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Author : Gladys Fabre
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (141 download)
Download or read book Arte abstracto Arte Concreto written by Gladys Fabre and published by . This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Gladys C. Fabre
Publisher : Ivam Centre Julio Gonzalez
ISBN 13 :
Total Pages : 444 pages
Book Rating : 4.:/5 (318 download)
Download or read book Arte abstracto, arte concreto written by Gladys C. Fabre and published by Ivam Centre Julio Gonzalez. This book was released on 1990 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alexander Alberro
Publisher : University of Chicago Press
ISBN 13 : 022639400X
Total Pages : 320 pages
Book Rating : 4.2/5 (263 download)
Download or read book Abstraction in Reverse written by Alexander Alberro and published by University of Chicago Press. This book was released on 2017-05-25 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.
Author : Gladys Fabre
Publisher :
ISBN 13 : 9788478901517
Total Pages : 439 pages
Book Rating : 4.9/5 (15 download)
Download or read book Paris - arte abstracto / arte concreto : cercle et carré 1930 ; IVAM Centre Julio González 20 septiembre / 2 diciembre 1990 written by Gladys Fabre and published by . This book was released on 1990 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :
Publisher :
ISBN 13 :
Total Pages : 439 pages
Book Rating : 4.:/5 (927 download)
Download or read book Paris written by and published by . This book was released on 1990 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Fabre
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (141 download)
Download or read book Paris 1930, arte abstracto, arte concreto, Cercle et Carré written by Fabre and published by . This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Gabriel Pérez-Barreiro
Publisher : Blanton Museum of Art
ISBN 13 :
Total Pages : 362 pages
Book Rating : 4.F/5 ( download)
Download or read book The Geometry of Hope written by Gabriel Pérez-Barreiro and published by Blanton Museum of Art. This book was released on 2007 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : María José Gutiérrez Muñoz
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (12 download)
Download or read book Waldo Balart y el arte concreto written by María José Gutiérrez Muñoz and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: El arte concreto, definido por Theo van Doesburg en su manifiesto Art concret de 1930, es un arte europeo, abstracto geométrico y universal, desconocido para el público en general, a pesar de tener un siglo de antigüedad. Sus obras se distinguen por ser ejecutadas mecánicamente a partir de bocetos, sólo con los elementos plásticos del arte (planos y colores), sin obtener ninguna referencia de la realidad u otro significado más que sí mismas. De igual modo, la finalidad de su contemplación, que requiere cierto esfuerzo de concentración, es inducir al espectador a un estado de consciencia, a través de una búsqueda interna. Por medio del estudio de uno de sus artistas, el pintor cubano Waldo Balart, afincado en Madrid, nos acercamos a dicho movimiento, repasando su trayectoria, su situación actual y la mentalidad global que comparten sus artistas. El objetivo de este trabajo es demostrar que Waldo Balart es un artista representativo de esta corriente, una conclusión que se ha evidenciado después de comprobar que las colecciones y museos más prestigiosos dedicados al arte concreto cuentan con su obra entre la privilegiada selección de artistas. Otro propósito es hacer visible que él es un artista que ha hecho una gran aportación a la historia del arte, algo que ha sido resuelto con el examen del extenso trabajo artístico y teórico con el que ha contribuido, producto de toda una vida de dedicación. Igualmente se ha revelado que por medio de su amistad ha influido en el trabajo de artistas tan importantes como Andy Warhol. Además, la finalidad de la investigación es probar que Waldo, cuyo apellido completo es Díaz- Balart, despierta un inmenso interés por ser una figura notable socioculturalmente, hecho que conlleva el pertenecer a una familia destacada política y socialmente; primero en su país natal, Cuba y luego en el país donde se exilio, los EEUU. Por otro lado, Waldo ha vivido en diferentes partes del mundo - Cuba, Nueva York, Madrid, Paraguay, Brasil y Bélgica - absorbiendo cosas destacable de varias culturas, en momentos puntuales que concentran una enorme atención. De ellos se destaca la explosión cultural que vivió en Nueva York, durante el reinado del expresionismo abstracto, el pop art y el minimalismo. Asimismo, en cada cultura ha convivido con personalidades tan relevantes como su excuñado Fidel Castro e incluso, fuera del plano artístico, él mismo desempeñó un valor social preponderante. Todas las circunstancias que rodean su atractiva personalidad, de alguna manera han sido absorbidas y proyectadas en su labor artística, en la que utiliza el color como herramienta expresiva. Con pretensión de evitar su dispersión y consiguiente perdida, así como de colaborar en el registro de la historia del arte contemporáneo, este ensayo reúne la mayor parte del material sobre un valioso artista, que hasta ahora está poco estudiado...
Author : María Amalia García
Publisher : University of California Press
ISBN 13 : 0520302192
Total Pages : 320 pages
Book Rating : 4.5/5 (23 download)
Download or read book Abstract Crossings written by María Amalia García and published by University of California Press. This book was released on 2019-07-16 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Toward the middle of the 1950s, abstract art became a dominant trend in the Latin American cultural scene. Many artists incorporated elements of abstraction into their rigorous artistic vocabularies, while at the same time, the representation of geometric lines and structures filtered into everyday life, appearing in textiles, posters, murals, and landscapes. The translation of a field-changing Spanish-language book, Abstract Crossings analyzes the relationship between, on the one hand, the emergence of abstract proposals in avant-garde groups and, on the other, the institutionalization and newfound hegemony of abstract poetics as part of Latin America’s imaginary of modernization. A profusion of mid-century artistic institutional exchanges between Argentina and Brazil makes a study of the trajectories of abstraction in these two countries particularly valuable. Examining the work of artists such as Max Bill, Lygia Clark, Waldemar Cordeiro, and Tomás Maldonado, author María Amalia García rewrites the artistic history of the period and proposes a novel reading of the cultural dialogue between Argentina and Brazil. This is the first book in the new Studies on Latin American Art series, supported by a gift from the Institute for Studies on Latin American Art.
Author :
Publisher :
ISBN 13 :
Total Pages : 104 pages
Book Rating : 4.:/5 (92 download)
Download or read book Arte Concreto written by and published by . This book was released on 1994 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jorge Galeano Muñoz
Publisher :
ISBN 13 :
Total Pages : 124 pages
Book Rating : 4.A/5 ( download)
Download or read book Arte abstracto written by Jorge Galeano Muñoz and published by . This book was released on 1979 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Gladys C. Fabre
Publisher :
ISBN 13 :
Total Pages : 0 pages
Book Rating : 4.:/5 (141 download)
Download or read book Paris 1930 written by Gladys C. Fabre and published by . This book was released on 1990 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Alejandro Otero Rodríguez
Publisher :
ISBN 13 :
Total Pages : 118 pages
Book Rating : 4.A/5 ( download)
Download or read book Polémica sobre arte abstracto written by Alejandro Otero Rodríguez and published by . This book was released on 1957 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: To read the complete newspaper articles by Miguel Otero Silva contained in 'Polémica sobre arte abstracto' you can visit the ICAA digital archive and search for the following texts: -- "I. Un relato necesario. Conceptos concretos sobre la pintura abstracta" -- "II. Una división sin contenido plástico. Conceptos concretos sobre la pintura abstracta" -- "III. Aparición y desarrollo del abstraccionismo. Conceptos concretos sobre la pintura abstracta" -- "IV. Ubicación social del abstraccionismo. Conceptos concretos sobre la pintura abstracta" -- "V. Sobre el mundo interior de los abstraccionistas. Conceptos concretos sobre la pintura abstracta" -- "VI. El regreso a lo funcional y lo decorativo. Conceptos concretos sobre la pintura abstracta" -- "VII. Formas nuevas y sinceridad. Conceptos concretos sobre la pintura abstracta" -- "VIII. Orientaciones de la nueva pintura: Conceptos concretos sobre la pintura abstracta" -- "Ocho puntos finales: conceptos concretos sobre la pintura abstracta por Miguel Otero Silva" -- For more about this debate: "Sobre unas declaraciones disidentes del pintor Alejandro Otero Rodríguez" -- To read Alejandro Otero's responses to Miguel Otero Silva: -- "Réplica a Miguel Otero Silva: I" -- "Réplica a Miguel Otero Silva: II" -- "Réplica a Miguel Otero Silva: III" -- For more related documents: "Carta a Miguel Otero Silva por Alejandro Otero Rodríguez".
Author : Gabriel Pérez-Barreiro
Publisher : Turner
ISBN 13 :
Total Pages : 226 pages
Book Rating : 4.:/5 (31 download)
Download or read book Concrete Invention written by Gabriel Pérez-Barreiro and published by Turner. This book was released on 2013 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Concrete Invention is focused on the development of geometric abstraction in Latin America (Montevideo, Buenos Aires, São Paulo, Rio de Janeiro and Caracas) throughout the decades of the thirties and seventies in the twentieth century. It includes theoretical essays about the movement, personal reflections by contemporary artists, and a visual section featuring specific themes (geometry, illusion, dialogue, vibration, universalism). It ends with a questionnaire given to well-known theorists about the continuity, value and influence of geometric abstraction in the present. Resembling an artist's book, it includes a fold-out piece by artist José León Cerrillo, which forms a play on words with the publication's title.
Author : Paul Crowther
Publisher : Routledge
ISBN 13 : 1136455019
Total Pages : 312 pages
Book Rating : 4.1/5 (364 download)
Download or read book Meanings of Abstract Art written by Paul Crowther and published by Routledge. This book was released on 2012-10-12 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traditional art is based on conventions of resemblance between the work and that which it is a representation "of". Abstract art, in contrast, either adopts alternative modes of visual representation or reconfigures mimetic convention. This book explores the relation of abstract art to nature (taking nature in the broadest sense—the world of recognisable objects, creatures, organisms, processes, and states of affairs). Abstract art takes many different forms, but there are shared key structural features centered on two basic relations to nature. The first abstracts from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second affirms a natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.) The book covers three categories: classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction); post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments); and the broader historical and philosophical scope.
Author : Zanna Gilbert
Publisher : Getty Publications
ISBN 13 : 1606067230
Total Pages : 338 pages
Book Rating : 4.6/5 (6 download)
Download or read book Purity Is a Myth written by Zanna Gilbert and published by Getty Publications. This book was released on 2021-08-24 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. Drawing on research conducted by Getty and international partners, the essays in this volume address a variety of topics, including the general history, emergence, and reception of Concrete art; processes and color; scientific analysis of works; illustrated chronologies of the paint industry in Brazil and Argentina; and Concrete design on paper. An innovative technical study of the Concrete art movement in Latin America, this volume will be indispensable to scholars, practitioners, and students of Latin American art.
Author : Irene V. Small
Publisher : Princeton University Press
ISBN 13 : 1890951951
Total Pages : 344 pages
Book Rating : 4.8/5 (99 download)
Download or read book The Organic Line written by Irene V. Small and published by Princeton University Press. This book was released on 2024-10-08 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A major rethinking of twentieth-century abstract art mobilized by the work of Brazilian artist Lygia Clark What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.” For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations. These fragile, oblique, and transversal ties have their own efficacy, and Small’s innovative readings of canonical modernist works such as Kazimir Malevich’s Black Square, John Cage’s 4’33”, and Le Corbusier’s machine-à-habiter, as well as contemporary works by such artists as Adam Pendleton, Ricardo Basbaum, and Mika Rottenberg, reveal the organic line’s remarkable potential as an analytic instrument. Mobilizing a rich repertoire of archival sources and moving across multiple chronologies, geographies, and disciplines, this book invites us to envision modernism not as a stable construct defined by centers and peripheries, inclusions and exclusions, but as a topological field of interactive, destabilizing tensions. More than a history of a little-known artistic device, The Organic Line: Toward a Topology of Modernism is a user’s guide and manifesto for reimagining modern and contemporary art for the present.
