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An Index Of Tunes In The Ballad Operas
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Book Synopsis An Index of Tunes in the Ballad-operas by : William Barclay Squire
Download or read book An Index of Tunes in the Ballad-operas written by William Barclay Squire and published by . This book was released on 1910 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Ballad Operas: a List and Some Notes by : George Tufts
Download or read book Ballad Operas: a List and Some Notes written by George Tufts and published by . This book was released on 1913 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The ballad literature and popular music of the olden time: a history of the ancient songs, ballads, and of the dance tunes of England, with numerous anecdotes and entire ballads by : W. Chappell
Download or read book The ballad literature and popular music of the olden time: a history of the ancient songs, ballads, and of the dance tunes of England, with numerous anecdotes and entire ballads written by W. Chappell and published by . This book was released on 1871 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical Antiquary written by and published by . This book was released on 1910 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Harvard Dictionary of Music by : Willi Apel
Download or read book Harvard Dictionary of Music written by Willi Apel and published by Harvard University Press. This book was released on 1969 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Download or read book Notes and Queries written by and published by . This book was released on 1917 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Musical Quarterly by : Oscar George Sonneck
Download or read book The Musical Quarterly written by Oscar George Sonneck and published by . This book was released on 1924 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Ballad Literature and Popular Music of the Olden Time by : William Chappell
Download or read book The Ballad Literature and Popular Music of the Olden Time written by William Chappell and published by . This book was released on 1855 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780) by : Theophilus Cibber
Download or read book The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780) written by Theophilus Cibber and published by Good Press. This book was released on 2019-11-29 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Harlot's Progress (1733), The Rake's Progress (Ms., ca. 1778-1780)" by Theophilus Cibber. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Book Synopsis A Short History of Opera by : Donald J. Grout
Download or read book A Short History of Opera written by Donald J. Grout and published by Columbia University Press. This book was released on 2003-07-18 with total page 1047 pages. Available in PDF, EPUB and Kindle. Book excerpt: When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Book Synopsis The International Cyclopedia of Music and Musicians by : Oscar Thompson
Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Operas in English by : Margaret Ross Griffel
Download or read book Operas in English written by Margaret Ross Griffel and published by Scarecrow Press. This book was released on 2012-12-21 with total page 1015 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Book Synopsis The Encyclopædia Britannica by : Hugh Chisholm
Download or read book The Encyclopædia Britannica written by Hugh Chisholm and published by . This book was released on 1926 with total page 2342 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Encyclopædia Britannica by : James Louis Garvin
Download or read book The Encyclopædia Britannica written by James Louis Garvin and published by . This book was released on 1926 with total page 1350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis English Minstrelsie by : Sabine Baring-Gould
Download or read book English Minstrelsie written by Sabine Baring-Gould and published by . This book was released on 1895 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Scotland in Music written by Roger Fiske and published by Cambridge University Press. This book was released on 1983-06-02 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the unique attraction Scotland has had for the great eighteenth- and nineteenth-century composers. It is not about Scottish composers, but rather about the music that for two centuries was written and performed outside Scotland by musicians of other countries who had Scotland in mind. Hitherto far more has been known about this attraction in Germany and France than in Britain, but Roger Fiske here puts this right and shows how nearly all the major composers from Purcell to Brahms were affected - most notably Schubert, Mendelssohn and Bruch, but also Haydn, Beethoven, Chopin and Schumann. In particular, Dr Fiske describes the travels of Mendelssohn and Chopin in more detail than has been attempted before. There are two major influences to be found in this enthusiasm for Scotland. The first is Scotch song, a generic term commonly used in eighteenth-century England for a type of popular song. The second is Scottish literature, especially Macpherson's Ossian and the writings of Sir Walter Scott and Robert Burns: Scotland influenced continental literature as well as inspiring some fine music.
Book Synopsis Sources of Irish Traditional Music c. 1600-1855 by : Aloys Fleischman
Download or read book Sources of Irish Traditional Music c. 1600-1855 written by Aloys Fleischman and published by Routledge. This book was released on 2016-12-05 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.