Art and Artists of Twentieth-Century China

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Author :
Publisher : Univ of California Press
ISBN 13 : 052091161X
Total Pages : 451 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis Art and Artists of Twentieth-Century China by : Michael Sullivan

Download or read book Art and Artists of Twentieth-Century China written by Michael Sullivan and published by Univ of California Press. This book was released on 2023-12-22 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: This visually stunning book focuses on the rebirth of Chinese art in the twentieth century under the influence of Western art and culture. Michael Sullivan, recognized throughout the world as a leading scholar of Chinese art, vividly documents the conflicting pulls of traditional and Western values on Chinese art and provides 364 illustrations, in color and black-and-white, to show the great range of artistic expression and the historical processes that occurred within various movements. A substantial biographical index of twentieth-century Chinese artists is a valuable addition to the text. Sullivan discusses artists and their work against China's background of oppression and relaxation, despair and hope. He expertly conveys the diverse and at times bizarre intertwining of Chinese cultural history and art during this century. Included are the intense debates between traditionalists and reformers, the creation of the first art schools, and the birth of the idea—shocking in ethnocentric China—that art is a world language that obliterates all frontiers. The scholarly traditions of classical Chinese painting, the belated discovery of Western modernism, the artistic upheaval under Communism, and China's rethinking of the very nature of art all have a place in Sullivan's fascinating history. Michael Sullivan has known many of the major figures in China's modern art movement of the 1930s and 1940s and has also gained the confidence of younger artists who rose to prominence following the 1979 "Peking Spring." This long-awaited book—richly documented and abundantly illustrated—is a capstone to Sullivan's work and will be enthusiastically welcomed by art lovers everywhere.

Twentieth-century Chinese Painting

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Author :
Publisher : Oxford University Press, USA
ISBN 13 :
Total Pages : 298 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Twentieth-century Chinese Painting by :

Download or read book Twentieth-century Chinese Painting written by and published by Oxford University Press, USA. This book was released on 1988 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richly illustrated with 200 black-and-white and 32 color plates, this stimulating collection surveys the full range of 20th-century Chinese painting, covering all the schools and major artists, both within the People's Republic and elsewhere. Chinese artists now draw their inspirations from an amazing variety of subjects--airplanes and automobiles, Vietnamese refugees and Beijing opera, ancient cave murals and historical figures--and they have developed new techniques and formats that have greatly expanded the range of Chinese paintings. Their work reveals how traditional techniques, when reintroduced into unexpected contexts, can bring about strikingly new results. In light of the tremendous variety of artistic impulses and stylistic approaches that exist in 20th-century Chinese painting, and the rapidity with which these changes have occurred, it is quite remarkable that China's artistic tradition has not only been able to sustain itself, but continues to evolve in new and exciting directions. This beautiful volume captures the vibrancy of a national art that is stunning in its complexity and diversity.

Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art

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Author :
Publisher : MIT Press
ISBN 13 : 0262294710
Total Pages : 422 pages
Book Rating : 4.2/5 (622 download)

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Book Synopsis Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art by : Minglu Gao

Download or read book Total Modernity and the Avant-Garde in Twentieth-Century Chinese Art written by Minglu Gao and published by MIT Press. This book was released on 2011-04-29 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: A groundbreaking book that describes a distinctively Chinese avant-gardism and a modernity that unifies art, politics, and social life. To the extent that Chinese contemporary art has become a global phenomenon, it is largely through the groundbreaking exhibitions curated by Gao Minglu: "China/Avant-Garde" (Beijing, 1989), "Inside Out: New Chinese Art" (Asia Society, New York, 1998), and "The Wall: Reshaping Contemporary Chinese Art" (Albright-Knox Art Gallery, 2005) among them. As the first Chinese writer to articulate a distinctively Chinese avant-gardism and modernity—one not defined by Western chronology or formalism—Gao Minglu is largely responsible for the visibility of Chinese art in the global art scene today. Contemporary Chinese artists tend to navigate between extremes, either embracing or rejecting a rich classical tradition. Indeed, for Chinese artists, the term "modernity" refers not to a new epoch or aesthetic but to a new nation—modernityinextricably connects politics to art. It is this notion of "total modernity" that forms the foundation of the Chinese avant-garde aesthetic, and of this book. Gao examines the many ways Chinese artists engaged with this intrinsic total modernity, including the '85 Movement, political pop, cynical realism, apartment art, maximalism, and the museum age, encompassing the emergenceof local art museums and organizations as well as such major events as the Shanghai Biennial. He describes the inner logic of the Chinese context while locating the art within the framework of a worldwide avant-garde. He vividly describes the Chinese avant-garde's embrace of a modernity that unifies politics, aesthetics, and social life, blurring the boundaries between abstraction, conception, and representation. Lavishly illustrated with color images throughout, this book will be a touchstone for all considerations of Chinese contemporary art.

Modern Chinese Artists

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Publisher : Univ of California Press
ISBN 13 : 0520244494
Total Pages : 272 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Modern Chinese Artists by : Michael Sullivan

Download or read book Modern Chinese Artists written by Michael Sullivan and published by Univ of California Press. This book was released on 2006-04-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description

Between Two Cultures

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Publisher : Metropolitan Museum of Art
ISBN 13 : 0870999842
Total Pages : 302 pages
Book Rating : 4.8/5 (79 download)

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Book Synopsis Between Two Cultures by : Wen Fong

Download or read book Between Two Cultures written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2001 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive assemblage in the West of paintings on this subject, the Robert H. Ellsworth Collection comprises works in the classical Chinese medium of ink on paper and in the traditional formats of scrolls, album leaves, and fans."--BOOK JACKET.

The Arts of China

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Publisher : Univ of California Press
ISBN 13 : 9780520033672
Total Pages : 292 pages
Book Rating : 4.0/5 (336 download)

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Book Synopsis The Arts of China by : Michael Sullivan

Download or read book The Arts of China written by Michael Sullivan and published by Univ of California Press. This book was released on 1977 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sullivan has thoroughly revised this classic history of Chinese art which covers the period from Neolithic times to the 1990s. 224 photos. 164 color illustrations. 14 maps.

Chinese Art in the Twentieth Century

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Author :
Publisher :
ISBN 13 :
Total Pages : 192 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Chinese Art in the Twentieth Century by : Michael Sullivan

Download or read book Chinese Art in the Twentieth Century written by Michael Sullivan and published by . This book was released on 1959 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Wu Guanzhong

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Author :
Publisher :
ISBN 13 :
Total Pages : 184 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Wu Guanzhong by : Anne Farrer

Download or read book Wu Guanzhong written by Anne Farrer and published by . This book was released on 1992 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Tradition to Contemporary

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Publisher : Hku Museum and Art Gallery
ISBN 13 : 9789881902559
Total Pages : 0 pages
Book Rating : 4.9/5 (25 download)

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Book Synopsis Tradition to Contemporary by :

Download or read book Tradition to Contemporary written by and published by Hku Museum and Art Gallery. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The University Museum and Art Gallery (UMAG) of the University of Hong Kong presents the Chinese painting exhibition Tradition to Contemporary: Ink Painting and Artistic Development in 20th-century China. The exhibition is curated from artworks within the museum's permanent collection. Works trace the evolution of ink painting in Hong Kong, and include many of the masters that have helped to build the city's art scene and museum collections. The exhibition and its associated catalogue offers audiences a broad overview of the provenance and aesthetic quality of individual works, and the cultural interactions among twentieth-century Chinese artists, curators, collectors and scholars in Hong Kong, mainland China and abroad. It makes reference to individuals and their networks, to teacher-student relationships and to the generosity of the numerous painters who have helped UMAG to grow the museum's holdings, and whose work constitutes the foundation of UMAG's educational work today. Since initiating the publicly accessible collection in the 1950s, UMAG has been closely connected to the development of these painters and their work, and has actively documented the evolution of their artistic talents and the Hong Kong art scene. «: »,,;,,,,

A History of Art in 20th-Century China

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Author :
Publisher : Somogy Art Publishing
ISBN 13 : 9782757207000
Total Pages : 0 pages
Book Rating : 4.2/5 (7 download)

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Book Synopsis A History of Art in 20th-Century China by : Peng Lü

Download or read book A History of Art in 20th-Century China written by Peng Lü and published by Somogy Art Publishing. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lü Peng, China's foremost modern art historian, incisively analyzes developments in Chinese art from the late Qing Dynasty through to the opening years of the 21st century in this new revised edition of A History of Art in 20th-Century China, published for the first time simultaneously in French and English editions. The art that emerged over the course of a troubled century and more of Chinese history reveals a complex evolution with intrinsic connections to contemporary life. Lü Peng ably charts that evolution, not only in mainland China, Taiwan, and Hong Kong, but also in important centers such as Paris and Tokyo. This comprehensive narrative will remain for many years the reference to which those seeking knowledge of this history will inevitably turn.

An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists

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Author :
Publisher : University of Michigan Press
ISBN 13 : 0472901486
Total Pages : 555 pages
Book Rating : 4.4/5 (729 download)

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Book Synopsis An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists by : Ellen Johnston Laing

Download or read book An Index to Reproductions of Paintings by Twentieth-Century Chinese Artists written by Ellen Johnston Laing and published by University of Michigan Press. This book was released on 2020-08-06 with total page 555 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second half of the twentieth century, studies in Chinese painting history have been greatly aided by several major lists of Chinese artists and their works. Published between 1956 and 1980, these lists were limited to Imperial China. The current index covers the period from 1912 to around 1980. It includes the names of approximately 3,500 traditional-style artists along with lists of their works, reproduced in some 264 monographs, books, journals, and catalogs published from the 1920s to around 1980. With a few exceptions, artists working after 1949 outside continental China are excluded. Revised Edition, 1998; first published by the Asian Studies Program, University of Oregon, 1984.

Chinese Art

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Author :
Publisher : Metropolitan Museum of Art
ISBN 13 : 0870999834
Total Pages : 313 pages
Book Rating : 4.8/5 (79 download)

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Book Synopsis Chinese Art by : Maxwell K. Hearn

Download or read book Chinese Art written by Maxwell K. Hearn and published by Metropolitan Museum of Art. This book was released on 2001 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.

Tracing the Past, Drawing the Future

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Author :
Publisher : Stanford University Museum of Art
ISBN 13 :
Total Pages : 444 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Tracing the Past, Drawing the Future by : Xiaoneng Yang

Download or read book Tracing the Past, Drawing the Future written by Xiaoneng Yang and published by Stanford University Museum of Art. This book was released on 2010 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the Past, Drawing the Futureexamines a crucial turning point in the development of Chinese ink painting in the twentieth century, a change represented by the beautiful and innovative work of four artists, Wu Changshuo (1844–1927), Qi Baishi (1863–1957), Huang Binhong (1864–1955), and Pan Tianshou (1897–1971). With careers spanning over a century of radical change in China, these artists were instrumental in propelling the ancient tradition of Chinese ink painting into the modern era in the face of compelling Western influences. As a group, their work represents an alternative approach to questions of relevance and modernity. This lavish book illuminates the context in which these artists worked, describes their overall contribution to the history of Chinese art, and highlights their individual ideas and achievements. In his introductory essay, Xiaoneng Yang offers a brief historical background for the evolution of modern Chinese painting. Richard E. Vinograd analyzes the ?alternative modernism? represented by these artists, each of whom worked in the brush-and-ink idiom, confronted the shift toward practices of the West, and gave new life through this confrontation to cherished traditions. Essays devoted to each artist are followed by individual entries discussing their works. Featuring more than one hundred works of both painting and calligraphy by the four artists, the book, which is published to accompany a traveling exhibition, also includes a glossary and detailed bibliography.

Chinese Ways of Seeing and Open-Air Painting

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Publisher : BRILL
ISBN 13 : 1684176131
Total Pages : 336 pages
Book Rating : 4.6/5 (841 download)

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Book Synopsis Chinese Ways of Seeing and Open-Air Painting by : Yi Gu

Download or read book Chinese Ways of Seeing and Open-Air Painting written by Yi Gu and published by BRILL. This book was released on 2021-02-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."

China—Art—Modernity

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Author :
Publisher : Hong Kong University Press
ISBN 13 : 9888455915
Total Pages : 248 pages
Book Rating : 4.8/5 (884 download)

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Book Synopsis China—Art—Modernity by : David Clarke

Download or read book China—Art—Modernity written by David Clarke and published by Hong Kong University Press. This book was released on 2019-01-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London

Parting the Mists

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Author :
Publisher : University of Hawaii Press
ISBN 13 : 9780824829520
Total Pages : 246 pages
Book Rating : 4.8/5 (295 download)

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Book Synopsis Parting the Mists by : Aida Yuen Wong

Download or read book Parting the Mists written by Aida Yuen Wong and published by University of Hawaii Press. This book was released on 2006-02-28 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Parting the Mists, Aida Yuen Wong makes a convincing argument that the forging of a national tradition in modern China was frequently pursued in association with rather than in rejection of Japan. The focus of her book is on Japan’s integral role in the invention of "national-style painting," or guohua, in early-twentieth-century China. Guohua, referring to brush paintings on traditional formats, is often misconstrued as a residual conservatism from the dynastic age that barricaded itself within classical traditions. Wong places this art form at the forefront of cross-cultural exchange. Notable proponents of guohua (e.g., Chen Hengke, Jin Cheng, Fu Baoshi, and Gao Jianfu) are discussed in connection with Japan, where they discovered stylistic and ideological paradigms consonant with the empowering of "Asian/Oriental" cultural practices against the backdrop of encroaching westernization. Not just a "window on the West," Japan stood as an informant of China modernism in its own right. The first book in English devoted to Sino-Japanese dialogues in modern art, Parting the Mists explores the sensitive phenomenon of Japanism in the practice and theory of Chinese painting. Wong carries out a methodologically agile study that sheds light on multiple spheres: stylistic and iconographic innovations, history writing, art theory, patronage and the market, geopolitics, the creation of artists’ societies, and exhibitions. Without avoiding the dark history of Japanese imperialism, she provides a nuanced reading of Chinese views about Japan and the two countries’ convergent, and often colliding, courses of nationalism.

Literature and the Arts in Twentieth Century China

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Author :
Publisher : Gloucester, Mass. : P. Smith, 1968 [c1963]
ISBN 13 :
Total Pages : 256 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Literature and the Arts in Twentieth Century China by : Adolphe Clarence Scott

Download or read book Literature and the Arts in Twentieth Century China written by Adolphe Clarence Scott and published by Gloucester, Mass. : P. Smith, 1968 [c1963]. This book was released on 1968 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: