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Americas Black Musical Heritage
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Book Synopsis America's Black Musical Heritage by : Tilford Brooks
Download or read book America's Black Musical Heritage written by Tilford Brooks and published by Prentice Hall. This book was released on 1984 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Skillfully written in an easily understandable style, this comprehensive study of Black music examines a constantly changing art form and its continued influence on today's American music. The Black musician in American society from slavery to present is studied against the background of the social, political, economic, and religious influences on each period. Each Black music genre is discussed separately, allowing flexability of use. In addition, selected Black composers and a representative composition of each are discussed and analyzed. Numerous photographs and musical excerpts help the reader identify with individual artists and their recordings.
Book Synopsis African American Musical Heritage by : Lenard C. Bowie
Download or read book African American Musical Heritage written by Lenard C. Bowie and published by Xlibris Corporation. This book was released on 2011 with total page 575 pages. Available in PDF, EPUB and Kindle. Book excerpt: LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall
Book Synopsis Representing Black Music Culture by : Bill Banfield
Download or read book Representing Black Music Culture written by Bill Banfield and published by Scarecrow Press. This book was released on 2011-10-07 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this collection of essays, interviews, and profiles, William Banfield reflects on his life as a musician and educator, as he weaves together pieces of cultural criticism and artistry, all the while paying homage to Black music of the last 40 years and beyond. In Representing Black Music Culture: Then, Now, and When Again?, Banfield honors the legacy of artists who have graced us with their work for more than half a century. The essays and interviews in this collection are enhanced by seven years of daily diary entries, which reflect on some of the country's most respected Black composers, recording artists, authors, and cultural icons. These include Ornette Coleman, Bobby McFerrin, Toni Morrison, Amiri Baraka, Gordon Parks, the Marsalis brothers, Spike Lee, Maya Angelou, Patrice Rushen, and many others. Though many of the individuals Banfield lauds are well-known to most readers, he also turns his attention to musicians and artists whose work, while perhaps unheralded by the world at large, are no less deserving of praise and respect for their contributions to the culture. In addition, this volume is filled with candid photographs of many of these fellow artists as they participate in expressive culture, whether on stage, on tour, in clubs, behind the scenes, in rehearsal, or even during meals and teaching class. This unique book of essays, interviews, diary entries, and Banfield's personal photographs will be of interest to scholars and students, of course, but also to general readers interested in absorbing and appreciating the beauty of Black culture.
Book Synopsis Lift Every Voice by : Burton William Peretti
Download or read book Lift Every Voice written by Burton William Peretti and published by Rowman & Littlefield. This book was released on 2009 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.
Book Synopsis Black American Music by : Hildred Roach
Download or read book Black American Music written by Hildred Roach and published by . This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text introduces the various types of Pan-African music, from Africa to the Americas. With an emphasis upon the African American composer, this survey uses musical examples and illustrations to pinpoint influences, the slave era, the emergence of the black professional, and contemporary trends.
Book Synopsis Musical Landscapes in Color by : Bill Banfield
Download or read book Musical Landscapes in Color written by Bill Banfield and published by Scarecrow Press. This book was released on 2004-09-01 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sequel to the award-winning The Black Composer Speaks (Scarecrow Press, 1978), this exploration of the creative world of African American composers traces the lives and careers of 40 talented individuals and, in their own words, provides perspectives on a world that has been slow to recognize their remarkable contributions to classical music. The discussion places the music of these composers within the greater context of Western art music, but analyzes it through the lenses of sociology, Western concepts of art and taste, and vernacular musical forms, including spirituals, blues, jazz, and contemporary popular music. Each chapter is devoted to an individual composer, who discusses his or her musical training, compositional techniques and style, and the composer's personal philosophy as reflected in his or her music. A selected list of compositions for each composer is included, as well as a photo and sample of the composer's "hand." Banfield offers unprecedented insight into the history and influence of the African American composer with this documentary, which will appeal to everyone from the music scholar to the general reader.
Book Synopsis Black Rhythms of Peru by : Heidi Carolyn Feldman
Download or read book Black Rhythms of Peru written by Heidi Carolyn Feldman and published by Wesleyan University Press. This book was released on 2006 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: How Afro-Peruvian music was forgotten and recreated in Peru.
Book Synopsis Roots of Black Music by : Ashenafi Kebede
Download or read book Roots of Black Music written by Ashenafi Kebede and published by Africa Research and Publications. This book was released on 1995 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This authoritative and fascinating study of the origins of black music reflects the author's own life experiences growing up in Ethiopia, fieldwork in Africa, and a wealth of research in the US. Tracing the development of songs, instrumental music, dance, blues, and jazz, the book includes biographical sketches of some of the most outstanding musicians of Africa and North America. Essential for all with an interest in black music.
Book Synopsis Steppin' on the Blues by : Jacqui Malone
Download or read book Steppin' on the Blues written by Jacqui Malone and published by University of Illinois Press. This book was released on 1996 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.
Download or read book American Musical Traditions written by and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Bluesman written by Julio Finn and published by Quartet Books (UK). This book was released on 1986 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a meticulously researched study of the roots, spiritual, social and anthropological, of the Afro-American musical form known as the blues. Despite its being arguably the twentieth century's most influential popular art form, the blues' significance and a lot of its vocabulary remain obscure for the majority of its millions of listeners. The author remedied the situation with a learned and wide-ranging survey of the subject, embracing African animist religion, the slave trade, voodoo, hoodoo, the early country blues and its modern urban electric equivalent. The major figures in the music and, most importantly, in the African-American tradition generally, such as Macandal, Zora Neale Hurston, Langston Hughes, and Marie Laveau, are all given their rightful place in the history of the blues' development and the book culminates in a moving study of the music's greatest exponent, Robert Johnson, the very personification of the book's title.
Book Synopsis A City Called Heaven by : Robert M. Marovich
Download or read book A City Called Heaven written by Robert M. Marovich and published by University of Illinois Press. This book was released on 2015-03-15 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.
Download or read book Cultural Codes written by Bill Banfield and published by Scarecrow Press. This book was released on 2009-12-10 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness. By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R&B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music.
Book Synopsis California Soul by : Jacqueline Cogdell DjeDje
Download or read book California Soul written by Jacqueline Cogdell DjeDje and published by Univ of California Press. This book was released on 1998-05-12 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Documented with great care and affection, this book is filled with revelations about the intermingling of peoples, styles of music, business interests, night-life pleasures, and the strange ways lived experience shaped black music as America's music in California." —Charles Keil, co-author of Music Grooves
Download or read book Race Music written by Guthrie P. Ramsey and published by Univ of California Press. This book was released on 2004-11-22 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.
Book Synopsis African-American Entertainment in Baltimore by : Rosa Pryor-Trusty
Download or read book African-American Entertainment in Baltimore written by Rosa Pryor-Trusty and published by Arcadia Publishing. This book was released on 2003 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: African-American Entertainment in Baltimore captures the brilliance of the city's musical heritage from 1930 to 1980. This educational and entertaining volume invites readers to take a visual trip down memory lane to the days when Pennsylvania Avenue, the heart of the city's African-American community, vibrated with life. Celebrated within these pages are entertainers such as The Ink Spots, Sonny Til & the Orioles, Illinois Jacquet, Cab Calloway, Lionel Hampton, Sammy Davis Jr., Slappy White, Pearl Bailey, Billie Holiday, and Ella Fitzgerald; The Avenue's hottest nightspots and theaters including the legendary Royal Theater, The Regent Theater, the Sphinx, and Club Casino; and the DJs and promoters who helped cultivate the city's musical talents.
Download or read book The Banjo written by Laurent Dubois and published by Harvard University Press. This book was released on 2016-03-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The banjo has been called by many names over its history, but they all refer to the same sound—strings humming over skin—that has eased souls and electrified crowds for centuries. The Banjo invites us to hear that sound afresh in a biography of one of America’s iconic folk instruments. Attuned to a rich heritage spanning continents and cultures, Laurent Dubois traces the banjo from humble origins, revealing how it became one of the great stars of American musical life. In the seventeenth century, enslaved people in the Caribbean and North America drew on their memories of varied African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a much-needed sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life. White musicians took up the banjo in the nineteenth century, when it became the foundation of the minstrel show and began to be produced industrially on a large scale. Even as this instrument found its way into rural white communities, however, the banjo remained central to African American musical performance. Twentieth-century musicians incorporated the instrument into styles ranging from ragtime and jazz to Dixieland, bluegrass, reggae, and pop. Versatile and enduring, the banjo combines rhythm and melody into a single unmistakable sound that resonates with strength and purpose. From the earliest days of American history, the banjo’s sound has allowed folk musicians to create community and joy even while protesting oppression and injustice.
