with Dadaist, Neo-Dadaist and Surrealist notions of amorality, atemporality, dysfunctionality, entropy, irrationality, inversion, negation and the nonsensical captured by Hans Arp, Charlie Chaplin, Theo Van Doesburg, Kazimir Malevich, Kurt Schwitters and Vladimir Tatlin alongside Cage’s concept of Nothing. After investigating the widespread engagement with Bergson’s philosophies and Vitalism and art by Anarchists, Marxists and Communists during and after the First World War, it concludes with the official rejection of Bergson and any form of Vitalism in the Soviet Union under Stalin. This book will be of vital interest to gallery, exhibition and museum curators and visitors, plus readers and scholars working in art history, art theory, cultural studies, modernist studies, occult studies, European art and literature, health, histories of science, philosophy, psychology, sociology, sport studies, heritage studies, museum studies and curatorship.
Book Synopsis The Organic School of the Russian Avant-Garde by : Isabel W?nsche
Download or read book The Organic School of the Russian Avant-Garde written by Isabel W?nsche and published by Routledge. This book was released on 2017-07-05 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel W?nsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists, the majority of whom were based in St. Petersburg. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde, specifically Jan Ciaglinski, Nikolai Kulbin, and Elena Guro, as well as the emergence of the concept of Organic Culture as developed by Mikhail Matiushin, practiced at the State Institute of Artistic Culture, and taught at the reformed Art Academy in the 1920s. Discussions of faktura and creative intuition explore the biocentric approaches that dominated the work of Pavel Filonov, Kazimir Malevich, Voldemar Matvejs, Olga Rozanova, and Vladimir Tatlin. The artistic approaches of the Organic School of the Russian avant-garde were further promoted and developed by Vladimir Sterligov and his followers between 1960 and 1990. The study examines the cultural potential as well as the utopian dimension of the artists? approaches to creativity and their ambitious visions for the role of art in promoting human psychophysiological development and shaping post-revolutionary culture.
Book Synopsis The Organic School of the Russian Avant-Garde by : Professor Isabel Wünsche
Download or read book The Organic School of the Russian Avant-Garde written by Professor Isabel Wünsche and published by Ashgate Publishing, Ltd.. This book was released on 2015-10-28 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde and the emergence of the concept of Organic Culture.
Download or read book Russia's Rome written by Judith E. Kalb and published by Univ of Wisconsin Press. This book was released on 2010-07-15 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940 provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state. Analyzing Rome-related texts by six writers—Dmitrii Merezhkovskii, Valerii Briusov, Aleksandr Blok, Viacheslav Ivanov, Mikhail Kuzmin, and Mikhail Bulgakov—Judith E. Kalb argues that the myth of Russia as the “Third Rome” was resurrected to create a Rome-based discourse of Russian national identity that endured even as the empire of the tsars declined and fell and a new state replaced it. Russia generally finds itself beyond the purview of studies concerned with the ongoing potency of the classical world in modern society. Slavists, for their part, have only recently begun to note the influence of classical civilization not only during Russia’s neo-classical eighteenth century but also during its modernist period. With its interdisciplinary scope, Russia’s Rome fills a gap in both Russian studies and scholarship on the classical tradition, providing valuable material for scholars of Russian culture and history, classicists, and readers interested in the classical heritage.
Download or read book Russomania written by Rebecca Beasley and published by Oxford University Press, USA. This book was released on 2020-03-26 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class--the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a different arrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.
Book Synopsis Funeral Games in Honor of Arthur Vincent Lourié by : Klara Moricz
Download or read book Funeral Games in Honor of Arthur Vincent Lourié written by Klara Moricz and published by Oxford University Press. This book was released on 2014-05-08 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Funeral Games in Honor of Arthur Vincent Lourié explores the varied aesthetic impulses and ever-evolving personal motivations of Russian composer Arthur Lourié. A St. Petersburg native allied with the Futurist movement and profoundly sympathetic to Silver Age decadence, Lourié was swept away by the Revolution; he surfaced as a Communist commissar of music before landing in Europe and America, where his career foundered. Making his way by serving others, he became Stravinsky's right-hand man, Serge Koussevitsky's ghostwriter, and philosopher Jacques Maritain's muse. Lourié left his mark on the poems of Anna Akhmatova, on the neoclassical aesthetics of Stravinsky, on Eurasianism, and on Maritain's NeoThomist musings about music. Lourié serves as a flawless lens through which aspects of Silver Age Russia, early Bolshevik rule, and the cultural space of exile come into sharper focus. But this interdisciplinary collection of essays, edited by musicologists Klára Móricz and Simon Morrison, also looks at Lourié himself as an artist and intellectual in his own right. Much of the aesthetic and technical discussion concerns his grandly eulogistic opera The Blackamoor of Peter the Great, understood as both a belated Symbolist work and as a NeoThomist exercise. Despite the importance Lourié attached to the opera as his masterwork, Blackamoor has never been performed, its fate thus serving as an emblem of Lourié's own. Yet even if Lourié seems to have been destined to be but a footnote in the pages of music history, he looms large in studies of emigration and cultural memory. Here Lourié's life, like his last opera, is presented as a meditation on the circumstances and psychology of exile. Ultimately, these essays recover a lost realm of musical and aesthetic possibilities-a Russia that Lourié, and the world, saw disappear.
Book Synopsis The Racial Discourses of Life Philosophy by : Donna V. Jones
Download or read book The Racial Discourses of Life Philosophy written by Donna V. Jones and published by Columbia University Press. This book was released on 2010-03-05 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, the life philosophy of Henri Bergson summoned the élan vital, or vital force, as the source of creative evolution. Bergson also appealed to intuition, which focused on experience rather than discursive thought and scientific cognition. Particularly influential for the literary and political Négritude movement of the 1930s, which opposed French colonialism, Bergson's life philosophy formed an appealing alternative to Western modernity, decried as "mechanical," and set the stage for later developments in postcolonial theory and vitalist discourse. Revisiting narratives on life that were produced in this age of machinery and war, Donna V. Jones shows how Bergson, Nietzsche, and the poets Leopold Senghor and Aimé Césaire fashioned the concept of life into a central aesthetic and metaphysical category while also implicating it in discourses on race and nation. Jones argues that twentieth-century vitalism cannot be understood separately from these racial and anti-Semitic discussions. She also shows that some dominant models of emancipation within black thought become intelligible only when in dialogue with the vitalist tradition. Jones's study strikes at the core of contemporary critical theory, which integrates these older discourses into larger critical frameworks, and she traces the ways in which vitalism continues to draw from and contribute to its making.
Download or read book Vladimir Nabokov written by M. Glynn and published by Springer. This book was released on 2016-04-30 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Glynn provides a new reading of Vladimir Nabokov s work by seeking to challenge the notion that he was a Symbolist writer concerned with a transcendent reality. Glynn argues that Nabokov s epistemology was in fact anti-Symbolist and that this aligned him with both Bergsonism and Russian Formalism, which intellectual systems were themselves hostile to a Symbolist epistemology. Symbolism may be seen to devalue material reality by presenting it as a mere adumbration of a higher realm. Nabokov, however, valued the immediate material world and was creatively engaged by the tendency of the deluded mind to efface that reality.
Book Synopsis Henri Bergson and Visual Culture by : Paul Atkinson
Download or read book Henri Bergson and Visual Culture written by Paul Atkinson and published by Bloomsbury Publishing. This book was released on 2020-10-15 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to see time in the visual arts and how does art reveal the nature of time? Paul Atkinson investigates these questions through the work of the French philosopher Henri Bergson, whose theory of time as duration made him one of the most prominent thinkers of the fin de siècle. Although Bergson never enunciated an aesthetic theory and did not explicitly write on the visual arts, his philosophy gestures towards a play of sensual differences that is central to aesthetics. This book rethinks Bergson's philosophy in terms of aesthetics and provides a fascinating and original account of how Bergsonian ideas aid in understanding time and dynamism in the visual arts. From an examination of Bergson's influence on the visual arts to a reconsideration of the relationship between aesthetics and metaphysics, Henri Bergson and Visual Culture explores what it means to reconceptualise the visual arts in terms of duration. Atkinson revisits four key themes in Bergson's work – duration; time and the continuous gesture; the ramification of life and durational difference – and reveals Bergsonian aesthetics of duration through the application of these themes to a number of 19th and 20th-century artworks. This book introduces readers and art lovers to the work of Bergson and contributes to Bergsonian scholarship, as well as presenting a new of understanding the relationship between art and time.
Book Synopsis The Belief in Intuition by : Adriana Alfaro Altamirano
Download or read book The Belief in Intuition written by Adriana Alfaro Altamirano and published by University of Pennsylvania Press. This book was released on 2021-04-23 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within the Western tradition, it was the philosophers Henri Bergson and Max Scheler who laid out and explored the nonrational power of "intuition" at work in human beings that plays a key role in orienting their thinking and action within the world. As author Adriana Alfaro Altamirano notes, Bergon's and Scheler's philosophical explorations, which paralleled similar developments by other modernist writers, artists, and political actors of the early twentieth century, can yield fruitful insights into the ideas and passions that animate politics in our own time. The Belief in Intuition shows that intuition (as Bergson and Scheler understood it) leads, first and foremost, to a conception of freedom that is especially suited for dealing with hierarchy, uncertainty, and alterity. Such a conception of freedom is grounded in a sense of individuality that remains true to its "inner multiplicity," thus providing a distinct contrast to and critique of the liberal notion of the self. Focusing on the complex inner lives that drive human action, as Bergson and Scheler did, leads us to appreciate the moral and empirical limits of liberal devices that mean to regulate our actions "from the outside." Such devices, like the law, may not only carry pernicious effects for freedom but, more troublingly, oftentimes "erase their traces," concealing the very ways in which they are detrimental to a richer experience of subjectivity. According to Alfaro Altamirano, Bergson's and Scheler's conception of intuition and personal authority puts contemporary discussions about populism in a different light: It shows that liberalism would only at its own peril deny the anthropological, moral, and political importance of the bearers of charismatic authority. Personal authority thus understood relies on a dense, but elusive, notion of personality, for which personal authority is not only consistent with freedom, but even contributes to it in decisive ways.
Book Synopsis Vasily Sesemann by : Thorsten Botz-Bornstein
Download or read book Vasily Sesemann written by Thorsten Botz-Bornstein and published by Rodopi. This book was released on 2006 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: Born in Vyborg in 1884 by parents of German descent, Vasily (Wilhelm) Sesemann grew up and studied in St. Petersburg. A close friend of Viktor Zhirmunsky and Lev P. Karsavin, Sesemann taught from the early 1920s until his death in 1963 at the universities of Kaunas and Vilnius in Lithuania (interrupted only by his internment in a Siberian labor camp from 1950 to 1956). Botz-Bornstein's study takes up Sesemann's idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson's philosophy. Sesemann's thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger. The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.
Book Synopsis Visions of a New Land by : Emma Widdis
Download or read book Visions of a New Land written by Emma Widdis and published by Yale University Press. This book was released on 2003-01-01 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1917 the Bolsheviks proclaimed a world remade. This book shows how Soviet cinema encouraged popular support of state initiatives in the years up to the Second World War, helping to create a new Russian identity & territory, an 'imaginary geography' of Sovietness.
