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Bebop And Nothingness Jazz And Pop At The End Of The Century
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Book Synopsis BeBOP and NOTHINGNESS: Jazz and Pop at the End of the Century by : Francis Davis
Download or read book BeBOP and NOTHINGNESS: Jazz and Pop at the End of the Century written by Francis Davis and published by Schirmer Trade Books. This book was released on 2012-02-22 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: An informative and insightful collection of essays from Francis Davis. Davis prefers artists who push at the avant-garde edges, who refuse to accept the status quo. This collection of influential writings again focuses on these hard-to-catergorize heroes, from Miles Davis, Dizzy Gillespie, Michael Jackson and Barbra Streisand,to Art Pepper, Tony Bennett, Les Paul Don Byron and many more.
Book Synopsis Bebop and Nothingness by : Francis Davis
Download or read book Bebop and Nothingness written by Francis Davis and published by Schirmer Trade Books. This book was released on 2000-12-22 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this overview of the jazz and pop scenes, Davis explores the bebop legacy and celebrates the creativity of musicians who are moving into new territory. Styles covered in these essays range from old-style swing to avant-garde free jazz, from gospel to klezmer, and from rock to American pop standards and rap.
Book Synopsis Continuum Encyclopedia of Popular Music of the World Volume 8 by : John Shepherd
Download or read book Continuum Encyclopedia of Popular Music of the World Volume 8 written by John Shepherd and published by A&C Black. This book was released on 2012-03-08 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: See:
Book Synopsis Blowin' Hot and Cool by : John Gennari
Download or read book Blowin' Hot and Cool written by John Gennari and published by University of Chicago Press. This book was released on 2010-09-15 with total page 495 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the illustrious and richly documented history of American jazz, no figure has been more controversial than the jazz critic. Jazz critics can be revered or reviled—often both—but they should not be ignored. And while the tradition of jazz has been covered from seemingly every angle, nobody has ever turned the pen back on itself to chronicle the many writers who have helped define how we listen to and how we understand jazz. That is, of course, until now. In Blowin’ Hot and Cool, John Gennari provides a definitive history of jazz criticism from the 1920s to the present. The music itself is prominent in his account, as are the musicians—from Louis Armstrong and Duke Ellington to Charlie Parker, John Coltrane, Roscoe Mitchell, and beyond. But the work takes its shape from fascinating stories of the tradition’s key critics—Leonard Feather, Martin Williams, Whitney Balliett, Dan Morgenstern, Gary Giddins, and Stanley Crouch, among many others. Gennari is the first to show the many ways these critics have mediated the relationship between the musicians and the audience—not merely as writers, but in many cases as producers, broadcasters, concert organizers, and public intellectuals as well. For Gennari, the jazz tradition is not so much a collection of recordings and performances as it is a rancorous debate—the dissonant noise clamoring in response to the sounds of jazz. Against the backdrop of racial strife, class and gender issues, war, and protest that has defined the past seventy-five years in America, Blowin’ Hot and Cool brings to the fore jazz’s most vital critics and the role they have played not only in defining the history of jazz but also in shaping jazz’s significance in American culture and life.
Book Synopsis Louis Armstrong, Duke Ellington, and Miles Davis by : Aaron Lefkovitz
Download or read book Louis Armstrong, Duke Ellington, and Miles Davis written by Aaron Lefkovitz and published by Rowman & Littlefield. This book was released on 2018-06-20 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.
Download or read book Jazz written by Eddie S. Meadows and published by Routledge. This book was released on 2013-10-23 with total page 782 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jazz: Research and Pedagogy is the third edition of an annotated bibliography to books, recordings, videos, and websites in the field of jazz. Since the publication of the 2nd edition in 1995, the quantity and quality of books on jazz research, performance, and teaching materials have increased. Although the 1995 book was the most comprehensive annotated jazz bibliography published to that date, several books on research, performance, and teaching materials were omitted. In addition, given the proliferation of new books in all jazz areas since 1995, the need for a new, comprehensive, and annotated reference book on jazz is apparent. Multiply indexed, this book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decade.
Book Synopsis It's Nothing, Seriously by : John McGreal
Download or read book It's Nothing, Seriously written by John McGreal and published by Troubador Publishing Ltd. This book was released on 2016-04-21 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: It’s Silence, Soundly, It’s Nothing, Seriously and It’s Absence, Presently, continue The ‘It’ Series published by Matador since The Book of It (2010). They constitute another stage in an artistic journey exploring the visual and audial dialectic of mark, word and image that began over 25 years ago. In their aesthetic form the books are a decentred trilogy united together in a new concept of The Bibliograph. All three present this new aesthetic object, which transcends the narrow limits of the academic bibliography. The alphabetical works also share a tripartite structure and identical length. The Bibliograph itself is characterised by its strategic place within each book as a whole as well as by the complex variations in meaning of the dominant motifs – nothing/ness, absence and silence – which recur throughout the alphabetical entries that constitute the elements of each text. It’s Nothing, Seriously, for example, addresses the amusing paradox that so much continues to be written today about – nothing! The aleatory character of the entries in the texts encourage the modern reader to reflect on each theme and to read them in a new way. The reader is invited as well to examine their various inter-textual relations across given conventional boundaries in the arts and sciences at several levels of physical, psychical & social reproduction.
Book Synopsis Jazz Books in the 1990s by : Janice Leslie Hochstat Greenberg
Download or read book Jazz Books in the 1990s written by Janice Leslie Hochstat Greenberg and published by Scarecrow Press. This book was released on 2010-03-18 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.
Book Synopsis Spirits Rejoice! by : Jason C. Bivins
Download or read book Spirits Rejoice! written by Jason C. Bivins and published by Oxford University Press. This book was released on 2015-04-01 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Spirits Rejoice! Jason Bivins explores the relationship between American religion and American music, and the places where religion and jazz have overlapped. Much writing about jazz tends toward glorified discographies or impressionistic descriptions of the actual sounds. Rather than providing a history, or series of biographical entries, Spirits Rejoice! takes to heart a central characteristic of jazz itself and improvises, generating a collection of themes, pursuits, reoccurring foci, and interpretations. Bivins riffs on interviews, liner notes, journals, audience reception, and critical commentary, producing a work that argues for the centrality of religious experiences to any legitimate understanding of jazz, while also suggesting that jazz opens up new interpretations of American religious history. Bivins examines themes such as musical creativity as related to specific religious traditions, jazz as a form of ritual and healing, and jazz cosmologies and metaphysics. Spirits Rejoice! connects Religious Studies to Jazz Studies through thematic portraits, and a vast number of interviews to propose a new, improvisationally fluid archive for thinking about religion, race, and sound in the United States. Bivins's conclusions explore how the sound of spirits rejoicing challenges not only prevailing understandings of race and music, but also the way we think about religion. Spirits Rejoice! is an essential volume for any student of jazz, American religion, or American culture.
Book Synopsis Jazz and Death by : Frederick J. Spencer
Download or read book Jazz and Death written by Frederick J. Spencer and published by Univ. Press of Mississippi. This book was released on 2002 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: A disclosure of the deaths of jazz artists and their often fatal lifestyles
Book Synopsis The Jazz Image by : K. Heather Pinson
Download or read book The Jazz Image written by K. Heather Pinson and published by Univ. Press of Mississippi. This book was released on 2010-12-01 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Typically, a photograph of a jazz musician has several formal prerequisites: black-and-white film, an urban setting in the mid-twentieth century, and a black man standing, playing, or sitting next to his instrument. That's the jazz archetype that photography created. Author K. Heather Pinson discovers how such a steadfast script developed visually and what this convention meant for the music. Album covers, magazines, books, documentaries, art photographs, posters, and various other visual extensions of popular culture formed the commonly held image of the jazz player. Through assimilation, there emerged a generalized composite of how mainstream jazz looked and sounded. Pinson evaluates representations of jazz musicians from 1945 to 1959, concentrating on the seminal role played by Herman Leonard (b. 1923). Leonard's photographic depictions of African American jazz musicians in New York not only created a visual template of a black musician of the 1950s, but also became the standard configuration of the music's neoclassical sound today. To discover how the image of the musician affected mainstream jazz, Pinson examines readings from critics, musicians, and educators, as well as interviews, musical scores, recordings, transcriptions, liner notes, and oral narratives.
Book Synopsis The Essential Jazz Records: Modernism to postmodernism by : Max Harrison
Download or read book The Essential Jazz Records: Modernism to postmodernism written by Max Harrison and published by A&C Black. This book was released on 2000-01-01 with total page 924 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the same format as the acclaimed first volume, this selection of the best 250 modern jazz records and CDs places each in its musical context and reviews it in depth. Additionally, full details of personnel, recording dates, and locations are given. Indexes of album titles, track titles, and musicians are included.
Download or read book Bop Apocalypse written by Martin Torgoff and published by Da Capo Press. This book was released on 2017-01-24 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: The gripping story of the rise of early drug culture in America, from the author of the acclaimed Can't Find My Way Home With an intricate storyline that unites engaging characters and themes and reads like a novel, Bop Apocalypse details the rise of early drug culture in America by weaving together the disparate elements that formed this new and revolutionary segment of the American social fabric. Drawing upon his rich decades of writing experience, master storyteller Martin Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, Mezz Mezzrow, Harry Anslinger and the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Reefer Madness, Charlie Parker, the birth of bebop, the rise of the Beat Generation, and the coming of heroin to Harlem. Aficionados of jazz, the Beats, counterculture, and drug history will all find much to enjoy here, with a cast of characters that includes vivid and memorable depictions of Billie Holiday, Miles Davis, John Coltrane, Jackie McLean, Allen Ginsberg, William S. Borroughs, Jack Kerouac, Herbert Huncke, Terry Southern, and countless others. Bop Apocalypse is also a living history that teaches us much about the conflicts and questions surrounding drugs today, casting many contemporary issues in a new light by connecting them back to the events of this transformative era. At a time when marijuana legalization is rapidly becoming a reality, it takes us back to the advent of marijuana prohibition, when the templates of modern drug law, policy, and culture were first established, along with the concomitant racial stereotypes. As a new opioid epidemic sweeps through white working- and middle-class communities, it brings us back to when heroin first arrived on the streets of Harlem in the 1940s. And as we debate and grapple with the gross racial disparities of mass incarceration, it puts into sharp and provocative focus the racism at the very roots of our drug war. Having spent a lifetime at the nexus of drugs and music, Torgoff reveals material never before disclosed and offers new insights, crafting and contextualizing Bop Apocalypse into a truly novel contribution to our understanding of jazz, race, literature, drug culture, and American social and cultural history.
Book Synopsis The African Diaspora by : Ingrid Monson
Download or read book The African Diaspora written by Ingrid Monson and published by Routledge. This book was released on 2018-07-17 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.
Book Synopsis Historical Dictionary of Jazz by : John S. Davis
Download or read book Historical Dictionary of Jazz written by John S. Davis and published by Scarecrow Press. This book was released on 2012-08-24 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes entries on jazz artists, record labels, and musical concepts in addition to providing a 20-page chronology of jazz and extensive bibliographies for different jazz styles and jazz artists.
Book Synopsis Birth of the Cool by : Lewis MacAdams
Download or read book Birth of the Cool written by Lewis MacAdams and published by Simon and Schuster. This book was released on 2012-04-10 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miles Davis and Juliette Greco, Jackson Pollock and Jack Kerouac, Marlon Brando and Bob Dylan and William Burroughs. What do all these people have in common? Fame, of course, and undeniable talent. But most of all, they were cool. Birth of the Cool is a stunningly illustrated, brilliantly written cultural history of the American avant-garde in the 1940s and 1950s -- the decades in which cool was born. From intimate interviews with cool icons like poet Allen Ginsberg, bop saxophonist Jackie McLean, and Living Theatre cofounder Judith Malina, award-winning journalist and poet Lewis MacAdams extracts the essence of cool. Taking us inside the most influential and experimental art movements of the twentieth century -- from the Harlem jazz joints where Dizzy Gillespie and Charlie Parker invented bebop to the back room at Max's Kansas City when Andy Warhol was holding court to backstage at the Newport Folk Festival the night Bob Dylan went electric, from Surrealism to the Black Mountain School to Zen -- MacAdams traces the evolution of cool from the very fringes of society to the mainstream. Born of World War II, raised on atomic-age paranoia, cast out of the culture by the realities of racism and the insanity of the Cold War, cool is now, perversely, as conventional as you can get. Allen Ginsberg suited up for Gap ads. Volvo appropriated a phrase from Jack Kerouac's On the Road for its TV commercials. How one became the other is a terrific story, and it is presented here in a gorgeous package, rich with the coolest photographs of the black-and-white era from Robert Doisneau, Henri Cartier-Bresson, Man Ray, and many others. Drawing a direct line between Lester Young wearing his pork-pie hat and his crepe-sole shoes staring out his hotel window at Birdland to the author's three-year-old daughter saying "cool" while watching a Scooby-Doo cartoon at the cusp of a new millennium, Birth of the Cool is a cool book about a hot subject...maybe even the coolest book ever.
Book Synopsis Jazz And Its Discontents by : Francis Davis
Download or read book Jazz And Its Discontents written by Francis Davis and published by Da Capo Press. This book was released on 2009-07-21 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Frank Sinatra to Sun Ra, from the jazz age to middle age, with thoughts on everything in-between, Francis Davis has been writing about American music and American culture for more than twenty years. His essays have appeared in The Atlantic Monthly, The New Yorker, and the Village Voice among countless other publications from coast to coast. And now, for the first time, here are his most important writings of his impressive career-the quintessential Davis on everything from why Rent set musicals back two decades, to what Ken Burns should have filmed. And Davis's writing is as enjoyable as the music of which he writes. The New York Times Book Review has compared Davis's work to "a well-blown solo."
